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Art and Art Deadlines.com

Category: Networking

CALL for ENTRIES: Photowork 2011

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!MY HEAD SPINS ROUND

How food looks matters.  There is a reason split pea soup turned up as vomit in The Exorcist.  I love the taste, but let’s face facts folks… split pea soup looks gross.  There is no great surprise that kids find brussel sprouts and wild rice and oatmeal don’t appeal to a large segement of the population.  Why eat peas when you can eat Peeps?  I get it.  But beauty is in the eye of the beholder.  This Call for Entries will give you a chance to show beauty (or not) from your perspective.

Check out this Call for Entries for Photowork 2011 from the Barrett Art Center.  Open to all photographic styles and techniques, this is a great chance to be a part of a prestigious show and gain a fan or two while you’re at it.  Take a look…

Learn more about Photoworks at the Barrett Art Center!CALL for ENTRIES:
Photowork 2011

Photowork 2011 is a premier exhibition of new photographic images. The show is visited by art appreciators from a five-county area including parts of Connecticut and New York City.  As a National show, this exhibition brings together photographers from across the country with artists from 30 to 40 states represented each year.

The spirit of the show is a juxtaposition of traditional styles and cutting edge images. The show celebrates the photograph both as FINE ART and as SOCIAL COMMENTARY.  Winners in the past have included traditional 35mm photographs, silver gelatin prints, digital prints and even pinhole camera pictures!  Cash prizes are also awarded.

Enigma by Susan May Tell from Photowork 2010ELIGIBILITY:  Open to any USA artist for work completed in the last 4 years.

MEDIA:  Photography

DEADLINE:  April 1, 2011

NOTIFICATION:  You will be notified by E-mail and/or phone call of your acceptance or rejection on or about April 8th.

ENTRY FEE:  Entry fee is non-refundable.  Entry fee is $30.00 for the first 4 images, $6.00 for each additional image.

JUROR:  Prior to the Guggenheim, Lauren Hinkson was senior cataloguer for the Department of Prints and Illustrated Books at the Museum of Modern Art, NY, and a fellow at the Museum of Art at RISD.  She received her degree in Art History and Architecture from Brown University.

Altheus and Bernadine Banks of New Orleans by Thomas Neff from Photowork 2009AWARDS:  Recipients of cash awards will be determined by the juror and announced at the opening reception.  Artists need not be present to win.

ABOUT THE BARRETT ART CENTER:   The Barrett Art Center building is the heart of the association and is still used for administrative purposes.  It also provides a meeting place for art enthusiasts and artists alike to view, exhibit, discuss, create, and learn about art.

The Center hosts a changing exhibition program devoted to fine contemporary and traditional works of art.  Prestigious national juried shows in contemporary art (New Directions) and photography (Photo Works) have each been held annually at the Art Center for more than 20 years, attracting hundreds of submissions from across the country.

 Other events held annually at the Center include shows featuring works by members and by our faculty and students, as well as topical shows (such as the recent Latin American show).  The Center also provides space for classes.

For complete details, Download the Prospectus!

Download the Photoworks 2011 Prospectus from the Barrett Art Center!

UPDATE: The Soap Factory Open Call

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!I AM PROUD 

Many of you submitted work to The Soap Factory Open Call.  That is reason enough for me to be proud.  However, I am even more proud that so many of you followed rule #2 of How to CookA watched pot never boils

Despite the fact that the Call said they would notify in March, many of you are antsy and want to know more.  Instead of calling or emailing the gallery, you emailed me.  No problem.  I publicly stated that I was submitting, and I did.  So, I understand why you would email me wondering if I had been notified regarding my entry.

Well, I had reason to converse with Lillian Egner, the Program and Volunteer Manager for The Soap Factory regarding a different call that I will post this week, and I asked, “Is the open call still notifying in March?  My readers are excited and just want to know.”  Here is her reply:

“They will be notified in March, you’re right. We’re actually in the process of sorting through those submissions this week. There are several sessions of sorting and discussion. There are some terrific entries. Thank you so much for all of the support you provide for these open calls. Its one of the things I like best about working at The Soap Factory, but we couldn’t do it without awesome sites like yours.”

