Artist Resource – Page 89 – Art and Art Deadlines.com

CALL for ENTRIES: Me, Myself & I

Posted on March 16, 2014 by R.L. Gibson

over easy
benedict
SUNNY SIDE UP
hold the salsa

Don’t throw tomatoes. I never search my own blog history before I write these segues. So unknown to me, I might be contradicting/repeating myself, but I am always being sincere–I swear. Having said that, I remember having written about this topic many times. That’s right, it is time for what-would-I-be-if-I-were-food. This week, I’m thinking I would be an egg. Really. They are ultimate in adaptive foods. They are in everything from cookies to lasagna. My family OF THREE now eats approximately 3 dozen a week. Really. This episode of what-would-I-be-if-I-were-food was brought to you be this self-portrait Call–the ultimate what-would-I-be-if-I-had-only-one-shot-to-show-the-world experience. Enough hyphens; I digress…

Check out this Call for Entries from the ENMU Runnels Gallery for Me, Myself & I, a self-portrait show. No entry fee, and this is a great institution. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Me, Myself & I, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and should be considered theft.

CALL for ENTRIES:
Me, Myself & I

Social, cultural, political, gender, age and sexual orientation are part of our identities as individuals. Each of these elements play a part in how we identify within various constructs such as family, workforce, community and greater society.

The aim of this exhibition is to feature self-portraits that best depict our own individual identity and the ability to be a camellia of uniqueness or to fit within the statuesque.

ELIGIBILITY: Open to all artists

MEDIA: Must be 8” x 10”. No landscapes orientations accepted. B&W or color photography, digital photography or illustrations, and photos or scanned replications of drawings, paintings or sculptures. Self-portraits will not be returned; do not submit original prints/artwork.

DEADLINE:
May 1, 2014

NOTIFICATION: “All artists will be featured. Artists are welcome to submit as many self-portraits as they wish; however, the gallery can only guarantee a minimum of six photos per artist will be displayed. If space permits, more photos will be used from each submitting artist.” — quoted from from the Me, Myself & I prospectus

ENTRY FEE: No fee to enter

SALES: Artwork will not be sold. (or returned)

Editor’s Note: According the prospectus, this is a National Juried exhibit; however, it also claims to be open to ANY artist, and no juror is listed. The quote above indicates it is a form of all-hung show. So, my guess is it is only juried for awards. However, the awards are not defined in the prospectus either. Normally I wouldn’t publish a Call without getting all of these questions answered…but I HAVE shown at this gallery myself and it was a FANTASTIC experience. If you’re looking for a line on your resume, this is a great academic gallery with an historically great curatorial vision.

For complete details, Read the Full Call!

CALL for ENTRIES: 6x6x2014

Posted on March 14, 2014March 14, 2014 by R.L. Gibson

SQUARE FRUIT
round hole

I truly appreciate having less space. Since I have moved to my downsized home in November, I have conquered most of the challenges of storage by ridding my home of excess crap. But, food storage IS still a problem. I tripped across square apples, and now that I make my own applesauce this could come in handy. But, call me when they drop from $7 PER apple. Luckily, this next Call for squares has no entry fee. Take a look…

Check out this Call for Entries from the Rochester Contemporary Art Center (Rochester, NY) for the 6x6x2014. No entry fee, and THIS all hung still looks great on your resume! One of my favorite shows of the year…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: 6x6x2014, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission.

CALL for ENTRIES:
6x6x2014

Rochester Contemporary
Art Center’s
international
small art phenomenon
returns for the
7th year!

Help Rochester Contemporary build an exhibition of thousands of artworks made and donated by celebrities, international & local artists, designers, college students, youths, and YOU. Last years exhibition included 6,000 artworks from 45 different countries and every US State!

Past international artists contributors include Philip Glass, Jerry Uelsmann, Carl Chiarenza, Nathan Lyons, Joan Lyons, John Pfahl, Bill Viola, Dexter Dalwood, Wendell Castle, and many more. Past celebrity artists include Thich Nhat Hahn, Louise Slaughter, and Andrea Barrett among others.

