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Category: Art Deadlines

CALL for ENTRIES: smallprint BIG IMPRESSION

Posted on August 5, 2010 by R.L. Gibson

CHEAP DELICACY?

I consistently receive requests for calls with no entry fee, and I do post No Entry Fee Calls as regularly as I can; however, sometimes you get the opportunity for which you pay. You may love ice cream from McDonalds (I love the caramel sundae), but don’t expect an exotic delicacy for $1.

This printmaking call from the Leicester Print Workshop called smallprint: big impresion is a great example of an international call, art publication, a selling exhibition, and a traveling exhibition opportunity all in one Call for Entries.

Here’s the Call:

Leicester Print Workshop announces a call for artists for smallprint: big impression; a touring exhibition of contemporary prints that measure no more than 100 sq cm (approx. 15.5 sq. in.).

All selected work will be featured in a full colour catalogue and will tour the UK continuously in a selling exhibition throughout 2011 and will also be available for purchase online.

JURY: Selected by an independent panel of experts:

Anne Desmet, Printmaker and Editor of Printmaking Today

Craig Ashley, Producer of Visual Arts at the mac

Irena Czapska, Printmaker and Manager at Spike Print Studio

PRIZES: Four prize winners will be chosen during the selection process and winners will be informed prior to the exhibition going on tour.

GUIDELINES: All entries must be original, signed by the artist and created during 2010.

Four additional prints from each selected edition must be provided to allow for replacement after sales; therefore, they will not accept monoprints or monotypes. If they believe an entry is a reproduction of a pre-existing piece artwork– it will not be selected.

MEDIA: Artists working in any printmaking technique.

COMMISSION: Artists are advised that 50% commission will be taken from all sales; please set the selling price with this in mind.

DEADLINE: November 1, 2010

ENTRY FEE: Non refundable entry fee for up to a maximum of three pieces per artist:

£18 (UK Printmakers) – approx. $28.61 US

£ 15 (LPW members) – approx. $23.85 US

£ 25 (Printmakers based overseas) – approx. $39.74 US

Included in the entry fee is the cost of returning unselected work and unsold work once the tour is over, hence the increased fee for overseas submissions.

The entry fee can be paid online at www.leicesterprintworkshop.com/smallprint or with a cheque made payable to Leicester Print Workshop.

SHIPPING: Post all entries to Leicester Print Workshop, 50 St Stephens Road, Leicester, LE2 1GG to arrive by the deadline date. Please ensure all submissions are packed, lying flat, in a sturdy reinforced envelope.

On the reverse of each image, please write clearly in pencil, the name of the artist and the title of the piece. Ensure all images are accompanied by the smallprint:big impression application form and payment or proof of payment, if paying over the internet.

All entries must be supplied unframed and without a mount. Please do not send any additional information.

Find the full call at www.leicesterprintworkshop.com/smallprint

For more information email info@leicesterprintworkshop.com
or telephone (+44) 116 255 3634

CALL for ENTRIES: Found Object TRASH ART

Posted on August 2, 2010August 2, 2010 by R.L. Gibson

NOT TRASH…JUST ART

I love found object art almost as much as I love crock pot creations made from leftovers. Many emerging (not starving) artists struggle with not having the cash to participate in traditional media like oil painting. Found-object assemblage could be the solution!

Here’s a great call from Monmouth Museum for Art from Found Objects, but you have to hurry…both postmarked and emailed entries must be received by August 6, 2010. But look on the bright side…the materials are probably already laying around your house!

CALL FOR ENTRIES:
Art From Found Objects: A Juried Exhibition

Museum Statement: This exhibition focuses on artwork created from the undisguised, but often modified, use of common found objects that are not normally considered art, often because they already have a non-art function. Found art derives its identity as “Art” from the designation placed upon it by the artist. “Trash Art” is included in this exhibition as works are primarily comprised from components that have been discarded and then found. 75 % of the media used to create works for this exhibition must be from either discarded, reusable or found objects.

Juror: The juror is Harriet Taub, Executive Director, Materials for the Arts (of Cultural Affairs., NYC Department)

Eligibility: Open to all artists world-wide age 18 and over. All artwork entered must be original creations by the artist and must have been completed within in the last five years.