“If people have questions you can tell them this. Everyone, yeses and nos are all contacted. So no one will be left wondering. We do the majority of notification by email.”

Bravo to The Soap Factory!

 

In addition to providing stipends and some travel expenses to artists, they also still take the time to notify everyone.  There is a disturbing new trend amongst a few galleries to just post the results on the gallery’s webpage, and I don’t like it.  If you can take my money, you can take the time to send me an email.  So, thank you to The Soap Factory for caring.

Make sure you all email me with the results– good or not so good!  And remember, rejection letters can get you a free entry to the $2 Art Contest!

Have a Great Day!

FEATURED ARTIST: Deanna Bowdish

Learn more about Featured Artist Deanna Bowdish!PIZZA mio!

Choosing a Featured Artist is not about separating the good artwork from the bad. It has become about the challenge of picking from amongst ALL of the good work.  Thanks for that. (*Editor’s Note: The Featured Artist program was retired in 2015 and replaced by the Artist of the Day program.)

Learn more about Deanna Bowdish online!Like many of you, my life is frenzied and full of things that I love… and things that I don’t.  So, I have a soft spot for visual places to rest, for work that makes me smile.  I am tickled pink when I later find beautiful theory behind the work afterall.

This month’s artist has brought a ray of sunshine into my gray February.

 

The Featured Artist chosen from January’s entries is painter Deanna Bowdish. Bowdish’s work is a happy place.  The work is like a challenging tromp uphill through the daises… in 4″ heels.

FEATURED ARTIST:
Deanna Bowdish

 

Deanna Bowdish was born in Solon, Ohio in 1976.  As a toddler, flopping her red paint-soaked body across moms green shag carpeting, Deanna’s father was assured of his daughter’s innate sense for color and balance.  A trip to France and Italy at age 16 to study the great masters compelled Deanna to give up her parents’ hopes of her going into the medical field.  After considerable negotiations with her parents and the promise of an “employable minor,” she was able to follow her dreams and concentrate on a fine art career.  Bowdish painted in the Minneapolis metropolitan area for seven years featuring works in several shows and galleries. 

From the Ripple Series by Featured Artist Deanna Bowdish!In 2002 Deanna stumbled into the Lowcountry of South Carolina to house sit for her sister and began exhibiting at The Gallery in Beaufort, South Carolina.  Bowdish subsequently purchased The Gallery in 2004 fulfilling a long-held dream and creating one of the most dynamic and eclectic assemblies of art in the region.  

She is always experimenting with a new material or a new way of achieving a different outcome with the same materials.  She loves to challenge traditional methods and break the rules.  But when Isuggested her work might be mixed media, I found that she really considers herself a painter.  Take a look at her beautiful commissioned pieces of functional artwork pictured below at the Breakwater restaurant in Beaufort, SC. 

“I consider my work painting and myself a painter, my process just happens to incorporate mixed media right now.  Once I am happy with the painted surface, I then begin the destruction of my creation, usually the most stressful part as I am always hesitant about cutting up such a magnificent creation, but then I quickly recover and go to town with my exacto knife.”

Her work is an explosion of color and texture, creating a frenzy of energy and movement, very much like her own life.  Deanna seeks to find harmony and balance amongst the frenzy.   

Learn more about Featured Artist Deanna Bowdish!“The large surfaces are cut down into smaller components in preparation for the next stage in my process. These pieces are either woven or sewn back together depending on the final piece that I am creating. 

The ripple series is woven then mounted to a permanent surface and covered with resin.  The quilts are sewn back together using the sewing machine.  The final construction phase for both processes is quite exciting as I see a whole new painting coming to life before my eyes.”

“I feel overwhelmed by all the infromation that is thrown or forced at me; emails, mail, texts, television, tweets, facebook alerts, radio ads, billboards, its everywhere coming at me from all angles.”

My life is a game of dodgeball —
me against the information age. 

“The frenzy and frequency of this information could be crippling, but I choose to challenge the waves of information and reintroduce it in my own painted language.”

