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Category: 3 Dimensional

CALL for ENTRIES: Coup d’espace ‐ Palimpasest

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in the

DEEP END

Thanks for your patience this week while I took a little unscheduled hiatus.  Sometimes you just have to take a break and reset.  We are making some significant changes to our dietmoving toward less meat and dairy.  In addition, our musical engagements have picked up; I have art submissions to finish, and let’s not forget…blogs to post.  The layers of information I sift through everyday can be overwhelming, and then this Call fell into my lap.  So appropriate. Layers and layers and layers…

Check out this Call for Entries for Coup d’espace ‐ Palimpasest from the Washington Project for the Arts, a group show that explores Layers of Information.  There is no entry fee, but the deadline is only a couple of weeks away.  Don’t delay…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Coup d’espace ‐ Palimpasest, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Coup d’espace ‐ Palimpasest

 

Visit the Washington Project for the Arts for complete details!

We live in a society of layers. Information is plied upon other information. Metadata automatically becomes part of every digital image. Museum exhibitions now include QR codes for additional information. The recent Experimental Media 2012 exhibition included them. The National Gallery and the Museum of Natural History use them.  They are ubiquitous. 

But what if the QR code became the contemporary representation of information? What if this encoded symbol displaced the original information? It wouldn’t be the first time that newer “text” has superseded the old.  Throughout the history of the written word, parchments and vellum have been scraped clean of their original text and reused. Over time, that original text (the scriptio inferior) resurfaces through natural means or scientific research. An immediate relationship between the original text and new text is constructed through their juxtaposition. –from the Prospectus

ELIGIBILITY:  Open to all artists

MEDIA:  Any medium that explores the concepts of Layering and Information. Artists are encouraged to think beyond just the techniques of layering (i.e., Photoshop).

Check out work from Curator Steven H Silberg!DEADLINE:  Monday, July 16, 5pm EDT

NOTIFICATION:  Monday, July 23, 2012

ENTRY FEE: None

CURATOR:  Steven H Silberg, independent artist & Lecturer of Fine Arts at UMBC and Neil C Jones, independent artist & Professor at MICA and Anne Arundel Community College.

SALES:  WPA will take a 50% commission on works sold.

For complete details, Download the Full Prospectus!

Download the Prospectus from the Washington Project for the Arts!

FEATURED ARTIST: Heather Workman Rios

Featured Artist Heather Workman RiosBACON, my salty friend

Every once in a while, I find a kindred spirit.  Some make me laugh so hard that my beverage squirts out my nose.  Some become an inspiration & motivation. And this one just understands.  I get her point of view just like I get that bacon makes everything better.

This artist has taken a less-than-traditional upbringing and turned it into life lessons for those that crave a little sweet with their salty.  Like bacon on a cupcake.  I am proud to announce the Featured Artist  Heather Workman Rios. Her artwork captures the joy of the ideal without falling prey to the sappy sentiment that often accompanies it. I find myself smiling and having my faith renewed.  Clever girl.

Featured Artist Heather Workman Rios!FEATURED ARTIST:
Heather Workman Rios

When she was very young, Rios lived in rural West Virginia in a pink farm house with no running water.  Her parents were hippies who had a gigantic vegetable garden, and raised chickens (her best friends).   “We dressed how we wanted (often a t-shirt with nothing else), and I had no interactions with the “outside” world until I was nearly four years old.   Then we moved to Morgantown, West Virginia, and I remember going grocery shopping with my grandmother.  Everyone commented on what a ‘cute little boy’ I was, and my grandmother was outraged.

“I couldn’t understand why.  I knew I was a girl.  Why was my grandmother so upset, after all, they thought I was ‘cute’!  Not too long afterwards, my grandmother took me clothes shopping, and began making clothes for me (dresses, mostly pink), and I soon learned that pink was the “girl” color.

Your milk is poison and your mother’s milk is poison by Heather RiosMy training had begun.

“My work chronicles my perception of human nature. They are clearly tainted by my stringent regimen of old fashioned, American gender training.  They display my love/hate relationship with the American concept of what it means to be a woman.”

