Established Artists – Page 134 – Art and Art Deadlines.com

REMINDER: 3×3 Magazine ProShow

Posted on February 29, 2012 by R.L. Gibson

DON’T FORGET…
the chocolate milk

I can’t every get a grocery shopping list completed. I have always been an avid list writer, and that has been my secret to multi-tasking. But inevitably, 10 minutes after leaving the grocery store I think, “Damn, I forgot the (insert miscellaneous dairy product here). This next Call is a grocery list for your art calls. Consider yourself reminded…

Check out this Call for Entries from 3×3 Magazine for their 9th Annual ProShow. You can’t go wrong with Art Publication of any kind, and competitions for illustrators (see eligibility) can be a very a rare find. Take a chance…

*Editor’s Note: If you have read the personal portion of this post, REMINDER: 3×3 Magazine ProShow, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES: 3X3 Magazine ProShow

3×3 Magazine is entering its ninth year judging the world’s best contemporary
illustration judged by some of the world’s top art directors, designers and illustrators.

Unlike many shows they have no boundaries, their entrants come from every part of the globe. They are still one of the best values around when it comes to entry fees and publication fees. And they continue to improve their entry process.

And unlike most show annuals that are on the bookshelves 3×3 Magazine’s annuals are prominently displayed on the newsstands in the US, Canada, the UK, Europe and parts of Asia where they are affordable to art directors and art buyers who may or may not be interested in illustration. There has been dramatic growth in the number of outlets stocking the 3×3 Magazine annual and the sales to art directors.

It is their mission to demonstrate the benefits of using illustration, this annual is their showcase.

ELIGIBILITY: Open to all illustrators, art directors, graphic designers, editors, publishers in all countries for commissioned and non-commissioned work produced and/or published during the calendar year 2011.

DEADLINE: March 9, 2012

ENTRY FEE: Single entries are $30 and Series (3–5 images only) are $35. They accept Visa, MasterCard and American Express.

JUDGES: This year’s distinguished panel of judges include art directors, design directors, graphic designers and fellow illustrators. Since the competition is international, so are the judges: Jordan Awan, Art Director, The New Yorker; Andrew J. Nilsen, Art Director, SF Weekly; Gary Cochran, Art Director, London Telegraph; Shayne Pooley, Creative Director, Ogilvy & Mather, Hong Kong and illustrators Brian Stauffer; Valeria Petrone, Italy; Rod Hunt, United Kingdom and Marco Wagner, Germany.

AWARDS: Gold, Silver, Bronze, Distinguished Merit and a Best of Show award. This year’s Best of Show winner receives a cash prize of $1500. The Gold Medal winners receive a cash-value prize of $750 each.

For complete details, Read the Full Call!

CALL for ENTRIES: Art & Technology

Posted on February 28, 2012 by R.L. Gibson

A SOUPÇON of SOUP

My kitchen is fairly free of electronic gadgets. While I appreciate the technology, a lack of space and economic tightwad-ness long ago put me on the path of manual gadgets. You should have been there when I tried to explain to my kid how to use a non-electric, hand-held can opener. Hilarity while trying to open a can of soup. This next Call wants to know how technology affects your art. And, it is free…

Check out this Call for Entries for Art & Technology from the Corcoran College of Art + Design’s Gallery 31 in Washington, DC. There is no entry fee, and academic shows are always a feather in your cap. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Art & Technology, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Art & Technology

Gallery 31 of the Corcoran College of Art + Design is pleased to announce the call for submissions for its new show dedicated to art and technology to be displayed from August 6 – September 2, 2012. The exhibition is aiming to explore the phenomenon of innovative technologies in relation to contemporary art (or: the relation of contemporary art to new technologies). This call seeks works addressing the recent tendency of personal fabrication of things, labs and the emergence of do-it-yourself communities. *Editor’s Note: This Call does not appear on the College’s website, but you can bookmark this page for future reference.

ELIGIBILITY: Open to all artists

MEDIA: All media. Although the emphasis will be on exploring the art practices when a machine makes a vast amount of work, artists working in a way that opposes technology may also apply. (They are interested in yarn bombing, etc.)

