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Category: Media

CALL for ENTRIES: Summer 2019 Print Issue

COLD complication

For years, popcorn was the ultimate summer food.  Popcorn with a hint of olive oil, parmesan and cracked black pepper was my idea of the perfect snack food. Then, there was some weird shift for me.  Stovetop popped was too greasy.  Microwave-popped was always singed.  Air-popped was always tough.  I just quit eating it — for nearly two years.  I missed my daily snack favorite, but was resigned to the absence of popcorn. 

Then one day Facebook started feeding me ads for an Amazon listing a silicone popcorn popper (not a sponsored ad) for the microwave.  I’m guessing I did something online that Google’s algorithm decided meant I needed popcorn, and, well, it was right.  That $10 product arrived, and it was ridiculous, a floppy, ridiculous concept.  It came without instructions.  I searched and found an equally ridiculous video. Holy popcorn!  It is soft like stove-topped but without that queasy overly greasy aftertaste.  So what’s the lesson?  No lesson, except maybe… all hail Summer.  

Continuing with this week’s publication theme, here’s a call for one of my all time favorite art publications.  Check out this Call for Entries from Create! Magazine (print publication) for the Summer 2019 Print Issue.  $30 entry for this gorgeous magazine.  Don’t miss this chance…

CALL for ENTRIES:
Summer 2019 Print Issue
of Create! Magazine

ELIGIBILITY:  Open to all artists. 

MEDIA:  Open to all media, i.e.: painting, sculpture, digital, printmaking, fiber, mixed media, photography, installation & more.

DEADLINE:  May 31, 2019

ENTRY FEE:  $30 for up to 3

JURORS:  Nina Blumberg is a full-time art consultant at the New York City-based firm Samuels Creative. Outside of work, she fills her time with freelance social media contemporary art clientele and projects, most recently engaging with the art technology space. Nina received her BA in Art History from the University of Virginia and her MA from FIT’s “Art Market: Principles & Practices” program.  Nina is also the founder of @Artstagram__,the contemporary art world Instagram account that covers art happenings and exhibitions in NYC and beyond. 

AWARDS:  Artists selected by the guest juror will receive a 2-page spread including a brief bio, website, and 2 images in print and digital formats. Published artists will receive a complimentary digital issue and will be listed on Create! Magazine’s website/social media & will be listed with images, details and information on their website/social media for life. All featured artists will automatically be considered for any upcoming curatorial projects & exhibitions organized by the Create! team.  

SALES:  The Summer 2019 Print Issue will be available online, in global retail locations in London, New York, Amsterdam, Stockholm, Wilmington (DE), Philadelphia & more.

For complete details, Read the Full Call!

Learn more from Create! Magazine.

CALL for ENTRIES: Cover Art

a HUNGRY summer

I’ve had my head down working and planning and growing.  How about you?  Spring always makes me take a second look at my process, while summer makes me kick into production mode.  What are you doing to support your work?  I am contemplating meal kits and taking a day off from the studio.  I know that doesn’t make a lot of sense at first glance. But lunch is the bane of my daily schedule.  Just when I hit a creative stride, it is time for some sort of meal prep for lunch.  I live in a house with folks with dietary restrictions, and everyone eats lunch at home.  So, I’ve been exploring options.  Take out takes just as much time to pick up, and delivery is cost prohibitive.  A lot of meal kits are labor intensive despite arriving with pre-prepped foods, and many of them are the wrong quantity or, again, cost-prohibitive.  I’ve found one (Hungryroot & no, this is not sponsored) I think I am going to give a try.  The ingredients look good, the sizing is right, the cost is manageable.  I am excited about getting lunch off my plate, so to speak.

One of the other big stumbling blocks for me is juggling my boring-but-necessary household tasks with my work schedule. Finding time. I find it hard to work creatively when I am encumbered with a list of non-creative tasks to do at home.  My husband more than carries his half of the burden, but someone still has to do my half, ha.  So, I’ve been practicing taking one day off from the studio and trying to cram all of the household tasks I can into that day –laundry, appointments, meal planning, grocery shopping.  It is a work in progress.  I’ll be sure to give you an update before summer’s end.  In the meantime, I’ve had two acceptances for publication in two different magazines, and I am inspired by the positive attention it has drawn to my work and added to my social media reach.  So, I am offering a few publication calls this week.  I am running close on deadlines, so don’t delay in submitting your work.