I love the retro feel of your imagery contrasted with the dark undertone. Talk to me about that. “I have this love/hate relationship with anything from post WW2 to the mid sixties.  It was a really strange time in America because the War was over and people were optimistic and trying to build these sweet, innocent little domestic lives.  Yet many of them were also building fallout shelters and there was still segregation and all kinds of crazy stuff was going on.  To me this era epitomizes the  struggle that is much of the content of my work.  I believe people are inherently good, but yet they have this propensity towards choosing evil.”

El comienzo de mi muerte by Heather Rios!Do you consider yourself a painter? Something else? “To me, it’s not really about the media but about the content.  I’ll use whatever I feel fits the need of work I want to make.   I tend to reach for paint the most, probably because of it’s plasticity.  About 90% of my art is oil on wood panel.   I sometimes use bits of collage or cut-out paper.  I sort of like to keep people guessing as to which elements are collage and which are painted, but most of it is paint.  I’ve done sculptures and printmaking, and other mixed-media works also.” 

I’m a sucker for portraiture. Why do people feature so prominently in your work? “It’s funny because even though I spent most of my childhood in nature, the most interesting things to me, even out in the forest, were the man-made– in the form of artifacts that we never found.   I am just fascinated in general with human beings.

The assassin by Heather Workman Rios!“I attempt to look at modern humans from an outside perspective–like an anthropologist studying an extinct people group.  Material culture intrigues me– clothing, hairstyles, toys, etc.

“The human body really hasn’t changed that much in thousands of years, but our material culture changes constantly, and we impose an enormous amount of meaning on many of our objects.”

You know we have to talk about food. What is your favorite?  “It has to be bacon.  My favorite combo at the moment is bacon with fried plantains.”

Bacon really goes with everything–especially vegetables.

 

“I’m Italian and my husband is Puerto Rican, so I’ve been trying to combine our food together into new recipes.  So far I’ve discovered we have a mutual love for pork and garlic–but I don’t eat garlic unless he eats it too.” Wise move, sister.

Wasted time and horrible miscalculations by Heather Workman Rios!What about snack foods? “Anything Italian, anything fresh or crunchy.  Cheese is good…and bacon!” Italian, cheese and bacon.  I love you, Heather Rios.

So, what’s coming up next for you? “I don’t really have any big plans for my life right now.  I just plan to keep making art and see what happens.”  Once a hippie, always a hippie?

Thank you, Heather for giving me a dose of salty and sweet along with a wicked smile.  You have reminded me WHY I keep producing work.

Learn more about Heather Rios online!

Learn more about Featured Artist Heather Workman Rios!

Save

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CALL for ENTRIES: YICCA 2012

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this out

I am fascinated by the influences of one culture on another culture’s food.  Czech cuisine is heavily influenced by Germany and Hungary’s schnitzels, strudels and goulashes.  But the three national foods always found on the menu are vepro, knedlo and zelo (pork, dumplings and cabbage respectively).  This next Call could be a great way to sample these specialties first hand.  Take a look…

Check out this Call for Entries for Young International Contest of Contemporary Art (YICCA 2012) which is open to all artists and all media for an exhibition in The Chemistry Gallery in Prague.  This is a great chance to visit Prague at their expense…

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Learn more about the YICCA 2012! CALL for ENTRIES:
YICCA 2012

“YICCA is an ambitious project regarding transparency, comparison and research of new artistic talents.  Nowadays it is becoming more and more difficult to comply with the requirements of art market, in particular – facing the challenge of competing with the constantly increasing number of newly arising artists in the contemporary art field.  YICCA was founded in 2009. The decision of its foundation was taken under the great influence of new ways of making and thinking art that recently have discovered many surprising and unusual forms of art.  This general confusion and rapid change of offers is without any doubt challenging and extremely exciting.  The main goal of YICCA is to understand and to improve  new talents that in this ‘beautiful chaos’ are able to interpret better the upcoming art.” –from the YICCA website

ELIGIBILITY:  Open to all artists age 18+

MEDIA:  All media, including video, installations and performances.