DEADLINE: June 8, 2012

NOTIFICATION: July 6, 2012

ENTRY FEE: None

CURATORS: The show is curated by the Corcoran College of Art + Design’s Department of College Exhibitions

ENTRY PROCESS: Log on to www.corcoran.edu/content/call-entries. Select “Call For Entry: Art and Technology Exhibition” from the Exhibition Title drop-down menu. All fields marked with an asterisk (*) are required for submission. You may submit up to three images as JPEGS (resolution72 dpi), not to exceed one megabyte. Diptych, triptych, and works in a series will be accepted and may be considered one submission. Please be specific with the medium; for example, do not write “mixed media” or “painting”. Identify exactly what materials you used to create your piece, for example “monoprint, graphite, ink on paper” or “acrylic on canvas”. Label images as follows: Lastname_firstname_title_size_medium.jpg (i.e. Doe_Jane_untitled_30x42_Oil on Canvas_jpg)

ABOUT THE GALLERY: GALLERY 31 is the Corcoran’s dedicated exhibition space for the Corcoran College of Art + Design. The space hosts exhibitions by the Corcoran’s students, alumni, faculty, and visiting artists. The name was selected by the students, referring to the area’s previous designation as “Room 31” in original Corcoran plans. Located at the New York Avenue entrance of the Corcoran, Gallery 31 is open during Gallery hours and is free to the public.

*Editor’s Note: This Call does not appear on the College’s website, but you can bookmark this page for future reference.

To enter, visit the Submission Page!

CALL for ENTRIES: Nectar Magazine

Posted on February 27, 2012 by R.L. Gibson

DEATH,
squashed

I love winter squash; butternut is my favorite, I think. Did you know that winter squash is actually grown in the summer? Yep. Have I told you this before? It gets its name from the fact that when most summer squash is dead and gone, the tough rind of winter squash allows it to be stored, and eaten, all winter long. This next call takes an interesting look at death, sort of. Investigate…

Check out this Call for Entries for literature and fine art for the Most of Us Die edition of Nectar Magazine. Entry is free, and you have lots of time to prepare. Take a look!

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Nectar Magazine, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Nectar Magazine

Nectar is a magazine that aims to explore a topic in depth through the inclusion of many different media, perspectives, and artists. What type of art goes into Nectar? Everything. They understand that different mediums allow for different types of expressions. So their issues aim to include photos, writing, drawings, paintings, film stills, illustrations, graphic design, fiber arts, book arts, mixed media, images of sculptures, installations, and performances, and everything else that we forgot that could fit on a page.

If you have work that you feel relates to the current theme,
send it in, they’d love to see it.

Even if you have music or videos, send them links! If they feel it contributes to the issue, they can put it on the website when the issue comes out. Nectar is run by a group of students currently at the Santa Fe University of Art and Design in New Mexico, USA.

ELIGIBILITY:
Open to all

MEDIA: ANYTHING.
Writing, photos, illustration, design, photos of sculptures or performance, paintings, etc. If it fits the theme “Most of Us Die,”
they want to see it.

DEADLINE: June 1, 2012

NOTIFICATION: Mid-June

ENTRY FEE: FREE

Read the full call at the Nectar Magazine website!

CALL for ENTRIES: Scriptapalooza

Posted on February 26, 2012February 26, 2012 by R.L. Gibson

MEATLOAF and PEAS

Some days are meant for meatloaf no matter how much you love lamb chops. Vegetarian? Okay, some days are meant for frozen peas no matter how much you love edamame. A change in routine is necessary to make you appreciate what you have. This next Call offers a HUGE change of pace for some of you, not so much for others. Take a look…

Check out this Call for Entries for Scriptapalooza. Yep, it is a call for something other than visual arts. So many of you have multiple talents that I thought we would take a short detour from our regular programming to let you stretch your creative genius in an alternate direction. It can’t hurt…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Scriptapalooza, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES: Scriptapalooza

“Our number one priority has always been the writer, from choosing our judges to creating opportunities for writers. We continue to surround ourselves with reputable and successful companies, including the many production companies, literary agents and managers who read all the entered scripts.

Our past winners have gone on to win Emmys, get signed by agents, managers, have their scripts optioned and even have their scripts made into movies.

Discovering & Promoting
Writers Since 1998

But the most important prize of all is that Scriptapalooza will promote, pitch and push the Semifinalists and higher for an entire year. No other competition in the world does that.” –from the Scriptapalooza website

ELIGIBILITY:
Open to any writer, age 18 or older

MEDIA: One 80-140 page screenplay written in English

DEADLINE & ENTRY FEE: By March 5th – $50, by April 16th – $55, or by April 19th – $60

JUDGES: The list of judges is too long to reproduce. Visit the judges page for a complete list!

