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Category: Painting

CALL for ENTRIES: 100th Exhibition

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!REASON TO CELEBRATE!

I have made hundreds of grilled cheese sandwiches.  I have entered hundreds of art shows.  I have made hundreds of canapes and attended hundreds of opening night receptions.  I believe that the 100 mark is to be celebrated.  This blog will soon celebrate its 300th post.  This next Call for Entries should put you in the mood to celebrate. 

Check out this Call for Entries from the Connecticut Acadamy of Fine Arts and the  Mystic Arts Center for their 100th ExhibitionThere are lots of awards so don’t miss this opportunity!

Learn more about the Connecticut Academy of Fine Art!CALL for ENTRIES:
100th Exhibition

ELIGIBILITY:  Open to all artists.  One or two works may be submitted.  Work must not have been previously shown at the CAFA or the Mystic Arts Center.  If you are not in the United States:  They do not currently have capability for converting currency or receiving international shipments.  But, if you have a contact within the US, you can work through them.

MEDIA:  All fine arts media: painting, drawing, sculpture, photography, graphics.

DEADLINE:  March 25, 2011 is the mail in deadline.  May 22 and 23, 2011 is the hand-delivery deadline.  Artists may enter up to two works.  Entries will be received Sunday, May 22 and Monday, May 23, 11AM–5PM at the Mystic Arts Center Inc., 9 Water St. Mystic, CT 06355.

NOTIFICATION:  Posted at www.ctacademy.org for mail-in entries by April 22, 2011, and carry-in entries by May 25, 2011 Editor’s Note:  Many galleries are going to posting results instead of emailing entrants.  I don’t like it either, but make sure you keep records so that you know to check their site.

Learn more about the 100th Exbihibition by CAFA and Mystic Arts Center!ENTRY FEE: $25/1st & $15/2nd entry (Academy members, 2nd entry free, dues paid). Make check payable to: CAFA. Fees are non-refundable.

AWARDS:  Best of Show $1000, Second Place $700, Third Place $400, Fourth Place $200, Painting $100, Sculpture $100, Drawing $100, Photography $100 and Graphics $100.  Additional awards include the Art Spirit Foundation, Dianne B. Bernhard Award for a Pastel $500, the Allied Artists of America Painting Award $100, the Simonds Photographic Award for a B & W photograph $100 certificate, the PhotoSynthesis Award for a traditional or alternate process photograph $100 Certificate and the Jerry’s Artarama award.

JURORS:  Joy M. Pepe is Professor Emerita of Lyme Academy College of Fine Arts, where she developed the Art History curriculum, implemented an Art History Minor, and was chair of the Liberal Arts Department.  She serves often as a juror, throughout Connecticut, for competitions, and exhibitions, and she gives popular lecture series on many art history topics. 

Learn more about the Connecticut Academy of Fine Art!Last year Pepe held the position of Professional in Residence in Art History at the University of New Haven, and this year she is teaching various Art History courses at the University of Hartford, Southern Connecticut State University, and Albertus Magnus College.  She holds a Masters from Wesleyn University with a concentration in Art History, and she has done doctoral studies (ABD) at Rutgers University in New Jersey.

Anne von Stuelpnagel
is Director of Exhibitions at the Bruce Museum in Greenwich, Connecticut; Since 1995 she has been responsible for the design of the 12-14 exhibitions per year of the Museum; Having worked at the Bruce Museum since 1980, her responsibilities included art, history, anthropology, and science.  She received her BFA from Blocherer School of Fine Art and Applied Sciences, in Munich, Germany with a Major in painting and a Minor in Interior Design.  Anne initiated and has carried out, for many years, the Outdoor Art Show of the Bruce Museum.  After settling in the United States, in 1977, she studied printmaking and has since worked primarily as a printmaker.

For complete details, See the Official Guidelines!

Learn more about the Mystic Arts Center!

CALL for ENTRIES: TailCast

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!TWO SCOOPS

 

I typically only post once per day.  Any more smacks of double-dipping of your time and inbox space.  I get notified everytime someone unsubscribes from this blog, and I am sincerely sorry when I found out that an artist has decided that AAAD isn’t something they want or need or have time for.  So, I am self-conscious about double-dipping… except in ice cream, of course.

