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Tag: Art Deadlines

CALL for ENTRIES: New Contemporary

Learn more about the New Contemporary Call from Keep Contemporary in Santa, Fe NM!

real SMOOTH

I have pureed everything today.  I made black bean soufflé early in the day to go with the slaw-topped taco my husband made later.  I cooked & pureed extra beans to put up in the freezer as a soup base for next week.  Lunch was delivery pizza.  Our mid-afternoon snack was  a mango-peach-guava-banana smoothie.  While my husband made apple-pepper slaw for our tacos, I processed a half-bushel of apples for applesauce.  I have washed my food processor four times today. (Just a reminder, no dishwasher in my house.) I am trying to keep busy

I mean, I did finish framing a commission while I am waiting for THREE past-due notifications. I need mindless busy. How do venues take our money and not notify on time? Why not just under-promise? Why not five themselves and extra week then surprise us all with an early notification? Of course, my imagination and insecurities ramp up to a 14 & I begin to assume that I haven’t gotten an email because I have been rejected, or,  that I was so bad that I didn’t warrant a response. When left with too much time to dwell on it, I start to become paranoid like an 1990s sitcom and wonder if my phone is working or if email is out-of-order. Ridiculous. So, soufflé, soup, smoothie & applesauce.  Noisy. Delicious. Busy. 

This next Call is screaming my name.  I’ve not been interested in a lot of galleries lately because I am looking to build a very specific profile for my resume.  I am trying to patiently wait for the academic & publicly funded shows I really want.  But I am digging this space.  There are a number of great art hot spots in New Mexico, like Satan Fe.  In fact, New Mexico is on my new short list of relocation possibilities.  This gallery supports a reassuringly diverse art aesthetic and range of media.  I like the unapologetic nature of this Call too.  I’m hoping to get my crap together & enter.  Let me know how it sounds to YOU.

Check out this Call for Entries from Keep Contemporary (Santa Fe, NM) for New Contemporary.  This is a great looking venue that also includes “….artists who have a limited voice in an otherwise conservative art market”.   I want to show here; how about you?

Learn more about the New Contemporary Call from Keep Contemporary in Santa Fe, NM!CALL for ENTRIES:
New Contemporary 
from Keep Contemporary

“We are looking for art that pushes the boundaries in a variety of genres including but not limited to: High Brow, Low Brow, Pop Surrealism, Hyperrealism, Graffiti Art, and Abstract Art.” –keepcontemporary.com

ELIGIBILITY:  Open to all artists 18+

MEDIA: Open to painting, printmaking, drawing, mixed media, digital, collage, sculpture, & photography.

DEADLINE:  January 14, 2019

NOTIFICATION:  January 28. 2019

ENTRY FEE: $40 up to 3, $5 ea. addl 

JUROR:  Jared Antonio-Justo Trujillo is an artist and the gallery director at Keep Contemporary.  He has curated exhibitions and public programming for a diverse set of art institutions across the US.    His work has been exhibited nationally and internationally  and is held in private and institutional collections. 

SALES:  The gallery will retain a 35% commission on all sales. 

For complete details, Read the Full Call!

Learn from Keep Contemporary in Santa Fe, NM!

CALL for ENTRIES: Artists in Action

Learn more about the Artists in Action event at Annmarie Sculpture Garden and Arts Center!

CRAVING connections

We had three days of Spring-like weather, but Monday was 15° colder than Sunday.  Tuesday is predicted to be 21° colder than Monday was. So that means SOUP, predictable, I know.  While prepping lunch today I was day dreaming about making my favorite Tom Ka Gai when my eyes scanned a row of go-to cookbooks I keep above my stove.  What did I find?  The Soupmaker’s Kitchen (not an affiliate link, BTW) by Aliza Green.  I don’t know how it ended up in my house, much less on the shelf with my favorites.  No one in my house remembers buying it or ever seeing it.  Bizarre, no?  It contains great advice on stock-making and other best kitchen practices along with some fantastic recipes, and Steve Legato’s photography makes everything look luscious.  I cannot wait to make the Hungarian Woodlands Mushroom soup & the Senegalese Peanut and Yam Puree with Ginger.  Yum.

