CALL for ENTRIES: Unique Abstractions

Posted on May 5, 2019February 19, 2020 by R.L. Gibson

abstractly DRINKING SPEAKING

The notion of eating healthy is an abstract one. Even putting ethical concerns aside, there are health benefits (and disadvantages) to embracing vegetarianism, veganism and even raw diets. Sugar is the devil, but artificial sweetners are differently malicious. An excessively fatty diet can lead to heart disease but when coupled with an near absence of carbohydrates puts the body in ketosis that effectively treats diabetes in many. Chocolate and red wine and coffee and kale, all abstractions of a healthy diet.

In art, abstraction takes a lot of forms. At it’s broadest, abstraction is work that is non-representational. But, that begs the question, non-representational of what? From that we get non-figurative & non-linear styles that are often included in surrealism, dadaism, cubism, fauvism, suprematism, art informel, neo-plasticism, de stijl & others. This next Call wants to see all of your abstract creations. My heart lies with abstraction, although I find reactions to it frustrating. What’s your experience? Are you insulated enough not to hear the voices of those that would dismiss the non-representational? My mantra is ‘process not product’. Excerise your muscle memory. Lose yourself in process. It works for me. What works for you?

Check out this Call for Entries from the Las Laguna Gallery (Laguna Beach, CA) for Unique Abstractions, a show of abstract work in a wide range of media. $35 entry & 35% commission. Don’t miss this opportunity…

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CALL for ENTRIES:
Unique Abstractions
from Las Laguna Gallery

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ELIGIBILITY: Open to all artists

THEME: Abstraction. “True abstract art not only utilizes flexibility and freedom; it also employs bold uses of color, line, pattern, form, process and composition.” — laslagunagallery.com

MEDIA: Open to acrylic, airbrush, assemblage, charcoal, color pencil, collage, digital art, drawings, encaustic, fiber art, araphite, illustration, mixed media, new media, oil, painting, pastel, photography & watercolor.

DEADLINE: June 7, 2019

NOTIFICATION: June 12, 2019. If accepted, delivery of work is June 26th to July 2nd.

ENTRY FEE: $35 for up to 3

SALES: The gallery will retain 35% commission on all sales.

For complete details, Read the Full Call!

CALL for ENTRIES: Meltdown

Posted on April 12, 2019April 13, 2019 by R.L. Gibson

lost in TRANSLATION

It is no secret that I’m a little, well, let’s call it cheese “focused”. But we all have our priorities. After being seperated by an ocean for 4 weeks, my husband and I stopped by a local dairy farm less than 24 hours after reunited… to buy cheese. Priorities. Cheese glorious cheese. A few days later, I made summer squash au gratin also known as “squash makes all the melted cheese a legitimate choice”, au gratin for short. Melted cheese means I’m home, ha. Think of it as my oven’s welcome mat. It is the best kind of meltdown.

I have been known to indulge in an epic meltdown of a personal nature on occasion. The last U.S. presidential election put me in an ugly place for weeks. Every insuing attack on civil rights, environmental regulations, access to health insurance & the ability to govern the workings of my own body have warranted their own meltdowns. My work has changed. My life has changed. I worry about becoming numb to the suffering of others, to the loss of agency, to the restrictions on the ability to speak freely. Where is this planet’s population headed? While I was in Scotland recently, I was regularly engaged by locals about American politics. People want to understand what is going on in the United States. I couldn’t explain. I can’t explain. So, I just keep working. Right now, THAT is what I can do.

This next Call in interested wants to see how your work reflects a sense of meltdown, whatever your interpretation. What do you have to say? Could this be the place for you to say it? Check out this Call for Entries from Slow Art Productions for Meltdown at the Limner Gallery (Hudson, NY). $35 entry, 35% commission, open to all media and all artists. Take a look…

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CALL for ENTRIES:
Meltdown
at the Limner Gallery

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This exhibition will be held June 14 – July 13, 2019.