AWARDS: Over $25,000 in cash and software prizes including $10,000 for first place.

For complete details, visit the Scriptapalooza site!

CALL for ENTRIES: The Portrait

Posted on February 24, 2012 by R.L. Gibson

PURPLE,
not GREEN

Recently I called eggplant sexy, and I am still receiving email about that one. So chew on this one: brussel sprouts are sexy too. There. I said it. I mean it. You don’t have to like it…or them. The only thing that makes me hesitate to say my veggie self portrait would be a brussel sprout is, of course, they are green and round. I strive not to be green or round. This next call is all about portraits. And I still think eggplant is sexy, folks…

Check out this Call for Entries for The Portrait: Up Close & Personal from MPLS Photo Center (Minneapolis, MN). This is a great venue and a great juror. Don’t miss this opportunity!

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: The Portrait, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
The Portrait:
Up Close & Personal

Portraits tell a story, depict a character, reveal emotion, demonstrate sensitivity and illustrate an intimate connection with your subject.

The greatest challenge and most important element in a successful portrait is an intimate connection with the subject. The ways in which you explore this connection, going beneath the surface and finding what is the essence of the portrait determines its success as a representation of your subject.

Explore different styles and methods of making revealing portraits that reflect not just the subject but you the photographer as well. Demonstrate the sensitivity necessary to move beyond literal renderings to more intimate portraits. Create images that go below the surface and penetrate deeply into a subject’s character.

ELIGIBILITY: Open to all artists.

MEDIA: Photography

DEADLINE: April 15th, 2012

NOTIFICATION: April 24th, 2012

ENTRY FEE: $35 for five, $10 ea. add’l

JUROR: Andrea Mellard is Curator of Exhibitions and Public Programs at AMOA-Arthouse in Austin, Texas. The newly merged museum provides rich environments for a wide range of audiences to investigate and experience excellence in modern and contemporary art. The museum accomplishes this through innovative exhibitions, education, interpretative programs and direct access to the creative process. Andrea Mellard draws on an interdisciplinary background to connect visual art to contemporary culture. She has been on staff for seven years and curating for since 2009.

Recently, she curated exhibitions of photography including Clifford Ross: Outside Realism and New Art in Austin: 15 to Watch. Previously, she was a curatorial and research assistant at the Smithsonian Institution’s National Museum of American History for a three-year long cultural history project on Memphis, Tennessee. She holds an M.A. degree in American Studies from The University of Texas at Austin and an Interdisciplinary Humanities degree for California State University at Monterey.

AWARDS: First Place – $400, Second Place – $300, Third Place – $200 and Three Honorable Mentions. Prizes and Awards include a free Black & White Exhibition Book.

For complete details, Visit the Website!

CALL for ENTRIES: Rogue

Posted on February 23, 2012 by R.L. Gibson

CUPCAKE
Indulgence

Bacon cupcakes were the highlight of my holiday cruise. Mmmhmm. I feels naughty saying “bacon cupcakes,” and it felt rogue eating bacon cupcakes. Fantastic, really. My cupcake was compliments of The Cupcake Cupboard on board the Freedom of the Seas, but follow the link above to find a recipe of your own. Go rogue with this next Call. Investigate.

Check out this Call for Entries from Rogue Video and Performance for Speculation and Spectacle, a video installation show in Brooklyn, NY. The location is spectacular, and there is no entry fee. Don’t delay because email submissions are not accepted. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Rogue, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Speculation and Spectacle

Curators Elisabeth Murray and Jonathan Brantley, in collaboration with from Rogue Video and Performance seek video art to be projected out-of-doors in the Williamsburg neighborhood of Brooklyn, New York. This event will take place in the area beneath the Brooklyn-Queens Expressway, between Meeker and Union Avenues on May 3rd from 7:30pm until 9:30pm.

THEME: Gentrification

ELIGIBILITY: Open to all artists.

MEDIA: Artists must submit their videos in DVD, .mpeg, .avi or .mov formats with an aspect ratio of 4:3. Videos cannot exceed 5 minutes in duration.

DEADLINE: March 30, 2012

NOTIFICATION: April 9, 2012

ENTRY FEE: None

MAIL SUBMISSIONS TO: Speculation and Spectacle, Walsh Gallery at Seton Hall University, 400 S. Orange Avenue, S. Orange, NJ 07079.