Check out this Call for Entries from New England Review (Print & Digital Publication) for Cover Art.  There is an additional call for artwork for use on their website on the same page. This is a reputable publication option, with artist payment (albeit tiny) and little to no risk.  Is this a good fit for you?

Learn more about the Call for Cover Art from the New England Review!CALL for ENTRIES:
Cover Art 
from New England Review

ELIGIBILITY:  Open to all artists 18+

MEDIA: Open to any genre (painting, photo, sculpture, etc.) that will reproduce well as cover art. “We strongly favor abstraction.”

DEADLINE:  May 31, 2019

NOTIFICATION:  Within 12 weeks, if possible.

ENTRY FEE: $2-$3 for writing submissions, but cover art submissions appear to be no chargeFees are waived for current subscribers.

AWARD: $100 for cover art, plus two copies of the issue in which the work appears and a one-year subscription. The cover will be printed in full-color, full bleed, with the magazine’s logo in overprint and will be reproduced on the magazine’s website and electronic publications. The size of the printed cover is 6.75 inches wide by 9.75 inches tall, so the image may need to be adjusted to fit the trim size.

For complete details, Read the Full Call!

Learn more from the New England Review!

CALL for ENTRIES: Opulent Mobility 2019

Learn more about the 2019 Opulent Mobility exhibit!

practice what you PEACH

I reject the notion that extravagant dishes require exotic foods. I find that the simplest foods, treated extravagantly, remain my favorites.  Have you ever had a vanilla-poached peach? Top it with  freshly whipped cream and a drizzle of raw honey, and it makes for the the most opulent dessert (or breakfast) you could ever want.  I’ve spent many a year unimpressed by this simple stone fruit to only to realize it was my own lack of imagination at fault.

This next Call addresses mobility devices and their common ground the the common peach — a need for re-imagining.  Each year when this Call is announced, I revel in the notion of opulent mobility.  You need look no further than the work of curator A. Laura Brody as inspiration.  At its core, this show suggests that not only are we enough, but that we should celebrate our enough-ness.  That we deserve to move through our lives, through this world with a personal sense of opulence, with purposeful, extravagant creativity.  Sit with the notion of this Call and see where it takes you.

Check out this Call for Entries from curator A. Laura Brody for Opulent Mobility 2019.  This year the exhibit will be at the Dora Stern Gallery in New Jersey.  $20 Entry, 40% commission & a unique curatorial theme.  Stretch your creative muscles with this Call!

Learn more about the 2019 Opuletnt Mobility exhibit!CALL for ENTRIES: 
Opulent Mobility 2019

“I challenge you to imagine a world where mobility, disability, and access can be opulent. I challenge you to approach the work with thoughtfulness, humor, creativity, and care.  Because if we do not imagine a better world, we can’t make one happen.”  — A. Laura Brody

ELIGIBILITY:  Open to all artists 18+

MEDIA: Open to all 2 & 3-D work, film, videos of performance art & music.

THEME: Radical re-imagining of the mobility of disability

DEADLINE: June 30, 2019, 5pm PST

NOTIFICATION:  by August 1, 2019

ENTRY FEE: $20 flat fee

CURATORS:  A. Laura Brody is a professional costume maker and designer who developed Opulent Mobility as a series of artworks, then built it into a juried group exhibit.  Anthony Tusler is a photographer & disability arts activist. His photographs of the 1977 disability occupation of the San Francisco Federal Building are on his site: aboutdisability.comCelene Ryan, Director of Artist Development for Arts Unbound has more than twelve years of experience as an arts management professional in NYC, working directly with many self-taught artists, most with special needs.

AWARD:  This year, Opulent Mobility 2019 will be hosted by Arts Unbound.  If accepted, artists’ work will be included in the physical exhibit at the Dora Stern Gallery in New Jersey.

SALES:  40% commission taken on sales.

For complete details, Read the Full Call!

Learn more about Opulent Mobility 2018!

CALL for ENTRIES: Unique Abstractions

Learn more about the Unique Abstractions exhibit from Las Laguna Gallery!

abstractly DRINKING SPEAKING

The notion of eating healthy is an abstract one. Even putting ethical concerns aside, there are health benefits (and disadvantages) to embracing vegetarianism, veganism and even raw diets.  Sugar is the devil, but artificial sweetners are differently malicious.  An excessively fatty diet can lead to heart disease but when coupled with an near absence of carbohydrates puts the body in ketosis that effectively treats diabetes in many.  Chocolate and red wine and coffee and kale, all abstractions of a healthy diet.