Submission Guidelines: Submissions are limited to a maximum of TWO pieces. Acceptance into the exhibition is not guaranteed with entry. The Monmouth Museum reserves the right to reject work delivered at the time of the exhibition that is not the artist’s accepted work. Selected artwork must be wired, framed (if media applicable) and ready to hang (no saw-tooth hangers). Artwork must be less than 7 feet in height and able to fit through a standard door. Pedestals must be provided by the artist for all sculpture entries. Entered and accepted work cannot be substituted and all work must be available for the duration of the exhibition.

Submission Fees: Monmouth Museum Members: FREE (see membership form at www.monmouthmuseum.org); Non-members: $20 per piece entered (limit: 2 pieces).

Digital Submission Specifcations: DO NOT submit more than 2 images, unless work is three-dimensional (maximum three images per sculpture). Artists are requested to submit digital images in JPEG format either via email or on a CD. See prospectus for full guidelines.

Artist Statement: Include a statement (not more than 1 page) on the body of work submitted. Explain your choice of media, artistic vision, process, subject matter, training, influences, etc.

Mailing Submissions: Mail payment, CD, image list, application, artist statement and one SASE for return of the CD to:

The Monmouth Museum, P.O. Box 359, Lincroft, NJ 07738

Email Submissions: Email your application, images, statement and image list as attachments to cclark@monmouthmuseum.org.

DEADLINE: August 6, 2010

For full details, please see the Propectus.

CALL for ENTRIES: Art to Die For

Posted on July 30, 2010July 30, 2010 by R.L. Gibson

ART OF DEATH

I avoid all talk of death and mortality, in general. My fondest hope is that we I finally slow down long enough to die…instead of a wake or funeral, my loved ones will plan an elaborate seven course meal for those nearest and dearest to my heart (and stomach).

I have been avoiding all acknowledgment of the aging process when at all possible. However, the subject has started to creep into my work occasionally…we’ll call it a PREMATURE middle-aged crisis. Here’s a great call for entries from Gallery 5 in Richmond, Virgina called Momento Mori that explores how you guys are approaching the subject of death and mortality in your work. Check it out…

Call for Entries: Memento Mori

Gallery5 is now accepting proposals and visual submissions for Momento Mori, an exhibition that considers death and ephemerality in the modern era. The work assembled in this all media show will look at how artists are confronting these issues today and consider impermanence in cotemporary culture.

SHOW DATES: Memento Mori will run from October 29th until Dec 17th 2010 and will coincide with an observance of Dia de Los Muertos throughout the month of November.

MEDIA: Both two-dimensional and 3-demensional works are welcome.

DEADLINE: Gallery5 should receive all submissions and proposals no later than September 17, 2010.

GUIDELINES: All digital images submitted should be a maximum of 10”x10” at 72 dpi. Please attach a numbered index of your work that includes title, dimensions, and medium. Bio, statement, resume, and relevant links may also be included in your submission.

ENTRY FEE: There are no entry fees.

Submissions can be emailed to: visual@gallery5arts.org

OR mailed to:

Memento Mori

Gallery5

200 W. Marshall St.

Richmond, Virginia 23220

For more information, please visit Gallery 5’s Call for Artists page!

CALL for Entries: Dreamland

Posted on July 29, 2010 by R.L. Gibson

DREAMS INTERPRETED

My best friend, Toni Morton, is a fruit loop, an organic one, but a fruit loop nonetheless. Since we were in college she been into lots of touchy, feely, spirtually-connected “stuff.” Now she’s all green and granola-crunchy. I respect her right to believe in whatever she likes…I even love her for it, and I am occasionally swayed by her green logic. But admittedly, I love giving her a hard time about it too, ha.

This Call for Entries for Artists in Dreamland has that sort of soft, squishy, mystical vibe. Get in touch with your dreams folks…you can do it. Here’s the Call for Art Entries:

Call for Entries: ARTISTS IN DREAMLAND

The purpose of this exhibit is to showcase artwork that expresses the dreams that we all have in the night, and how our dreams and dream life inform and inspire the creative process and the creation of art. This is a unique opportunity for our visitors to walk through a visual dream diary of the exhibiting artists.

Eligibility: Original artwork inspired by dreams or series of dreams in the night. Both the art pieces and the dream that inspired the creation of the art are juried. The most important criterion is how the art piece is connected to a dream or series of dreams, to fit into the theme of the exhibit. Dream artwork that have been exhibited in the dream art show 2008 or Artists in Dreamland 2009 will not be accepted.