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to all media forms

THEME: “We are living in an age of global crisis – of catastrophic MELTDOWN, a crisis the proportions of which, sadly, needs no description. Historically artists have foreseen, described and been inspired by crisis. The subject of this exhibition is every aspect of the MELTDOWN crisis, be it global, personal, environmental, financial, psychological, scientific and/or spiritual.” — Limner Gallery

DEADLINE: April 30, 2019

NOTIFICATION: May 31, 2019

ENTRY FEE: $35 for up to 4, $5 ea. add’l

SALES: SlowArt Productions will retain 35% commission on sales. Prices set by the artist.

For complete details, Read the Full Call!

ARTIST of the DAY: Alice Wellinger

Posted on April 9, 2019April 9, 2019 by R.L. Gibson

The Envelope by AAAD Artist of the Day Alice Wellington! — *“The Envelope” (acrylic on canvas, 40cm x 40cm) by Alice Wellington*

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“Kunst ist schön, macht aber viel Arbeit” — Karl Valentin

“Art is beautiful, but it does a lot of work.” — Karl Valentin

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I was on a flight from Chicago to Atlanta recently when the pilot announced it was going to be a very bumpy ride. I’m not a bad flyer, but it doesn’t stop me from white-knuckling the armrest everytime we drop a few feet. But sharing my flight was a 3-year-old girl, traveling with her father, all full of energy & curiousity. Everytime we would hit turbulence and drop a little, she would giggle & laugh & hold her stomach. For me, turbulence is a chance I’m going to die, for her, it is a stomach drop in the elevator or over the top hill of a rollercoaster. I will never experience airplane turbulence the same way. Perspective.

When asked (frequently BTW) about my favorite artist or style of art, my immediate reaction is to reject being backed into a corner by that sort of reductivism, but eventually my answer boils down to “perspective”. I want to be shown a different way to see, feel or be with something in the world, or not in the world as the case may be. I’ll take irony, sarcasm, absurdism, realism, surrealism or any other work that makes me better, or worse, for the experience. The wit of Austrian-based artist & illustrator, Alice Wellinger, today’s AAAD Artist of the Day, drew me in immediately. Take the time to click any of the links in this feature to explore more of her work. “Beneath her editorial work she develops her personal art, which is surreal,ironic, dealing with the troubles of daily life and childhood memories.” You won’t be dissapointed.

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Gain a new perspective with the work of today’s AAAD Artist of the Day, Alice Wellinger!

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CALL for ENTRIES: On the Easel Magazine

Posted on March 18, 2019March 17, 2019 by R.L. Gibson

don’t paint with FISH SAUCE

Every week I manage to make a handful of Insta-worthy, perfectly staged lunches & dinners, completely by accident. More often, I conjure tasty dishes that are weirdly, mostly shades of brown due to carmelization, excessive de-glazing and a love for soy, fish, Worchestershire & all other sauces, brown & salty. As you might imagine, the brown food pics, outside of coffee & walnuts, aren’t really winners on social media, ha. My work is not brown or salty, but similar & not…

A few times per week I manage to pull off a perfectly Insta-worthy image of my work in progress –always at an off-kilter angle with short focus to blur unresolved issues and just the right light to allow a contrast-y filter to make me look like a rock star. It is deceptive and born out of equal measure of insecurity and social media pressure to look like I always have everything effortlessly under control. I have guilt, but not. I don’t like feeding into the notion that studio life needs to be glamourous, but I also don’t like exposing my vulnerability underbelly to nameless, faceless critics. Then enters this Call. As you might imagine, I read A LOT of Calls, and I like options for art publication. But THIS call is different. This call wants to see the mess. Finally, there is an option to show studio life, work-in-progress specifically. I think that this is the kind of aspirational we can feel good about –always real, likely messy & unresolved. Seeing yourself represented as an artist is important. This Call is the brainchild of one of our previously Featured Artists, Robyn Thompson. It is a project of her course work while working toward her Master of Arts in Social Practice, making this a great opportunity to lift up ourselves AND one of our very own.