Art therapy for an optimist.
I may be in love.

 

From the Ripple Series by Featured Artist Deanna Bowdish!But what about the food?  This IS, afterall, a food-themed art blog.  I don’t know if I just attract foodie-artists or artistic foodies.  Or, maybe artists just think that food is the way to my heart because most of the artists I interview have phenomenal culinary tastes.  When Bowdish’s secret tastes were probed?  Pizza and Hawaiian kettle chips.  No joking.  Her honesty is as refreshing as her artwork.

There are a few questions I’m going to have to quit asking… What school of art do you think your work falls into?  The answer is always “an eclectic mixture,” but I think Bowdish’s influences, living and deceased, may be more telling than the amalgumation she claims.  Deceased influence?  20th century abstract expressionist painter Richard Diebenkorn.  One of her living influences?  Painter turned sculptor, Laura Lloyd.  I see how the pieces fit together.

I am really restless for Spring.  I want to walk shoeless through cold grass, and Deanna Bowdish got me as close as I can ask.  Thank you! 

Learn more about Deanna Bowdish online!

Learn more about Featured Artist Deanna Bowdish!

CALL for ENTRIES: Supersize

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!A CLEAN PLATE

One of my favorite parts of fine dining is the amuse bouche.  There is something about knowing that you are only going to get one taste, one bite of a delicious dish that makes you savor the experience.  It is no wonder that the many of the best foods I have ever tasted were an amuse bouche.  This next Call for Entries invites you to do exactly the opposite…wallow in the excess of the supersized. 

Check out this Call for Entries from the Annmarie Sculpture Garden (an affiliate of the Smithsonian Institute) for Supersize: Bigger is Better?. The entry fee is only $20 for up to four pieces, and this is an excellent opportunity to GIVE IN TO EXCESS. Take a look!

CALL for ENTRIES: Supersize: Bigger is Better?

Download the About Face Prospectus!What fuels our fascination with obscene quantities and obsessive amounts?  From supersized to overstuffed, from bulk to buy-one-get-one, we are in a constant quest for more, more, more; yet we decry the after-effects of over-consumption.  How do artists interpret these ideas in their work?  This exhibition explores the art of the supersized.  The jury seeks work that tackles the absurdity of art and life on a grand-scale.  From humorous depictions to critical commentary, the jury seeks work that address these issues through their scale, proportion, and witty approach.

Supersize will be installed in the spacious Mezzanine Gallery of Annmarie Sculpture Garden’s Arts Building. With over 4000 sq ft of exhibition space, moveable walls, high ceilings, tile floors, an Arakawa hanging system, Internet access, and electricity, the Mezzanine Gallery can accommodate all sizes and types of installations.  As Annmarie includes a thirty acre sculpture garden, outdoor works will also be included in Supersize.

Learn more about the Annmarie Arts Center!ELIGIBILITY: All media types are welcome. The exhibition is open to all artists age 18 and older working in the U.S. Video entries must be submitted on DVD, playable on QuickTime or RealPlayer, and no more than 30 minutes in length.

DVD or computer based works must be exhibited on equipment provided by artist. Internet access is available. Bases and pedestals must well-balanced and sturdy. Annmarie has a limited number of bases available, please inquire. All frames must be black or silver and simple in design. All works that will be hung on the wall must have brackets that work with the Arakawa hanging system. More information on this system will be provided upon acceptance.

DEADLINE: March 31, 2011 is the deadline for your application.

Learn more about the Supersize show at the Annmarie Sculpture Garden!NOTIFICATION: Artists will be notified of final acceptance status via email by April 14, 2011.

ENTRY FEE: Artists must submit a $20 non-refundable entry fee for up to four entries. Entry fee must be paid by check, money order, or credit card. Each entry must be submitted with three images of the artwork, including one overall view of the artwork, one detail shot, and one installation shot.