Media: All two-dimensional and three-dimensional media will be considered, including painting, drawing, collage, mosaic, metal, glass, fabric, ceramic, sculpture and mixed media. Film, video, and digital art will be considered if provision for displaying these media is provided or can be located by art exhibit staff. All works accepted must be suitably framed and/or ready for display. Works on paper must be framed under glass or plexiglass. No crafts, kits, reproductions, or production please.

All entries must include :

1. Printed dream narrative to accompany the dream art in the exhibit, to illustrate the connection between the dream and the creation of the piece of art. Dream narrative may be continued on the back of the entry form.

2. A brief artist statement and biographical statement, computer printed or typed on 81/2 by 11 inch paper that will be displayed in a 3-ring notebook, available to visitors to view in gallery. Please note: artists’ statements must include the dream or the significant part of the dream that inspired the art and an explanation of how the work is dream-related.

3. Images of the artwork are to be digital; either JPG or PDFs will be accepted.

4. Every piece of art is exhibit ready and/or ready to hang. No sawtooth hangers.

5. Shipping: Work should be shipped to or hand-delivered to Poudre River Arts Center on or before delivery deadline of Friday August 27, 2010. Artwork must be submitted in reusable containers with enclosed prepaid return shipping label. Only submissions with a physical street address included will be accepted. If shipper needs phone number, please use 970-310-0906. Please use bubble wrap or foam rubber and rubber bands – no tape or peanuts. No wooden crates except for sculpture. If you wish to have a receipt of delivery, please ship accordingly.

6. Liability: Kat Peters-Midland, DreamMosaics Studio, and Poudre River Arts Center will take all precautions to ensure the safety of all artwork. All work will be handled with care. The gallery will be staffed during all open hours of the exhibit. However Kat Peters-Midland, DreamMosaics Studio, and/or Poudre River Arts Center will not be responsible for any loss, damage, or stolen artwork. Any insurance is sole responsibility of the exhibiting artist.

7. Jury fee: $35 for up to 3 pieces of art that is in the exhibit. Jury fee for additional art pieces is $10 a piece.

8. Sales: Entries do not have to be for sale. The price must be included on pieces for sale. There is a 25% commission on all sales.

9. Judging: Due to popular demand, the People’s Choice award will be offered this year. The award will be determined by a vote of visitors, which will be determined at the end of the exhibit on September 25, 2010. First, second, and third places will be posted on the websites www.dreammosaics.com and www.poudreriverartscenter.com.

10. An opportunity to offer prints and cards with images of the dream art in the exhibit is extended to each exhibiting artist; they will be placed in the gallery.

CALENDAR

August 2, 2010 Deadline for jury fee ($35 for up to 3 pieces; $10 for each additional piece) and digital images of pieces. JPG or PDFs are accepted.

August 6, 2010 Artists notified (by email or phone call) of jury results

August 27, 2010 Dream art, framed dream narrative, artist statement and biography received.

August 30 – 31, 2010 Dream art exhibit hung

September 1 through 25, 2010 Artists in Dreamland Exhibit

September 3, 2010 Opening reception on First Friday Gallery Walk from 6 to 9 p.m. Refreshments and live music will be provided.

September 27, 2010 Unsold work must be picked up between 11 and 3 p.m. or by appointment.

September 29, 2010 Shipped entries will be return shipped by 5 p.m.

Contact Kat Peters-Midland at 970-310-0906 or
dreammosaics@comcast.net if you have any questions.

CALL for Entries: Shift for Change

Posted on July 27, 2010 by R.L. Gibson

SNICKERS

You know how I love a theme. I hear the snickers…I am proud to love a theme. I once had an art critic wonder aloud (in print anyway) if my love for a theme didn’t occasionally cloud my curatorial vision. Ouch, right?

Here’s a great Art Show Theme…Shift…Change…Movement. Any interpretation you fancy will be fine for this Call for Entries from the BECA Foundation. Check it out:

BECA Foundation presents:
SHIFT, A Call to Artists, Architects + Designers

DEADLINE:
Rcv’d by August 10, 2010

RECEPTION:
September 3, 2010

The BECA Foundation is pleased to present SHIFT, an exhibition of new works of art + design featuring works that express, reveal, embody or address a change or movement on some level – be it social, cultural, physical, metaphysical, political, technological or any other relative shift.

For the purpose of this Call, submitting artists, architects and designers are encouraged to freely interpret the meaning of the word ‘shift’.

Those at least 18 years of age from any country are eligible to submit their works for consideration according to the guidelines below.

