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Category: Tips

CALL for ENTRIES: Bike Art

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!PICK ME! PICK ME!
pick me!

I now live closer to town, and therefore, closer to food–fast food.  It isn’t all evil.  I succumb to McDonald’s® fries on occasion, but I also like the chipotle chicken wrap.  Meatball subs from Subway® are an occasional indulgence, but their turkey with cucumbers is a regular.  Life is always about choices.  This next call is themed to encourage people to make a healthy choice as well.  Take a look at this cool idea…

Check out this Call for Entries from the Poudre Studio Artists & Galleries (Fort Collins, CO) for the Get on Your Bike & Ride, the 2nd annual bike art exhibit. Cool theme.  The award amounts are low, but the commission rate is low too!

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Bike Art, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from the Poudre Studio Artists and Galleries!CALL for ENTRIES:
Get on your Bike & Ride

 

ELIGIBILITY:  Open to all artists

MEDIA:  The purpose of this exhibit is to showcase artwork portraying or related to bicycles.  All original artistic interpretations are welcome; contemporary, traditional, or abstract—2 or 3 dimensional pieces.  All works must be suitably framed and/or ready for display.  No crafts, kits, reproductions, or production work, please.  Limited accommodations can be made for video or installation art, contact the gallery before entering your work.

DEADLINE: May 14th, 2012

Learn more about the 2nd Annual Bike Art Festival!NOTIFICATION:
May 16, 2012

ENTRY FEE:
$30 for up to 3 pieces,
$10 for each add’l piece

AWARDS:  $50 first, $25 second, and $15 third place will be posted on the website www.poudrestudioartists.com as soon as the winners are determined.  $10 People’s Choice award will also be offered and will be determined by a vote of visitors, which will be tallied at the end of the exhibit.

SALES:  There is a 30% commission on all sales.

For complete details, Download the Prospectus!

Download the Prospectus from the Poudre Studio!

OPEN CALL: 2013 Dalton Gallery

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!MUSTARD,
not KETCHUP

I miss mustard-based barbeque.  I moved to Tennessee form South Carolina.  And, although my new home has some unbelievable barbeque, I have to admit that I still miss a little mustard based pork now and then.  I am tempted to submit to this next call just to have an excuse to pick up a little pork of the yellow variety.  How about you?

Check out this Open Call for 2013 Exhibition Opportunities at the Dalton Gallery from The Arts Council of York County (Rock Hill, SC). I have shown in this gallery’s annual juried show, and it is both beautiful and well-managed. Definitely don’t miss this opportunity…

*Editor’s Note: If you have read the personal portion of this post, OPEN CALL: 2013 Dalton Gallery, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Read the Full Call from the Arts Council of York County!OPEN CALL:
2013 at the Dalton Gallery

 

The Arts Council of York County is a non-profit organization committed to creating and supporting a thriving arts community in York County.  They are currently looking for artists interested in presenting their work in the Dalton Gallery, a professional gallery appropriated for the exhibition of experienced artists and community projects.  The gallery space is a 1,800-square-foot space, and each year, ACYC presents eight exhibitions.

ELIGIBILITY:  Open to experienced artists

Read the Full Call from the Arts Council of York County!MEDIA:
All media considered

DEADLINE:
May 1, 2012

NOTIFICATION:  Notification of acceptance will be provided via e-mail(No date indicated.)

ENTRY FEE:  $20 for up to 10 images

JURORS:  Artists can submit work as a group or individually. All submissions will be considered by our Gallery Committee. Application material will NOT be returned.

For complete details,  Read the Full Call!

Read the Full Call from the Arts Council of York County!

