Call to Artists – Page 66 – Art and Art Deadlines.com

CALL for ENTRIES: BIG Works–Garden Treasures

Posted on March 21, 2014April 16, 2014 by R.L. Gibson

non-
PASTURE-ized

Can we dine outdoors again yet? There is just something about having the sun beating down on your back while eating my favorite picnic food–grilled veggies with goat cheese and a drizzle of balsamic reduction. But, it’s a no go for another week or two I suspect. It’s no fun if I have to wear a sweater. This next Call is all about the outdoors as well, but don’t assume it is just a sculpture Call. Remember to stretch your skills…

Check out this Call for Entries from the Celebrations Gallery & Shoppes (Pomfret Center, CT) for BIG Works: Garden Treasures. $15 entry, 35% commission, and despite the name, the work doesn’t have to be BIG. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: BIG Works–Garden Treasures, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
BIG Works:
Garden Treasures

ELIGIBILITY: Open to all artists

MEDIA: Any medium, any size as long as it can be displayed in the outside elements.

DEADLINE: April 25, 2014 (updated on 4/16)

ENTRY FEE: $15 per single entry or $40 for a maximum of 3 entries.

SALES: The gallery retains a 35% commission on sold work.

For complete details, Read the Full Call!

CALL for ENTRIES: Art in the Garden

Posted on March 20, 2014 by R.L. Gibson

here a veggie
THERE A VEGGIE
everywhere a veggie

I am running out of time to find a place to plant a garden. When I moved to a smaller home while we searched for a new home or property to build on, I knew I wouldn’t be able to plant here. So, I may have to resort to a window garden and a few containers this year. I could live with mostly herbs and lettuce as long a my husband could coax tomatoes out of the containers. Tomatoes hate me; don’t ask. Vegetables are my interpretation of a garden. This next Call wants your interpretation of a garden. Don’t dismiss this one without investigating…

Check out this Call for Entries from Artcenter Traverse City and the Botanic Garden at the Historic Barns Park (Michigan) for Art in the Garden. A traditional garden theme, but open media & liberal interpretation. This could be an interesting challenge…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: More & More, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Art in the Garden

ELIGIBILITY: Open to all artists

MEDIA: Open to all media. The theme for the show is a liberal
representation of art and the garden.

DEADLINE: May 5, 2014

NOTIFICATION: May 12, 2014

ENTRY FEE: $40 for up to 2 (non‐members) and $30 for Artcenter members

JUROR: Robert Fionda is a watercolorist who considers himself a “romantic realist” painter of landscapes, nature, and still life. “Over the years, I have evolved from a recorder of details & images to someone who wants to paint the visual suggestion & not the fact.”

Fionda is a retired art educator who lives & maintains a studio in Armada, Michigan, north of Detroit. He is an accomplished workshop presenter & jurist. The Michigan Art Education Association recognized Fionda as the 1992 “Michigan Art Educator of the Year” for his exemplary skills in art education. Fionda has conducted numerous workshops & presentations within the US & Canada, including the Island of Barbados in the West Indies.

AWARDS: 1st Place ‐ $500, 2nd Place ‐ $250, and 3rd Place ‐ $100

SALES: All work entered must be for sale. A 40% commission will be retained by Artcenter Traverse City on all sales, which will be handled by Artcenter.

For complete details, Read the Full Call!

CALL for ENTRIES: Me, Myself & I

Posted on March 16, 2014 by R.L. Gibson

over easy
benedict
SUNNY SIDE UP
hold the salsa

Don’t throw tomatoes. I never search my own blog history before I write these segues. So unknown to me, I might be contradicting/repeating myself, but I am always being sincere–I swear. Having said that, I remember having written about this topic many times. That’s right, it is time for what-would-I-be-if-I-were-food. This week, I’m thinking I would be an egg. Really. They are ultimate in adaptive foods. They are in everything from cookies to lasagna. My family OF THREE now eats approximately 3 dozen a week. Really. This episode of what-would-I-be-if-I-were-food was brought to you be this self-portrait Call–the ultimate what-would-I-be-if-I-had-only-one-shot-to-show-the-world experience. Enough hyphens; I digress…

Check out this Call for Entries from the ENMU Runnels Gallery for Me, Myself & I, a self-portrait show. No entry fee, and this is a great institution. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Me, Myself & I, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and should be considered theft.