The BECA Foundation will host the exhibition at New Studio A.D., a new multi-functional studio, exhibition and event space located in downtown Albuquerque, New Mexico.

The space allocated for the exhibition is 650 sqft (60 sq meters) with a ceiling height of 14 feet (4.3 meters) allowing the exhibition to fill a full 9,100 cubic feet (258 meters cubed) of viewing space.

Of the entries submitted, three individual artists, architects, designers, duos, groups or collectives will be selected by BECA Foundation directors + advisors to receive the exhibition opportunity which will run from September 1 – 14, 2010 with an opening reception from 6 – 8pm on September 3^rd, during Downtown Albuquerque’s First Friday ArtsCrawl.

This is a multimedia and multidisciplinary exhibition without limitation therefore all works will be considered, including but not limited to: site-specific installations, painting, sculpture, mixed-media, drawing, printmaking, fiber, textiles, illustration, digital art, interactive design, photography, video/new media, film, performance art, music and sound focused works, 3D animation, graphic design, product design, furniture design, haute couture fashion + accessories, architectural interventions/designs and functional art, etc. In other words, all creative culminations are welcome.

With a growing international BECA network of now 30,000, it is more important than ever for BECA to ensure that in addition to hosting the physical exhibition, the exhibition also be made available online at www.BECAICAD.org for those who are unable to attend in person.

BECA outreach efforts also extend beyond its own growing network via news releases, blogs, videos, flip publications and various forms of social media. This extended outreach for each exhibition results in the exposure of exhibiting artists, architects + designers work to over 750,000 members of the local, regional, national and international art + design communities.

Please download and review the complete Call to Artists, Architects + Designers below:

SHIFT_Call to AAD.pdf
Size : 177 Kb
Type : pdf

Once you have downloaded and reviewed the
Call to Artists, Architects + Designers, you may begin by clicking the
“Submission Fee” link found on their site.

CALL for ENTRIES: The Map as Art

Posted on July 26, 2010 by R.L. Gibson

ART ON THE GO

In our mobile world, it seems that all of life revolves around fast food, GPS and mobile phones. Maps have become a rarely used–and lately a little understood–artform.

When I think of maps as an artform, I think of the fantastical maps of Canadian Artist Shane Watt. (Ironic considering the call is limited to US Artists). So, I was really excited to find this Call for Entries from Sebastopol Center for the Arts celebrating the Map as Art.

CALL FOR ENTRIES: Mapworks

Sebastopol Center for the Arts invites artists living in the United States to submit work to Mapworks: the Map as Art. SCA is looking for art which references maps and mapmaking.

This may be done directly or indirectly, metaphorically, or conceptually. The terrain may be (but is not limited to) geographic, psychological, political, historical, cultural, mathematical, imaginary, or personal.

All media is acceptable, including installation. Video and film should be submitted as a DVD in loops no longer than 4 minutes; selected artists will need to supply their own equipment for display.

JUROR: Kim Anno is a painter, bookmaker, collaborator and Professor and Chair of Painting, at the California College of the Arts, San Francisco. Her advocacy of the arts has enjoined her talents as curator, artist-in-residence, juror, lecturer, and interviewer. In addition, her diverse practice has led her into important collaborations with writers, visual and performance artists.

DEADLINE: Hand-delivered entries will be accepted at SCA on Monday, August 30, between 3 and 6 pm. Entries by jpegs on CD must arrive by 5 pm, on or by that date. Please see prospectus for complete guidelines.

ENTRY FEES:

SCA members, $10 per entry or 3 entries for $25 (membership is $40 annually).

Nonmembers, $15 per entry, or 3 entries for $40. Maximum, 3 entries per artist.

AWARDS:

$200 Best of Show

$50 Coordinators Award & Merit Awards

For a prospectus go to http://www.sebarts.org/visual/pdf/MappingProsp.pdf
or request by e-mail from satrip@sonic.net.
For information call SCA at 707/829-4797.

CALL for ENTRIES: 7 Deadly Sins in Miami

Posted on July 25, 2010October 20, 2010 by R.L. Gibson

SINFUL…
Like Chocolate

I never cease to be amazed at how often I trip across artist opportunities when on a completely different mission to find source or inspiration material for my own work. While searching for some reference material to shoot my last piece “Greed” for the series Pyschomachia that I’ve been working on with Arizona Artist Jerry Portelli, I tripped across this great call for the Seven Deadly Sins from Miami’s Bakehouse Art Complex.