Learn more about The Chemistry Gallery!DEADLINE:  July 31st, 2012 (Extended on 7/20)

NOTIFICATION:  August 13, 2012

ENTRY FEE: 30 Euros (~$37.50 USD)

JURORS:  Anabelle Rodriguez is an independent curator and visual arts consultant for collectives, institutions, and organizations throughout Philadelphia and New York City. She is the Founding Director of the ~curARTorial LAB, currently housed at The Malkovich in Crane Arts Old School.  Brad Clark is a Journalist, Writer and Curator that writes for various magazines and publications around the subjects of contemporary Fine Art, Graphic Design, Photography and Modern Aesthetic Theory.

Learn more about the YICCA 2012! Born in South Africa, Claire Breukel began her career curating the 2002 Cape Town Month of Photography biennale and the Vision Photography Festival before being introduced to Miami by the Rubell Family Collection.   Born in 1978, Sara Liuzzi is an art historian with a degree in Conservation of Cultural Heritage from the University of Siena, in Arezzo, with thesis in History of Contemporary Art: “Studio Azzurro”, she has studied and worked professionally in Arezzo (Tuscany), Milan and London.

AWARDS:  The selected by the jury artists will have the opportunity to exhibit their participating work in Prague, in “The Chemistry Gallery” in the period between October 4 to 25, 2012. They will be included in “Yicca 2012” catalogue, as well, and finally the artists will be invited to stay in Prague on the opening day at the expense of A.p.s Moho Association.

For complete details, Read the Full Call!

Learn more about the YICCA 2012!

CALL for ENTRIES: The Art of Jazz

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to love

Love tapas.  Have you ever noticed how tapas restaurants in the US tend to be an intoxicating blend of soft light and jazz wafting through the air? They are great for date nights, and perfect for improvisational indulgence.  This next Call wants your take on all that is jazz.  Take a look…

Check out this Call for Entries from the LH Horton Jr Gallery found on the campus of San Joaquin Delta College (California) for The Art of Jazz.  There is no entry fee for this group show opportunity, and the commission is only 20% on sales.  Be inspired…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: The Art of Jazz, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the LH Horton Jr Gallery!CALL for ENTRIES:
The Art of Jazz

 

The LH Horton Jr Gallery is a non-profit art gallery located on the campus of San Joaquin Delta College in Stockton, California. The Gallery provides excellent exhibition opportunities, with over 2000 square feet of exhibition space, an extended 22 ft. ceiling with mounts, and over 1200 visitors to each exhibition.

ELIGIBILITY: Open to all artists residing in the US.

MEDIA: The exhibition will present works that demonstrate the celebration and inspiration of the improvisational characteristics of Jazz – its distinct sound, history, and culture.

Learn more about The Art of Jazz from the LH Horton Jr Gallery!Entry is open to all artistic styles and mediums: 2D (painting, photography, printmaking, collage, etc), 3D (sculpture, ceramics, etc.), visual/audio installation, and interactive works.

DEADLINE:
August 14, 2012

ENTRY FEE: None.

JUROR: Jan Marlese, Gallery Director, and M.J. Wamhoff, Dean of Art & Communications.

AWARDS: Artists selected for exhibition will be paid a stipend of $200 to $500, to be negotiated upon selection.

SALES:  All accepted works must be for sale during the show, with the exception of installation works as approved by the Gallery Director. The Gallery is responsible for all sales, and will retain a 20% commission from the sale of artwork.

For complete details, Read the Full Call!

Learn more about the LH Horton Jr Gallery!