All entries will be accepted, exhibited and will be for sale to the public for $20 each (in the gallery and online for global purchasing) to benefit RoCo.

Artist names will be revealed to the buyer upon purchase and all artworks remain on display through July 13, 2014.

Sold Out artists’ names will be revealed July 4th.

ELIGIBILITY: Open to all artists

MEDIA: All artwork must be 6×6 square inches (15cm) or mounted to a 6×6 board, and signed only on the back, to be exhibited anonymously

DEADLINE: April 20, 2014 (mail or deliver before)

NOTIFICATION:
None.
The show is all hung.

AWARDS: Six Artworks were selected last year for 6 covers of the Rochester Philharmonic Orchestra’s Bravo Magazine.

Mail your 6×6 artworks directly to: 6x6x2014, Rochester Contemporary Art Center, 137 East Ave., Rochester, NY 14604

For complete details, Read the Full Call!

CALL for ENTRIES: RE: Tale

Posted on March 13, 2014 by R.L. Gibson

how to get rid of
CRABS

Seafood usually conjures the image of a beach-front town for most, but I always think of Savannah, Georgia. I’m not crazy about sand, so I’d spend my lunchtime at the River House over a bowl of lobster & crab bisque over a sandy crab boil at the beach any day. Going to the opening of this next Call would be the perfect excuse to put away some seafood. Take a look…

Check out this Call for Entries from the Non-Fiction Gallery (Savannah, GA) for RE: Tale. Only $20 to enter, great juror & gallery, AND the theme leaves lots of room for interpretation…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: RE: Tale, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
RE: Tale

Everybody has a story to tell. We are constantly creating tales in our heads. They might be our own doing, they might be partially vicarious or perhaps completely borrowed. These accounts often get restructured and retold, evolving each time. This is not unlike contemporary art, which by nature constantly strives for reinterpretation.

Fitting the concept of something that is partially untrue in a gallery called “Non-Fiction” seems to be ill-fitting. However, borrowing from the gallery’s vision statement, everybody’s tales, whether personal or fictitious, “inspire life-changing dialogue.” After all, Aesop never needed a true story to communicate his vision.

In today’s contemporary art scene, artists have deconstructed the idea of a story to fit their medium and surface preferences. This juried exhibition strives to showcase the breadth of interpretations of the concept of “visual storytelling.”

ELIGIBILITY: Open to all artists

MEDIA: Open to all media

DEADLINE: March 28, 2014

NOTIFICATION: March 31, 2014

ENTRY FEE: $20 for up to 3, $5 ea. add’l

JUROR: The show will be juried by a combination of Non-Fiction delegates and guest juror MAC, originator of the RE: Tale concept & show. Originally from Venezuela, MAC is a sequential illustrator interested in the contemporary development of storytelling. After pursuing degrees in Illustration Design & Sequential arts, he endeavored in museum studies & gallery management, sparking a fascination in the way artist adapt their skills & disciplines in order to communicate a story.

SALES: Gallery sales commission is 30% of the retail price named by the artist.

For complete details, Read the Full Call!

CALL for ENTRIES: Artavita

Posted on March 12, 2014 by R.L. Gibson

BUTTER, GHEE
or me

The only thing missing from California cuisine is butter. It is characterized by local, fresh ingredients and foods low in saturated fats and high in fresh vegetables and fruits with lean meats and seafood from the California coast with special attention paid to presentation–delicious & beautiful. But why leave out the butter? And, if it is from local, grass-fed cows, even better. Can’t we just learn to play well with others? The prize for this next Call hails from the land of California cuisine. Is this opportunity the one for you?

Check out this Call for Entries from ArtAVita.com for their 10th Art Contest! The entry fee is cheap, and it could be just the exposure for which you’ve been looking. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Artavita, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
10th Art Contest

ELIGIBILITY: Open to all artists

MEDIA: Painting, Sculpture, 3D, Mixed media, Digital, Photography, Installation & Video

DEADLINE: April 5, 2014

NOTIFICATION: April 15, 2014

ENTRY FEE: $15 per image

JURY: Despina Tunberg, Curator, Founder of the International Contemporary Masters publication, The Important World Artists, organizer of International art Festivals and Thomas Tunberg, Founder of International Masters of Photography publication.