ABOUT the ANNMARIE SCULPTURE GARDEN: An affiliate of the Smithsonian Institution, Annmarie is a thirty-acre public sculpture garden and arts center located in scenic Solomons, Maryland, on the Chesapeake Bay. The sculpture garden features a walking path which meanders through the forest, past permanent and loaned sculpture, including more than thirty works on loan from the Smithsonian Institution and the National Gallery of Art. The garden also presents a variety of special events, gallery shows, and engaging public art programs. The new Studio School offers creative classes taught by a talented faculty. The award-winning Arts Building, which opened in May ‘08, is a 15,000 sq.ft. museum-grade exhibition space that includes two large galleries, a gift shop, café, and a sunny patio that offers lovely views of the outdoor sculpture.

For complete details, Download the Prospectus!

Learn more about the Annmarie Arts Center!

CALL for ENTRIES: Botanical Art Show

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!MY BLACK THUMB

I want to grow my own food.  I WANT to, but when the day starts, I pull on my stilettos and head off to my air-conditioned office where all attempts at growing house plants have withered and died. 

There are no secret overalls and garden clogs in my closet. 

 

I don’t even have fruit trees in  my yard.  My husband and I are thinking of building a shipping container house; maybe I should look for property with fruit trees.  Stilettos AND home-grown food.  If you don’t have a green thumb, this Call will let you take inspiration from nature even if you didn’t grow it.

Check out this Call for Entries from Kentucky Art Speaks for the Botanical Art Show.  The entry fee is as low as $15 for that one perfect piece, plus you could get end up as another future group or solo show!  Take a look…

Learn more about the Botanical Art Show from the Kas Gallery!CALL for ENTRIES:
Botanical Art Show

K.A.S. Gallery in Louisville, Kentucky is seeking entries of botanical art for a national exhibition, May 13 – June 24, 2011.

ELIGIBILITY:
Open to all artists

MEDIA:  Mixed media, photograpahy, oil, acrylic, lithograph, and drawings

DEADLINE:
March 28, 2011

NOTIFICATION: 30 days after deadline

ENTRY FEE:  No more than 5 entries may be submitted per artist. 1 entry $15; each additional entry is $5. Entry fees are non-refundable.

SALES:  K.A.S. Gallery will add a 30% commission fee to the selling price of an art piece. Should your work sell, K.A.S. will retain a 30% commission. K.A.S. will collect sales tax from buyer and pay KY State sales tax.

AWARDS:  Accepted artists may be considered for future group and/or solo shows.

For more information, Download the Prospectus!

Learn more about the Botanical Art Show from the Kas Gallery!

CALL for ENTRIES: 2011 Sequim Arts Juried Show

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!TUNA, LAMB & PIZZA
EVERYDAY

As much as I love food, I truly despise making the decision about what to eat meal after meal.  And no one, except my 11 year old, will say what they really want to eat.  My husband always wants fish, but he couches it in “I want something lighter, healthier.”  I usually want something exotic or rich or covered in sauce, but I usually start with “why don’t we treat ourselves tonight?”  But not my kid.  What does he want for dinner?  Pizza and Swiss Cake rolls.  Every meal, everyday… just ask him.  The juror for this next Call knows what he wants too.  Take a look…

Learn more about Sequim Arts online!Check out this Call for Entries for the 2011 Juried Show from Sequim Arts.  You can enter for as little as $15, and I’ve never read another prospectus where the juror gave such a clear explanation of what he is seeking through description of his own work.  Take a look… 

CALL for ENTRIES: 2011 Sequim Arts Juried Show

 

ELIGIBILITY:  Open to all adult artists. All work must be original in interpretation and composition, not copied from copyright or published art or executed in a supervised class.

Unpacking Portrait 8 by David McCrae Best of Show in the 2010 Juried ShowMEDIA:  Two-dimensional art such as, but not limited to oil, acrylic, water media, mixed media, original prints, collage, pastel, photography, drawing, and assemblage.  Three-dimensional art such as, but not limited to sculpture (any medium), basketry, ceramics, glass, jewelry, and textiles.

DEADLINE:  March 7, 2011

 

NOTIFICATION:  Notification of accepted work will be mailed on March 25, 2011.  Acceptance letters will include instructions for both hand delivered and shipped delivery of work.