CALL for ENTRIES: Laumeister

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!EXTRA BACON,
please

Vermont makes me think of club sandwiches.  Vermont conjures images from the movie White Christmas of Bing Crosby, Danny Kaye, Rosemary Clooney and Vera Ellen singing “Snow, Snow, Snow” in the dining car on their way to rescue a ski resort sans the snow.  Just prior to their spontaneous singing escapade (complete with napkin mountains, parsley trees and sugar snow), they were eating clubs.  Vermont = club sandwiches.  Have one with extra bacon for me when you make it into the exhibit for this next Call.  Take a look…

Check out this Call for Entries from for the 4th Annual Laumeister Fine Art Competition at The Bennington Center for the Arts (Bennington, VT).  The entry fee is about average, but the cash awards are great compared to the usual competitions.  Don’t miss this opportunity…

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Learn more from The Bennington Center for the Arts!CALL for ENTRIES:  Laumeister Fine Art Competition

 

ELIGIBILITY:  Open to all artists

MEDIA:  Figurative, still-life, landscape and other representational subjects are being accepted for this exhibit.

DEADLINE:  June 30, 2012

NOTIFICATION:  Early July

ENTRY FEE:  $35 for up to 2, $15 per add’l

JUROR:  Scott Christensen‘s work has been exhibited in many prestigious museums and shows throughout the country, such as National Academy of Western Art, Prix de West Invitational at the National Cowboy and Western Heritage Museum in Oklahoma City, OK, the Gilcrease Museum in Tulsa, OK, National Museum of Wildlife Art in Jackson, WY, Denver Art Museum, Kimbal Museum, Salmagundi Club in New York, Autry Museum, Salon d’ Arts at the Colorado History Museum.

Learn more about Juror Scott Christensen!Christensen has been a recipient of many honors throughout his art career including Arts for the Parks competition in 1991; Northwest Rendezvous Juror’s Award of Merit in 1993 & 1994 and the Prix de West Award for his painting “Wind River Ice” in 2000. This painting as well as 61 others is reproduced in Christensen’s 140 page book published in 2000 titled The Art of Scott L. Christensen.

AWARDS:  First Place: $4,000, Second Place: $2,000 and Third Place: $1,000.

SALES:  All work must be for sale. The Center will retain 40% of two-dimensional work and 30% on three-dimensional work when the piece is sold.

For complete details, Read the Full Call!

Learn more from The Bennington Center for the Arts!

REMINDER: Edges & Curves

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REMINDER:

AGED to PERFECTION

My taste buds are aging well. I can still tell the difference between Parmesan, Romano and Asiago cheeses–even in bad grocery-store-powdered form. And, I have fallen newly in love with beets. My art is getting better too. Who knew? Well, the Haggus Society knew; that’s who. This next Call want to prove that we all get better with age. This is a great opportunity!

Check out this Call for Entries from The Haggus Society for the 2nd Annual Edges & Curves, Nothing In Between exhibit which will be held Upstairs at The Market Gallery (Los Angeles, CA). To ensure full disclosure, I want to make sure you know I am a Hag member, in good standing. Take a look…

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Read the Full Call from The Haggus Society!CALL for ENTRIES:
Edges & Curves,
Nothing in Between

 

Last year, 2011, the Haggus Society presented the 1st annual Edges & Curves, Nothing In Between exhibition which successfully challenged the myth that older artists have little to no edge.

This year’s theme “Close Your Eyes” will explore wedge issues presented in the public discourse via all channels of media consumption.

ELIGIBILITY: Open to any artist 40 years and older

Read the Full Call from The Haggus Society!MEDIA: 2D (no larger than 32″ x 44 inches), small 3D (no larger than 14″ x 10″ x 8″inches). They are considering opening up the exhibition to performance, music, spoken word/poetry. So, feel free to send those media as submissions, too.

DEADLINE: July 4, 2012

ENTRY FEE: $12.50 for up to 6 images for non-members. Submission fees are waived for Haggus Society members in good standing.

JUROR: Natalie Abrams’ work examines suspending moments in time; the physical and textural experience of those moments, the delicate beauty of our surroundings and the difficulty of preserving the present. An environmentalist, Abrams’ abstract landscapes were first exhibited at the R&F Gallery in the three person show “Not Seeing the Forest”.

Learn more about Fractured Atlas!Using a technique as fluid and unpredictable as nature itself, led to the development of her highly sculptural ribbon paintings; pieces which blur the line between painting and sculpture. The ribbon works have been exhibited in national exhibitions including the Third Annual Encaustic Invitational, as a highlighted artist at Ball State University with Encaustic Works 07, as well as the 2010 book “Encaustic & Beyond”.