AWARDS: 1 Winner will exhibit 3 artworks for free at the World Wide Art Los Angeles show from October 16-19, 2014 at the Los Angeles Convention Center Downtown Los Angeles, right in the heart of downtown LA, at the beginning of next year’s international art fair season. There will be over 400 exhibitors – a mixture of art galleries and solo artists – and tens of thousands of visitors will attend.

For complete details, Read the Full Call!

CALL for ENTRIES: Hue

Posted on March 11, 2014March 11, 2014 by R.L. Gibson

anything but the
WHITE TABLE

I am addicted to salt. I am. I’ve given up most vices, but salt is here to stay. I have unnaturally low blood pressure (70/50), and my doctor suspects that is WHY I crave salt. So what does one do when faced with a salt addiction? Become a salt aficionado, of course. There is a rainbow-hued world of salt options out there. My current favorite is Hawaiian alaea salt which derives its pinkish or brownish hue from it’s volcanic clay rich in iron oxide. This next Call is all about the hue as well. Hue CAN tell the difference, hehehe…

Check out this Call for Entries from the Darkroom Gallery (Essex Junction, VT) for Hue. The entry fee at Darkroom is always low ($24), and they will provide free matting & framing if you work in their standard sizes. Take a look…

*Editor’s Note: Please make sure to let them know that you found the Call on ArtAndArtDeadlines.com. I have a soft spot for this gallery, and I want them to know they have our support…

CALL for ENTRIES:
Hue

Color in photography has symbolism and meaning that travels beyond what you see.

More than the combination of red, green, and blue or cyan, magenta, yellow, and black, color is a visual tool for non-verbal communication: a viewer’s perception and connection to an image can be significantly enhanced by a certain hue.

Strip away the subject matter from a photograph, and what is left behind? Two things. The underlying geometry of the photo, its composition or balance, and the color. The design and geometry make an image coalesce, become solid, and enduring. Whereas the color carries the opposite message, one of transience and impermanence. That’s because colors are not inherent in objects, but change and evolve with the changing light – and we photographers know, light is always changing.

Hues must contrast or complement one another to create a successful image, a delicate dance of visual balance. For this exhibit we are looking for works that exemplify the innate power of color. Images that drive us through hue to an emotive response.

ELIGIBILITY: Open to all artists 18+

MEDIA: Photography

DEADLINE: April 16, 2014

NOTIFICATION: April 23, 2014

ENTRY FEE: Up to 4 for $24 US for on-line & $29 by email

JUROR: Al Satterwhite started working as a photographer at a major daily newspaper in Florida while in high school, covering major news stories in the Southeast. After a year as the Governor of Florida’s personal photographer, he started a career as a freelance magazine photographer. Over the next 10 years he worked on assignment for almost every major magazine (Automobile, Car & Driver, Fortune, Geo, Life, Look, Money, Newsweek, People, Playboy, Sports Illustrated, Time, Travel & Leisure, to name a few).

His photographic prints are in the permanent collections of the Smithsonian National Portrait Gallery, Houston Fine Art Museum, Santa Barbara Museum of Art, Los Angeles County Museum of Art (LACMA), George Eastman House, Polaroid Collection, National Museum of African American History and Culture and numerous private collections.

In recent years he has focused his attention on making films. He has shot commercials, features & award-winning feature shorts as Director/Cameraman. He is currently working on several book and museum projects.

AWARDS: All selected entries are included in a full color exhibit catalog & gallery exhibition. Juror’s Choice: 30×48″ image banner. People’s Choice – a free future entry.

SALES: Darkroom offers free matting & framing of accepted entries for the duration of the exhibit, subject to standard sizes. For commission details, go to the bottom of the Submissions page!

For complete details, Read the Full Call!

