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Art and Art Deadlines.com

Category: Photography

CALL for ENTRIES: Faces of Humanity

Learn more from art-competition.net!teenie weenie
BITS OF BEANIE

I’m torn about chili with beans.  I love it; I do.  And, I live with an acne-prone teenager.  And, kidney beans are high in zinc which helps fight acne.  But, the side effects of consuming large amounts of kidney beans, or any beans for that matter, are daunting.  Let’s leave it at that.  This next Call is good for the face–without the side effects.  Take a look…

Check out this Call for Entries from Art-Competition.net for Faces of Humanity. $15 entry & the prize packages are actually useful.  Investigate the opportunity

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Faces of Humanity, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from art-competition.net!CALL for ENTRIES:
Faces of Humanity

 

ELIGIBILITY: All artists age 18+

MEDIA:  Open to all 2D Media, i.e. painting, drawing, collage, photography, digital, etc.

THEME: “Faces of Humanity” – Seeing our humanity in the faces of different people can bring understanding and connection to the many different cultures of the world. The work can express any aspect from representational to non-representational.

DEADLINE: March 9, 2015

NOTIFICATION: March 13, 2015

ENTRY FEE: $15 for 1, $30 for 3, $60 for 7

AWARDS: 1st Place: $500 cash & other awards valued at $5200. 2nd place: $125 cash & other awards valued at $1625. 3rd Place: $75 cash. 4th Place: $50 cash. 5th Place: $25 cash.

For complete details, Read the Full Call!

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CALL for ENTRIES: Art of Brands (Spring)

Learn more from Art of Brands!

my italian
HERO

What would we do without the iconic dishes that make up the safety net?  You know the ones…everyone likes some version of it.  They tend to be my “go to” meals on nights when I have to plan in advance.  Since I don’t know what anyone will be in the mood for, I hit the highlights.  Tonight is spaghetti night.  No matter who is coming, I can cover vegetarian, vegan & gluten-free if need be.  This Call is all about iconic art categories.  Please investigate this one.  If you work in 2-D, there is probably a way to make this work for you

Check out this Call for Entries from Art of Brands (a new AAAD sponsor) for Iconic Images.  There is no entry fee, and this could be a great way to earn money from your art.  Take a look…

*Editor’s Note:  So many of you have talked to me about selling your work w/o being bogged down running a gallery or about art fairs or gallery representation.  I know you often leave the conversation not feeling like nothing is accessible.  I like THIS opportunity.  If you work in 2-D, don’t dismiss this Call.  Some of you might consider simply doing what you already do but direct some content to suit this purpose.  It won’t be for everyone, but I think it is a valid option for a lot of you.

Learn more from Art of Brands!CALL for ENTRIES:
Art of Brands
(Spring)

 

ELIGIBILITY:  Open to all artists

MEDIA:  Open to 2 Dimensional work including drawing, painting, illustration, printmaking, photography, digital art, mixed media, etc.

THEME:  Favorite interests (car, city, kids, gaming, sports, technology, wine, etc.) or specific, iconic brands (Alfa Romeo, Concord, celebrities, etc).  Art of Brands is just beginning to fill out their categories, so be sure to let them know if you have work that you think might fit but isn’t currently represented.

Learn more about Art of Brands!DEADLINE:  Ongoing entries wanted. *For my favorite artistic procrastinators, don’t worry, I’ll post this Call for Entries at least once per quarter for a while just in case you are too busy to enter today.

NOTIFICATION:  Within 72 hours of completing the sign-up process

ENTRY FEE:  No entry fee

CURATORS:  A committee of members with backgrounds in art

SALES:  For reproductions (like paper, canvas, di-bond, acrylic/plexi glass) the commission rate is 20%.  Art of Brands also sells originals.  Commission for originals is higher & is discussed with artists individually and separately from the reproduction work. Payments for sales are made to artists on a quarterly basis.

For complete details, Check out Art of Brands online!

Learn more about Art of Brands!*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Art of Brands (Spring), anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES: Instamatic

Learn more from Don't Take Pictures!
image credit to ohmyveggies.com

kiss my
GRITS

Everyone wants everything yesterday.  Sometimes slow is better than instant.  No instant grits. (But I ♥ this hot recipe from ohmyveggies.com instead.)  No instant oatmeal (mush).  But, this next Call is proof that some things are made all the more fantastic–instantlyTake a look…

Check out this Call for Entries from Don’t Take Pictures (art publication) for Instamatic.  This is a gorgeous biannual print, online & tablet-ready magazine. Did I mention no entry fee? Make us proud…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Instamatic, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from Don't Take Pictures!CALL for ENTRIES:
Instamatic

 

Don’t Take Pictures exists to showcase the work of emerging photographers.  In addition to publishing photographers in print & online in their monthly columns, they are now publishing online quarterly exhibitions.