So why double-dip today?  Well, I am also self-conscious about straying too far from bringing you the art deadlines and opportunities that are the whole purpose of this blog.  Last Monday I posted a housekeeping blog, earlier this morning I posted the Artist of the Year blog, and tommorrow I unveil the first Featured Artist of 2011.  That is three non-deadline posts in 8 days.  I just have to break it up with a little opportunity!

Check out this Art Contest from tailcast.com, a print-on-demand greeting card site, that allows you to design and sell a Valentine’s day card online.  There is no entry fee, and you could win $300+ and 20% commission on card sales.  Take a look!

CALL for ENTRIES:
Design for TailCast

Visit tailcast.com for complete details!What are butterflies?  Some people say they’re fluttering insects with pretty wings, others that its the feeling you get when you’re nervous or in LOVE… And what about goose bumps? Do you really only get them when you’re cold or can a secret whisper in your ear bring them on too? Is there such thing as a sexy chuckle, a secret grin or a flirty giggle?

Can you make them
happen with a card?

 

This is the challenge for you at tailcast. This time tailcast want designs to give butterflies or goose bumps and make recipients chuckle, giggle and grin knowingly on Valentine’s day.

DEADLINE:  January 29, 2011

ENTRY FEE:  None

HOW TO ENTER:  Design a card (using all 4 sides of the card)Upload your design using the full instructions found on their Call for Art pages. 

Don’t forget, readymade designs are created with personalization in mind, think about what can be done with the customers’ images and messages/text, within your design.  Click here for some inspiration, but don’t let that stop you doing something completely different.

For complete guidelines, visit tailcast.com!

CALL for ENTRIES: A Year in Review 2010

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!GOOSE ME

In addition to running the ever popular ArtAndArtDeadlines.com empire (hee), I create art of my own and hold down a day job as a Marketing Director.  I frequently get asked what it would take for me to throw up my hands and give in to my desire to do nothing but cook and make art.  The Goose would have to lay the Golden Egg.  I have a 10 year plan, but the golden egg would make it a 10 second plan.  Maybe this Call will be your golden egg.

Check out this Call for Entries for A Year In Review 2010 from Artists Wanted.  The entry fee is a low $10 per piece, and the Grand Prize package is almost impossible to believe.  Take a look…

CALL for ENTRIES: A Year in Review 2010

Artists Wanted:  A Year In Review 2010 is an international, all-medium-encompassing open call for art.  Their mission is to present a range of technique, style and narrative that captures the best emerging artists of the previous year.

Learn more about A Year in Review 2010 online!They believe that great talent deserves endless attention, and they will do all they can
to present your work
to the world.

During the first week of March, New York City will host artists, galleries, critics and curators from all over the world. Let this be your opportunity to shine in the spotlight of a feature booth at SCOPE, the premier showcase for international emerging contemporary art and one of the most influential presences in the expanding global art market.

Learn more about A Year in Review 2010 online!ELIGIBILITY:  Open to all artists from around the world who are 18+ years.

MEDIA:  Sculpture, Installation, Painting, Drawing, Photography, Design, Illustration, Film, Video, Performance, sound & more! Conceptual proposals also welcome.

DEADLINE:  Entries must be submitted before January 28, 2011. Late entries must be submitted no later than February 4, 2011 and may be subject to a late entry fee.

ENTRY FEE: Price for entry is $10 per image, you can submit 8 or more images for a flat rate of $79 (maximum of 15 images).

Learn more about A Year in Review 2010 online!AWARDS:

The Grand Prize Package:  A feature spot at SCOPE New York 2011, next to the top figures in the global art scene, $10,000 cash grant, includes $5,000 to create new work; $5,000 to spend however you want; Hotel accommodations and airfare to and from New York City for the event; A publicity campaign in New York City promoting you and your work; An online video feature garnering lasting exposure for your work; and Art-star treatment at the official SCOPE After-Party produced by Artists Wanted.