CALL for ENTRIES: texttexttext

Posted on March 10, 2014 by R.L. Gibson

pained
PASTA

Today I spied organic alphabet soup in the grocery store. There is some humor to be found in the idea that someone invested in eating organically would also want a food so tortured & processed that it can spell out words. And, I don’t believe anyone is REALLY teaching their children to read with soup. So do we really need to communicate with food, literally, or am I just a huge hypocrite for constantly preach about the transformative & communicative power of food? Okay, I’m a hypocrite, ha. But, this next Call speaks to the power of text; however, I suspect they are not searching for alphabet pasta mosaics. Check out this fantastic venue…

Check out this Call for Entries from the Woman Made Gallery (Chicago, IL) for texttexttext. I’ve shown my own work at this venue, and I loved my experience at this gallery. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: texttexttext, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
texttexttext

Text is communication: “I’ll text you”.

Text is image: TeXt. tExT.

Text is nowhere to be seen: …….

From art reduced to nothing but text, to art depicting obscured or unseen text; from Tracy Emin’s neons to Adrian Piper’s calling cards: text is limitless in its manifestations as a figurative, conceptual, and activist element within contemporary art. texttexttext seeks to explore text-based work in all media, and invites artists of all genders to submit.

ELIGIBILITY: Open to artists of all genders.

MEDIA: Text based work in all media will be considered.

DEADLINE: April 16, 2014

NOTIFICATION: May 14, 2014

ENTRY FEE: $30 for up to 3 images

JUROR: Monika Szewczyk divides her time between writing, editing, curating and teaching. She has contributed essays to numerous catalogues as well as journals such as Afterall, A Prior, C Magazine, Camera Austria, Canadian Art, F.R. David, Mousse, and e-flux journal. From 2008 to 2012, she was head of publications at the Witte de With Center for Contemporary Art in Rotterdam.

Szewczyk was on the curatorial team of the Vancouver Art Gallery and coordinated programming at the Belkin Satellite, a space of the Morris and Helen Belkin Art Gallery at the University of British Columbia. She is Visual Arts Program Curator at the Reva and David Logan Center for the Arts at the University of Chicago.

SALES: WMG will retain a 40% commission.

For complete details, Read the Full Call

!

CALL for ENTRIES: Paper Cuts

Posted on March 9, 2014 by R.L. Gibson

I’M HUNGRY
pass the paper

Would you eat something with no nutritional value just for the sake of eating if you could? I LOVE to eat, but I’m not sure how much I would love it if I didn’t think even the most indulgent of desserts was secretly fueling my ability to live. For example, would you eat a snack if it tasted great but happen to be made of paper? Not rice paper, not seaweed paper–PAPER paper. Check out Slim Chips–interesting experiment. This next Call strikes me as a much better use of paper. Take a look…

Check out this Call for Entries from Gallery M Squared (Houston, TX) for Paper Cuts II. $30 entry for a chance to show twice with a group & a 3rd time in a solo exhibit. Don’t miss this opportunity…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Paper Cuts, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Paper Cuts II

ELIGIBILITY: Open to all artists

MEDIA: All works must be on paper, square, and measuring no smaller than 13” X 13” and no larger than 22” X 22”.

DEADLINE: April 15, 2014 at 6pm

NOTIFICATION: April 19, 2014

ENTRY FEE: $30 for up to 3 images

JURORS: Patrick Palmer, Dean & Studio School Faculty Chair and Department Head of Art History at the Glassell School of Art, part of The Museum of Fine Arts, Houston & John De La Cruz a member of the Art Colony Association of Directors for the Bayou City Art Festival.

AWARDS: Up to 32 two-dimensional artists working with paper will be selected to participate in this unique exhibition opportunity. Four works by each selected artist will be displayed over a two-month period, two works per artist, each month.

1st place = A 1-month solo show/exhibition with reception. 2nd & 3rd place = A 1-month 2-person show/exhibition with reception.

SALES: The gallery retains a 40% commission on sales.

For complete details, Read the Full Call!