Call for Entries: ¡Sin!

A national juried exhibition of original work inspired by a traditional concept of human transgressions. Lust, envy, gluttony, sloth, greed, wrath and pride have had an enormous impact on the moral compass of the modern world. With many different interpretations and understandings, each individual sin has been explored and exposed numerous times.

The Bakehouse Art Complex located in the Wynwood Arts District, Miami FL is announcing a Call to Artists for ¡SIN! to be on view during the world renowned art fair Art Basel Miami 2010.

In its 2,600 square foot gallery, the artists, chosen by a reputable panel of curators, will display their works that are directly related to one of the deadly sins.

Each of the seven sins is explored, from their origins and nature, their opposing virtue, and their corresponding punishment through a variety of media and styles from across the country.

Applicants will have the opportunity to present their work to a highly distinguished panel of jurors consisting of Museum and respected Art Professionals from Miami.

Each juror has chosen a specific sin, which they will individually curate. Jury panel is listed below. All Media Welcome.

Download the PDF Application

Exhibition Dates:
November 30^th – January 24^th 2011

Opening Reception:
November 29^th 7-11pm

Submission Deadline: OCTOBER 1^st, 2010, 5:00pm est

JURY

GREED: Silvia Karman Cubiñá, Executive Director and Chief Curator of the Bass Museum of Art

LUST: Brian Dursum, Executive Director & Curator, Lowe Art Museum

ENVY: Jeremy Chestler, Executive Director, Art Center / South Florida

GLUTTONY: Bonnie Clearwater, Executive Director & Chief Curator, Museum of Contemporary Art, North Miami

SLOTH: TBA

WRATH: Carol Damian, Professor & Director and Chief Curator, Frost Art Museum

PRIDE: Cathy Leff, Director, Wolfsonian

Check out all the Opportunities at The Bakehouse Art Complex!

GALLERY REPRESENTATION: Printmakers

Posted on July 24, 2010 by R.L. Gibson

PRINTMAKERS DESERVE
TO EAT CHEESE!

We always want what we can’t have. I want to live on blue cheese, but my family has explain that it isn’t really an option. Printmakers want shows to enter…and it really should be an option.

As I have mentioned before, artists looking for printmakers’ call for entry make up a significant part of the readership of ArtAndArtDeadlines.com. They ARE hard to find–so when I run across any opportunity for printmakers, I like to pass it along. This is a great opportunity for Gallery Representation for a printmaker…and you don’t have to be local.

GALLERY REPRESENTATION:
Printmakers Wanted

Washington Printmakers Gallery is a cooperative of active artists that allows printmakers to have gallery representation with the personal freedom to set your own prices and select the work you display. WPG is also an opportunity to learn from your peers and be a part of distinguished printmaking community.

Membership privileges include:

Your work on view in the gallery at all times
Representation by a professional gallery director
Full voting privileges in all gallery affairs
Opportunities to have hands on experience in the ongoing workings of the gallery
Monthly subscription to “The Scribe”- our informative gallery newsletter
Gallery-supported advertising and monthly press releases
Access to the WPG’s very professional, always current web site which includes sales opportunities
Opportunities to attend WPG sponsored special events outings, lectures and other affairs
Opportunities for members to show prints at other venues
Shared information regarding exhibitions of interest and upcoming juried exhibition opportunities
Artists receive 60% on sale of their artwork (Note artists set the price of their work)

Membership Dues

There are a variety of membership levels available based on privileges and responsibilities within the collective. Monthly dues fees range from $50 to $190 per month. Full Membership artists are eligible for a solo show at WPG every 2 – 3 years. Other Membership levels include: Distant Associate, Emerging Printmaker, and Portfolio Member. Please inquire for more details.

How to Apply for Membership

Washington Printmakers Gallery is currently looking for artists interested in Full Membership. Local artists who are able to fully participate in gallery activities are particularly encouraged to apply.

If you are interested in applying for membership, please send three JPEG images of your work plus a current resume and artist statement to director Annie Turner at info@washingtonprintmakers.com for initial review.

CALL for ENTRIES: TOYS

Posted on July 23, 2010 by R.L. Gibson

I love toys.

As an adult, there are two things for which I am always trying to invent excuses…eating dessert for breakfast…and buying cool artistic toys. I have been rationalizing away “bressert” (as we call it in my house) for years, but now I have a great reason to buy toys…research.