Check out this Call for Entries from On the Easel Magazine (digital/print) for Works In Progress. No entry fee for this aspirational call for work in progress. There are no cash awards, but this Call is all pros, no cons for me. Take a look, and please contact me personally if you have concerns…

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CALL for ENTRIES:
Work in Progress
from On the Easel Mag

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“On The Easel (OTE), a new hybrid digital/paper magazine is seeking submissions of works in progress. We want to see the mess. We want to show the struggles.”

ELIGIBILITY: Open to all artists

MEDIA: Open to all media. Despite the name, this Call is not restricted to painting. They “want to show work during its awkward teen years in the hopes that it will inspire folks to push through to bring it to fruition.”

DEADLINE: Rolling. April 15, 2019 or until all spots have been filled.

NOTIFICATION: 1 week post submission.

ENTRY FEE: None

EDITOR: Robyn Thompson, visual artist who is working toward her M.A. in Social Practice program at the University of the Highlands and the Islands. This project is a part of Thompson’s course work. Your participation would be appreciated.

AWARD: Each page will include a full page image of your work in progress or a detail from it. We welcome submissions of either. Your name, links to your work and a paragraph about your process will also be included. The publication will be available for free online and you will be able to order print copies at cost if you wish.

For complete details, Read the Full Call!

CALL for ENTRIES: 47th Int’l Show

Posted on January 21, 2019January 19, 2019 by R.L. Gibson

focused and FARE

I cheated on my husband with shrimp tacos. He’s contact allergic to shellfish, and on the rare occasion I eat a meal without him, my radar is firmly set on shrimp. I feel guilty while eating them, like I’ve cheated, and then have to go through a hazmat-style sterilization process afterward. But, shrimp.

I had that shrimp-y luncheon with my a friend, an accomplished realist painter. We spent time talking about our plans for the next weeks and months. She paints prolifically and noted, “I haven’t even been looking at Calls because I can’t do anything until Fall”. Between work for galleries that represent her, a couple of invitational shows and a museum solo show that comes down this week, she can’t lose focus. Realizing that kind of focus has been my goal for months, and I am beginning to see results, but it requires tuning out the things that don’t serve my focused goal.

Are museum shows a part of your current plan? If yes, check out this Call for Entries from Brownsville Museum of Fine Art (Brownsville, TX) for 47th International Art Show. $45 entry & 30% commission, plus $3300 in cash awards. Both jurors’ work is well documented, so do your homework!

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CALL for ENTRIES:
47th Int’l Art Show
from Brownsville Museum of Fine Art

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to painting, drawing, water media, mixed media, printmaking, 3D sculpture, photography & digital media.

DEADLINE: February 20, 2019 (midnight CENTRAL time)

NOTIFICATION: February 26, 2019

ENTRY FEE: $45 up to 3, $5 ea. addl

JURORS: Joe Harjo, visual artist, MFA from the University of Texas San Antonio, and Professor of Photography at Southwest School of Art, San Antonio, TX. Mauricio Saenz, visual artist and filmmaker, MA in Artistic Production from Polytechnic University of Valencia, Spain.

AWARD: Best of Show $1000; Clara Ely Award $250 (limited to oil & acrylic), and Octavia Arneson Award $250 (limited to water media), Mayor’s Award: Commemorative Plate, First Place (in each of 8 categories) $150, 2nd Place (in each of 8 categories) $50, 3rd Place (in each of 8 categories) $25 and Honorable Mentions receive ribbons.

SALES: All art must be for sale and the BMFA will require 30% commission for any sale that was a direct result of the exhibition.

For complete details, Read the Full Call!