ENTRY FEE:  Each artist may submit five entries. Cost for Sequim Arts members: $15 for the first entry; Cost for non-members: $20 for first entry. All additional entries are $5 each. Enter fee non-refundable. Check or money order payable to Sequim Arts.

SALES:  All artwork must be for sale and priced with the intent to sell. A 25% commission will be charged on all sales.

Cab E Net by Juror Mike McCollumJUROR:  Mike McCollum was born in Hoquiam, Washington but acquired many of his artistic sensibilities from the San Francisco Bay Area. “While at UC Berkeley I apprenticed with Peter Voulkos assisting him with 3 major outdoor sculptures.”

“Abstract expressionism is one of my primary influences and I am enamored with the idea of ‘arriving at’ rather than ‘aiming at.’   I want to surprise myself. My job as an artist is to make decisions–what to leave in and what to take out. I see art as a process of reduction–getting rid of the chaff and striving for the essence of the idea. In my career I have worked in many mediums — bronze, ceramics, drawing, painting, printmaking and wood. I start with a basic idea and then it’s a matter of rescuing that idea from all the contrived directions it may take me.”

ABOUT SEQUIM ARTS:  Sequim Arts is a non-profit arts organization located on the Olympic Peninsula in Washington state, with Mount Olympus to the south and Victoria, British Columbia across the Strait of Juan de Fuca to the north.  Sequim Arts was established in 1969.  Many of their artists are nationally recognized and all members benefit from their local community’s appreciation and support.

For complete details, Download the Prospectus!

CALL for ENTRIES: H20 in NY

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WET MY WHISTLE

I’m not a huge fan of drinking plain ol’ water on a regular basis.  However, I recognize the vital importance of water in my daily food experience.  I can’t drink iced tea at my mother’s house because the water is very sulphur-y.  And when I lived in the USVI, it only took one turn cleaning the cistern to teach me to cook ONLY with bottled water in the islands. 

What does water mean to you? 

 

This next call encourage you to stretch your perception of H20 both visually and in written word.

Check out this Call for Entries form Arts Center + Old Forge for their Annual Themed Exhibit H20…an exhibit dripping with art and writing.  The entry fee is reasonable.  The jurors are great.  And here’s your chance to be doubly-successful in art and writing!

CALL for ENTRIES: H20

Learn more about the H20 Exhibit from the Arts Center Old Forge!A chance for artists and writers to slosh around ideas about a simple molecule that fills our streams, ponds, lakes, and rivers. Water offers recreational opportunities, delights us with its naturalbeauty, and indeed provides for life itself. So dip into your imagination and share the ebb and flow of your creative process.

ELIGIBILITY:  The exhibition is open to all living artists and writers age 16 and over.  The theme “H2O” is a flexible guideline to help artists think analytically about their work and to lend continuity to the exhibit.  Interpret the theme creatively; let your ideas flow.  Think about H2O and share your water-inspired work with the world.

MEDIA:  All visual arts media and writing (500 words or less).

DEADLINE:  March 7, 2011

ENTRY FEE:  $24 members/$34 non-members for up to two entries. The entry fee includes a copy of the commemorative exhibition color catalog, an $8 value.

Learn more about the H20 Exhibit from the Arts Center Old Forge!JURORS:  Debra Burrington (Visual Arts Juror) started painting as a young adult, attending classes and workshops throughout New England.   She continued her education by studying design for two years with Lisa Forster Beach of Stowe, VT.   Burrington enjoys attending workshops and exhibiting at the Arts Center/Old Forge and painting with the “Thursday Plein Air Painters” in summers.   She believes that inspiration comes easily in the Adirondacks.

A celebrated watercolorist, Debra has sold paintings throughout New England, in her gallery in Vermont, and presently sells works in her gallery in Old Forge.  

Check out the new Arts Center Old Forge building on Facebook!Bibi Wein (Written Entries Juror) divides her time between the Adirondacks and Manhattan.  She is the author of three books and numerous essays, profiles and short stories.  Her work has appeared in Iris, Mademoiselle, Biography, Other Voices, Kalliope, Redbook, Family Circle, and many other magazines and anthologies, most recently Why We’re Here (Colgate University Press, 2010).