While eating lunch, I happened to read this next Call from Annmarie Arts Center.  I’ve written about them many times over the years because I am SUCH a fan of this venue.  I applied today.  This is a “living studio” experience.  They split the gallery into 12’x12′ studio spaces for artists for 5 to 14 days, and you work in an open environment with other artists & gallery visitors.  They encourage sales, and the commission rate is super low.  This is a sort of make your own residency for out of town folks, and more like an production art show for locals.  There is some housing available for out-of-towners.  I want to use the two weeks to test out some new content and techniques before I head off to Scotland for a month.  I hope I make the cut.  If you have time & the interest, we may get an opportunity to hang out for a couple of weeks & work together. So exciting.  Fingers crossed –for you AND for me.

Check out this Call for Entries from Annmarie Sculpture Garden & Arts Center (Solomons, MD) for Artists in Action. $20 entry & 20% commission.  What would you do with two weeks of nearly uninterrupted creative time? The deadline is just a day or two away.  Here’s your chance…

Learn more about the Artists in Action event at Annmarie Sculpture Garden and Arts Center!

CALL for ENTRIES: 
Artist in Action
 from Annmarie

“For a few special weeks, from January 11 to February 26, 2019, Annmarie’s spectacular Main Gallery will be transformed into artist studios, where visitors will have the opportunity to observe and interact with artists as they work. This exciting time at the Garden provides a unique retreat and experimental space for artists to develop new works, display and sell their work, to network with other artists, and to share their creative process. ” –from annmariegarden.org

ELIGIBILITY: All artists 18+ living & working in U.S.

MEDIA: Open to all media

DEADLINE:  December 7, 2018

NOTIFICATION: December 14, 2018

ENTRY FEE: $20

AWARDS:  12’x12′ studio space for 5 days to 2 weeks and sales opportunities.  Housing is available for out of town artists on a first-come first-served basis –a sort of build your own short residency.  

SALES: Annmarie will retain a 20% commission of the listed sale price.

For complete details, Read the Full Call!

Learn more from Annmarie Sculpture Garden and Arts Center!

CALL for ENTRIES: Portraits 2018

 

Learn more about the Portraits 2018 exhibit at Gallery 25N from art-competition.net!

chuh-chuh-chuh-CHIA

I’ve often spoken of my emotional eating & closeted love for junk food.  I occasionally comfort myself with the notion of artisinal junk food like lovingly, hand-made beautiful doughnuts.  But, truth be known, I have an ugly Totino’s habit.  I admitted here in writing once about 5 years ago, but as I push spinach salads and chia seed smoothies like a health food pimp, I like to believe that no one holds me accountable for my addiction to frozen pizza.  (You can find the complete ingredient list here, OMG, assuming I can convince you I only eat the cheese variety. *lying*)  I have faith in my better instincts, but I admittedly have worse ones too.

A lot of people have gut instincts about shows.  Some artists are completely turned off by the concept of online shows.  Some artists only want to show where they can hand-deliver work.  I try to evaluate opportunities based on how they fulfill MY current needs.  I don’t need resume fluff right now, so I am submitting to fewer shows and just trying to get the work DONE. I get asked about online galleries all the time, and whether or not they are scams.  The easy answer is “sometimes”.  You & I both need to submit work to shows that WORK for us.  So what are the pros to online shows?  I like them as a great way to test new, experimental work.  they help me see how I stack up against other work in a more objective atmosphere than the bubble of my already engaged fan and peer base.  Online shows can drive traffic to your website and give you organic social media posts.  Online exhibits can force you to create themed work that gets you out of rut or unstuck.  Depending upon the venue, they can help you reach a different audience.  And, there’s the prize money. Is this opportunity right for you?  Only you can know.  I have faith in your better instincts.

Check out this Call for Entries from Art-Competition.net for Portraits 2018. $25 entry & no shipping.  The theme is open to broader interpretation than you might think, and you know you want the $500 grant.  Take a look…

Learn more about the Portraits 2018 exhibit at Gallery 25N from art-competition.net!CALL for ENTRIES:
Portraits 2018
from Art-competition.net

ELIGIBILITY: All artists age 18+ (int’l)

MEDIA:   Open to still media, including painting, drawing, photography, sculpture, digital art, printmaking, fiber art, collage, etc.

