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Art and Art Deadlines.com

Category: Emerging Artists

ART PUBLICATION: Vallum Magazine

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!QUEEN OF THE WORLD

I want to do everything.  I don’t sleep much because I cannot turn my brain off.  I am constantly thinking of the souflee I’ve never made, the exotic vacation I haven’t taken and the art I haven’t produced.  It isn’t a sad sort of sleepless anxiety.  It is an I-Want-to-Take-on-the-World-and-I-am-Running-Out-of-Time anxiety.  This next Call is a chance for you to mark a few “to do” items off your artistic bucket list.

Check out this Call for Art (among other things) from Vallum Magazine!  Here’s a chance for you to shine on the pages of a great poetry magazine.  And, if you’re a wordsmith, well, there’s that too…

ART PUBLICATION: Vallum Magazine

Founded in 2000, Vallum: contemporary poetry is one of Canada’s top, critically-acclaimed, all-poetry magazines.

Check out Vallum Magazine!Vallum has positioned itself as an avant-garde exposition of the best in poetry, providing a literary platform for established and emerging writers from Canada, the US and abroad.

Notable past contributors include P.K. Page, George Bowering, Paul Muldoon, Franz Wright, Jan Zwicky, Stephen Dunn, Les Murray, Charles Bernstein, John Kinsella, Fanny Howe, George Elliott Clarke, Andrew Motion, Erin Mouré, Peter Redgrove, Nicole Brossard and others.

Vallum publishes poetry that is sharp, engaging and exciting. It pushes boundaries and invites the exploration of different worlds and perspectives. In addition to the poetic contributions are essays, interviews, book reviews and stimulating visual art.

Vallum MagazineTHEME:  Mountains/Heights

How high can you go? Stars, mountains, ledges, high diction, big dreams, high wired… We walk straight ahead, but how do we climb? Slow or fast, where do we go when we look up?

DEADLINE:  March 1, 2011

SUBMISSIONS:  Essays, reviews, interviews, letters to the editor and art work can be sent by regular mail or through their Online Submission page.

For complete details, visit Vallum’s Submissions Page!

CALL for ENTRIES: Center Forward 2011

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CHOPSTICKS

Have I mentioned I love a theme lately?  One of my favorite themed food days at our house is the day we have Chinese chicken salad for lunch, Eggroll pizza for dinner and rice pudding for dessert.  We even have special little blue and white Chinese patterned dishes, complete with porcelain turtle bowls for dipping sauces, for the occasion. 

Granted, my idea of a theme may not be your idea of a theme, but this next call allows you to interpret the idea of a theme any way you choose.

Check out this Call for Entries from the Center for Fine Art Photography in Colorado for Center Forward 2011.  The theme is open, and the entry fee can be as low as $15.  Just take a deep breath, believe in your work and take a chance…

CALL for ENTRIES:  Center Forward 2011

THEME:  As the dynamic conversation of photography continues to evolve, we are engaged in moving this dialogue forward.  Center Forward 2011 will include a main gallery group exhibition and a solo exhibition award. Learn more about C4FAP online!

 The theme is open and all subjects are eligible.
Please join in the conversation.

 

ELIGIBILITY:  The exhibition is open to all photographers world wide, both amateur and professional. 

MEDIA:  The Center for Fine Art Photography invites photographers working in all mediums, styles and schools of thought to participate in Center Forward 2011 and all of its exhibitions.

Learn more about C4FAP online!DEADLINE: 
February 7, 2011 (early)
& February 23, 2011 (final)

NOTIFICATION: 
March 1, 2011

ENTRY FEE:  Members of C4FAP: $20 ($15 at early deadline) for the first five images.  Non-C4FAP Members: $35 ($30 for early deadline) for the first five images.

JUROR:  Hamidah Glasgow is the Executive Director at The Center for Fine Art Photography.  Glasgow has had diverse careers as a TV producer, photographer, nonprofit arts executive and reviewer for PhotoLA, FotoFest, Critical Mass and Photolucida 2011.

AWARDS:  With selection for this exhibition, featured artist’s work will be seen by an international audience of collectors, curators, art consultants and other advocates of fine art photography. 

Photo by Juror Hamidah Glasgow!Each participant will be included in the Center’s Main Gallery exhibition, Online Gallery exhibition and in the Center Forward Exhibition Catalogue. 

Each artist will receive one catalogue with the option to purchase more online at Blurb.com. Select artists will receive a blog feature at the Center’s blog PERSPECTIVES. Exhibiting artists are encouraged to attend the Center’s opening reception to participate in portfolio reviews and artists’ talks.

Solo Exhibition Award:
$500
towards a Solo Exhibition
at the Center and a Blurb book Award.

2 liveBooks Website Awards:
Valued at $399 from liveBooks.com

Honorable Mention Awards:
2 year membership and a three image submission to a call for entry at the Center.

For complete details, visit the C4FAP.org website!

For complete details, visit the Center for Fine Art Photography website!