Learn more about A Year in Review 2010 online!The People’s Choice Award: $2,000 cash grant; An online feature bringing international exposure

The Category Awards: $1,000 and internationally-broadcasted online features by Artists Wanted will be awarded to one winner in each of the following categories: Fine Art (Painting, Drawing, Sculpture & Installation), Motion & Sound (Film, Video, Performance & Sound), Design & Illustration, and Photography.

The Art of Elysium Award: $10,000 donation made to The Art of Elysium on the winner’s behalf; and an online feature bringing international exposure

Learn more about A Year in Review 2010 online!JURORS:  Entries will be reviewed by a talented panel of judges, who are leaders in their fields, dedicated to creative expression and fully supportive in the effort to identify and recognize emerging artistic talent all across the globe. Go ahead, the judges are waiting for you to amaze them. Click here to learn more about the judges.

For complete details, visit the Artist Wanted website!

Learn more about A Year in Review 2010 online!

CALL for ENTRIES: Juried NYC Art Competition

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!HOLY BAGEL, BATMAN!

The holy grail for most of the emerging artists I know is a solo show in New York City.  The myth of the NYC show as the tipping point for wealth, success and fame is as idealized as NYC diners, bagels and street hot dog vendors. 

Don’t misunderstand, I LOVE diners, bagels and hot dogs.  I recognize that none of them will change my life, but I will enjoy one and all if you offer me one.

Check out this next Call for Entries for the 2011 National Juried Competition from the First Street Gallery in New York City.  The entry fee is a standard $35, but the grand prize …a solo show.  Don’t miss this opportunity!

CALL for ENTRIES:
2011 National Juried Competition

Learn more about NYC at Walking off the Big Apple!First Street Gallery in New York, NY seeks entries for an exhibit, June 22 – July 16, 2011.  Learn more about NYC at one of my favorite blogs, Walking Off the Big Apple.

ELIGIBILITY:  Open to U.S. resident artists at least 18 years old.  Exception: Artists currently represented by First Street Gallery. 

MEDIA:  Eligible works include oils, acrylics, watercolors, mixed media, pastels, drawings, prints and sculpture in any medium. No photography, video, film, or installations. No mechanically reproduced artwork (computer, printer, giclees, etc.).

DEADLINE:  Received by March 31, 2011

NOTIFICATION:  May 15, 2011

ENTRY FEE:   The fee is $35 for 1 – 3 works. $5 for each additional work up to 10 works total. Entry fees are non-refundable.

AWARD:  A Solo Show

 

COMMISSION:  The gallery will take no commission on any work sold . Work not for sale must be marked “N.F.S.”. No “P.O.R.” sales.

Regatta by Juror Paul ResikaJUROR:  Paul Resika is a highly-respected American painter. Using bold colors and recurring motifs inspired by nature and the world around him, his work merges the representational with the abstract.

At 19, he began studying with Hans Hoffman.

Represented by Lori Bookstein Fine Art in NYC, he has exhibited extensively in galleries and museums around the world including galleries in Madrid, Rome, London and Venice and the Corcoran Gallery of Art, The National Museum of American Art, The Metropolitan Museum of Art, and the National Academy of Design, where he is an Academician. 

Resika’s numerous awards and honors include a Guggenheim Fellowship.

For complete details, visit the First Street Gallery website!

Learn more about the 2011 National Juried Competition from First Street Gallery!

FEATURED ARTIST: Madeleine Avirov

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!CONCEALED
TREASURE

The $2 Art Contest has been a journey for me as both an Editor and an artist. I have learned that I must recognize my taste and bias as an artist while tempering it with impartiality as an Editor.  

Choosing a Featured Artist is like cooking for a large family gathering.  You have to honor where your talents lie, but you have to remember that sometimes your family just wants a turkey with traditional stuffing  on Thanksgiving regardless of how good your Oysters Rockefeller may be.