In art, abstraction takes a lot of forms.  At it’s broadest, abstraction is work that is non-representational. But, that begs the question, non-representational of what?  From that we get non-figurative & non-linear styles that are often included in surrealism, dadaism, cubism, fauvism, suprematism, art informel, neo-plasticism, de stijl & others.    This next Call wants to see all of your abstract creations.  My heart lies with abstraction, although I find reactions to it frustrating.  What’s your experience?  Are you insulated enough not to hear the voices of those that would dismiss the non-representational?  My mantra is ‘process not product’.  Excerise your muscle memory.  Lose yourself in process.  It works for me.  What works for you?

Check out this Call for Entries from the Las Laguna Gallery (Laguna Beach, CA) for Unique Abstractions, a show of abstract work in a wide range of media. $35 entry & 35% commission.  Don’t miss this opportunity…

Learn more about the Unique Abstractions exhibit from Las Laguna Gallery!CALL for ENTRIES:
Unique Abstractions
from Las Laguna Gallery

ELIGIBILITY: Open to all artists

THEME:  Abstraction.  “True abstract art not only utilizes flexibility and freedom; it also employs bold uses of color, line, pattern, form, process and composition.” — laslagunagallery.com

MEDIA: Open to acrylic, airbrush, assemblage, charcoal, color pencil, collage, digital art, drawings, encaustic, fiber art, araphite, illustration, mixed media, new media, oil, painting, pastel, photography & watercolor.

DEADLINE:  June 7, 2019

NOTIFICATION: June 12, 2019.  If accepted, delivery of work is June 26th to July 2nd.

ENTRY FEE: $35 for up to 3 

SALES: The gallery will retain 35% commission on all sales.

For complete details, Read the Full Call!

 

Learn more from Las Laguna Gallery!

AOTD: Kellee Mayfield

No 7 completed in residence at Chateau d'Orquevaux by Kellee Mayfield!
No 7 (oil on canvas) completed in residence at Chateau d’Orquevaux by Kellee Mayfield

“What are you doing this weekend?” Kellee Mayfield

I am having a tough day, not horrible, not life-altering, just tough.  My mind is elsewhere, and I’m kinda wishing my body were too.  Because it is a quiet day in the studio (code for I’m too tired & unmotivated to work), I decided to do a little paperwork, jot down some notes about some ideas that I can’t shake & scroll through Instagram hoping not to lose a half a day.  

I came across today’s Artist of the Day, Kellee Mayfield‘s Insta feed, and almost every post that I clicked said, “What are you doing this weekend?”.  I found somewhere else to be, Chateau d’Orquevaux, a French artist residency, to be precise.  Mayfield spent some time there in the Fall and completed this series of work that transported me.  There’s a food to her Insta feed with which many AAAD will appreciate as well.  So, consider this my invitation to share… what are YOU doing this week?

While I always want to visit an artist’s website, I am sending you to her Insta feed @deltamoxie to give you the same glimpse that gave me the boost my weekend needed. 

Thanks to AAAD Artist of the Day, Kellee Mayfield for the trip to Chateau d’Orquevaux!

CALL for ENTRIES: Meltdown

Learn more about the Meltdown Call from the Limner Gallery

lost in TRANSLATION

It is no secret that I’m a little, well, let’s call it cheese “focused”. But we all have our priorities.  After being seperated by an ocean for 4 weeks, my husband and I stopped by a local dairy farm less than 24 hours after reunited… to buy cheese. Priorities.  Cheese glorious cheese.  A few days later, I made summer squash au gratin also known as “squash makes all the melted cheese a legitimate choice”, au gratin for short.  Melted cheese means I’m home, ha.  Think of it as my oven’s welcome mat. It is the best kind of meltdown.

I have been known to indulge in an epic meltdown of a personal nature on occasion.  The last U.S. presidential election put me in an ugly place for weeks.  Every insuing attack on civil rights, environmental regulations, access to health insurance & the ability to govern the workings of my own body have warranted their own meltdowns.  My work has changed.  My life has changed.  I worry about becoming numb to the suffering of others, to the loss of agency, to the restrictions on the ability to speak freely.  Where is this planet’s population headed?  While I was in Scotland recently, I was regularly engaged by locals about American politics.  People want to understand what is going on in the United States.  I couldn’t explain.  I can’t explain.  So, I just keep working.  Right now, THAT is what I can do. 