ELIGIBILITY: Open to all artists

MEDIA:  Instant film photography

DEADLINE:  February 22, 2015

ENTRY FEE: None

AWARDS: Inclusion in the upcoming Instamatic exhibition. The exhibit will be published online from February 25 – May 26.

For complete details, Read the Full Call!

Learn more from Don't Take Pictures!

CALL for ENTRIES: The Book as Work of Art for All

Learn more from Autonomie Projects!THAI
me up

Cookbook authors have my number.  Make the food look fantastic on the cover, and I’ll buy it.  Yes, I judge books (some books) by their covers.  I recent bought quick & easy thai.  I’m just going to say that my judgement of the cover resulted in sticky rice with mangoes.  It was worth it.  This next Call encourages you to judge books by their covers as well.  Sometimes is just WORKS…

Check out this Call for Entries from Autonomie Projects for The Book as a Work of Art for All.  Small works AND open to many media & interpretations.  This one sounds inspiring…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: The Book as a Work of Art for All, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from Autonomie Projects!CALL for ENTRIES:
The Book as
a Work of Art
for All

This Artist Call invites artists to explore a panoply of creative interpretations of the book cover as a two-dimensional artwork, or of the book cover as a three-dimensional conceptualized art object.

ELIGIBILITY:  Open to all artists

MEDIA:  Various Media:  Drawing, painting, sculpture, photography, printmaking, collage & mixed media.  Max size 10” W x 13”H x 6”D

DEADLINE:  February 22, 2015

NOTIFICATION:  March 4, 2015

ENTRY FEE: $25 for 1 & $40 for two

CURATORS:  Autonomie Projects’ curatorial team of Chelle Barbour, M.A. Art and Curatorial Practices, USC and Vincent Johnson, MFA Art Center College of Design, will select the works for both its gallery space, electronic catalog and virtual gallery space on-line exhibition.

SALES:  Sales are encouraged. Artists receive 50% of the sale price.

For complete details, Read the Full Call!

Learn more from Autonomie Projects!

FEATURED ARTIST: Emilyann Gachko

Learn more from Photographer and Featured Artist Emilyann Gachko!CHEESE,
not stinky

With the arrival of February, I find myself restless and ready to move on.  My family is on the cusp of big changes, and I am finding it hard to do more than hold my breath and wait.  The problem with that is that the changes aren’t going to happen in any real way for two years.   I can’t hold my breath for two years–literally or figuratively.  I like aged cheese, but two year in my fridge would not be a good thing, really.

This month’s artist shows both gratitude for “right now” as well as hope for the future.   Her work explores the both comfort and the claustrophobia associated with staying where you are–without denying the need to go.

Learn more from Photographer and Featured Artist Emilyann Gachko!

ArtAndArtDeadlines.com is proud to claim Emilyann Gachko as this month’s Featured Artist.  This work calls attention to self-expression through your personal landscape.  It can’t be all cheddar for everyone all the time, folks.  To be fair, there’s also mozzarella and brie and Stilton and...

FEATURED
ARTIST:

Emilyann Gachko

Emily Gachko was raised in Cranford, New Jersey–where all the shooting for her current project has taken place.  Gachko majored in Fine Arts with a concentration in Photography at Ramapo College of NJ –winnging Best in Show with her Senior Thesis Exhibition.  She aspires to get her MFA in Photography and teach photography at the collegiate level.  Gachko currently lives in Spring Lake, New Jersey, where she has a variety of jobs teaching kids and and working with horses.

Learn more from Photographer and Featured Artist Emilyann Gachko!Talk to me about your process when searching for subjects.  Are the models friends, peers or acquaintances?  “So, I got the idea for the project living at home with parents, which quite frankly, I was not thrilled about.  I wanted to make lemonade out of the lemons that was living situation, so to speak.  That’s how I landed on the idea.  I started out with friends, and then friends of friends, and then eventually I would go to bars with said friends, and they would point people out to me that they vaguely knew and thought might live at home with their parents.  And I would approach them, and explain the project, and ask if I come home to their house and photograph them.  Despite being a total stranger to most of these people, only one person ever said no!”

Learn more from Photographer and Featured Artist Emilyann Gachko!