Abrams’ latest work further explores humanity’s relationship to our surroundings in the form of sculptural landscapes and topography, and the mirrored societal relationships therein. Development of this work into freestanding installation works will be the focus of her upcoming Affiliate Artist Residency with the McColl Center.

SALES: The Haggus Society receives a 40% commission from all art sold. Please include this in your pricing. If a work is not for sale please indicate with NFS.

*The Haggus Society is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the purposes of The Haggus Society must be made payable to Fractured Atlas and are tax-deductible to the extent permitted by law.

For complete details, Read the Full Call!

Read the Full Call from The Haggus Society!

 

CALL for ENTRIES: Honoring Women’s Rights

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memories

One of my first real memories of (what I thought was) cooking is inseparable from the music of Helen Reddy.  Yup.  I was standing on a stool, at around age 8, in front of the stove stirring canned corn in a pot singing “I am woman, hear me roar” at the top of my lungs.  Bizarre then.  Bizarre now.  Bizarre always.  This next Call wants an entirely different perspective, I suspect.  We’ve come a long way baby…

Check out this Call for Entries from four chapters of the Women’s Caucus for Art for Honoring Women’s Rights at the National Steinbeck Center (Salinas, CA).  Entry fee is reasonable; jurors are stellar; and, you have a lot to say.  Say it with art…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Honoring Women’s Rights, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Honoring Women’s Rights

Learn more about the Honoring Women's Rights exhbit sponsored by the WCA!

Historically women play a central role in the struggle for Civil Rights, yet their voices and experiences are generally ignored.  We believe their roles should be examined and
interpreted.  We propose an exhibition to visually interpret this struggle, from the local Salinas Valley community to the global level.  By promoting and striving for protection and actualization of women’s rights, we are paving a path for a stronger and fuller civil and personal life. We can join our visual voices together to create authentic recognition, validation and compassion for each other.  We can review our collective history as females, take stock of our present positions and envision our future, knowing what we want to improve, empowering ourselves and those who follow us.  Rise to the challenge given by Hillary Rodham Clinton in her remarks to the U.N. 4th World Conference at the Women Plenary Session, in Beijing, China, Women’s Rights Are Human Rights!

“The great challenge…is to give voice to women everywhere whose experiences go unnoticed, whose words go unheard.”

 

Learn more about the Women's Caucus for Art! ELIGIBILITY:  All self-identified women in the US

MEDIA:  All media accepted

DEADLINE:  June 17, 2012

NOTIFICATION:  July 20, 2012

ENTRY FEE:  $25/3 for WCA members, $35/3 for non-members and $15 install fee for those accepted.

JURORS:  Dr. Joyce Aiken, Professor Emerita of Art from California State University, Fresno, taught Feminist Art from 1973 to 1992 when she retired from full time teaching, but continues to teach for the University in their London Semester Program.  She was the Director of the Fresno Arts Council from 2004 to 2008 and represents them as the Public Art Consultant for both the City and County of Fresno.  Her current art is conceptual and centers on social issues.

Separating the Waters by Dr Ruth WeisbergDr. Ruth Weisburg, Professor of Fine Arts and former Dean at the Roski School, University of Southern California, received the Foundation for Jewish Culture’s 50th Anniversary Cultural Achievement Award in September 2011.  Weisberg has had over 80 solo and 185 group exhibitions, including a recent major exhibition at the Norton Simon Museum, Pasadena and a retrospective, at the Skirball Museum, Los Angeles as well as a solo exhibition at the Huntington in San Marino.   Her work is included in sixty major Museum collections.

Patricia Rodriguez, co-founder of the “Mujeres Muralistas”, is one of the first Chicana Artist to create a course on Chicano Art History and a reader for the Chicano Art History course, at UC Berkeley 1977.  She also taught at The Institute of American Indian Arts , Espanola Community college, and at Los Alamos Community College.  Having just completed a 10-year career as gallery curator, for Mission Cultural Center for Latino Arts, Ms. Rodriguez continues to curate shows, through the Internet and locally.  Her exhibition artwork has been monotype prints, box constructions, in the Bay Area; The Museum of Modern Art, Smithsonian, Mexican Fine Arts Museum, Daniel Saxon Gallery, and De Young Museum, The Triton Museum and many other community galleries and venues.