ARTIST in RESIDENCE: Emporium Center

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A WINDOW on the WORLD

There is a great little restaurant in downtown Knoxville called Sapphire that occupies an old jewelry store.  It is one of my favorite places to go, sit at a table in the display window overlooking the downtown sidewalk, and sip a Sapphire Martini.  This next call is another great reason to find things to do in this little gem of a Southern town.

Check out this great Call to Artists for the Betsy Worden Memorial Artist Residency at the Emporium Center.  There is no application fee, and you could end up with a solo show!

ARTIST in RESIDENCE:  Emporium Center

The Arts & Culture Alliance is pleased to announce availability of the next Betsy Worden Memorial Artist Residency at the Emporium Center, 100 S. Gay Street in downtown Knoxville. 

DEADLINE:  Friday, March 11, 2011 

Learn more about the Arts and Culture Alliance online!ELIGIBILITY:  Available to college students and other young and emerging artists, The Betsy Worden Memorial Artist Residency includes:

  • FREE and exclusive access to a 10’ x 10’ artist studio located in the Emporium Center;
  • Sponsored membership in the Arts & Culture Alliance for one year;
  • Display of at least one piece of artist’s new work in the public areas of the Emporium Center each month of the residency (beginning with the First Friday opening reception on April 1, 2011); and
  • Solo exhibition of artist’s new work in the Balcony gallery of the Emporium Center near the end of the residency period (September 2-30, 2011).

Learn more about the Arts and Culture Alliance online!Click here to download the application: Word / PDF

 

REQUIREMENTS:  The resident artist is required to occupy the studio and be present to show new work each First Friday of the month, spend a significant amount of time creating work in the Emporium studio, and help hang monthly changing exhibits in the Emporium galleries if necessary.  Artist may also offer curatorial input and be eligible for curatorial opportunities in programming gallery space.

The Tree Houses by Keegan LuttrellThe Emporium’s current Artist-in-Residence is Keegan Luttrell, a mixed media artist who graduated from Maryland Institute College of Art in 2008 with a BFA in Art History and a Concentration in Photography. Originally from Knoxville, she has lived and worked in Baltimore, New York City, France, and Australia. In the past, she has shown in local Knoxville venues, as well as in Baltimore, Brooklyn, New York, Aix en Provence, and Austin.  Her solo exhibition, “uproot”, is scheduled to run March 4-25, 2011 in the Balcony.  “I have been so grateful for the opportunity to be the Artist-in-Residence at the Emporium,” says Luttrell. “The Residency has provided me with the space and time to grow artistically and challenge myself in ways I never thought I could.” 

Cove Mountain watercolor by Betsy WordenABOUT BETSY WORDEN:  An artist, teacher, and Knoxville Civic Leader, Betsy Worden was perhaps best known for her works in watercolor and weaving, and she contributed greatly to Knoxville’s visual arts community by teaching young ones cool easy things to draw and other numerous ways throughout her life.  She received her BA in Fine Arts from the University of Tennessee and did post-graduate studies at Atlanta School of the Art, Arrowmont School of Arts and Crafts, and the University of Tennessee.  A painter, tapestry weaver, and printmaker, she was a longtime instructor at the Arrowmont School of Arts and Crafts in Gatlinburg, and she taught watercolor classes for the Knoxville Museum of Art.  A leader in the Knoxville arts community, Worden served on the boards of many arts organizations.  She also co-founded the Community School of the Arts in Knoxville.

Learn more about the Tennessee Arts Commission online!Applications must include resume, letter of recommendation, artist’s statement, and CD of digital images of artist’s work.   Applications should be submitted to the Arts & Culture Alliance, PO Box 2506, Knoxville, TN 37901.  For more information, please contact the Arts & Culture Alliance at (865) 523-7543 or e-mail sc@knoxalliance.com.

ABOUT the Arts & Culture Alliance:  The Arts & Culture Alliance serves and supports a diverse community of artists, arts organizations, and cultural institutions.  The Alliance receives financial support from the Tennessee Arts Commission. Special thanks to Bluegill Creative.

For complete details, visit the Arts & Culture website!

OPEN CALL: Spiva Art Gallery

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WINNER

My idea of winning the lottery would be a free pass at the grocery store everyday for the rest of my life.  Can you imagine being able to buy anything, anytime, at your whim?  It is a little mind-boggling for me.  This next call is its own blank slate… a free ticket. 

Check out the Open Call for Spiva Art Gallery at Missouri Southern State University.  No media restriction, no geographic restrictions, no entry fee.  You can’t really ask for more…

OPEN CALL:
Spiva Art Gallery

Missouri Southern State University’s Art Department is inviting artists via an Open Call to submit proposals for the campus Spiva Art Gallery.  The Gallery’s Advisory Board selects works and collections for exhibition. The Gallery hosts approximately eight shows per year, including one or more group shows by local guilds or artist collectives, themed exhibits, and solo shows. We have a standing Call to Artists who wish to submit their works for consideration.