Talk to me about the portraiture aspect of your work.   “I wanted the people in the image to be very matter of fact, in that they didn’t give you any kind of overt emotion to go off or decide the tone of the photograph by say, their expressions. But in a way, the sitters are still the most important part of the photograph, in that they designed the space that envelops them. I wanted people to look at each photo and really get a feel for that person, of their individuality. The whole photograph makes up the portrait, not just the sitter, but the sitter is who assigns the most important part of the photograph’s identity.”

Learn more from Photographer and Featured Artist Emilyann Gachko!Finding the balance between people & their self-imposed habitats or between gratitude & anxiety creates a beautiful tension in your work.   Was that your intention?   Thank you!  Yes, I definitely sough to portray the tension between the individuals and the rooms themselves, mostly in that a lot of the environments have things that are clearly left over from childhood, and all of the sitters are young adults.”

What style or school of art do you think work fits into?    “I would say environmental portraiture. Even after this project, this is a style of art that I’m very much interested. The way that people both interact with and are informed by their environments. I really fascinates me.”

Learn more from Photographer and Featured Artist Emilyann Gachko!Talk to me about the two artists (one living, one dead) that have most influenced your work and why. “Photographer William Eggleston is one of my favorites, and a huge inspiration, in the way that he so elegantly captures every day life. Dead? Joseph Cornell.  He was one of the first artists I really loved, and he way he works with color, objects, and space within his shadow boxes is really beautiful.”

What is your favorite food addiction? It IS a food-themed blog after all. “Can I say pizza, even though that is super basic?  I don’t care, my answer is definitely pizza, haha!”  Pizza is always the right answer.  Always.

Learn more from Photographer and Featured Artist Emilyann Gachko! What if your favorite snack food obsession? “Cheese and crackers, so not too far off from pizza, haha.  Or Phish Food Ben & Jerry’s ice cream, depending on my mood.”

What’s coming up next for you? “I’m hoping to start work on another project that’s also sort of about suburban living, but I don’t really have the details hashed out yet so I don’t want to say too much about it until the idea comes into fruition! Other than that, I’d like to experiment with some collage and mixed media work. I took a class on it in college and it was my favorite one.”

Thank you, Emilyann, for reminding us
to appreciate where we are RIGHT NOW.

Learn more about Featured Artist & Photographer Emilyann Gachko 600x

If you’re interested in becoming a Featured Artist,
Click to Learn How!

CALL for ENTRIES: Trans*

Learn more from Waterloo Arts!BREAKFAST
in bed

Gender rolls are “squishy” at my house.  My husband does most of the cooking.  I am the disciplinarian.  Even our mail comes bizarrely addressed since I didn’t take his last name.  It works for us.  It is what we know.  And, well, the food is good. 🙂  I use #imarriedforthefood a lot.  This next Call explores gender identity & the experience of being trans.  If this isn’t the Call for you, please pass it along…

Check out this Call for Entries from Waterloo Arts (Cleveland, OH) for Transgender Art Exhibit.  I realize this applies to only a small percentage of AAAD readers; however, I am hoping you will post, re-post & tweet this Call so it can be found by artists that would best benefit.  Thank you…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Trans*, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from Waterloo Arts!CALL for ENTRIES: Trans*

 

Waterloo Arts is seeking artwork which addresses the experience of being trans* or the topic of gender identity more broadly.

ELIGIBILITY:  Artists must identify as trans* individuals & reside in the U.S. or Canada.

MEDIA:  Sculpture, painting, drawing, photography, printmaking, mixed media, collage, assemblage, ceramics, fiber art, artist book – original artwork only.

DEADLINE:  February 28, 2015

NOTIFICATION:  March 11, 2015

ENTRY FEE:  $5 for up to 10 images

JUROR:  Will include professional artists & members of the trans* community.

SALES:  Waterloo Arts Gallery takes a 30% commission on artwork sold during the exhibit

For complete details, Read the Full Call!

Learn more from Waterloo Arts!

CALL for ENTRIES: Int’l Digital & Photo

Learn more from LACDA!too hot
TO HANDLE

Mozzarella-making is at a standstill at my house.  Okay, to be truthful, no one has ever mistaken this house for a cheese factory.  But lately, we’ve suffered the loss of one digital thermometer after another.  They don’t just stop; the temps slowly start veering from accurate.  I don’t normally advocate technology-forward kitchen gadgetry, but a digital thermometer results in far fewer failed batches of cheese–when it works.  I think it may be time to just shell out the bucks for one I KNOW won’t die easily.  I surrender.  You should surrender your digital art to this next call. Take a look…

Check out this Call for Entries from Los Angeles Center for Digital Art (LACDA) for the LACDA 2015 International Juried Competition.  Digital calls are sometimes a rare find.  See if this one is for you…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Int’l Digital & Photo, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from LACDA!CALL for ENTRIES:
Int’l Digital & Photo

 

ELIGIBILITY:  Open to all artists

MEDIA:  Open to all styles of art where digital processes of any kind were integral to the creating the images–including photography.