The Arkansas Arts Center in Little Rock has a Call for Entries out for the 37th Annual Toys Designed by Artists show with Purchase Awards totaling $2500. The toys don’t have to be functional and is open to all artists internationally–not just regionally. Take a look…

CALL FOR ENTRIES: Toys Designed by Artists

This delightful and ever popular competition was created to recognize and celebrate the playful side in each of us – artists and viewers alike. Toys may be functional, nonfunctional, child friendly, child proof, too delicate or scary to touch, or begging for tactile tinkering. Successful entries are creative, original, featuring excellence of design and superior craftsmanship.

DEADLINE: September 13, 2010

JUROR: The juror for 2011 is Jim Bartz. Bartz has a BFA in Illustration from The Choinard Art Institute (now Cal Arts) in Los Angeles and as a working toy artist has taught in Northern California for 35 years. He is an active member in The Puppeteers of America.

HOW TO ENTER: Complete the information, upload images, and pay a non-refundable fee ($15 for the first submission, and $10 for each additional) using the online form by September 13th, 2010.

GUIDELINES: Each artist may enter up to three entries that are original, completed within the last two years, and not previously exhibited at the Arkansas Arts Center.

NOTIFICATION AND DELIVERY: Notifications of selected submissions will be mailed beginning October 12, 2010. Selected works must arrive at the Arkansas Arts Center by November 12, 2010. The artist will be forwarded any sales inquiries and works not for sale may be noted on the entry form.

PURCHASE AWARDS: Purchase awards totaling up to $2500 will be chosen by the Arkansas Arts Center after the selected works have arrived.

Works purchased through an award will become part of the Arkansas Arts Center’s Foundation Collection.

SHIPPING: The artist is responsible for the cost of shipping and insurance. Prepaid return shipping of selected work is required. A return shipping label must accompany delivered works. Works hand delivered directly to the museum must be picked up no later than 90 days after the close of the exhibition.

Any unclaimed artwork in the possession of the Arkansas Arts Center after 90 days becomes the property of Arkansas Arts Center Foundation.

More details on shipping will be provided in the selection letter.

DIGITAL IMAGES: The juror selects the exhibition based digital image submissions. Medium resolution images are preferred.

Resolution is sufficient when the image is easily viewed on an average size computer monitor.

Keep images free of identifying information (artist name, etc.,) as this information will require cropping the image.

Works with multiple components must be represented by at least one image which shows the complete work arranged for display. Entries are not accepted via email.

Visit the Arkansas Arts Center website for Full Information!

CALL for PROPOSALS: 1708 Gallery in Richmond

Posted on July 22, 2010 by R.L. Gibson

STIRRING
THE POT

I know I keep stirring this pot, but if you want a solo show, you really have to make the effort to get one. An Open Call for Proposals from a Gallery is what you should be looking for…and you know it.

Never presume that you know the value of a gallery or its exhibition space based upon its location or the generosity of the gallery’s submission process. Do your homework on the gallery. See if your work fits into the scope of the work the gallery seems to show. Then send a well-crafted proposal. You have nothing to lose, and rejection won’t kill you. Here’s a great Call for Exhibition Proposals from the 1708 Gallery in Richmond, Virginia!

Call for Exhibition Proposals:
1708 Gallery

1708 Gallery presents an average of eight exhibitions a year by emerging and established professional artists from all over the world. Each exhibition is approximately 6 weeks long.

1708 Gallery’s focus is to present new art that is not older than three years.

Artists and curators may submit exhibition proposals to 1708 Gallery throughout the year. They welcome submissions from professional and emerging artists in all mediums (students are not eligible).

1708 Gallery’s Exhibition Committee which includes professional artists from 1708 Gallery’s Board of Directors review and select all exhibitions presented at 1708 Gallery.

Selected artists will receive a 6 week exhibition at 1708 Gallery, a small honorarium, and some funding for exhibition related expenses.

Artists are responsible for delivering, shipping, installation, and deinstallation of their work and all related costs. 1708 Gallery will provide assistance with installation and deinstallation. Exhibiting artists are encouraged to attend the exhibition opening and participate in an artist talk.

Click here to download the Exhibition Proposal Guidelines

Please mail your proposal to:

1708 Gallery
Exhibitions and Programming Committee
PO Box 12520
Richmond, VA 23241

Please contact Gallery Administrator, Jolene Giandomenico at jgiandomenico@1708gallery.org if you have any questions.