CALL for ENTRIES:
Me, Myself & I

Social, cultural, political, gender, age and sexual orientation are part of our identities as individuals. Each of these elements play a part in how we identify within various constructs such as family, workforce, community and greater society.

The aim of this exhibition is to feature self-portraits that best depict our own individual identity and the ability to be a camellia of uniqueness or to fit within the statuesque.

ELIGIBILITY: Open to all artists

MEDIA: Must be 8” x 10”. No landscapes orientations accepted. B&W or color photography, digital photography or illustrations, and photos or scanned replications of drawings, paintings or sculptures. Self-portraits will not be returned; do not submit original prints/artwork.

DEADLINE:
May 1, 2014

NOTIFICATION: “All artists will be featured. Artists are welcome to submit as many self-portraits as they wish; however, the gallery can only guarantee a minimum of six photos per artist will be displayed. If space permits, more photos will be used from each submitting artist.” — quoted from from the Me, Myself & I prospectus

ENTRY FEE: No fee to enter

SALES: Artwork will not be sold. (or returned)

Editor’s Note: According the prospectus, this is a National Juried exhibit; however, it also claims to be open to ANY artist, and no juror is listed. The quote above indicates it is a form of all-hung show. So, my guess is it is only juried for awards. However, the awards are not defined in the prospectus either. Normally I wouldn’t publish a Call without getting all of these questions answered…but I HAVE shown at this gallery myself and it was a FANTASTIC experience. If you’re looking for a line on your resume, this is a great academic gallery with an historically great curatorial vision.

For complete details, Read the Full Call!

CALL for ENTRIES: 6x6x2014

Posted on March 14, 2014March 14, 2014 by R.L. Gibson

SQUARE FRUIT
round hole

I truly appreciate having less space. Since I have moved to my downsized home in November, I have conquered most of the challenges of storage by ridding my home of excess crap. But, food storage IS still a problem. I tripped across square apples, and now that I make my own applesauce this could come in handy. But, call me when they drop from $7 PER apple. Luckily, this next Call for squares has no entry fee. Take a look…

Check out this Call for Entries from the Rochester Contemporary Art Center (Rochester, NY) for the 6x6x2014. No entry fee, and THIS all hung still looks great on your resume! One of my favorite shows of the year…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: 6x6x2014, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission.

CALL for ENTRIES:
6x6x2014

Rochester Contemporary
Art Center’s
international
small art phenomenon
returns for the
7th year!

Help Rochester Contemporary build an exhibition of thousands of artworks made and donated by celebrities, international & local artists, designers, college students, youths, and YOU. Last years exhibition included 6,000 artworks from 45 different countries and every US State!

Past international artists contributors include Philip Glass, Jerry Uelsmann, Carl Chiarenza, Nathan Lyons, Joan Lyons, John Pfahl, Bill Viola, Dexter Dalwood, Wendell Castle, and many more. Past celebrity artists include Thich Nhat Hahn, Louise Slaughter, and Andrea Barrett among others.

All entries will be accepted, exhibited and will be for sale to the public for $20 each (in the gallery and online for global purchasing) to benefit RoCo.

Artist names will be revealed to the buyer upon purchase and all artworks remain on display through July 13, 2014.

Sold Out artists’ names will be revealed July 4th.

ELIGIBILITY: Open to all artists

MEDIA: All artwork must be 6×6 square inches (15cm) or mounted to a 6×6 board, and signed only on the back, to be exhibited anonymously

DEADLINE: April 20, 2014 (mail or deliver before)

NOTIFICATION:
None.
The show is all hung.

AWARDS: Six Artworks were selected last year for 6 covers of the Rochester Philharmonic Orchestra’s Bravo Magazine.

Mail your 6×6 artworks directly to: 6x6x2014, Rochester Contemporary Art Center, 137 East Ave., Rochester, NY 14604

For complete details, Read the Full Call!