This next Call in interested wants to see how your work reflects a sense of meltdown, whatever your interpretation.  What do you have to say?  Could this be the place for you to say it?  Check out this Call for Entries from Slow Art Productions for Meltdown at the Limner Gallery (Hudson, NY). $35 entry, 35% commission, open to all media and all artists.  Take a look…

Learn more about the Meltdown Exhibit from the Limner Gallery!CALL for ENTRIES:
Meltdown
at the Limner Gallery

This exhibition will be held June 14 – July 13, 2019.

ELIGIBILITY:  Open to all artists 18+

MEDIA: Open to all media forms

THEME:  “We are living in an age of global crisis – of catastrophic MELTDOWN, a crisis the proportions of which, sadly, needs no description.  Historically artists have foreseen, described and been inspired by crisis. The subject of this exhibition is every aspect of the MELTDOWN crisis, be it global, personal, environmental, financial, psychological, scientific and/or spiritual.” — Limner Gallery

DEADLINE: April 30, 2019

NOTIFICATION: May 31, 2019

ENTRY FEE: $35 for up to 4, $5 ea. add’l 

SALES:  SlowArt Productions will retain 35% commission on sales.  Prices set by the artist.

For complete details, Read the Full Call!

Learn more from SlowArt Productions and the Limner Gallery!

ARTIST of the DAY: Alice Wellinger

The Envelope by AAAD Artist of the Day Alice Wellington!
“The Envelope” (acrylic on canvas, 40cm x 40cm) by Alice Wellington

“Kunst ist schön, macht aber viel Arbeit” Karl Valentin

“Art is beautiful, but it does a lot of work.” — Karl Valentin

I was on a flight from Chicago to Atlanta recently when the pilot announced it was going to be a very bumpy ride.  I’m not a bad flyer, but it doesn’t stop me from white-knuckling the armrest everytime we drop a few feet.  But sharing my flight was a 3-year-old girl, traveling with her father, all full of energy & curiousity.  Everytime we would hit turbulence and drop a little, she would giggle & laugh & hold her stomach.  For me, turbulence is a chance I’m going to die, for her, it is a stomach drop in the elevator or over the top hill of a rollercoaster.  I will never experience airplane turbulence the same way.  Perspective.

When asked (frequently BTW) about my favorite artist or style of art, my immediate reaction is to reject being backed into a corner by that sort of reductivism, but eventually my answer boils down to “perspective”.  I want to be shown a different way to see, feel or be with something in the world, or not in the world as the case may be.  I’ll take irony, sarcasm, absurdism, realism, surrealism or any other work that makes me better, or worse, for the experience. The wit of Austrian-based artist & illustrator, Alice Wellinger, today’s AAAD Artist of the Day, drew me in immediately.  Take the time to click any of the links in this feature to explore more of her work.  “Beneath her editorial work she develops her personal art, which is surreal,ironic, dealing with the troubles of daily life and childhood memories.” You won’t be dissapointed.

Gain a new perspective with the work of today’s AAAD Artist of the Day, Alice Wellinger!

CALL for ENTRIES: Content Matters

Learn more about the Content Matters Call from Marin MOCA

SPRING greens

It is time for my seasonal obsession with ginger. I love ginger all of the time; however, about 4 to 6 weeks at the beginning of Spring, I am obsessed.  I find ways to work it into every salad, entree & dessert.  My family just smiles & nods, knowing that the ship will right itself soon.  I think it happens because the weather has just warmed up enought to inspire thoughts of light and fresh fare, but our local harvest hasn’t quite made it to summertime bounty yet.  High-quality ginger is available year ’round, and content matters.

This next Call has a deadline just around the corner (sorry for that), and it meets my resume criteria for this year (museums, publicly-funded galleries, collections or libraries).  But the theme of “Content Matters” is what really pushed me to want to enter — achingly relevant. I am finishing a piece now that I think would be perfect, but, you know… jurors.  We’ll see.  If you are interested in a museum show and have work to offer, take a look at the details.