CALL for ENTRIES: Random Acts of Time

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!TIME FLIES,
when you’re hungry

A lack of time is the excuse for a lot of quickie meals in my house–from Manwich® to frozen “cardboard” pizza.  But a lack of time is also my excuse for splurging at the antipasti bar in my local grocery store.  It is a double standard, but who uses TOO MUCH time as an excuse for anything?  This next Call doesn’t have a lot of time left, but they’ll take all the time you have.  You’ll see what I mean…

Check out this Call for Entries from the Orange County (CA) Center for Contemporary Art (OCCCA) for Random Acts of Time.  The deadline is fast approaching, but I’ll bet you already have work that suits this theme.  Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Random Acts of Time, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Random Acts of Time

Learn more about the Orange County Center for Contmeporary Art - OCCCA!“This exhibition investigates our relationship to the concept of time, the choices we make and the random, uncontrollable events that shape our lives. From the moment we begin our journey into the cacophony of the world – a series of decisions, choices and twists of fate guide us – often lurching or blissful and occasionally tragic. What have we chosen for ourselves? When has our hand been forced? Have random or serendipitous events changed our course? Have we triumphed? What have we lost? What have we remembered and forgotten?

“Time is a recurring thematic in artists’ works – witness the public response and fascination with Christian Marclay’s 24-hour montage The Clock. Exploring that inexorable passage via divergent points-of-view, media and imagery demands introspection and perspective. This exhibition will investigate what binds or propels us, notions of conscious or unconscious experiences and the narratives we collect as we negotiate our lives.” –William Moreno, Juror

ELIGIBILITY:  Open to all artists

MEDIA:  All media and new media will be considered. Artwork, performance, or installations with special instructions or equipment must be described in full and possibly installed by the artist. Special hardware requirements must be included with the accepted entries.

DEADLINE:  March 31, 2012

Learn more about the Random Acts of Time show from OCCCA!NOTIFICATION:  Around April 6, 2012

ENTRY FEE: $38 for up to 3 images

JUROR:  William Moreno is a curator, writer and director of William Moreno Contemporary which mounts periodic exhibitions. He was most recently the Associate Director of ArtPadSF, a hotel-based art fair. William was the founding Executive Director of the Claremont Museum of Art and the director of The Mexican Museum, San Francisco.

He has been a featured panelist addressing topics ranging from the contemporary role of museums and the international art landscape at San Francisco’s Commonwealth Club, the American Institute of Architecture, Latino Art Now Conference, William Turner Gallery, ArtPadSF, Flagstop and others. He has appeared on KCET’s series California’s Gold as well as other media. William serves as board President of LACE (Los Angeles Contemporary Exhibitions) and on the Advisory Board for the California Association of Museums.

SALES:  All work will be considered for sale unless otherwise indicated on the entry form.  Proceeds from work sold:  60% to the artist, 40% to OCCCA.  Checks to the artists are processed within 10 days of the close of the show.

For complete details, Download the Prospectus!

Download the Prospectus from OCCCA!

OPEN CALL: Natural/Constructed Spaces

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!JELL-OH-NO!

I am currently going through what my husband has dubbed the “Super Suzie” phase.  It has a name because every time I take a few weeks off from working outside of my home office, I take on this Super-Woman-like persona that cooks and cleans and nests.  It doesn’t last long because I’m not particularly good at it.  Occasionally, it spins out of control and results in molded gelatin “delicacies”.  This next Call might be better way to for me (and you) to express our Natural vs. Constructed theories.  Trust me on this one…

Check out this Open Call from The Painting Center (NY, NY) for Natural/Constructed Spaces.  This is a reasonable fee for a Chelsea exhibition opportunity because I know some of you are still searching for the elusive New York Show.  Take a look…

*Editor’s Note: If you have read the personal portion of this post, OPEN CALL: Natural/Constructed Spaces, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Read the Full Call from The Painting Center in New York!CALL for ENTRIES: Natural/Constructed Spaces

 

The Painting Center, a gallery in the heart of Chelsea, announces a call for entries for its upcoming juried exhibition entitled Natural/Constructed Spaces, running from June 19th to July 14th, 2012. The exhibit will be accompanied by a printed catalog and will be widely publicized. 

As artists, we are all compelled to create and look at images of the natural and man made worlds in which we live.  Through these images we are able to express nostalgia for a simpler, more pristine world, bring attention to environmental degradation, or ponder the wonders and despair of today’s urban centers.

For Natural/Constructed Spaces, The Painting Center invites representational and abstract painters to submit work that considers all aspects– natural, constructed, deconstructed– of rural/urban/suburban environments in the 21st century.