CALL for ENTRIES: RE: Tale

Posted on March 13, 2014 by R.L. Gibson

how to get rid of
CRABS

Seafood usually conjures the image of a beach-front town for most, but I always think of Savannah, Georgia. I’m not crazy about sand, so I’d spend my lunchtime at the River House over a bowl of lobster & crab bisque over a sandy crab boil at the beach any day. Going to the opening of this next Call would be the perfect excuse to put away some seafood. Take a look…

Check out this Call for Entries from the Non-Fiction Gallery (Savannah, GA) for RE: Tale. Only $20 to enter, great juror & gallery, AND the theme leaves lots of room for interpretation…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: RE: Tale, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
RE: Tale

Everybody has a story to tell. We are constantly creating tales in our heads. They might be our own doing, they might be partially vicarious or perhaps completely borrowed. These accounts often get restructured and retold, evolving each time. This is not unlike contemporary art, which by nature constantly strives for reinterpretation.

Fitting the concept of something that is partially untrue in a gallery called “Non-Fiction” seems to be ill-fitting. However, borrowing from the gallery’s vision statement, everybody’s tales, whether personal or fictitious, “inspire life-changing dialogue.” After all, Aesop never needed a true story to communicate his vision.

In today’s contemporary art scene, artists have deconstructed the idea of a story to fit their medium and surface preferences. This juried exhibition strives to showcase the breadth of interpretations of the concept of “visual storytelling.”

ELIGIBILITY: Open to all artists

MEDIA: Open to all media

DEADLINE: March 28, 2014

NOTIFICATION: March 31, 2014

ENTRY FEE: $20 for up to 3, $5 ea. add’l

JUROR: The show will be juried by a combination of Non-Fiction delegates and guest juror MAC, originator of the RE: Tale concept & show. Originally from Venezuela, MAC is a sequential illustrator interested in the contemporary development of storytelling. After pursuing degrees in Illustration Design & Sequential arts, he endeavored in museum studies & gallery management, sparking a fascination in the way artist adapt their skills & disciplines in order to communicate a story.

SALES: Gallery sales commission is 30% of the retail price named by the artist.

For complete details, Read the Full Call!

CALL for ENTRIES: Hue

Posted on March 11, 2014March 11, 2014 by R.L. Gibson

anything but the
WHITE TABLE

I am addicted to salt. I am. I’ve given up most vices, but salt is here to stay. I have unnaturally low blood pressure (70/50), and my doctor suspects that is WHY I crave salt. So what does one do when faced with a salt addiction? Become a salt aficionado, of course. There is a rainbow-hued world of salt options out there. My current favorite is Hawaiian alaea salt which derives its pinkish or brownish hue from it’s volcanic clay rich in iron oxide. This next Call is all about the hue as well. Hue CAN tell the difference, hehehe…

Check out this Call for Entries from the Darkroom Gallery (Essex Junction, VT) for Hue. The entry fee at Darkroom is always low ($24), and they will provide free matting & framing if you work in their standard sizes. Take a look…

*Editor’s Note: Please make sure to let them know that you found the Call on ArtAndArtDeadlines.com. I have a soft spot for this gallery, and I want them to know they have our support…

CALL for ENTRIES:
Hue

Color in photography has symbolism and meaning that travels beyond what you see.

More than the combination of red, green, and blue or cyan, magenta, yellow, and black, color is a visual tool for non-verbal communication: a viewer’s perception and connection to an image can be significantly enhanced by a certain hue.

Strip away the subject matter from a photograph, and what is left behind? Two things. The underlying geometry of the photo, its composition or balance, and the color. The design and geometry make an image coalesce, become solid, and enduring. Whereas the color carries the opposite message, one of transience and impermanence. That’s because colors are not inherent in objects, but change and evolve with the changing light – and we photographers know, light is always changing.

Hues must contrast or complement one another to create a successful image, a delicate dance of visual balance. For this exhibit we are looking for works that exemplify the innate power of color. Images that drive us through hue to an emotive response.