CALL for ENTRIES: Arte Natura 2019

Posted on January 16, 2019January 15, 2019 by R.L. Gibson

lost in TRANSLATION

What you do if your grocery option were cut by 90%? I recently read an article about the single largest threat to independent or regional grocers being small-box discount stores like Dollar General, Family Dollar & Dollar Tree. If you groceries could only come from one of these sources, can you imagine never eating fresh meat or vegetables again? Virtually every food you would consume would be pre-processed, significantly so. Nothing you ate would be as it exists in nature or even one step removed. My mind is really blown by that idea. It scares me. It that scenario, I would have to put my own health into the hands of the food processing industry. How does that sit with you? Yeah, me neither.

I live less than 5 miles from a regional grocer and another 10-15 miles from large-box retailers like Kroger, Publix, Walmart & Aldi. As much as I would like to buy local, my local grocer doesn’t make stock decision or employ pricing policies that allow me to make the best menu or the best financial decisions. Currently, Aldi gets the bulk of my formal grocery dollars. I want to make foods based on fresh fruits, vegetables, meats, seafood & diary –as close as I can find to their natural form as possible. If I eat poorly, I want it to be by my choice.

A similar desire prompted by media change. I wanted to work using supplies and/or products that I could find easily, or make myself if necessary. At the time, I was contemplating significant rural travel that would have made art supply deliveries less convenient. I’ve always been a closet painter, but always acrylics. Acrylics led me down the path to acrylic mediums, and then my supply load quadrupled. I slowly made my way to watercolor. Purchased paints last long periods & arrive in compact containers. I can make both paints & paper with very few supplies if necessary. Finished work can be stored flat, pressed. Small amounts of water can be found anywhere. It took me a long time to commit, but I’m here and I’m in love, naturally.

This next Call in interested in seeing your nature-oriented work. What do you have to show in this well-established gallery? Take your time, research the history of this show & venue and the curatorial choices that have shaped this space. Could this be a good fit for you? Check out this Call for Entries from Slow Art Productions for Arte Natura 2019 at the Limner Gallery (Hudson, NY). $35 entry open to all media and all artists. Take a look…

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CALL for ENTRIES:
Arte Natura 2019
at the Limner Gallery

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This exhibition will focus on art inspired by the natural world and will be held at the Limner Gallery from May 9 – June 1, 2019.

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to all media forms of painting, drawing, sculpture, photography, graphics, digital and installation art, video, etc.

DEADLINE: February 28, 2019

NOTIFICATION: March 31, 2019

ENTRY FEE: $35 for up to 4, $5 ea. add’l

SALES: SlowArt Productions will retain 35% commission on sales. Prices set by the artist.

For complete details, Read the Full Call!

CALL for ENTRIES: Scapes 2019

Posted on January 8, 2019January 5, 2019 by R.L. Gibson

WATER you up to?

It feels like it has been raining forever and may just never stop. Ever. I’ve never had a green thumb, but my grandmother tried to teach me the basic. I remember almost nothing she taught me except leaves turn yellow when you over water, and nothing is more exciting than the burst of the seed pod of a touch-me-not. So, while I can grow herbs on a windowsill, my dream of having a sustainable farming endeavor is a lost cause. But many of my friends are out there trying only to eat what they grow.

Realistically what do you grow end the land of never ending rain? Apparently taro thrives even in water logged conditions for up to weeks at a time. I could live on taro chips, right? Maybe not. Luckily I can still canoe to my local grocer. The rain is also making me hyperbolic, ha. I could paint the rain, I suppose, or gather rainwater to feed my watercolors for this next landscape call. I then I could use the prize money to buy aquaponic supplies.

Check out this Call for Entries from Art-Competition.net for Scapes 2019. $20 entry & no shipping. In addition to cash prizes, there are also marketing benefits. Take a look…

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CALL for ENTRIES:
Scapes 2019
from Art-competition.net

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ELIGIBILITY: All artists age 18+

MEDIA: Open to still media, including painting, drawing, photography, sculpture, digital, prints, fiber art, collage, etc.