Read the Full Call from The Painting Center in New York!ELIGIBILITY:  Open to all artists

MEDIA:
Representational & abstract painting

DEADLINE:  April 15, 2012

NOTIFICATION:  April 25, 2012

ENTRY FEE:  $35 for up to 5

SUBMISSION GUIDELINES:  You may submit up to 5 jpegs on a CD.  Images must be 300 dpi, minimum of 1800 pixels in each direction.  Title jpegs with your last name, first name, and number, for example: smithjohn1.jpg. Images submitted must be of work available for show. Alternate works will not be accepted.

For complete details, read the Open Call!

Read the Full Call from The Painting Center in New York!

CALL for ENTRIES: Food for Thought

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!SCRUMPTIOUS,
expectations

I am endlessly grateful that you put up with my food ramblings. If I talked about food to any one person as much as I do you, they would avoid me like the plague.  It is our trade off.  I give you a the details of a call, and you put up with my attempts to connect it to food in some random segue.  Well, I need to ask another favor…I want to see AAAD readers DOMINATE this Call because surely you must love food at least 25% as much as I do or you wouldn’t keep reading this blog day after day. You are the cream of the crop…

Check out this Call to Artists for Food For Thought from the Linus Galleries (California). The acceptable media for this show is a cool mixture, and this could be a great opportunity. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Food for Thought, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Check out the Call for Entries at the Linus Gallery!CALL for ENTRIES:
Food for Thought

 

Food. Sustenance. Taste.
Savor food in art.
Send your best food art to the Linus Galleries.

ELIGIBILITY:
Open to all artists.

MEDIA: Photography to paintings in oil, acrylic, watercolor and ink, graphite drawings and fabric work from quilts to stitch work.

Learn more about the Food for Thought show from the Linus Galleries!DEADLINE: May 7, 2012

ENTRY FEE: $35 for 3 entries,$5 per add’l

AWARDS: Those accepted artists will be asked to be a part of a collective show in the future months.  The artists will be asked if they wish to submit their artwork for the show.

SALES: Artwork will be offered for sale at the reception & other days the gallery will be open. 40% commission on all sales.

For complete details, Read the Guidelines!

Learn more about the Beauty Show at the Linus Gallery in Irvine!

CALL for ENTRIES: Byte Gallery in Transylvania

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!BE BULGAR!

I love that more exotic foods are available in virtually any grocery store. I live in a pretty small town, but because we have a large tourist population, the grocery store selections are a little better. With Spring here, tabbouleh salad is calling my name. Ten years ago, I would had to have gone in search of an ethnic or gourmet market and paid $10 for a bad boxed mix.  Now it is as simple as accessibility.  This Call is a great example of new ideas in art accessibility. No invitation to this opening is necessary. Take a look…

Check out this Call for Entries for the STUDIO 300 Digital Art and Music Festival at The Byte Gallery–an interactive kiosk at Transylvania University in Kentucky. This show is free to enter, and it is a part of a larger call including sound installations and more.  Investigate carefully…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Byte Gallery in Transylvania, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES: STUDIO 300 Digital Art and Music Festival

Learn more about the STUDIO 300 Digital Art and Music Festival

The Byte Gallery is an interactive kiosk dedicated to exhibiting digital art, music, video, and other multimedia works by artists, dramatists, and musicians from around the world. Users control the kiosk with a touch interface, exploring and listening to works via a large digital display and headphones. Transylvania University is located in Lexington, Kentucky, USA.

ELIGIBILITY: Open to all artists.

MEDIA: The Digital Print/Still Image category is for fixed/still images where digital technology as an essential part of the creative process. The Video Music category is for works that explore non-narrative abstraction with equal emphasis on electro-acoustic music/sound art and moving images. The video should be accompanied by stereo audio.

Learn more about the STUDIO 300 Digital Art and Music FestivalThe Dramatic Video category is theatrical work of short video/film where digital technology is an essential part of the creative process. The video should be accompanied by stereo audio, unless  intentionally silent. If the work includes sound, it must be stereo. The Animation category is for video that explore non-narrative abstraction with primary emphasis on moving images. Works may/may not include sound. If the work includes sound, must be stereo.

DEADLINE: Submissions must be received no later than April 15, 2012.