THEME: Portraits “The curators are looking for a portrait showing the inner essence of the subject or a flattering representation, not just a literal likeness.” –art-competition.net

DEADLINE:  December 10, 2018

NOTIFICATION: December 20, 2018

ENTRY FEE: $25 for up to 3, $5 ea. add’l

AWARDS:  20 artists will be selected for an online group exhibit, “PORTRAITS 2018” at Gallery25N; the exhibit and artists will be extensively marketed worldwide to over 26,000 people including art buyers, gallery owners, curators, collectors, etc.  One artist will be selected to receive the “Christopher E. Burke Fine Art Grant of $500. That artist’s work will become the image of the exhibition and will be used on the invitation, video title screen and on all online marketing.

For complete details, Read the Full Call!

Learn more from art-competition.net!

CALL for ENTRIES: 56th Annual Masur

 

Learn more about the 56th Annual Juried Exhibit from Masur Museum!

the SMOOTH move

I finally have a use for all those black, frozen bananas cluttering my freezer –the afternoon smoothie.  I live with two high-metabolism guys, so the 4 o’clock afternoon snack is standard here.  I’m not new to the concept of the smoothie, but I am new to making them regularly.  Frozen cantaloupe, whole milk yogurt and a melange of other goodies like vanilla, berries, chia seeds.  I am frequently still NOT hungry when dinner prep time rolls around.  The best part is that they are super fast & have almost no clean up, giving me less distraction and fewer avoidance excuses.

I need fewer reasons to make excuses.  Do you hibernate from responsibility when overwhelmed? Me too. I am a member of a handful of online artistic communities, and I read all the bickering about what shows are worth entering and which aren’t.  No one seems to see different paths.  Everyone seems to have divided up into teams “realism” vs. “abstraction”, “fine art” vs. “applied arts”.  Where are you?  And why can’t your decision be based on where YOU are or where you want to be?  Right now, I am interested mainly in academic and museum shows because this is a period of growth and change.  What shows feel right to you?  Are you concentrating on publication?  Are you testing new work in online venues?  Are you searching for gallery representation or maybe higher volume commercial sales?  All of those paths are valid.  Don’t get sucked into the guilt of not fulfilling the vision someone else has for what being a successful artist means. (Remind me to talk about Insta-worthy studios sometime.)

Check out this Call for Entries for the 56th Annual Juried Exhibition from the Masur Museum of Art (Monroe, LA). $20 Entry & no commission.  This is a stunning museum show with a storied history. The juror has excellent curatorial vision.   I think this is a great opportunity, but is it the right fit for you?  Have a smoothie and get back to me. 🙂

Learn more about the 56th Annual Masur Juried Exhibit!CALL or ENTRIES:
56th Annual Juried
from Masur Museum

 

ELIGIBILITY: Open to all US artists 18+

MEDIA: Open to all media

DEADLINE: January 2, 2019 (extended) 

NOTIFICATION:  February 1, 2018

ENTRY FEE: $20 for 2, $10 ea. add’l (5 max.)

JUROR:  Catherine Futter is the Director of Curatorial Affairs at the Nelson-Atkins Museum of Art in Kansas City, MO. Futter has curated a number of permanent collection installations of European and American art from medieval to the present, organized exhibitions that highlight living artists, and also has led the museum’s efforts to spark an area conversation about creating a cultural district in midtown Kansas City. Futter’s specialty is with European and American Decorative arts from 1850-present, and she has previously held positions at the Metropolitan Museum of Art, the Yale Center for British Art, and the Chrysler Museum of Art.

AWARDS: Best in Show is $1,000, and total awards are $3,200. The People’s Choice Award is $200.00 and will be voted on by visitors throughout the run of the exhibition. Best Packed: $100 This award will honor for the artist who packs their art in the most professional manner. 

SALES: The Masur Museum of Art does not receive a commission on sales.

For complete details, Read the Full Call!

Learn more from the Masur Museum!

CHANGES for the NEW YEAR!

2019 Changes for artandartdeadlines.com!

CHEERS to change

I seem to always anticipate being done with the year, exhausted & ready for the idea of a fresh start do-over.  This year I feel a subtle, but significant change.  I am excited for the new year.  2018 has been hard and uncomfortable and has brought anxiety and fear and embarrassment AND GROWTH.  My work has grown by leaps and bounds.  Where are you?  I fell into a rut and found my work technically more proficient, but I was creating without joy.