For complete details, Download the Prospectus!

CALL for ENTRIES: National Photography Award

Posted on February 22, 2012 by R.L. Gibson

FAT IS FLAVOR

Sadly, most of the indulgent foods I love are not necessarily the most healthy. During cold weather, I always dream of sitting under a palm tree and drinking a frozen coconut concoction, umbrella-optional, while the palm fronds shade me from the sun. Coconut milk has a fat content of approximately 17%. Uh huh. Well, maybe this next show will give you a chance to enjoy the palm tree part, and coconut could be a great way to celebrate…

Check out this Call for Entries for the 2012 National Photography Award to be exhibited at The von Liebig Art Center (Naples, FL) by the Naples Art Association. Don’t be scared off by using the Juried Art Services website…it is easy, I promise. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: National Photography Awards, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
National Photography
Award

The photography exhibition will be installed in The von Liebig Art Center’s Frederick O. Watson Gallery from June 4 through August 10, 2012.

The von Liebig Art Center is located in Naples, Florida in the heart of the 5th Avenue South shopping, dining and arts district.

ELIGIBILITY:
Artists living in the US.

MEDIA: Photography. Photographers are invited to enter one photograph taken in the United States after January 1, 2010 and not previously exhibited at The von Liebig Art Center.

DEADLINE: March 22, 2012 at 4 pm

NOTIFICATION: To view the results for your entry, log into your Juried Art Services account on or after April 9, 2012 and go to “applications.” The grand prize award winner will be notified by telephone or E-mail on May 24, 2012.

ENTRY FEE: $32 for non-members & (for current Naples Art Association members the entry fee is $27) and is payable online by credit card.

JUROR: Bradly Dever Treadaway is a multidisciplinary artist and educator specializing in digital media and installation. Utilizing a diverse set of photographic processes, video and performance, Treadaway’s work appropriates public and private archives to investigate the disintegration of family structure and the breakdown of cultural passage. Currently a Faculty Member and the Digital Media Coordinator at the International Center of Photography in New York City, Treadaway is a Fulbright Scholar to Italy and has exhibited work in 11 countries.

AWARDS: A $5,000 grand prize award will be presented to one photographer. The grand prize award winner will receive two nights hotel accommodations in Naples, Florida and round-trip economy class air fare to attend a preview reception and award presentation on Friday, June 1, 2012. (David Wensel – Camera USA 2011 Award Winner, pictured above left).

SALES: Photographs exhibited in “Camera USA” may be available for purchase or listed as NFS (not for sale). Once stated, neither the price nor title of the photograph may be changed. The NAA processes sales and will retain a 30% commission on all photographs sold during the exhibition. Proceeds from sales support the NAA’s exhibition programs. Photographers’ proceeds will be mailed. Photographers generally receive their checks within three weeks from the close of the exhibition.

For complete details, Read the Full Call!

REMINDER: Spontaneous

Posted on February 21, 2012February 21, 2012 by R.L. Gibson

a BERRY in a BASKET
worth TWO in a BUSH?

I still dislike the lack of spontaneity involved in home-cooking. What I am I going to do with all the extra food I grow this year? My neighbors would say “can it.” Mmmhmm. Need I remind you of how little time I have as it is? Maybe I will spontaneously leave baskets of home-grown goodies on strangers’ doorsteps. This next show expects spontaneity from YOU. TIME IS RUNNING OUT…

Check out this Call for Entries from the Darkroom Gallery (Essex Junction, VT) for Spontaneous. The entry fee at Darkroom is always low ($20), and I love that they will provide free matting and framing if you work in their standard sizes. Take a look…

*Editor’s Note: If you enter, please make sure to let them know that you found the Call on ArtAndArtDeadlines.com. We’ve got a great history with them…including Best of Show!

CALL for ENTRIES:
Spontaneous

Spontaneity is the hallmark for great documentary and street photography where the moments of life, often ironic, poignant, emotionally charged, tragic or absurd are frozen.

Photography provides the means to capture a moment but which moment makes all the difference. Well known masters include Henri Cartier-Bresson and W. Eugene Smith with recent discoveries such as Vivian Maier and Frank Oscar Larson adding to a long list of great photographers.

Many of the scenes captured by practitioners of this art, with the possible exception of war and extreme sports documentary, pass before us every day, but we do not see.