ENTRY FEE: There is no entry fee.

SUBMISSIONS: Submission is through email only—do not attach anything to the email, instead provide links to your application materials. Completed submissions will include: 1) web link to a pdf/text file of the application form (get the application form here); 2) web link to the submitted work (audio file, image file, movie file.. etc); 3) web link to a photo (image file) of the artist/composer/producer.

For complete details, Read the Full Call!

Learn more about the Byte Gallery at Transylvania University!

CALL for ENTRIES: Art Inter/National

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!EAT your HEART out!

 

While watching a TV show about how salami is made, my son announced that eating the organs of an animal is wrong. However, when I explained all the things that his new belief would eliminate from his menu, he then asked, “Do they at least WASH the intestines first?”   Hehehe.  These days I prefer my animal organs in the form of chicken pate, but I will have to start keeping the ingredient list to myself, apparently. This next Call for Entries involves a different sort of heart all together. This could be an excellent opportunity…

Check out this Call for Entries from the Boxheart Gallery (Pittsburgh, PA) for the 2012 Art Inter/National Exhibition. There is no entry free and no media restriction on this exhibit. Don’t miss this chance!

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Art Inter/National, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the Boxheart Gallery!CALL for ENTRIES:
Art Inter/National

 

Art Inter/National is a celebration of artistic expression from all over  the world. It’s an exhibition that displays how the  space one occupies both influences and guides the  creative process. 

ELIGIBILITY: Open to all artists.

MEDIA: Open to all media. Box Heart encourages diversity in the media used to create the work, in the artists and his/her interpretation of Art Inter/National. There are no limits or boundaries, no categories or types.

Work by Kuzana Ogg - Art Inter/National's 2012 Best of Show Winner!DEADLINE: November 1, 2012

NOTIFICATION: December 1, 2012

ENTRY FEE:  No entry fee.

AWARDS:  One artist will receive the Best of Show Award. This artist is awarded Box Heart “Artist of the Year” and receives their own Solo Exhibition in the 2013 Exhibition Year. This includes Gallery Representation with Box Heart Gallery.

SALES: 40% Commission on all sales. (All work must be for sale.)

For complete details, Read the Prospectus!

Learn more about the Boxheart Gallery!

FEATURED ARTIST: Stephanie Mead

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!LIMEY,
I’m Speechless

The $2 Art Contest makes a liar out of me sometimes. I spend a lot of time writing rejection letters.  I craft them individually and tailor them to the artist; however, I say the same things to many artists in the same month because artists often have the same challenges.  This month I wrote letters that included tips about including statements for each image, making sure that there are plenty of images from one series to view, as well as reminders about keeping biographical personal and meaningful and relevant.

This month’s artist broke all of those guidelines, and I am certain that some of the rejected artists will send sour milk thoughts (and emails) my way as a result of my breaking my own rules.  But, I just couldn’t walk away from this work.  The layers and colors and the faces.  Send sweet key lime truffle thoughts to me instead, please.

Learn more about Mixed Media Featured Stephanie Mead!I am proud to announce the Featured Artist chosen from the January and February entries is Stephanie Mead. Her artwork captures moments–not in a pastel-of-a-wagon-wheel sort of way– but from a sort of zen-like, meditative sort of way.  I find myself contemplating these scenes and these people as though they are a part of my reality.  It is simple, speechless intimacy.

FEATURED ARTIST:
Stephanie Mead

 

Stephanie Mead was born and raised in Texas but moved to California when she was 18.  Her work has shifted paths over the years, being influenced by the flat sweeping landscape of Texas, the drastic change of environment/people when she moved to California (and now to New York). But, the urge was always to create.

“I have made art my whole life.”

 

The Ascent by Featured Artist Stephanie Mead!Sometimes Mead’s work depicts dreams or nightmares, other times the focus is on the real, present, sometimes taking a political standpoint through her work.  Mead’s work is hand-made, real, and is a direct response to life.  Mead now lives in New York to pursue her lifelong love of art.