CALL for ENTRIES: Curious Camera

Posted on March 8, 2014 by R.L. Gibson

RED, WHITE
and curious

Food deprivation is not new to me. In the South, women are born dieters, as was I for half my years. I no longer participate, opting for whole foods and a healthier self image. But, I was still dumbfounded when I read a study that proposes eating from a red dish, as opposed to the white ones I currently use, might result in smaller consumption. Human beings are a curious sort aren’t we? Maybe it is the association with stop signs and traffic lights. Who knows? This next Call is curious in its own way, and leaves room for you to stretch your talents. Don’t assume; investigate instead…

Check out this Call for Entries from Artseye Gallery (Tuscon, AZ) for Curious Camera. A photo show with great categories, and only $10 to enter. PLEASE don’t discount this show if you are NOT a photographer. Take a look first…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Curious Camera, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Curious Camera

ELIGIBILITY: Open to all artists

MEDIA: Photography. Images must be made with one of the following camera categories: Pinhole (homemade or manufactured), Plastic Lens (Holga, Diana, Blackbird Fly, etc.),Vintage (older than 1950; ex: No. 2 Brownie, Leica II etc.), or Instant (Polaroid, Fuji Instax, Impossible, etc.).

Editor’s Note: Many of you have a fantastic eye for composition and color but wouldn’t know what to do with developer or an enlarger if your life depended on it. TRY an Instant camera and you just might develop a love for your own brand of photography.

DEADLINE: April 6, 2014

ENTRY FEE: $10 per image

AWARDS: 1st, 2nd & 3rd place winners will receive a camera, film and a trophy they can proudly display. Winners will be featured in a gallery exhibition.

SALES: Artists will have the opportunity to sell their artwork and purchase prints.

For complete details, Read the Full Call!

CALL for ENTRIES: Metro Montage

Posted on March 7, 2014 by R.L. Gibson

pickle & peanut
BUFFET

I spent my pre-adolescence & formative culinary years in a small Georgia town. It wasn’t all peanuts but more a montage of scenes including fried foods, all-you-can-eat buffets, red-clay stained feet & knees, and demolition derbies. But in hindsight, I think those scenes were more about my family and less about the place– Marietta, Georgia. This next Call is proof of the fantastic opportunities & venues found in Marietta/Cobb County. I am in love with this venue. Please don’t miss this opportunity…

Check out this Call for Entries from the Marietta/Cobb Museum of Art (Marietta, GA) for Metro Montage XIV. Great venue AND it is open to all media. Give this Call a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Metro Montage, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Metro Montage

ELIGIBILITY: Open to all artists

MEDIA: Open to all media

DEADLINE: April 24, 2014

NOTIFICATION: June 12, 2014

ENTRY FEE: $35 for up to 3 for Members; $40 for Non-Members.

JUROR: Rachel White received her BA in English & Journalism from the University of TN, her MA in Art History from George Washington University, & her PhD in Art History from the University of IL. White’s areas of specialty & teaching responsibilities were in Modern & Contemporary Art (major) & American Art (minor).

White has worked at the Hirshhorn Museum & Sculpture Garden, Smithsonian Institution in Washington, DC, the Krannert Art Museum & the University of IL. White is currently the Asst. Curator of Education at the Hunter Museum of American Art in Chattanooga, TN.

AWARDS: 1st place: $750, 2nd Place: $500, 3rd Place: $250

SALES: MCMA receives a 30% commission on all sales made during the exhibition.

For complete details, Read the Full Call!

CALL for ENTRIES: 3×3 ProShow

Posted on March 6, 2014 by R.L. Gibson

horny as a
CUCUMBER

I’m on the lookout for a horned melon aka an African cucumber. I tried one many years ago and remember the flavors of lemon, banana and cucumber, but because they are exceedingly rare, I can’t find one locally. I suspect if I find one in the South, it will probably be imported and unripe. Those tend to just taste like banana. Keep your fingers crossed, or send me one if you run across it. In the meantime, the next Call is a very rare illustration call. Take a look…

Check out this Call for Entries from 3×3 Magazine for their Annual ProShow. You can’t go wrong with Art Publication, and competitions for illustrators are a rare find. Take a chance…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: 3×3 ProShow, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
3×3 ProShow

3×3 Magazine is entering its ninth year judging the world’s best contemporary illustration judged by some of the world’s top art directors, designers and illustrators.