She has been a frequent contributor to Adirondack Life, and is a contributing writer for Wildflower, the magazine of the Lady Bird Johnson Wildflower Center, Austin Texas.  She has judged numerous writing contests, both locally and nationally. 

AWARDS:  Honors and monetary prizes will be awarded. First, second, and third prizes in both visual art and writing will be chosen as well as the “We Know Best Award” determined by the votes of the viewing public. Award winners will be notified by telephone by March 22, 2011.  Please, no phone calls.

For complete details, download the H20 Prospectus!

Learn more about the Arts Center Old Forge online!

CALL for ENTRIES: Seeing Seeing

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!GOODBYE STRAINER

I’m getting a little jaded about kitchen gadgets.  I love them, but I am fairly regularly disappointed by their results.  But, I have to admit that I’m really excited about the new FoodPod.  Too Cool.  Okay, my faith is renewed in kitchen gadgets.  Use this next Call to renew my faith in your ability to take a great picture from your cell phone.  Whatcha think?

Check out this Call for Entries from Creative Arts Workshop (CAW) for Seeing Seeing: Capturing a Moment.  You can even use your cell phone to take pictures for this juried exhibit… and you might even win a joint show.  Take a chance today!

Call for Entries:
Seeing Seeing: Capturing a Moment

Learn more about the Seeing Seeing Exhibit from Creative Arts WorkshopSpecial photographs capture a moment in time of somewhere, someone, something in a way that leaves us spellbound. They reveal, tell, relate, inform, depict what we didn’t really know existed, and leave us wanting for more.

With the proliferation of cameras of all sorts, it’s no wonder everyone sees themselves as a photographer of one form or another.  All of these tools beget an enormous number of images created by almost anyone who can get their finger on the “shutter.”  But how many of those images are so remarkable we are left breathless as we are introduced to a new insight – a new way of seeing something, perhaps even something familiar?

MEDIA:  Open to all photographic formats.  The juror welcomes entries from all types of photographic equipment (i.e., cell phones, laptop cameras, etc., as well as digital or film cameras).

Learn more about the Seeing Seeing Exhibit from Creative Arts WorkshopELIGIBILITY:  Open to all artists

DEADLINE:  March 11, 2011

NOTIFICATION:  April 11, 2011

ENTRY FEE:  One $30 entry fee covers up to three entries.

AWARDS:  Two winners awarded joint exhibition in 2012.

ABOUT THE JUROR:  Science photographer Felice Frankel is a research scientist in The Center for Materials Science and Engineering at the Massachusetts Institute of Technology.  Working in collaboration with scientists and engineers, Frankel’s images have been published in over 300 journal articles and/or covers and various other publications for general audiences, including National Geographic, Nature, Science, Angewandte Chemie, Advanced Materials, Materials Today, PNAS, Newsweek, Scientific American, Discover Magazine and New Scientist.

Learn more about Felice FrankelHer new book
No Small Matter:
Science on the Nanoscale

is co-authored with
George Whitesides.

 

Frankel and her work have been profiled in the New York Times, Wired, LIFE Magazine, the Boston Globe, the Washington Post, the Chronicle of Higher Education, National Public Radio’s All Things Considered, Science Friday, the Christian Science Monitor and various european publications. She exhibits throughout the United States and in Europe.  Her limited edition photographs are included in a number of corporate and private collections.

ABOUT CREATIVE ARTS WORKSHOP:  CAW is a community art school devoted to fostering creativity through participation in and appreciation of the visual arts.  CAW has served the Greater New Haven area since 1961, offering classes in fine arts and crafts to more than 3,000 adults and young people every year in its fully-equipped studios located in downtown New Haven.  The Workshop’s two-story Hilles Gallery presents exhibitions to the public free of charge throughout the year.

For complete details, Download the Prospectus!