What do you consider your media? Do you primarily consider it mixed media? Something else? “I guess I consider my work mixed media painting/collage.  I have been working in this style now for a few years.  I am a collector of little papers, materials, things that I feel attached to.  These become the canvas for my visions.  I cut, tear away, cover, and glue, paint, and draw until my vision is achieved.  In this way, I consider myself a mixed media painter incorporating collage.”

Clearly, portraiture seems to appear in about 1/2 of your work.  What is the significance, if any?  “I am influenced by anything that touches me profoundly.  Social changes, my own passion for life, and human connections inspire me.  Sometimes my vision is just best expressed with portraiture.”

Talk to me about your choice of layering versus a more traditional “just paint” approach. “I was trained as an oil painter and printmaker in college but feel like I can more efficiently express myself with my layering technique I have developed since.  I feel like my technique came about pretty easily.  Combining mediums just seems logical to me.  Prints and oil paint still find their ways into my work…but so do the other mediums I enjoy using.”I started becoming physically closer with my materials while taking an Art of the Book course at San Diego State University.  It is there that I realized how precious the individual page of a book can be, and the intimate relationship that can develop between you and your viewer when they look closely.”  See, it IS speechless intimacy.  I have a sixth sense about these things.

You know we have to talk about food. What are your favorites?  “I eat beans, meat, and veggies on a daily basis.  Saturdays I completely binge and eat whatever I want.  It is the most delicious thing in the world to wake up Saturday morning and be able to eat lots of all kinds of stuff.  BUT with that said, I really appreciate a good bowl of chili.  I make a pretty mean one.” *Editor’s Note: Just once, I would appreciate it if one of the healthy freaks that get featured here looked like a dog.  I try to deny that you are what you eat, but the headshot makes it difficult.  For the record, I am mumbling the word “bitch” under my breath, luckily no one can hear me. 🙂

Communism by Mixed Media Featured Artist Stephanie Mead!What about snack foods?  “I have a strong, healthy relationship with almonds and peanut butter.  I also love key lime truffles and would probably do anything for them.”  Finally, Stephanie. Always LEAD with the truffles.  Truffles get you everywhere, ha.

So, what’s coming up next for you? “Right now I am on my way to becoming a member at the Art Students League of New York.  Ideally I will create the right connections and showcase my work in galleries someday soon.  I am young and experimenting still, so my next step is to keep making art.

“I must say I am fortunate enough to be doing all the things I want to be doing at this moment.  I hope for the chance to make lots of art.  Thank you for opening this door for me by choosing me as your artist of the month.”

No, thank you, Stephanie Mead for reminding me that I really HAVE NOT seen it all.   I love being confronted with the fact that the ways to express what you have to say are as varied as the people who say them.  Speechless Intimacy. I should talk less.  Lesson learned…maybe.

Learn more about Stephanie Mead online!

Learn more about Featured Artist Stephanie Mead!

Want to be a Featured Artist on www.ArtAndArtDeadlines.com?
Check out the
$2 Art Contest!

CALL for ENTRIES: Digital Works

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!THE
JUICE of it ALL

I have moved to a house with more cabinets space. This means trouble for my kitchen gadget budget.  Typically, I stick to simple kitchen utensils; even my can opener is manual.  However, I am giving up diet Coke, and I am seriously contemplating a juicer.  Okay, it isn’t exactly a high-tech purchase, but you say potato, I say pa-tah-to.  This next call will require use of slightly more advanced technology that a juicer.  Take a look…

Check out this Call for Entries for the 2012 National Juried Competition featuring Digital Works from the Long Beach Island foundation of the Arts and Sciences (LBIF).  As you may be aware, shows for digital work can be hard to find.  So, don’t miss this opportunity…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Digital Works, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from the Long Beach Island Foundation (LBIF)!CALL for ENTRIES:
Digital Works

 

ELIGIBILITY: All emerging and established artists residing in the US.

MEDIA:  The purpose of the exhibition is to showcase works created through digital processes, display distinctive characteristics of the digital, and reflect on the language and aesthetics of digital media (such as new forms of image creation and manipulation, connectivity, or participatory and generative qualities). Submissions may include all forms of digital media, such as digital prints and photography, sculpture, video, software art, online and mobile projects etc.