ELIGIBILITY: Open to all artists 18+

MEDIA: Photography

DEADLINE: April 16, 2014

NOTIFICATION: April 23, 2014

ENTRY FEE: Up to 4 for $24 US for on-line & $29 by email

JUROR: Al Satterwhite started working as a photographer at a major daily newspaper in Florida while in high school, covering major news stories in the Southeast. After a year as the Governor of Florida’s personal photographer, he started a career as a freelance magazine photographer. Over the next 10 years he worked on assignment for almost every major magazine (Automobile, Car & Driver, Fortune, Geo, Life, Look, Money, Newsweek, People, Playboy, Sports Illustrated, Time, Travel & Leisure, to name a few).

His photographic prints are in the permanent collections of the Smithsonian National Portrait Gallery, Houston Fine Art Museum, Santa Barbara Museum of Art, Los Angeles County Museum of Art (LACMA), George Eastman House, Polaroid Collection, National Museum of African American History and Culture and numerous private collections.

In recent years he has focused his attention on making films. He has shot commercials, features & award-winning feature shorts as Director/Cameraman. He is currently working on several book and museum projects.

AWARDS: All selected entries are included in a full color exhibit catalog & gallery exhibition. Juror’s Choice: 30×48″ image banner. People’s Choice – a free future entry.

SALES: Darkroom offers free matting & framing of accepted entries for the duration of the exhibit, subject to standard sizes. For commission details, go to the bottom of the Submissions page!

For complete details, Read the Full Call!

CALL for ENTRIES: texttexttext

Posted on March 10, 2014 by R.L. Gibson

pained
PASTA

Today I spied organic alphabet soup in the grocery store. There is some humor to be found in the idea that someone invested in eating organically would also want a food so tortured & processed that it can spell out words. And, I don’t believe anyone is REALLY teaching their children to read with soup. So do we really need to communicate with food, literally, or am I just a huge hypocrite for constantly preach about the transformative & communicative power of food? Okay, I’m a hypocrite, ha. But, this next Call speaks to the power of text; however, I suspect they are not searching for alphabet pasta mosaics. Check out this fantastic venue…

Check out this Call for Entries from the Woman Made Gallery (Chicago, IL) for texttexttext. I’ve shown my own work at this venue, and I loved my experience at this gallery. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: texttexttext, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
texttexttext

Text is communication: “I’ll text you”.

Text is image: TeXt. tExT.

Text is nowhere to be seen: …….

From art reduced to nothing but text, to art depicting obscured or unseen text; from Tracy Emin’s neons to Adrian Piper’s calling cards: text is limitless in its manifestations as a figurative, conceptual, and activist element within contemporary art. texttexttext seeks to explore text-based work in all media, and invites artists of all genders to submit.

ELIGIBILITY: Open to artists of all genders.

MEDIA: Text based work in all media will be considered.

DEADLINE: April 16, 2014

NOTIFICATION: May 14, 2014

ENTRY FEE: $30 for up to 3 images

JUROR: Monika Szewczyk divides her time between writing, editing, curating and teaching. She has contributed essays to numerous catalogues as well as journals such as Afterall, A Prior, C Magazine, Camera Austria, Canadian Art, F.R. David, Mousse, and e-flux journal. From 2008 to 2012, she was head of publications at the Witte de With Center for Contemporary Art in Rotterdam.

Szewczyk was on the curatorial team of the Vancouver Art Gallery and coordinated programming at the Belkin Satellite, a space of the Morris and Helen Belkin Art Gallery at the University of British Columbia. She is Visual Arts Program Curator at the Reva and David Logan Center for the Arts at the University of Chicago.

SALES: WMG will retain a 40% commission.

For complete details, Read the Full Call

!