Check out this Call for Entries from Marin Museum of Contemporary Art (Novato, CA) for Content Matters.  $35 entry, 40% commission.  Delivery is nearly a month after notification, making shipping easier. Take a look…

Learn more about the Content Matters Call from Marin MOCA!CALL for ENTRIES:
Content Matters from
Marin MoCA

ELIGIBILITY:  Open to all U.S. resident artists 18+

MEDIA: Open to all media

THEMES:  Content Matters ” ‘Content’ is the meaning conveyed by a piece of artwork – a message portrayed through images, symbols, marks, or stylistic treatment. Content communicates the artist’s point of view, their thoughts, beliefs and experiences, and it creates a response on the part of the viewer. “ MarinMOCA

DEADLINE: April 18, 2019 (PST)

NOTIFICATION: May 1, 2019 (posted on website)

ENTRY FEE: $35  for up to 3; $50 for 4-5 ($30/$45 for members)

JUROR:  This exhibit will be juried by well-known San Francisco gallerist Jack Fischer, who has been exhibiting artists for over 15 years. According to Mr. Fischer, “The work I exhibit is from the heart and the gut.” Jack Fischer Gallery shows work from a diverse group of artists working in many genres including contemporary, visionary, self-taught, and intuitive. 

AWARDS:  1st Place $500, 2nd Place $300 & 3rd Place $100. 

SALES:  Marin MOCA will retain 40% commission (30% for members) on sales.

For complete details, Read the Full Call!

Learn more from Marin MOCA!

ARTIST of the DAY: Sophia Gunkel

"Breathe" (mixed media on canvas) by AAAD Artist of the Day, painter Sophia Gunkel
“Breathe” (mixed media on canvas) by AAAD Artist of the Day, painter Sophia Gunkel

“Freedom, that’s what I feel when I paint…
the freedom to explore the unknown parts of myself & our perplexing world as I see & experience it.”
Sophia Gunkel

Why do you create?  Do you have a physical response, or is the reaction solely an emotional or cerebal experience?  I have the tendency to drag my feet when I should be in the studio –somedays for a lack of purpose or an unclear direction or fear of failure.  But, I have learned how to put on foot in front of the other and get to IN the studio.  I resoundingly feel the same way every time I get there and paint.  Freedom.  Every time. The work of today’s AAAD Artist of the Day, Sophia Gunkel, speaks to me and it seems we share that same sense of freedom.  Please explore more of Sophia’s work.  (And check out her Facebook feed for time lapse video!)

Find a sense of freedom with the work of today’s
AAAD Artist of the Day, painter Sophia Gunkel!

CALL for ENTRIES: Loss, Redemption & Grace

Learn more abou the Loss Redemption and Grace show from EBD4!

I’ll take the PIE to go

There are a lot of customs surrounding death & food.  Most people are familiar with people trying to feed the living by bringing the ubiquitous casserole to the living, but I’ve recently learned that many cultures feed the dead by leaving food on graves, from leaving a pie on the gravestone at Easter to pouring wine on the burial site.  I don’t have a real understanding of the symbolism (if you do, LMK) behind the traditions, but I love the love it takes to want to feed someone pie and wine, even after death. THAT is devotion.

My work has centered around human bones for a while now.  Bones indicate a pattern for me, both for the living and the lost.  I prowl cemeteries with a sense of joy, not mourning.  Gravestones are monuments for the living of the best in those no longer able to create new memories.  They are, without doubt, often erected out of obligation, but even in obligation, they document a lifespan as an accomplishment, no matter how brief.  If they include additional details, they are rare ugly, even if the truth is ugly.  This next Call speaks to me because if offers the opportunity to react to loss from a place of truth, not obligation or memorialization. I am also excited about an open opportunity in Atlanta, a rarity.

Check out this Call for Entries from EBD4 (Atlanta, GA) for Loss, Grace & Redemption.  $40 Entry & 50% commission.  The jurors are researchable, and this venue offers a rare Atlanta opportunity.  Take a look…

Learn more abou the Loss Redemption and Grace show from EBD4!CALL for ENTRIES:
Loss, Redemption & Grace 
from EBD4

“a platform to examine edgy, daring and thought-provoking contemporary artwork, which traditionally may not be available in a commercial setting”

ELIGIBILITY: Open to American artists 18+

MEDIA: Open to all media. 

THEME:  What is your response to grief? Have you spoken to loss through artistic expression? Have you been inspired to answer injustice with the energy of creation? Share your interpretation & response to loss, redemption & grace.

DEADLINE: March 31, 2019

NOTIFICATION: April 15, 2019

ENTRY FEE: $40 up to 3, $10ea. addl 

JUROR: Elyse Defoor, director of EBD4, will serve as curator. Jerry Cullum, Ph.D. & Teresa Bramlette Reeves, Ph.D., will serve as jurors. 

AWARD:  3 cash awards totaling $800 –for Best in Show, 1st place & 2nd place.

SALES:  EBD4 will retain 50% commission.

For complete details, Read the Full Call!

Learn more from EBD4!