I truly have a soft spot for portraiture, as it influences my personal work; however, I also love the intimacy and vulnerability it gently masks.  I find a treasure in every portrait…sort of like the pearl in an oyster as a matter of fact.  During the holidays, I thought we could all use a reminder of things to be treasured–people most of all.  So, Oysters Rockefeller it will be. 

Click to learn more about Madeleine Avirov!The Featured Artist chosen from November entries is Madeleine Avirov.  Avirov’s work has a sadness balanced by the love and care that only an insider could have into the inner reaches of each subject.  While I love her landscape and abstract work, I find Avirov’s portraiture touching and worthy of an individual audience.  

FEATURED ARTIST:
Madeleine Avirov

Avirov, studied figure painting at The Art Institute of Chicago, Chicago, IL, portraiture at the Richard Halstead Studio in Evanston, IL, and Studio Art & Illustration at Kent State University in Kent, OH. 
 
 But after all this study, Avirov drew a simpler picture of her direction for me: “My subjects follow two tracks that are beginning to merge. One is darkly colored and moves backward into the past through urban terrain that Philip Roth called ‘a timeless Depression set in a placeless Lower East Side.’  Here I work with the figure as a kind of still-life element, placing my father, for example, into settings whose contents reflect and contain his particular misfortunes in order to tell a story.”
Old Jew with Bird (detail) by Madeleine Avirov 2009“The other track moves outward into landscape, not to replicate any particular place, but more to conjure a remembered dimension in which things are rearranged, local color is heightened, dimmed, ignored, and the surface in places remains broken and unfinished—all in keeping with a broken world.” 
 

I was struck by Avirov’s process.  While as artists so many of us are trying to forge our own paths and break new ground with materials and media, why would Avirov work so hard to conquer the techniques of the Old Masters? “I build up the surface of the canvas transparently—in dozens of layers in some places, in others abrading or letting the ground show through.  By laying down patches of color to build form architecturally (a method I constructed from studying the texture of tree bark and from looking at Cézanne, the Spanish realist Antonio Lopez Garcia, and the English figurative painter Euan Uglow).

“First, in the same way that all genuine knowledge includes recognition—a backward glance—however interpreted, any new media or technique worth anything is in some sense built on what came before it.”

Ma by Madeleine Avirov 2004“When he was 75, the literary critic Northrop Frye understood that at that point in his life ‘discovery [could] come only from reversing one’s direction, going upstream to one’s source.’   He added ‘that at a certain point searching for the unknown gives place to trying to remove the impediments to seeing what is already there.’

“I am 55, but a dozen or so years ago, I began to feel similarly compelled. There are centuries of craft, of painstaking trial and error, that have produced works I revere, and I could not reject what I had not tested for myself.” 
 
 Favorite Food?  It’s either bread or fruit, the first peach of summer, warm bread on a cold day.  In search of renewal and comfort, I say wearing my armchair pyschologist’s chef’s hat.

Racism: When Kids Learn by Madeleine Avirov 2003I find that portraiture can often be difficult to sell.  The buying public often feels compelled to personally know the person in the art with which they choose to share their lives.  When I asked how Avirov dealt with that obstacle, she answered with a straight forward pragmatism that, frankly, took me by surprise.

“I’ve sold far more of the work that I uneasily categorize as landscape. The short answer to how I deal with it is that, essentially, I don’t. More and more, I divide my time between writing and painting, and, lately, the months I’ve given to any one painting I’ve been giving to landscape. But even in the years when I was consumed with the figure, I did so because I could not do otherwise, and paid the bills with editing work and illustration.”

How do you classify your own work?  “I also say there that it’s an ever-shifting mix of realism, surrealism, expressionism that is grounded in and is moving more and more toward abstraction, even imageless-ness. Any given work is driven by its content, but all the decisions I make about it refer to formal conventions. The story told, the emotion conveyed, are secondary even as they hover at the edge of these decisions.”

The Hippocratic Face 3 by Madeleine Avirov, 2010In addition to her figurative and landscape work, Madeleine is also a writer.  her next big project is a book.  The book’ss working title, The Hippocratic Face, refers to Hippocrates’ description of the appearance of the dying.  See work of the same name pictured right. It was conceived as a consideration the 90-year-span of the artist’s mother’s life in the light of her final days and weeks, in the hospital and in hospice, as well as an examination of the cultural obsession with extending life against all reason.