Learn more about the Seeing Seeing Exhbit from Creative Arts Workshop

CALL for ENTRIES: On Being Human

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WELL, MASH MY TATERS

We’ve been told to err is human (by Alexander Pope) but I believe to eat is divine.  Eating is a life experience that we all share regardless of our culture.  Although, culture certainly plays a big part in our culinary experience.  My child snickered like Beavis and Butthead when I called his sausage and potato dinner bangers and mash.  This call is a chance for you to share your own cultural viewpoint.

Check out this Call for Entries from the Picture Art Foundation for On Being Human: Love, Faith, Shame and Hope.  There is no entry fee and you have 5 opportunities to win up to $2000.  Don’t miss your chance…

CALL for ENTRIES:  On Being Human

Learn More about the On Being Human Exhibit!The PICTURE Art Foundation seeks artwork for a juried art exhibit, May – November 2011 at PICTURE Cultural Art in Carson, CA.  All humans share many of the same life experiences regardless of their culture, location or ethnicity.  This exhibit highlights these similarities while showcasing the unique interpretations of different cultures.

MEDIA:  Open to all media that illustrate a cultural, single or multi, interpretation of the exhibit theme.

ELIGIBILITY:  Open to all artists. Limit of 3 pieces per artist per category.

CATEGORIES:  Love, Faith, Shame and Hope.

 

Learn more about PICTURE Art Foundation online!ENTRY FEE: 
None

DEADLINE:
February 28, 2011

JURY PROCESS: The jury will use the following criteria in its selection: Representation of the Exhibit Theme, Cultural Identification, Quality of the Artwork, and the Artist’s Reputation and Credentials.

AWARDS:  $5000 will be awarded to the winners; $2000 for overall best of show and $750 each for the best in four thematic categories (Love, Faith, Shame and Hope).

CATALOGUE:  A full color exhibit catalogue will feature every piece selected for the exhibit.  Two complementary copies of the catalogue will be sent to every participating artist/collector.

For complete details, visit the Picture Art Foundation’s website!

CALL for ENTRIES: 2011 I-Park Environmental

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!I’M A TRASHY GIRL

Did you know you can go green in the kitchen?  Aside from the obvious measures of choosing foods with less packaging, limiting waste and reusing containers, you can also compost.  I’m not talking about those huge composters that conjure images of big stink trash cans.  I’m talking about countertop composters.  This next call invites you to explore environmentally-friendly art options.

Check out the Call for Entries for the 2011 I-Park Environmental Art Program which is part Artist Residency and part Art Installation.  This is a great opportunity to be green AND get your art out there.  Take a look…

CALL for ENTRIES: 2011 I-Park Environmental Art Program

Red Balloons by Alice BettsI-Park is pleased to announce that it will be hosting its third international, multi-disciplinary Environmental Art Biennale on September 10, 2011.  This will be preceded by a 3-week residency that begins on August 23, 2011.  This residency is exclusively for the artists who will be creating pieces for this event.

I-Park’s interest in environmental goes back to its early years as an artists-in-residence program. Visual artists in particular were drawn to the rich, varied natural landscape existing at I-Park and were permitted to create modest pieces on the land. This evolved into a practice of active staff support and encouragement for more ambitious installations. In 2007, a separate residency session was created, devoted solely to the field of environmental art; a successful exhibition was held later that year. 

Glass Bottom Livingroom by Ted EfremoffELIGIBILITY:  Artists working in the following fields:  Environmental sculpture/installation, Landscape/garden design, Music composition, sound sculpture/design, Performance art, Written/spoken word/interpretation, Photography, video, moving image, Inter-disciplinary

MEDIA:  I-Park now views environmental art as a multi-disciplinary field and also encourages inter-disciplinary collaborations. The artistic engagement of the site for this program can involve site-responsive aesthetic interventions, the creation of new outdoor spaces and environments, conceptual investigations and projects that re-imagine our relationship to nature.

DEADLINE:  The application deadline for the program is February 28, 2011.

AWARDS:  $2,000 per participant to cover artist’s fee and material costs. Limited transportation cost reimbursement is provided.  Lodging & meals provided during the residency.

For more information, visit the I-Park website!