For complete details, Read the Full Call!

Learn more about the Women's Caucus for Art!

CALL for ENTRIES: The Art of Food

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!STUFFED

My food obsession strikes me as, well, obsessive sometimes.  I cannot explain it really.  As a kid raised by a single father, dinner was our time to hang out.  Once I was old enough to cook (age eight), food became my familial contribution. As a teenager, food was comfort.  And as a fully-grown adult, food is often my adventure amongst the many jobs that limit my time: executive, blogger, artist, musician, and last-but-not-least, mother.  It is a passion, an entertaining and delicious escape as well as a quest for health.  My desire to have you all enter and represent with this next Call has obvious motivation.  Make me proud…

Check out this Call for Entries from the Dawson County Arts Council  for The Art of Food for exhibit at the Bowen Center (Dawsonville, GA).  This show is open to all media, including the written word. Investigate…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: The Art of Food, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about The Art of Food from the Dawson County Arts Council!CALL for ENTRIES:
The Art of Food

 

Food is vital to our lives, but its concepts and standards are as diverse as the culture that consumes it. What is the connection between food and art?

The Art of Food, calls for artists and writers who seek to explore representations of food, food consumption, food production, culinary traditions and emotional manifestations of this relationship.

ELIGIBILITY:  Open to all artists.

MEDIA:  Open to all art media including the written word, traditional to contemporary work, 2D or 3D, using a singular method or using a variety of techniques and imaginative interpretations.

Learn more about The Art of Food from the Dawson County Arts Council! DEADLINE:  June 16, 2012

NOTIFICATION:  June 30, 2012

ENTRY FEE:  $35 for nonmembers of DCAC and $25 for members of DCAC.  Writer jury fee is $10 for nonmembers of DCAC and $5 for members of DCAC.

JURORS:  Kathy Rennell Forbes earned her BFA in Art and Art Education at the University of Georgia. The artist has exhibited in many solo art shows and has won awards in local, regional and national shows. She teaches art classes in the Atlanta area and workshops around the country. Kathy works in watercolors, acrylics and oils. Her representational paintings are in private and corporate collections throughout the United States, Australia and Europe, to include the French Olympic Committee in Paris. She is a Signature Member of the Georgia Watercolor Society and past President and is a Member of Excellence in the Atlanta Artists Center.

Learn more about The Art of Food from the Dawson County Arts Council!Tonette Taylor Long earned her Ph.D. in British Literature from Florida State University in Tallahassee. Her M.A. in British Lit. and her B.A. in French are from Auburn University. Excluding seven years of graduate school teaching, she has taught at the college or university level for eighteen years. She authored a reference book, edited a collection of scholarly essays, and published a number of scholarly articles and reviews on Southern women writers.

AWARDS: Visual art:  Best in Show $500, Award of Merit (1) $250 and Honorable Mentions $125.  Writing Art:  Best Literary Piece $150, Literary Award of Merit $75, and Literary Honorable Mentions $50.

For complete details, Read the Full Call!

Read the Full Call from the Dawson County Arts Council!

REMINDER: Art Inter/National

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REMINDER:

EAT your
HEART out!

While watching a TV show about how salami is made, my son announced that eating the organs of an animal is wrong. However, when I explained all the things that his new belief would eliminate from his menu, he then asked, “Do they at least WASH the intestines first?” Hehehe. These days I prefer my animal organs in the form of chicken pate, but I will have to start keeping the ingredient list to myself, apparently. This next Call for Entries involves a different sort of heart all together. This could be an excellent opportunity…

Check out this Call for Entries from the Boxheart Gallery (Pittsburgh, PA) for the 2012 Art Inter/National Exhibition. There is no entry free and no media restriction on this exhibit. Don’t miss this chance!