Thank you Madeleine for sharing your work with us. 

I felt a little like an eavesdropper in the hallways of your life while reviewing your work.  It was a privilege to be granted such an intimate view.

Learn more about Madeleine Avirov online!

 

Want to be a Featured Artist on www.ArtAndArtDeadlines.com?
Check out the
$2 Art Contest

 

CALL for ENTRIES: Urban Situation in NYC

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I ATE THE WHOLE THING!

Vacation time is over, and I am in a food coma.  I may never look at sweet potato casserole the same way again.  For those of you that survived the holidays without a permanent taste aversion, this next call is another opportunity in NYC.

Check out the Call for Entries from The Ernest Rubenstein Gallery and the Educational Alliance called The Urban Situation.  The entry fee is very low, but the number of slots they have to fill is equally low.  Could be a great opportunity, but do your homework so you know what kind of work they want!

CALL for ENTRIES:  The Urban Situation

The Ernest Rubenstein Gallery – Educational Alliance is seeking submissions for “The Urban Situation” a group exhibition of 20 artworks.  Open to artists working in any 2-dimensional medium (not photography). Opening reception Thursday, Feb. 10, 6-8pm. 

Learn more about the Ernest Rubenstein Gallery!The Urban Situation is a constant backdrop for artists whether abstract or figurative, conceptual or post-modern. The particular energy, light, scale, stress, grit, incident or inhabitants of the urban environment provide source material for all genres.

ELIGIBILITY:   There is a limit of 3 entries per artist. Entrants must be at least 21 years of age. Selected artists are responsible for all shipping arrangements both to and from the exhibit.

MEDIA:  Painting, drawing, and collage maximum 60”x 48” are eligible.

Learn more about the Educational Alliance online!DEADLINE:  December 30, 2010 at 5pm

NOTIFICATION:  January 201, 2011

ENTRY FEE:  There is a $25 submission fee (for up to 3 images) by credit card, Money Order or check payable to the Educational AllianceYou may pay by credit card by calling  646-395-4235 before January 4, 2011.

About the Educational Alliance:  The Ernest Rubenstein Gallery is a distinct and impressive public space at the core of The Educational Alliance, a settlement house on the Lower East Side.  In recent years a wide range of artists have participated in exhibits including: Polly Appelbaum, Lynda Benglis, Peter Halley, Yvonne Jacquette, Peter Halley, Joyce Kozloff, Robert Kushner, Glenn Ligon, Carrie Moyer, Tom Otterness, Sheila Pepe, Judy Pfaff and Kiki Smith.

Mark Rothko is among the many artists that have taught at the art school!The Art School & Gallery provides instruction and cultural enrichment to people of all ages.  In the gallery, they present exhibits of emerging and established artist, alumni and student artworks.  The art school offers courses in: ceramics, drawing, painting, photography, sculpture and welding for beginning to experienced artists.  Started in 1895 to provide arts enrichment to young immigrants and neighborhood residents it soon became known for its quality program attracting people from all over the city.  Among the artists who studied or taught there are Louise Nevelson, Adolph Gottlieb, Mark Rothko, Barnett Newman, Jules Olitski, Leonard Baskin, Peter Blume, Chaim Gross, Ben Shahn and Moses Soyer.

For full details, Download the Prospectus!

FEATURED ARTIST: James Melcher

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!DUCK of the MONTH!

The best thing about judging the $2 Art Contest is getting to play “I wonder.”  As in, I wonder what this artist is really like.  I generally look at an artist’s work first.  I don’t want anything else to interfere with my opinion of the work.  And although we are taught as children that you can’t judge a book by its cover, we are also taught “If it walks like a duck, sounds like a duck and looks like a duck, it is probably a duck.”  And, more often than not, I can figure out an artist’s philosophy from their work alone.  Sometimes I am surprised.  But what I always remember in the end…there are no two alike…all lovely little odd ducklings.  This month was no different.