THEME: ‘Scapes “…original interpretations of different types of landscapes, seascapes, or mindscapes from representational to abstract. The visual narrative of the work should transport the viewer to experience the beauty, uniqueness, or fantasy of these special places..”

DEADLINE: January 14, 2019

NOTIFICATION: January 18, 2019

ENTRY FEE: $20 for 1, $10 ea. add’l

AWARDS: $8,125 in cash & marketing prizes. (e.g. 1st place $500, 2nd Place $400, 3rd Place $300, etc) + helpful marketing. There will be 7 Winners and 10 Honorable Mentions.

For complete details, Read the Full Call!

CALL for ENTRIES: Saturated

Posted on January 6, 2019January 6, 2019 by R.L. Gibson

oh, KALE no!

Somebody help me love kale. I want to love love kale (in some other manner than deep fried kale chips, ha)., but I just don’t. If I’m gonna eat a leafy green, I’m gonna choose spinach every time. Give me arugula or chard. Meanwhile, organic kale was 99¢ a pound this week. It is a gorgeous color though. I’ve been toying with making my own watercolors. Maybe THAT is how I learn to love kale.

For years I worked in black and white, and I loved the big, bold graphic nature of that work. But, color. Color has turned my work around. I fell so in love with color that I changed media after TWENTY years. Like any grade schooler, I get that yellow + blue = green. But, when you find the right gambogue hue & add just a touch of thalo blue, you get to watch them bloom into a gorgeous shade of peacock. This newly found watercolor magic gives power & voice to what I tried to represent literally with typography and b&w symbolism for all those years.

I’ve tried to be more transparent over the past weeks about my own “which” & “why” & “what” questions because I am hoping my answers will help you formulate your own questions and discover your own answers. The Barrett Arts Center is a “yes” for me. Beautiful venue, great jurors, superb curatorial history, excellent resume builder. I have been working on a piece for months that would be the perfect piece to enter. If I can just keep myself on track to finish, I am entering this one. Do you have color you want to strut out like a proud peacock? Then THIS is a great call.

Check out this Call for Entries from Barrett Art Center (Poughkeepsie, NY) for Saturated: An Eye for Color. $45 entry fee & 30% commission. Plus, this juror has a well-documented history. Take a look…

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CALL for ENTRIES:
Saturated: An Eye for Color
from Barrett Art Center

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ELIGIBILITY: Open to all U.S. artists 18+

MEDIA: Open to drawing, painting, pastel, printmaking, photography, sculpture, fiber, mixed-media, new media & installation

THEME: Color. “Barrett Art Center seeks artworks in which color is the primary instrument of expression for this national juried exhibition to be held April 6 through May 18, 2019. The French painter Eugene Delacroix said, ‘I can paint you the skin of Venus with mud, provided you let me surround it as I will’. Delacroix was referring to the power of color dynamics. This call for works is looking for submissions in which which color plays a transformative role.”

DEADLINE: January 19, 2019

NOTIFICATION: by February 2, 2019

ENTRY FEE: $45 for up to 3, $5 ea. add’l ($35 for members)

JUROR: Michael Rooks joined the High Museum of Art as Wieland Family Curator of Modern and Contemporary Art in January 2010. Besides his responsibilities at the High, Rooks was appointed Commissioner and co-curator of the U.S. Pavilion at the 12th International Architecture Exhibition, La Biennale di Venezia in 2010 and is a member of ActArt, the President’s committee for contemporary art and social action. Prior to joining the High Museum, Mr. Rooks held curator positions at the Museum of Contemporary Art Chicago, The Contemporary Museum Honolulu, and the Honolulu Academy of Arts. At Chicago’s Museum of Contemporary Art, Rooks curated several group exhibitions and solo projects in addition to survey exhibitions of work by Roy Lichtenstein (1999) and H. C. Westermann (2001) for which he co-authored Westermann’s catalogue rasionné.