This exhibit is dedicated to those who strive to see, realize and then manifest vision and moment into an image so that we can all see what is right in front of us or inaccessible in some other way. Showing us the remarkable moments that make up the, often unconscious, Human Experience.

ELIGIBILITY:
Entrants must be at least 18 years old. If you are younger, you must have a parent or legal guardian make the submission for you.

MEDIA:
Photography.

DEADLINE: Feb 22, 2012

NOTIFICATION: Feb. 28, 2012

JUROR: Nikos Economopoulos began his photography career inn 1988 with a long-term project in Greece and Turkey. He photographed whatever he came across on his daily walks: street scenes, public gatherings, solitary meanderers, or deserted landscapes.

In 1990, Economopoulos’ photographs began to appear in newspapers and magazines worldwide. In the same year he started to take photographs in Albania, Bulgaria, Romania and the former Yugoslavia, investigating the territorial, ethnic and religious tensions of the region, as well as the endurance of traditional social and religious rites. This work earned him the Mother Jones Award in 1992.

Subsequent work includes lignite miners and the Muslim minority in Greece, people living along the Green Line dividing southern and northern Cyprus; illegal immigrants at the Greek-Albanian border; and young residents of Tokyo, mass emigration of ethnic Albanians fleeing Kosovo. He was given the Abdi Ipektsi Award for peace and friendship between Greece and Turkey in 2001.

Nikos has published ten books and his work is in the permanent collections of Centre Méditerranéen de la Photographie and the Benaki Museum. He organizes a series of photography workshops in locations in eastern Europe, Asia and Africa.

AWARDS: All selected entries are exhibited in the gallery and included in a full color exhibit catalog. Juror’s Choice receives a 20×35″ vinyl exhibit banner featuring their image. People’s Choice gains free entry into a future exhibit.

SALES: Darkroom offers free matting and framing of accepted entries for the duration of each of their exhibitions, subject to standard sizes. Photographers set their own prices if they wish to sell their work and retain all rights to their photographs. For commission details, go to the bottom of the Submisssion Rules page!

For complete details, Read the Full Call!

CALL for ENTRIES: Gardens

Posted on February 19, 2012 by R.L. Gibson

SNAP or
HALF-RUNNER?

I can’t decide what to grow in my new garden. As I have mentioned, ad nauseum, I am moving to a bigger place. AND, I am getting back the one thing I’ve really missed since I’ve lived on top of a mountain…a yard. Do I grow lettuce or spinach or tomatoes or cucumbers or green beens or blackberries or pumpkins or herbs? I have a finite amount of time. Can anyone tell me what to grow that won’t need my assistance? I suspect I’ll be waiting for that email for quite some time. This next call wants your perspective on gardens. Take a look…

Check out this Call for Entries for Gardens brought to you by the A. Smith Gallery (Johnson City, Texas). The entry fee is low, and you might be inspired to create a little green space of your own. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Gardens, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Gardens

“gar-dens: plants, flowers, vegetables, bed, conservatory, field, greenhouse, nursery, oasis, patch, plot, sanctuary, spread, green, bugs, trees.

“…let us cultivate our garden.” –Voltaire, from Candide

Sowing seeds, watching them sprout and ultimately grow into plants is an amazing and awe inspiring magical experience. Plants, flowers and trees in a garden have their own quiet life affirming force. From inspiring poetry and art to cleansing the Earth’s atmosphere and providing life sustaining nourishment, plants and flowers in a garden are essential to human existence. “ — from the A. Smith Gallery website.

ELIGIBILITY: Open to all artists. Entries must not have been exhibited previously in an exhibition at A Smith Gallery.

MEDIA: Photography

DEADLINE:
March 19, 2012

NOTIFICATION:
April 2, 2012

ENTRY FEE: A non-refundable entry fee of $25 for the first 5 images and $5 for each additional image is required. The Paypal link is on the Entry Form.

JUROR: Steve Goff is the Professor and Chair of Photography, Art and Mass Communication at Odessa College where he has taught since 1984. He received his B.F.A. and M.F.A. from Ohio University and taught at the Maine Photographic Workshops, Lakeland and Cuyahoga Community Colleges and Cleveland State University before moving to Texas.

Goff has been awarded the Aid to Individual Artist Fellowship from the Ohio Arts Council and the Fellowship Award in Photography, from the Mid-America Arts Alliance/National Endowment for the Arts and represented the Fellowship winners at Mois de la Photo in Paris, France. He has an extensive exhibition record and teaches workshops around the state and region. Steve currently serves on the Board of Directors of the Texas Photographic Society and the Odessa Council for the Arts and Humanities.