Learn more about Featured Artist James Melcher!

And the winner is…

The entries I receive each month for the $2 Art Contest are incredibly varied. I see work from every imaginable media, from artists at every level of their careers–some polished and PR savvy, some more vulnerable, but honest.  This month, the winner is happy and optimistic, and since we are all headed into sometimes stressful and often melodramatic holidays… I thought we could all use some sunshine.

The Featured Artist chosen from October entries is James Melcher. Melcher’s work has a carefully chosen randomness to it that both makes me wonder and makes me smile.  I would own his work.  That is one of the many tests for any artist, wouldn’t you say? 

The beginning of the mosaic paintings at Tartooful!FEATURED ARTIST:
James Melcher

James Melcher was born in Cleveland, Ohio where he received his Bachelor of Fine Arts in ceramics from the Cleveland Institute of Art.  After graduating, James spent a decade first in Southeast Asia, then Italy, and finally New York City before moving to Canada in 1996. Vancouver, British Columbia is now his home,  and Melcher claims the spectacular mountainous landscape and glimmering glass towers as his daily inspiration.

While I am drawn to the Melcher’s line drawings.  I simply could not avoid the elephant in the room–the mosaic paintings.   I was not shocked to find out that the mosaic paintings began as an happy accident:

“This whole thing began when I unrolled old polka dot, acrylic on canvas paintings and started cutting them up. I was in a kind of creative block and really didn’t know what I was doing. I cut out circles and then cut them in half and like a kid started playing with fitting the pieces together. I ended up gluing these down to small canvases and called them cut-outs.” (pictured above left)

April Mosaic by James Melcher“The mosaic paintings began kind of by accident – A pile of strips, left over from all the trimming of the cut-out pieces, was collecting dust and I was going to throw it out. Instead I started playfully laying them together in rows – ‘April Mosaic’ (pictured right) is the culmination of that “Strips” series. This led to delving more into pattern and to more purposeful decisions about color combinations.”

“I continued to cut up old works on canvas to make new mosaic paintings until I ran out of old work! Now there is more of a conscious plan and design although I also let the work “speak” to me and go where it tells me to go! There is still the occasional coming together of pieces on the studio floor and that’s where new ideas are born.” –James Melcher

After studying the work & the process,
I went to the food for the real scoop…

Patterned Mosaic Painting by James Melcher

Favorite Food?
Premium cut steak and potatoes
with an occasionally guilty binge of Doritos.
No deep, dark happiness issues there.

And what of his favorite artists?
The inspirational mentors?

Matisse, Mondrian, Warhol, Gehry.
Not a particularly optimistic lot,
but I can see the stylistic/artistic inspiration.

I was certain he was hiding something.

How does he classify his own work?
Modernism, Color Field, Pattern painting.

What makes this artist tick? 
Where is the quirk? 
Where is the secret?

http://jamesmelcher.net/stu-exh/exh-9.htmlAnd then I got to the final quiz question…What is your next big project?  And then I found my answer within his:  “I have Four!  The Artist Project in Toronto – March 3-6, 2011 is a BIG Project that I am in the full swing of producing and getting prepared for…Getting my book “Memory Mosaic” published…Moving to Europe…And, I would love to complete a large-scale art installation somewhere!”

Eureka!  The king of random pattern is fueled by frenzy.  This artist does not suffer from the motivational anorexia of which I warn.  His life will not pass him by.  He is caught up in his own whirlwind of pattern and placement.  Lookout world James Melcher’s headed your way.

Learn more about James Melcher online!

Want to be a Featured Artist on www.ArtAndArtDeadlines.com?
Check out the $2 Art Contest!

ART PUBLICATION: Hunter & Cook Magazine

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GATHERING CHERRIES

After my post referencing Chef Cat Cora and the inequality of kitchen roles between the sexes, I received an amusing amount of email about “hunters” versus “gatherers.”  I am still writing an art blog, right?  Too funny.  Can you even imagine what would happen if I, in my 4″ heels, had to gather my food from somewhere other than the grocery store?  I can hear you laughing.  Why are we talking about hunting and gathering?  Well this next Call came to my attention, and I couldn’t resist.