CALL for ENTRIES: Paper Cuts

Posted on March 9, 2014 by R.L. Gibson

I’M HUNGRY
pass the paper

Would you eat something with no nutritional value just for the sake of eating if you could? I LOVE to eat, but I’m not sure how much I would love it if I didn’t think even the most indulgent of desserts was secretly fueling my ability to live. For example, would you eat a snack if it tasted great but happen to be made of paper? Not rice paper, not seaweed paper–PAPER paper. Check out Slim Chips–interesting experiment. This next Call strikes me as a much better use of paper. Take a look…

Check out this Call for Entries from Gallery M Squared (Houston, TX) for Paper Cuts II. $30 entry for a chance to show twice with a group & a 3rd time in a solo exhibit. Don’t miss this opportunity…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Paper Cuts, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Paper Cuts II

ELIGIBILITY: Open to all artists

MEDIA: All works must be on paper, square, and measuring no smaller than 13” X 13” and no larger than 22” X 22”.

DEADLINE: April 15, 2014 at 6pm

NOTIFICATION: April 19, 2014

ENTRY FEE: $30 for up to 3 images

JURORS: Patrick Palmer, Dean & Studio School Faculty Chair and Department Head of Art History at the Glassell School of Art, part of The Museum of Fine Arts, Houston & John De La Cruz a member of the Art Colony Association of Directors for the Bayou City Art Festival.

AWARDS: Up to 32 two-dimensional artists working with paper will be selected to participate in this unique exhibition opportunity. Four works by each selected artist will be displayed over a two-month period, two works per artist, each month.

1st place = A 1-month solo show/exhibition with reception. 2nd & 3rd place = A 1-month 2-person show/exhibition with reception.

SALES: The gallery retains a 40% commission on sales.

For complete details, Read the Full Call!

CALL for ENTRIES: Camera USA

Posted on February 27, 2014February 28, 2014 by R.L. Gibson

let it
SNOW

Coconut snow creme anyone? I’m trying to come up with a logical way to combat my winter frustration. Because I live near a little-traveled corner of the National Park, I STILL have access to untrodden-snow in area that is as free from harsh chemicals and pesticides as one can approximate in 2014. So, I will use coconut milk instead of heavy cream and dream of a sitting on a Florida beach while writing during the latest bout of snow showers. This next Call wants to bring you to their sunny Florida local for the opening of Camera USA. I can’t wait…

Check out this Call for Entries from the Naples Art Association (Naples, FL) at The von Liebig Art Center for CAMERA USA: National Photography Award. The entry fee is standard; the online process is simple. And you can’t ask for better jurors. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Camera USA, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Camera USA

ELIGIBILITY: Open to all artists residing in the US

MEDIA: Photography taken in the US

DEADLINE: May 12, 2014

NOTIFICATION: June 19, 2014

ENTRY FEE: The non-refundable application fee is $32 (for current NAA members the entry fee is $27) and is payable online by credit card.

SALES: Photographs exhibited in “Camera USA” may be available for purchase or listed as NFS (not for sale). Once stated, neither the price nor title of the photograph may be changed. The NAA processes sales and will retain a 30% commission on all photographs sold during the exhibition. Proceeds from sales support the NAA’s exhibition programs. Photographers’ proceeds will be mailed. Photographers generally receive their checks within three weeks from the close of the exhibition.

JURORS: Dan Biferie is Chair of the School of Photography at Daytona State College and a Senior Professor at the Southeast Center for Photographic Studies in Daytona Beach, Florida. Biferie was the Founding Director of the Daytona Beach Community College Gallery of Fine Arts and organized more than 500 exhibitions, lectures, workshops and seminars during his twelve-year tenure.

Clyde Butcher is an award winning large-format view camera photographer well known for his black and white landscape photographs and, in particular, his photographs of the Florida Everglades and Big Cypress National Preserve. Among the many awards he has received is the Hall of Fame Award, which is the highest honor the State of Florida can give to a private citizen, and the Ansel Adams Conservation Award from the Sierra Club.

Frederick Voss is a Museum Consultant and retired Smithsonian Senior Historian and Curator. His work at the Smithsonian included conceiving and organizing exhibitions around historical themes and authoring catalogues and books in connection with the exhibitions. Voss served on the Smithsonian’s National Portrait Gallery staff from 1971 until his retirement in 2004.

AWARDS: Up to 50 photos will be included in the exhibition. The $5,000 National Photography Award will be presented to one artist. The award winner will receive two-nights hotel in Naples, FL to attend a preview reception and award presentation on Friday, August 8, 2014. Round-trip airfare will be provided to a winning artist who lives outside FL. A winner residing in Florida will receive a $300 travel stipend.