AWARDS: Cash prizes of $250 each will be awarded for The Juror’s Award and The Director’s Award, along with a $100 prize for the Visitors’ Choice Award. There will also be five Honorable Mentions.

SALES: A Smith Gallery will retain 40% commission out of the sales price.

For complete details, Visit the Website!

CALL for ENTRIES: Through That Which is Seen

Posted on February 18, 2012 by R.L. Gibson

WHITE RICE
is boring

I confess that I occasionally have dreams that a model of my kitchen will end up in the Smithsonian like Julia Childs’ did. As glamorous as that sounds, everyone would see my 3 mismatched Fiestaware and shelves and shelves of white dishes. Think white rice. Yawn. Methinks life-size dioramas are a difficult tribute to pull off well. This next Call doesn’t require life size. Take a look…

Check out this Call for Entries for Through that Which is Seen, an curated show brought to you by Root Division (Sacramento, CA). The entry fee is incredibly low, and the thematic content is fascinating. Don’t miss this one…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Through That Which is Seen, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Through That Which is Seen

Through That Which is Seen will represent a range of interpretations of the diorama on all scales.

They aim to exhibit pieces borrowing from museums’ use of the diorama as a means to inform and educate to works that turn the more conventional notion of diorama on its head. From natural history displays to shoebox book reports…

The word diorama often conjures
memories from childhood.

However, dioramas can be found dotted throughout our daily lives. Think about storefront displays, televisions, and medicine cabinets, to name a few. Does a shower become a performative diorama when in use? Or a car?

ELIGIBILITY:
All artists

MEDIA:
The co-curators are open to
reviewing any and all
possible interpretations
of dioramas.

DEADLINE:
March 19, 2012

ENTRY FEE:
$10 for 4 images

CURATOR:
Alexis Arnold & Lauren Hartman

Category: Established Artists

DON’T FORGET… the chocolate milk

CALL for ENTRIES: 3X3 Magazine ProShow

It is their mission to demonstrate the benefits of using illustration, this annual is their showcase.

For complete details, Read the Full Call!

A SOUPÇON of SOUP

CALL for ENTRIES: Art & Technology

To enter, visit the Submission Page!

DEATH, squashed

CALL for ENTRIES: Nectar Magazine

If you have work that you feel relates to the current theme, send it in, they’d love to see it.

Read the full call at the Nectar Magazine website!

MEATLOAF and PEAS

CALL for ENTRIES: Scriptapalooza

Discovering & Promoting Writers Since 1998

For complete details, visit the Scriptapalooza site!

PURPLE, not GREEN

CALL for ENTRIES: The Portrait: Up Close & Personal

For complete details, Visit the Website!

CUPCAKE Indulgence

CALL for ENTRIES: Speculation and Spectacle

For complete details, Download the Prospectus!

FAT IS FLAVOR

CALL for ENTRIES: National Photography Award

For complete details, Read the Full Call!

a BERRY in a BASKET worth TWO in a BUSH?

CALL for ENTRIES: Spontaneous

For complete details, Read the Full Call!

SNAP or HALF-RUNNER?

CALL for ENTRIES: Gardens

“…let us cultivate our garden.” –Voltaire, from Candide

For complete details, Visit the Website!

WHITE RICE is boring

CALL for ENTRIES: Through That Which is Seen

The word diorama often conjures memories from childhood.

For complete details, Read the Full Call!

DON’T FORGET…
the chocolate milk

CALL for ENTRIES:
Art & Technology

DEATH,
squashed

CALL for ENTRIES:
Nectar Magazine

If you have work that you feel relates to the current theme,
send it in, they’d love to see it.

Discovering & Promoting
Writers Since 1998

PURPLE,
not GREEN

CALL for ENTRIES:
The Portrait:
Up Close & Personal

CUPCAKE
Indulgence

CALL for ENTRIES:
Speculation and Spectacle

CALL for ENTRIES:
National Photography
Award

a BERRY in a BASKET
worth TWO in a BUSH?

CALL for ENTRIES:
Spontaneous

SNAP or
HALF-RUNNER?

CALL for ENTRIES:
Gardens

WHITE RICE
is boring

CALL for ENTRIES:
Through That Which is Seen

The word diorama often conjures
memories from childhood.

For complete details,
Read the Full Call!