I languished.  I talked with my friends & peers.  Everyone had a story, but no one had a solution.  I finally realized that it was fear that was holding me back.  There is safety in the clear, known action.  After 20 years, I changed media.  I’ve coached a lot of artists on how to do it.  Easy, right?  Yeah, not.  It feels like artistic, metaphorical puberty. Painful.  The difference is that I now know there is something on the other side puberty. And, I can’t wait.

So, cheers to the new year.  Raise a glass of whatever you crave, my current obsession is Prosecco, and let’s celebrate possibility.  I’m scared but willing to gamble.  How about you?  That isn’t a rhetorical question.  AAAD is about to change…

Have you noticed the lack of posts?  I am busy.  You are too. And, I’m not trying to sell the cult of busy.  I am creating and screwing up and scheduling and dreaming.  There hasn’t been use value in my posts FOR ME, so I have been avoiding them doing them at all, despite knowing that they ARE useful to some of you.  Self-absorbed, but honest.  How do we resolve this problem?  My solution is to make these posts a part of my practice and process.  Change is necessary but still scary.

So… food segues remain, calls remain, subscriptions remain free.  Content will be less formal, more personal.  Visuals will be simpler, colors softer.   Some sharing of my own work (oh, the scandal) and some of yours too. ♥ I want to weigh the pros & cons of calls and opportunities for me, personally, in the hopes that my painful transparency makes you think about some portion of your own journey differently.  We can’t all be on the same journey, but we all have the same issues with different food and geography and destination.

I don’t know exactly how all of this is going to look; be prepared for some trial and error.  Tell me what works and what doesn’t.  Tell me your stories and how your experience applies.  Want to help?  Follow us on Facebook, Twitter & Insta, wherever you are.  Give us a thumbs up, like or re-post.  Interact.  We don’t need the social media boost, just YOU.

I want community.

CALL for ENTRIES: Art Olympia 2019

Learn more about the 2019 Art Olympia International Open Art Competition!

wholly MINE

I’ve spent a lifetime drinking 2% & skim milk without concern to its origin, only the expiration date.  As the world has become more conscious of what we put in our bodies, I continued to drink lower fat options from dairies employing more healthful methods of production.  But even those varieties are often too sweet and are ineffective in adding flavor and consistency to my cooking.  I have finally given into the value of organic, whole milk products.  Value-driven shopping isn’t always the cheapest route.  This next Call costs more to enter than some others, but it offers HUGE cash award options.  Is this the right value for you?  Only you can decide.

Check out this Call for Entries from Art Olympia (Japan) for International Open Art Competition.  $60 Entry. $120K cash award for first place plus a full range of additional cash awards from $500 to $30,000. Interested?

Learn more about the 2019 Art Olympia International Open Art Competition!CALL for ENTRIES:
Int’l Open Art Competition 
from Art Olympia

ELIGIBILITY:  Open to all artists 18+

MEDIA: Open to 2D work including oil, acrylic, watercolor, pastel, mineral pigments, print, charcoal, digital/multimedia art, mixed media, photography, etc. (Calligraphy, video,  sculpture,  and  group/collaboration  works  are  not  accepted.)  

DEADLINE:  March 15, 2019

NOTIFICATION:  June 2019

ENTRY FEE:  $60 for 1, $100 for 2, $140 for 3. (Student fees: $40 for 1, $70 for 2, $100 for 3.)

JUROR:  At the primary screening, a panel of five (5) jurors will evaluate the works as digital images in March 2019. Ten (10) jurors will conduct the final review by evaluating the actual works in Tokyo in June 2019. In order to have a fair competition, all artworks will be judged without disclosing the name of the artists. Art Olympia also adopts a clear point system for their judging.  Click HERE for a complete list of jurors. (Remember, research your jurors.)

AWARD:  Approximately 160 artworks (80 from Japan and 80 worldwide) will be selected and undergo a final review in Tokyo by a panel of esteemed judges invited from around the world. In addition, 1,000 artists will be honored. The first place winner will receive $120,000.  Add’l cash awards range from $500 to $30,000. 1,000 artists will be featured on the Art Olympia website as well as art magazines.

For complete details, Read the Full Call!

Learn more about Art Olympia!