AWARDS: $825 in cash prizes –$500 Juror’s Prize, $200 2nd Prize, $125 Honorable Mention.

SALES: Barrett Art Center will retain a 30% commission for sales (20% for members).

For complete details, Read the Full Call!

CALL for ENTRIES: Blue 2019

Posted on December 31, 2018January 5, 2019 by R.L. Gibson

CUCUMBER and berries

Between granola and smoothies, I am on a constant hunt for decent fruit. This time of year, it is a challenge. The strawberries are horrific, fibrous little lumps. Bananas are great for smoothies but don’t dry well without sulfites. Cucumbers & pineapples are rocking my smoothies, but FRESH fruit is a struggle. (Yes, I can hear how that sounds.) Blueberries have saved me lately. They are relatively cheap and work in cereal and for pancakes & smoothies. If anyone has recommendations on how to dry them, I’m open to ideas. This next Call wants your blue solutions…

So why do you consider this online gallery, art publication opportunity? Well, here are some questions: Do you need a low risk, low cost way to test new, experimental work? Are you looking to drive traffic to your website and create organic content for social media posts? And, there’s the grant money. Do you want the opportunity to be awarded grant money? ha. Is this opportunity right for you? Only you can know. The deadline looms VERY CLOSE — January 7th.

Check out this Call for Entries from Art-Competition.net for Blue 2019. $25 entry & no shipping. Do you have work in blue? You know you want the $500 grant. Take a look…

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CALL for ENTRIES:
Blue 2019
from Art-competition.net

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ELIGIBILITY: All artists age 18+ (int’l)

MEDIA: Open to still media, including painting, drawing, photography, sculpture, digital art, printmaking, fiber art, collage, etc.

THEME: Blue “The art created of any subject that is enhanced by the use of the color blue, whether it is a single dot of blue or a completely blue image. The color blue should enhance the narrative of the works subject as blue can imply many emotions, symbolisms or feelings, from the blue marble we call earth to our emotions expressed in Blues music. Blue can express the future, good feelings, happiness, prosperity, ocean or sky, and we can feel blue, etc. It can be used to enhance, emphasize or be a focal point in the art.” –art-competition.net

DEADLINE: January 7, 2019

NOTIFICATION: January 14, 2019

ENTRY FEE: $25 for up to 3, $5 ea. add’l

AWARDS: 20 artists will be selected for an online group exhibit, “BLUE 2019” at Gallery25N; the exhibit and artists will be extensively marketed worldwide to over 26,000 people including art buyers, gallery owners, curators, collectors, etc. One artist will be selected to receive the “Christopher E. Burke Fine Art Grant“ of $500. That artist’s work will become the image of the exhibition and will be used on the invitation, video title screen and on all online marketing.

For complete details, Read the Full Call!

CALL for ENTRIES: Women Artists

Posted on December 29, 2018January 6, 2019 by R.L. Gibson

COLD complication

As winter approaches, I am more & more distracted. I buy a handful of pantry items for single recipes. For example, I use canned cream-style corn in one indulgent corn pudding recipe and buttermilk only in cornbread. But, the problem arises because they look like similar items in the cupboard –anything canned or my regular milk. You only have to put buttermilk on one bowl of cereal to not want to make that mistake again. My solution? Organization. A simple letter or two scrawled on the container top has stopped me from wasting time and food over and over again.