Unlike many shows they have no boundaries, their entrants come from every part of the globe. They are still one of the best values around when it comes to entry fees and publication fees. And they continue to improve their entry process.

And unlike most show annuals that are on the bookshelves 3×3 Magazine’s annuals are prominently displayed on the newsstands in the US, Canada, the UK, Europe and parts of Asia where they are affordable to art directors and art buyers who may or may not be interested in illustration. There has been dramatic growth in the number of outlets stocking the 3×3 Magazine annual and the sales to art directors.

It is their mission to demonstrate the benefits of using illustration, this annual is their showcase.

ELIGIBILITY: Open to all illustrators, art directors, graphic designers, editors, publishers in all countries for commissioned and non-commissioned work produced and/or published during the calendar year 2013.

DEADLINE: March 31, 2014

ENTRY FEE: Single entries are $35 and Series (3–5 images only) are $60. They accept Visa, MasterCard and American Express. Publication fees are $90 which help cover the high cost of printing and distributing the annual and development of the app. Honorable mentions, $50.

JUDGES: Marieke Griffioen, Design Director, Edenspiekermann, Amsterdam; Paul Gonzales, Deputy Design Director, Los Angeles Times; Tim J. Luddy, former Design Director, Mother Jones and illustrators Klaas Verplancke, Belgium & Mark Smith, United Kingdom.

AWARDS: Winners will be featured in our printed annual and online; our honorable mentions, online. Winners receive discounts on purchasing either a print of digital edition of the annual. A free app will be sent to leading art directors and art buyers giving further exposure to our student winners.

Category: Artist Resource

over easy benedict SUNNY SIDE UP hold the salsa

CALL for ENTRIES: Me, Myself & I

For complete details, Read the Full Call!

SQUARE FRUIT round hole

CALL for ENTRIES: 6x6x2014

For complete details, Read the Full Call!

how to get rid of CRABS

CALL for ENTRIES: RE: Tale

For complete details, Read the Full Call!

BUTTER, GHEE or me

CALL for ENTRIES: 10th Art Contest

For complete details, Read the Full Call!

anything but the WHITE TABLE

CALL for ENTRIES: Hue

For complete details, Read the Full Call!

pained PASTA

CALL for ENTRIES: texttexttext

For complete details, Read the Full Call

I’M HUNGRY pass the paper

CALL for ENTRIES: Paper Cuts II

For complete details, Read the Full Call!

RED, WHITE and curious

CALL for ENTRIES: Curious Camera

For complete details, Read the Full Call!

pickle & peanut BUFFET

CALL for ENTRIES: Metro Montage

For complete details, Read the Full Call!

horny as a CUCUMBER

CALL for ENTRIES: 3×3 ProShow

It is their mission to demonstrate the benefits of using illustration, this annual is their showcase.

For complete details, Read the Full Call!

over easy
benedict
SUNNY SIDE UP
hold the salsa

CALL for ENTRIES:
Me, Myself & I

SQUARE FRUIT
round hole

CALL for ENTRIES:
6x6x2014

how to get rid of
CRABS

CALL for ENTRIES:
RE: Tale

BUTTER, GHEE
or me

CALL for ENTRIES:
10th Art Contest

anything but the
WHITE TABLE

CALL for ENTRIES:
Hue

pained
PASTA

CALL for ENTRIES:
texttexttext

I’M HUNGRY
pass the paper

CALL for ENTRIES:
Paper Cuts II

RED, WHITE
and curious

CALL for ENTRIES:
Curious Camera

pickle & peanut
BUFFET

CALL for ENTRIES:
Metro Montage

horny as a
CUCUMBER

CALL for ENTRIES:
3×3 ProShow