CALL for ENTRIES: Art on Paper

Learn more about the Art on Paper exhibit from Site:Brooklyn!

nuts for NUTS

I make a lot of granola these days.  I tripped across this mostly Paleo recipe & altered it to taste.  (We don’t eat Paleo, specifically, but I am often drawn to the recipes.) This version is absent the oats found in most granola, so it lacks the chalky, starchy lethargic quality of the stereotypical bagged cereal.  My version is mostly nuts & seeds with a bit of dried fruit, coconut oil & a dash of honey.  There seems to always be a batch in the oven, and I’m going through roll after roll of parchment paper.  It is brain food; try it.  This next Call is looking for works on paper.  Take a look…

Check out this Call for Entries from Site: Brooklyn (Brooklyn, NY) for Art on Paper.  $35 entry fee & 50% commission.  This could be a good opportunity for some contemporary artists. Is this one right for you?

Learn more about the Art on Paper exhibit from Site:Brooklyn! CALL for ENTRIES:
Art on Paper 
from Site: Brooklyn

ELIGIBILITY:  Open to all artists 18+

MEDIA: Open to 2D work on paper (drawing, painting, printing, photography, collage & assemblage). 

DEADLINE:  November 26 2018

NOTIFICATION:  December 7, 2018

ENTRY FEE: $35 up to 3, $10 ea. addl 

JUROR:  Rebecca Lax is a Senior Specialist in Contemporary, PWC and Prints & Multiples at Artnet auctions in New York City.  Her background is extensive in contemporary art having spanned 30 years.  Early in her career, she worked at several blue chip galleries: Leo Castelli at 420 West Broadway, Knoedler, Pace Prints and Galerie Lelong, NYC.  Aside from the directorial, curatorial, management and sales knowledge gained from those experiences, she also worked as a corporate art consultant in acquisitions for Goldman Sachs, Banco Santander and Pitney Bowes.  A very important position in her career was spent in the academic sector acting as Director of Finance for the LeRoy Neiman Center for Print Studies at Columbia University. She continues to be a contributing member to Arttable and the Association for Women Art Dealers as well as a Benefit Committee member of the International Print Center of NY. 

SALES:   50% commission on all sales will go to Site: Brooklyn. 

For complete details, Read the Full Call!

Learn more from Site:Brooklyn!

CALL for ENTRIES: Red 2018

Learn more about the Red 2018 exhibit from art-competition.net!

flushed FRUIT

Red is my favorite color.  On an unrelated note, I’ve never eaten a red food I didn’t love.  Hmmm.  I find it hard to resist even the red-adjacent –raspberries, rambutan & now lychee.  Lychee is like the perfect cross of soft floral rose & tart white grapes.  Yum.  The next Call wants to see your “red” inspiration.  What’s not to love about red?

Check out this Call for Entries from Art-Competition.net for Red 2018. $25 entry & no shipping.  The theme is open to broad interpretation, and one artist now receives a $500 grant.  Take a look…

Learn more about the Red 2018 exhibit from art-competition.net!CALL for ENTRIES:
Red 2018
from Art-competition.net

ELIGIBILITY: All artists age 18+ (int’l)

MEDIA:   Open to still media, including painting, drawing, photography, sculpture, digital art, printmaking, fiber art, collage, etc.

THEME: Red “Colors often symbolize a variety of emotions, an artist’s truth, perhaps wild fantasies—from war, power, heat, love, sexuality, anger, and joy to ‘soft’ idealisms—these are but a few examples. Red, in particular here, can be used to draw the viewer closer emotionally in a way which enhances their reaction to the art. It may define intuitively an intended focal point that carries the viewer more deeply into the artist’s message.” –art-competition.net

DEADLINE: November 12, 2018

NOTIFICATION: November 23, 2018

ENTRY FEE: $25 for up to 3, $5 ea. add’l

AWARDS:  20 artists will be selected for an online group exhibit, “RED 2018” at Gallery25N; the exhibit and artists will be extensively marketed worldwide to over 26,000 people including art buyers, gallery owners, curators, collectors, etc.  One artist will be selected to receive the “Christopher E. Burke Fine Art Grant of $500. That artist’s work will become the image of the exhibition and will be used on the invitation, video title screen and on all online marketing.

For complete details, Read the Full Call!

Learn more from art-competition.net!