In the studio, I am always walking the line between organized and over-planned. My instincts run toward scheduling, pre-planning, color-coding and efficiency. But, I also know that when I over plan, I have guilt when I stray from my original design that sometime keeps me on a path (that often isn’t really working) longer than I should. But if I don’t schedule at all, I end up procrastinating, the stereotypical downfall of beret-wearing artists in movies everywhere. This next Call is a perfect example. I love this publication. It is gorgeous. The art is phenomenal. Even their Insta feed is fun and inspiring. I keep thinking that the right work to submit will speak to me. As a result, here we are a year or two later, I’ve managed not to enter yet. So, let’s make a plan, be organized; enter early…

Check out this Call for Entries from Create! Magazine (print publication) for the Women Artists March Edition. $30 entry for this gorgeous magazine. Don’t miss this chance…

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CALL for ENTRIES:
March Women Artist Edition
of Create! Magazine

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ELIGIBILITY: Open to all women artists. “We are passionate about highlighting work by contemporary female (identifying as female) creatives and are dedicating the entire march edition to this group.” –Create! Magazine

MEDIA: Open to all media, i.e.: painting, sculpture, digital, printmaking, fiber, mixed media, photography, installation & more.

DEADLINE: January 27, 2019

NOTIFICATION: December 20, 2018

ENTRY FEE: $30 for up to 3, $35 for 5, $40 for 10. *There is also an optional $20 for online review, if selected by curator.

JURORS: Ekaterina Popova Artist, Curator, Podcaster, Editor and Founder of Create! Magazine, Alicia Puig Curator, Art Historian and Director of Business Operations at Create! Magazine, Shelby McFadden Artist, Designer and Editor of Pikchur Magazine, & Christina Nafziger Arts Writer, Journalist and Gallery Assistant.

AWARDS: Artists selected by the guest juror will receive a 2-page spread including a brief bio, website, and 2 images in print and digital formats. Published artists will receive a complimentary digital issue and will be listed on Create! Magazine’s website/social media & will be listed with images, details and information on their website/social media for life. All featured artists will automatically be considered for any upcoming curatorial projects & exhibitions organized by the Create! team.

SALES: The March 2019 Edition will be available online, in global retail locations in London, New York, Amsterdam, Stockholm, Wilmington (DE), Philadelphia & more.

Tag: Painting

abstractly DRINKING SPEAKING

CALL for ENTRIES: Unique Abstractions from Las Laguna Gallery

For complete details, Read the Full Call!

lost in TRANSLATION

CALL for ENTRIES: Meltdown at the Limner Gallery

For complete details, Read the Full Call!

“Kunst ist schön, macht aber viel Arbeit” — Karl Valentin

Gain a new perspective with the work of today’s AAAD Artist of the Day, Alice Wellinger!

don’t paint with FISH SAUCE

CALL for ENTRIES: Work in Progress from On the Easel Mag

For complete details, Read the Full Call!

focused and FARE

CALL for ENTRIES: 47th Int’l Art Show from Brownsville Museum of Fine Art

For complete details, Read the Full Call!

lost in TRANSLATION

CALL for ENTRIES: Arte Natura 2019 at the Limner Gallery

For complete details, Read the Full Call!

WATER you up to?

CALL for ENTRIES: Scapes 2019 from Art-competition.net

For complete details, Read the Full Call!

oh, KALE no!

CALL for ENTRIES: Saturated: An Eye for Color from Barrett Art Center

For complete details, Read the Full Call!

CUCUMBER and berries

CALL for ENTRIES: Blue 2019 from Art-competition.net

For complete details, Read the Full Call!

COLD complication

CALL for ENTRIES: March Women Artist Edition of Create! Magazine

For complete details, Read the Full Call!

CALL for ENTRIES:
Unique Abstractions
from Las Laguna Gallery

CALL for ENTRIES:
Meltdown
at the Limner Gallery

CALL for ENTRIES:
Work in Progress
from On the Easel Mag

CALL for ENTRIES:
47th Int’l Art Show
from Brownsville Museum of Fine Art

CALL for ENTRIES:
Arte Natura 2019
at the Limner Gallery

CALL for ENTRIES:
Scapes 2019
from Art-competition.net

CALL for ENTRIES:
Saturated: An Eye for Color
from Barrett Art Center

CALL for ENTRIES:
Blue 2019
from Art-competition.net

CALL for ENTRIES:
March Women Artist Edition
of Create! Magazine