DEADLINE:  February 23, 2015

NOTIFICATION:  March 2, 2015

ENTRY FEE:  $35 for up to 3, $35 for each add’l 3

CURATORS:  Leigh Gleason, Curator of Collections, California Museum of Photography AND Shana Nys Dambrot, Critic, L.A. Weekly, Whitehot Magazine, Huffington Post, Art Ltd.

AWARDS: The selected winner receives 10 prints up to 44″x60″ (approx. $2,500-$3,000 value) to be shown in a solo exhibition–widely promoted and including a reception.  2nd place: Ten 2nd place winners will receive a print up to 24″x36″ ($150-$200 in value) to be included in the winners’ exhibit.  Special consideration will be given to all entrants for inclusion in future shows.

For complete details, Read the Full Call!

Learn more about LACDA online!

CALL for ENTRIES: Constructed

Learn more from Sweetwater Center for the Arts!on a ROLL

Stuffed cabbage is a recipe that takes me back to my childhood.  My grandmother had such a talent for making perfect little rolls.  I wish I had paid better attention to how she did that because I struggle to make them presentable.  Imagine my delight when I found a recipe for Deconstructed Stuffed Cabbage.  So excited to try this one.  In the meantime, this next Call is all about the CONstructed not the DEconstructed.  Loving this theme…

Check out this Call for Entries from Sweetwater Center for the Arts (Sewickley, PA) for Shaping New Worlds an exhibition of Constructed Photography. Only $20 to enter, and this is a rarely seen theme.  Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Constructed, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from Sweetwater Center for the Arts!CALL for ENTRIES:
Constructed

 

ELIGIBILITY:  Open to all artists residing in the U.S.

MEDIA:  Photography–specifically, the constructed image by means of handmade montage, collage, darkroom manipulation, computer manipulation, constructed and photographed tableaux or dioramas, and/or alteration of real scenes, etc.

DEADLINE:  March 16, 2015

NOTIFICATION:  March 24, 2015

ENTRY FEE:  $20 for 3 works

JUROR:  Lori Kella received a BFA from the Cleveland Institute of Art in 1997, and later attended Cornell University where she received her MFA in photography.  A selection of her recent work was exhibited at Gallery Drei, in Germany, The Print Center (PA), Flux Space in (PA) & Roy G Biv Gallery (OH).  Kella’s work has been featured in several other major exhibitions including a one-person exhibition, Lori Kella: Coordinates, as part of the Wendy L. Moore Emerging Artist Series at MOCA Cleveland and Global Anxieties: Nine Perspectives on a Changing Planet at the College of Wooster Art Museum.  Kella lives in Cleveland, OH and she is currently a part-time Assistant Professor at Kent State University’s School of Art.

For complete details, Read the Full Call!

Learn more about the Sweetwater Center for the Arts!

CALL for Entries: Still Life / Life Still

Learn more from Darkroom Gallery!ATE hours later

Cooking has moved into slow motion in my house.  As much as I want to hurry Spring along, I am reminded of our current Winter status by the icy wind that greets me at my front door each morning.  So, my slow cooker lives in a perpetual circuit from counter to refrigerator to sink to counter to refrigerator to sink–almost daily.  Tonight is lentil soup with bacon. This next Call wants to see what happens when life stills completely.  An intriguing take on a traditional form…

Check out this Call for Entries from the Darkroom Gallery (Essex Junction, VT) for Still Life / Life Still. They always have a low entry fee ($24) & a great juror.  This theme leaves room for the traditionalist as well as those with a vastly different point of view. Take a look

*Editor’s Note: If you have read the personal portion of this post, CALL for Entries: Still Life / Life Still, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from Darkroom Gallery!CALL for ENTRIES:
Still Life / Life Still

The study of inanimate objects; subject matter, placement and compositional balance imply meaning that surmount everyday functionality.  Historically, a still life composition is an array of commonplace objects, inert and set in space.  These objects often include natural components such as plants, fruits, vegetables, nuts, flowers accompanied by man made objects like dishes, boxes, mirrors and vases within an interior setting at eye level like a table top.  Darkroom Gallery wants to contextually explore the Still Life; some may take a traditional approach.  Others may see Still Life/Life Still as a vehicle to explore new artistic possibilities, in form, function or to convey political or emotive meanings.  Objects caught in their natural surroundings & documented on the fly can make just as poignant an image, i.e., Life Still.  — from darkroomgallery.com

ELIGIBILITY: Open to all artists 18+

MEDIA: Photography (line-themed)

Learn more about the Darkroom Gallery online!DEADLINE:  February 18, 2015

NOTIFICATION:  February 23, 2015

ENTRY FEE: 4 for $24 (online)/$29 (email)

JUROR:  Independent photography curator, editor, researcher and consultant Yumi Goto focuses on the development of cultural exchanges that transcend borders.