Check out this Call for Submissions from Hunter and Cook, a Canadian-produced contemporary art magazine.  You know how I love art publicaton and am constantly preaching its merits.  But, the cherry on the sundae is that these editors don’t want your resume or statement…just your work.  That is just the way we all like it, eh?  Take a look…

CALL for SUBMISSIONS:  Hunter & Cook Magazine

Hunter and Cook Magazine is accepting submissions for one artist to do a four page project in their next issue – Number  8.  Hunter and Cook is a curated contemporary art magazine, produced in Toronto by artists Jay Isaac and Tony Romano.

Check out Issue 7 of Hunter and Cook Magazine!Hunter & Cook Magazine is widely distributed across Canada (including Chapters and Indigos) the US and Europe and attends major fairs such as Art Basel, TIAF, NADA, and Printed Matters Art Book Fair at PSI Moma.

Hunter & Cook is subscribed to by major North American institutions such as the AGO, MOMA New York, The Musee D’art Contemporain, Montreal etc and is viewed by a wide audience which includes numerous gallerists, writers, curators and collectors.

DEADLINE:  December 15, 2010

ENTRY FEE:  The fee to enter is $35.00.  Artists can submit as many projects as possible to Hunter & Cook, but each entry will cost $35.00.

NOTIFICATION:  You will only be contacted if your project is chosen.

Check out Issue 5 of Hunter and Cook Magazine!SUBMISSIONS:  Specs for files are 4 pages in total in the order of 2 full color then 2 black and white, starting with a left page, ending on a right page.  Page size is 9″wide x13″high (image size); however, file size of each page needs to account for bleed so please make your file 9.25″ x13.25″ at 300 dpi. 

Please send as a tiff file in cmyk for color and grayscale for black and white.  Please include files on a disc including titles, artist name and contact information.  Nothing more is needed–no statements or resumes.

Send disc with files and a check or money order made out to Hunter and Cook by December 15th to:  Hunter and Cook, 15 Ossington Avenue, Toronto, ON, Canada  M6J 2Y8.

Please email Hunter & Cook with any questions or visit www.HunterAndCook.com

CALL for ENTRIES: 2011 Nat’l Contemporary

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BUFFALO…in brief.

When you think of Colorado and food, does it conjure images of snow bunnies and hot chocolate?  Then clearly you need to revisit Colorado.  When I think of Colorado, I think of Buffalo Burgers.  Buffalo burgers, once a fringe food, have now found their place in everyday fare.   In South Central Colorado, the buffalo burgers are unmatched.  I wonder if there’s any chance buffalo will be on the menu at this next exhibit’s opening night…

Check out this Call for Entries for The Arts Center’s 14th National Juried & Invited Contemporary Exhibition at the Center for the Arts in Western Colorado.  The entry fee is low, and I like the idea of a mix of invited and juried artists…that usually means a built in crowd for opening night.  Take a look…

CALL for ENTRIES:
14th National Juried & Invited Contemporary Exhibition

Keeping with the tradition of the Contemporary Exhibit, juror Michael Chavez will select six to eight artists to join the exhibit as invited artists who will give us an exciting survey of established and emerging artists in the contemporary  art fields of drawing, painting, photography and mixed media two-dimensional work.

Learn more about the Art Center online!ELIGIBILITY: Open to all artists residing in the U.S.

MEDIA: Two-dimensional format in the disciplines of drawing, mixed media, painting, printmaking and photography.  Artists may enter up to three works which use paint, photography, drawing materials, printmaking and mixed media as the focus of submissions.

ENTRY FEE: Non-refundable entry fees are $15 for one entry, $25 for two entries, and $30 for three entries, payable to WCCA upon entry.