*Editor’s Note: If you have read the personal portion of this post, REMINDER: Art Inter/National, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the Boxheart Gallery!CALL for ENTRIES:
Art Inter/National

 

Art Inter/National is a celebration of artistic expression from all over the world. It’s an exhibition that displays how the space one occupies both influences and guides the creative process.

ELIGIBILITY: Open to all artists.

MEDIA: Open to all media. Box Heart encourages diversity in the media used to create the work, in the artists and his/her interpretation of Art Inter/National. There are no limits or boundaries, no categories or types.

Work by Kuzana Ogg - Art Inter/National's 2012 Best of Show Winner!DEADLINE:
November 1, 2012

NOTIFICATION:
December 1, 2012

ENTRY FEE:
No entry fee.

AWARDS: One artist will receive the Best of Show Award. This artist is awarded Box Heart “Artist of the Year” and receives their own Solo Exhibition in the 2013 Exhibition Year. This includes Gallery Representation with Box Heart Gallery.

SALES: 40% Commission on all sales. (All work must be for sale.)

For complete details, Read the Prospectus!

Learn more about the Boxheart Gallery!

CALL for ENTRIES: Appropriated Gender

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Gender roles and alcoholic beverages are laughable.  Out of town on business this week, I was sitting in the hotel bar watching women ordering glasses of wine and brightly-colored martinis while men ordered beer and brown liquors.  Really, people?  I know I live in the South, but do we really have to fulfill this stereotype.  Kudos to the couple in the corner– he ordered a daiquiri (umbrella included), and she order a shot of something brown.  You saved my night, folks.  This next call is all about challenging notions of gender.  Take a look…

Check out this Call for Entries for Appropriated Gender at the 1310 Gallery in Ft. Lauderdale, Florida.  The entry fee is dirt cheap, and there is so much to say within this theme.  Investigate and enter…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Appropriated Gender, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the Appropriated Gender show!CALL for ENTRIES: Appropriated Gender

 

The “Appropriated Gender” curatorial vision embraces diverse visual art and performance interpretations of gender perception and self-identity. It is the curator’s aim to examine how gender is portrayed visually, enlighten and challenge the audience, stimulating cultural discussion.

ELIGIBILITY:  Open call for all visual & performance artists whose work relates to the topic of gender.

MEDIA:  Open to all media, but contemporary approaches are encouraged, including 2D, 3D, Mixed media, Collage, Painting, Printmaking, Photography, Digital art, Sculpture, Assemblage, Video art, and performance art. Art must have been created within the last 10 years.  They also encourage proposals for performances and site-specific Installation art with explanation, including documentation of examples of previous work.

Learn more about the Appropriated Gender show at the 1310 gallery!DEADLINE:
August 19, 2012

NOTIFICATION:
By September 5, 2012

ENTRY FEE:  $15 for up to 10 images.

If accepted, each artist will be asked to pay a one time, $10 participation fee (on top of the jury fee) to go towards costs of the exhibit.

Editor’s Note:
$25 for 10 images is still dirt cheap.

JUROR:  Lisa Rockford received her MFA from the School of the Art Institute of Chicago. Lisa is a resident artist at Sailboat Bend artist Lofts and founding member 1310 Gallery. Lisa began curating Contemporary art exhibitions in her position as Art Services Director of the Dittmar Gallery at Northwestern University in 2000.

Learn more about the Appropriated Gender show at the 1310 gallery! In 2011, Lisa Rockford curated the Art of Whimsy exhibition (as part of the ART FALLOUT event), with 33 artists, and 12 prominent art professionals acting as guest judges. As a visual artist, Lisa Rockford exhibits her artwork both nationally and internationally, has been featured on Chicago Public Radio, and covered by the Chicago Reader, Time Out Chicago, Peel Magazine, and the Miami Herald. Lisa was recently awarded the Innovative Collaborative Grant through Funding Arts Broward for her recent Solo show at the Art and culture Center.

AWARDS:  Cash prizes

For full details, Read the Full Call!

Learn more about the Appropriated Gender show at the 1310 gallery!