She collaborates with local and international artists who live and work in areas affected by conflict, natural disasters, current social problems, human rights abuses and women’s issues. She often works with human rights advocates, international and local NGOs, humanitarian organizations and as well as being involved as a nominator and juror for the international photographic organizations, festivals and events. She is now based in Tokyo and also a co-funder and curator for the Reminders Photography Stronghold.

AWARDS: All selected entries are included in a full color exhibit catalog & gallery exhibition. Juror’s Choice: 30×48″ image banner. People’s Choice – a free future entry. Honorable Mentions receive free exhibition catalogs and free entry in a future exhibition.

SALES: Free matting & framing of accepted entries, subject to standard sizes. For commission details, go to the bottom of the Submissions page!

For complete details, Read the Full Call!

Learn more from the Darkroom Gallery!

*Editor’s Note: It is important to let Darkroom Gallery know you found their Call on artandartdeadlines.com. They are friends & sponsors of AAAD, and I always want them to know they have our support…

CALL for ENTRIES: The Mark on the Wall

Learn more about The Mark on the Wall exhibition!HYDROPONICS too,
apparently

I continue to dream of exotic walapini gardening.  In my dreams, my fantastic garden of dragon & noni fruit, black radishes & dulse (yes, hydroponics) is documented by Grete Stern & Virginia Wolfe for Garden & Gun Magazine.  I’m hoping that my dream was inspired by this next Call (and not that I need medication, ha).  This is a fantastic Call.  Take a look…

Check out this Call for Entries from Bloomsburg University of Pennsylvania for The Mark On the Wall–a juried exhibition of small works on paper  at Greenly Art Gallery in conjunction with The 25th Annual International Conference on Virginia WoolfInvestigate this opportunity…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: The Mark on the Wall, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about The Mark on the Wall exhibition!CALL for ENTRIES:
The Mark on the Wall

 

In keeping with the theme of the conference, Virginia Woolf and Her Female Contemporaries, preference will be given to works inspired or broadly influenced by those female artists who were contemporaneous with Virginia Woolf, including but not limited to Berenice Abbott, Anni Albers, Vanessa Bell, Ilse Bing, Romaine Brooks, Claude Cahun, Dora Carrington, Leonora Carrington, Imogen Cunningham, Gisèle Freund, Barbara Hepworth, Hannah Höch, Frida Kahlo, Loïs Mailou Jones, Ergy Landau, Lee Miller, Lucia Moholy, Gabriele Münter, Georgia O’Keeffe, Méret Oppenheim, Grete Stern, Dorothea Tanning, Suzanne Valadon, and Remedios Varo. –from The Mark on the Wall prospectus

ELIGIBILITY:  Open to all artists age 18+

MEDIA:  Open to works on paper (15” x 11” or smaller) in all traditional & experimental visual arts media, including photography, will be considered.

Learn more about The Mark on the Wall exhibition!DEADLINE:  April 20, 2015

NOTIFICATION:  May 1, 2015

ENTRY FEE: $25 for up to 3, $5 ea. add’l

JURORS:  Rosalyn Richards received her BFA from the Rhode Island School of Design & MFA from Yale University School of Art.  Her work is represented in many museum & university collections. She has held artist residencies at numerous locations in the U.S., including VA Center for Creative Arts and Ragdale in Illinois.  She was a visiting artist and critic at Colby College, Cornell University, the University of Dallas and Tianjin Academy of Fine Arts in Tianjin, China.  Richards retired as Professor of Art at Bucknell University in 2014.

Chad Andrews received his BFA in studio art from Kutztown University & his MFA in printmaking from the University of PA.  He has taught at The University of PA for five years, and held the position of Director of Visual Arts at the Interlochen Center for the Arts (Interlochen, MI) for six years.  He is currently a full-time instructor of printmaking and 2-dimensional design at Bloomsburg University.  He maintains a private studio at the Pajama Factory in Williamsport, Pennsylvania.

SALES:  Sales will be encouraged, and a 20% commission will be retained by Greenly Art Gallery from the retail price listed on the entry form.

For complete details, please read the Full Call!

Learn more from Bloomsburg University!