Learn more about the LBIF!DEADLINE:
Postmarked by April 7, 2012

NOTIFICATION:
May 5, 2012

ENTRY FEE: 
$35.00 for up to four submissions.

Fee will be received in U.S funds only, payable by check, money order, or credit card to LBIF. All fees are NON-REFUNDABLE.

JUROR: Christiane Paul is the Director of the Media Studies Graduate Programs and Associate Prof. of Media Studies at The New School, NY, and Adjunct Curator of New Media Arts at the Whitney Museum of American Art.

Digital Art by Christiane PaulShe has written extensively on new media arts and lectured internationally on art and technology.

An expanded new edition of her book, Digital Art was published in spring 2008 and her edited anthology, New Media in the White Cube and Beyond – Curatorial Models for Digital Art, was published by UC Press in December 2008.

At the Whitney Museum, she curated the shows “Profiling” (2007) and “Data Dynamics” (2001); the net art selection for the 2002 Whitney Biennial; the online exhibition “CODeDOC” for artport, the Whitney Museum’s online portal to Internet art for which she is responsible; as well as “Follow Through” by Scott Paterson and Jennifer Crowe (2005).

AWARDS:  Best in Show $1000, 2nd Place $500, 3rd Place $200, and Two Honorable Mentions $100 ea.

SALES:  The LBIF takes 33% commission on all sales.

For complete details, Download the Prospectus!

Download the Prospectus from the Long Beach Island Foundation of Arts and Sciences (LBIF)!

CALL for ENTRIES: 25th Annual National Juried

Click to Subscribe to wwwArtAn.dArtDeadlines.com by Email!EVEN MORE ABOUT
stinky cheese

When I was 25, I was still drinking wine coolers in place of wine.  I was just on the verge of truly understanding the complexity of flavors that would lead me down a path of food obsession.  At 19, I spent a year in cooking school, but at 25, I explored the world of cheese.  Everything else is history.  This next call gives you a chance to be a part of a 25-year history of exhibitions.  Take a look…

Check out this Call for Entries for the 25th Annual National Juried Art Exhibition sponsored by the South Cobb Arts Alliance and exhibited at the Mable House Arts Center at Historic Mable House (Mableton, GA). 25 years of exhibit history AND only 25% commission.  Maybe it is time for you to head south…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: 25th Annual National Juried, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from the Mable House Arts Center!CALL for
ENTRIES:

25th Annual National
Juried Art Exhibition

 

ELIGIBILITY:  Open to all artist/residents of the United States.

MEDIA:  PaintingOil/Acrylic; Painting  – Watercolor; Pastel; Printmakingetching, woodcuts, serigraphs, etc; Drawing; Sculpturemetal, clay, wood or any mixture in 3-D form; Photography; Mixed Media (list all materials used); Collage and Fine Crafts.

DEADLINE:  June 7, 2012

NOTIFICATION:  July 9, 2012

Learn more from the Mable House Arts Center!ENTRY FEE:  $35 for 1 piece & $45 for 2 or more pieces.

JUROR:  Kristen Miller Zohn is the Curator of Collections and Exhibitions for the Columbus Museum in Columbus, Georgia. Ms. Zohn has a MA in Art History from Florida State University and a BA in Art History from Salem College.

Zohn’s previous work was with Museum of Early Southern Decorative Arts, Reynolda House Museum of American Art and Albany Museum of Art in Georgia. Ms. Miller Zohn served as Curator of Education at the Columbus Museum for six years before moving to her current position in 2007.

Learn more from the Mable House Arts Center and South Cobb Arts!Zohn is a contributing author for American Art in the Columbus Museum: Painting, Sculpture and Decorative Arts and to the forthcoming The New Encyclopedia of Southern Culture, Vol. 20, Art and Architecture.

AWARDS:  Karen Beswick Founders Award $1,000; SCAA Award of Distinction $500, Four Awards of Excellence $250 each; and Four Awards of Merit $100 each; and additional Purchase Awards.

SALES:  Sales are encouraged. Any regular sale will be the sales amount the artist has requested. A 25% commission will be withheld. The South Cobb Arts Alliance will pay the sales tax.

For complete details, Download the Prospectus!

Download the Prospectus from South Cobb Arts!