CALL for ENTRIES: Animal Life 2018

Learn more about the Animal Life 2018 exhibit from art-competition.net!

bear-ly HUNGRY

I live in black bear country, and hyperphagia is coming to an end soon.  Hyperphagia is the time of year when the bears gorge themselves in preparation for their winter “hibernation”, although black bears don’t really hibernate, per see. (I digress.)  This means a few months on not being paranoid about leaving sunflower seeds in my car or a stray pizza box in the outdoor trash can.  Some people have raccoons, I have bears, ha.  This next Call is all about animal life.  Whatcha got?

Check out this Call for Entries from Art-Competition.net for Animal Life 2018. $20 entry, no shipping & open to all still media.  Thematically open to interpretation. Take a look…

Learn more about the Animal Life 2018 from art-competition.net!CALL for ENTRIES:
Animal Life 2018
from Art-competition.net

ELIGIBILITY: All artists age 18+

MEDIA:   Open to still media, including painting, drawing, photography, sculpture, digital, prints, fiber art, collage, etc.

THEME: Animal Life ““Animal” can be interpreted literally or conceptually for animals Wild, Domestic, On Land, In The Air or Under The Sea.  The image should intrigue and fascinate the viewer with the artist’s vision and interpretation of the animal’s beauty, elegance, strength, speed, delicateness, size, and or its environment. The work can reflect on creatures of the land, sea and air from the simplicity of a domesticated pet to a ferocious wild animal. The works depiction can range from the love one feels for a pet, the amazing diversity of life on the planet and the concern for preserving all creatures from extinction.

DEADLINE:  November 5, 2018

NOTIFICATION: November 16, 2018

ENTRY FEE: $20 for 1, $10 ea. add’l

AWARDS:   $8,125 in cash & marketing prizes.  (e.g. 1st place $500, 2nd Place $400, 3rd Place $300, etc) + helpful marketing. There will be 7 Winners and 10 Honorable Mentions. 

For complete details, Read the Full Call!

Learn more from art-competition.net!

CALL for ENTRIES: Create! Winter 2019

Learn more about the Winter 2019 Edition from Create! Magazine

COLD complication

As winter approaches, I am more & more distracted.  I buy a handful of pantry items for single recipes.  For example, I use canned cream-style corn in one indulgent corn pudding recipe and buttermilk only in cornbread.  But, the problem arises because they look like similar items in the cupboard –anything canned or my regular milk.  You only have to put buttermilk on one bowl of cereal to not want to make that mistake again.  My solution? Organization. A simple letter or two scrawled on the container top has stopped me from wasting time and food over and over again.  This next Call wants to see your work for their Winter Edition.  Be organized; enter early…

Check out this Call for Entries from Create! Magazine (print publication) for the Winter 2019.  $30 entry for this gorgeous magazine.  Don’t miss this chance…

Learn more about the Winter 2019 Edition from Create! MagazineCALL for ENTRIES:
Winter 2019
of Create! Magazine

ELIGIBILITY:  Open to all artists

MEDIA:  Open to all media, i.e.: painting, sculpture, digital, printmaking, fiber, mixed media, photography, installation & more.

DEADLINE:  November 30, 2018

NOTIFICATION:  December 20, 2018

ENTRY FEE:  $30 for up to 3, $35 for 5, $40 for 10. *There is also an optional $20 for online review, if selected by curator.

JUROR:  Margaret Winslow currently lives and works in Wilmington, Delaware where she is the Curator of Contemporary Art at the Delaware Art Museum. Winslow has curated for the Neuberger Museum of Art and The Delaware Contemporary and assisted with exhibits for the Aldrich Contemporary Art Museum. Winslow holds a B.A. in Art History from the University of Mary Washington and an M.A. in Modern & Contemporary Art, Theory, and Criticism from SUNY Purchase College.

AWARDS:  Artists selected by the guest juror will receive a 2-page spread including a brief bio, website, and 2 images in print and digital formats. Published artists will receive a complimentary digital issue and will be listed on Create! Magazine’s website/social media & will be listed with images, details and information on their website/social media for life. All featured artists will automatically be considered for any upcoming curatorial projects & exhibitions organized by the Create! team.  

SALES:  The Winter 2019 Edition will be available online, in London, New York, Amsterdam, Stockholm, Wilmington (DE), Philadelphia & more.

For complete details, Read the Full Call!

Learn more from Create! Magazine.