DEADLINE: January 28, 2011

NOTIFICATION: March 17, 2011

AWARDS: $750 Best of Show, $450 First Place, $300 Second Place, and $250 Third Place

JUROR: Michael Chavez is the Curator of Exhibitions and Education at Foothills Art Center in Golden, Colorado.  He has a BFA in sculpture from the University of Wyoming and an MFA in printmaking from the University of Kansas. Over the past 16 years he has worked at the Art Institute of Chicago, The Spencer Museum of Art and the University of Wyoming Art Museum.  In addition to curatorial duties, Chavez is active in the Colorado art community serving on public art committees and judging several exhibitions for Colorado’s cultural institutions.  (continues below)

Learn more about the Arts Center at The Western Colorado Center for the Arts

ABOUT THE ART CENTER:  The Art Center has served as one of the Grand Valley, Colorado’s most valuable cultural resources for over 50 years.  As a private non-profit entity, The Art Center receives no city or county funds. Their operating budget depends entirely on individual and business memberships, revenue from our educational programs and special events, philanthropy and grants.

For the full details, Download the Prospectus
from the
Upcoming Exhibits page!

CALL for ENTRIES: Gender Matters

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MOMMA

Have you ever wondered why most women fill the family role of cook?  (although not in my house)  …But in the professional world most Chefs are men?  Me too.  I like being female, despite the issues…even in the South.  Today I’m paying tribute to one of my favorite female Chefs, Cat Cora, who proves gender doesn’t matter…at least in this case.  But we all know that gender does matter, especially in this next call for entries.

Check out this Call for Entries for Gender Matters/Matters of Gender from The Freedman Gallery at Albright College.  The entry fee for up to three images is only $20, and the juror, Judith Tannenbaum,  is spectacular.  Did I mention that this art exhibit is open to entries from BOTH genders?  Take a look…

CALL for ENTRIES:
Gender Matters/Matters of Gender

Ever since Judy Chicago and Miriam Schapiro organized the collective Womanhouse project in San Francisco in 1972, as well as Judy Chicago’s 1979 Dinner Party, shows centering on women’s reality have become a staple in galleries nationwide.

Download the Prospectus for Gender Matters/Matters of Gender!Gender Matters/Matters of Gender, expands this tradition to include works by artists of both sexes who work from a consciousness of how gender is reflected in art, how the artist’s gender influences her or his medium, and how gender often affects the circumstances in which the artist creates. This show will include a range of artists who make art which explores sexual identity, evolutions in biological reproduction and art which is sometimes informed by an awareness of gender based craft and traditions.

ELIGIBILITY: The exhibition is open to everyone. Entries must represent original works of art or design and represent or address the theme in some way.

Learn more about Albright College online!MEDIA:
Open to all traditional
 & non-traditional genre & media
(including video, sculpture, photography, painting, drawing, printmaking, etc.)

JUROR: Judith Tannenbaum is the first Richard Brown Baker Curator of Contemporary Art at the Museum of Art, Rhode Island School of Design. From 1986 until 2000, she served as curator, associate director, and interim director at the Institute of Contemporary Art, University of Pennsylvania, Philadelphia. 

Learn more about The Freedman Gallery online!Tannenbaum has organized numerous exhibitions focusing on painting, photography, sculptural installations, and interdisciplinary work with a particular interest in connections between the visual and performing arts. Since moving to RISD, several projects, including “On the Wall: Wallpaper by Contemporary Artists” (2003), have focused on relationships between fine art and design.

The Freedman Gallery at Albright BEFORE the renovationENTRY FEE:
Entry fee is $20.00.
Artists may submit up to 3 images.

DEADLINE:  December 1, 2010

NOTIFICATION:  January 21, 2011

SUBMISSIONS: Go to: www.albright.edu/freedman/. Use “Upload” link. After completing entry, please send $20 entry fee payable to: Albright College. Entry is not considered “accepted” until check is received.

ABOUT THE FREEDMAN GALLERY: Established in 1976, the Freedman Gallery is a nationally recognized gallery dedicated to contemporary art. Named after co-founder Doris Chanin Freedman (1928–1981), a trustee and alumna of Albright College, the Freedman Gallery is housed in the College’s Center for the Arts.

For all the details, Download the Prospectus!