SALES: The NAA processes sales and will retain a 30% commission on all photographs sold during the exhibition.

For complete information, Read the Full Call!

CALL to ENTRIES: Beach Comber

Posted on February 21, 2014February 21, 2014 by R.L. Gibson

LOBSTA
love

The only good reason to be on the beach is a clambake or a lobster boil, in my opinion. I’ve never been a beach kind of girl. I’ve always preferred the green leafy mountainside over the golden sands of the beach. And I’m not sure why. But I know how many of you are beach combers at heart. So, this next Call is a great opportunity to express your love of the sea in virtually any media or size. Take a look…

Check out this Call for Entries from Annmarie Sculpture Garden & Arts Center (Solomons, MD) for Beach Comber Art. $25 to enter up to 4 images. I simply love this venue…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Beach Comber, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Beach Comber Art

This exhibit is concerned with the discoveries that artists make at the seaside. How do the sounds, tides, colors, and textures inspire artistic expression? How does the sea affect the content, mood, and execution of works of art? Are you, as an artist, mesmerized by the sea? Do you pick up bits and pieces of things at the beach and take them home? Do you incorporate found objects from the beach into your art? If your work explores these and other complementary issues, the jury invites you to submit your work to this show. The goal is to create a rich and textured exploration of our relationship to the seaside.

ELIGIBILITY: Open to artists 18+ working in the US

MEDIA:All media types are welcome; small to large scale;indoors & outdoors.

DEADLINE: April 1, 2014

NOTIFICATION: By April 18, 2014

ENTRY FEE: $25 for up to 4

JUROR: The exhibit will be juried by a one to two member panel. and, typically, one member of the panel is drawn from the Smithsonian Institution.

AWARDS: Award amounts are contingent upon funding; typically there are at least three awards each about $250.

All award-winning artists will receive an invitation for a solo or group show.

SALES: AMG takes a 40% commission

Tag: Call to Artists

non- PASTURE-ized

CALL for ENTRIES: BIG Works: Garden Treasures

For complete details, Read the Full Call!

here a veggie THERE A VEGGIE everywhere a veggie

CALL for ENTRIES: Art in the Garden

For complete details, Read the Full Call!

over easy benedict SUNNY SIDE UP hold the salsa

CALL for ENTRIES: Me, Myself & I

For complete details, Read the Full Call!

SQUARE FRUIT round hole

CALL for ENTRIES: 6x6x2014

For complete details, Read the Full Call!

how to get rid of CRABS

CALL for ENTRIES: RE: Tale

For complete details, Read the Full Call!

anything but the WHITE TABLE

CALL for ENTRIES: Hue

For complete details, Read the Full Call!

pained PASTA

CALL for ENTRIES: texttexttext

For complete details, Read the Full Call

I’M HUNGRY pass the paper

CALL for ENTRIES: Paper Cuts II

For complete details, Read the Full Call!

let it SNOW

CALL for ENTRIES: Camera USA

For complete information, Read the Full Call!

LOBSTA love

CALL for ENTRIES: Beach Comber Art

For complete details, Read the Full Call!

non-
PASTURE-ized

CALL for ENTRIES:
BIG Works:
Garden Treasures

here a veggie
THERE A VEGGIE
everywhere a veggie

CALL for ENTRIES:
Art in the Garden

over easy
benedict
SUNNY SIDE UP
hold the salsa

CALL for ENTRIES:
Me, Myself & I

SQUARE FRUIT
round hole

CALL for ENTRIES:
6x6x2014

how to get rid of
CRABS

CALL for ENTRIES:
RE: Tale

anything but the
WHITE TABLE

CALL for ENTRIES:
Hue

pained
PASTA

CALL for ENTRIES:
texttexttext

I’M HUNGRY
pass the paper

CALL for ENTRIES:
Paper Cuts II

let it
SNOW

CALL for ENTRIES:
Camera USA

LOBSTA
love

CALL for ENTRIES:
Beach Comber Art