Learn more about the Art Department at Missouri Southern State University!ELIGIBILITY:  Open to all artists

MEDIA:  Open to all media

ENTRY FEE:  None

DEADLINE:  Ongoing

SUBMISSIONS:  Artists can send a packet of information by U.S. mail or electronically.  Applications sent by mail should provide the Advisory Board with a proposal for exhibition, including: (1) A cover letter or email (2) Artist’s biography / resume (3) Samples of work submitted for consideration.

Mailed submissions should be sent to: Missouri Southern State University Spiva Art Gallery: Gallery Coordinator Burt Bucher 3950 E. Newman Rd Joplin, MO 64804

Electronic submissions should be sent to (bucher-b@mssu.edu) with MSSU Art Gallery Submission in the subject line.

Learn more about the Spiva Art Gallery at MSSU!ABOUT THE GALLERY:  Located on the main floor of the Art Building immediately to the east of the main entrance, it has approximately 325 running feet of exhibition wall space. Gallery Hours are usually Monday through Friday 9:00 AM to 5:00 PM (Monday through Thursday in the summer) and there is no admission charge.

Spiva possesses a large permanent study collection of African art and artifacts and hosts an active program of international, regional, and student exhibitions of visual art. The gallery’s African Holdings are made up of these individual collections:

  • John and Pam Finley Collection
  • Institute of International Studies Collection
  • Marianna Keown Collection
  • Vivian Olson Collection
  • Guy Mace Collection
  • Ben Pickard, Pickard Gallery Collection

For additional details, email bucher-b@mssu.edu!

CALL for ENTRIES: Sugarloaf

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My family is on a savings spree.  We sat down the first week of the year and decided on goals for the year.  Many of those goals require cash.  Cash necessitates saving.  Saving, in my house, means cutting the food budget.  Grocery shopping is now preceeded by a menu and detailed grocery list and eating out has been cut to one sit-down meal and one fast-food meal a week.  This next Call gives you an opportunity to plan ahead.

This Call for Entries is for the 13 Sugarloaf Fine Art & Crafts festivals.  I don’t publish many festival calls, but Sugarloaf is among the country’s finest.  Take a look, and find a festival for you…or enter them all.

Wheel Thrown Pottery by Helen WeichmanCALL for ENTRIES:  Sugarloaf Festivals

Sugarloaf Crafts Festival, one of the nation’s most popular and most recognized juried shows of contemporary crafts and fine art, is now accepting applications from artists for its 2011 shows.

MEDIA:  Artists may apply for the 2011 shows in categories including ceramics and pottery, fiber and fashion, fine art, furniture, blown and leaded glass, leather, metalsmithing, photography and functional and decorative wood crafts.  Sugarloaf is no longer accepting applications for jewelry artists for Spring 2011 shows. Jewelry remains open for Fall 2011.

Glass Vessel by Henry LevineABOUT SUGARLOAF:  Sugarloaf enters its 36th year among the most respected shows in the country. In 2010, nine of Sugarloaf’s 13 shows were ranked in the Top 200 nationally by Sunshine Artist magazine. 

This past fall, attendance at the seven Sugarloaf shows increased by12%, and artists’ sales increased over 8%, totaling $9.7 million. Artists whose work is exhibited at Sugarloaf shows are jury-selected and are represented in the nation’s finest galleries, private collections, and museums.

APPLICATION PROCESS:  Artists interested in exhibiting at Sugarloaf Craft Festivals candownload applications from www.sugarloafcrafts.com. Applications must include slides representing artists’ work and their display space. Artists who wish to apply online can complete their application and submit digital images via www.zapplication.org, using the search term “Sugarloaf.” Potential exhibitors may also request printed applications and additional information by calling (800) 210-9900.

JEWELRY by Steve StamasThe Spring 2011 season of
Sugarloaf Festivals includes:

Chantilly, VA (Northern Virginia), January 28-30

Somerset, NJ, March 11-13

Oaks, PA (outside Philadelphia), March 18-20

Hartford, CT, March 25-27

Gaithersburg, MD (outside Washington, DC), April 8-10

Timonium, MD (outside Baltimore), April 29-May 1

Furniture by Michael WeneckThe fall 2011 season of
Sugarloaf Craft Festivals includes:

Timonium, MD, September 30 – October 2, 2011

Gaithersburg, MD, October 14 – 16, 2011

Somerset, NJ, October 28 – 30, 2011

Oaks, PA, November 4 – 6, 2011

Jewelry by Jeannette MullarkeyHartford, CT, November 11 – 13, 2011

Gaithersburg, MD, November 18 – 20, 2011

Chantilly, VA, December 9 – 11, 2011

For more information,
visit the
Sugarloaf website!

ARTIST RESIDENCY: 3 Months in Japan

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FIGHTING FOODS

I dislike having food thrown at me.  But inevitably every time I go to a Japanese hibachi restaurant, I am the unwilling target of the Chef’s attempt to pop a shrimp into a customer’s mouth.  I wonder if the Chefs are like horses… they sense fear.  Here’s hoping the result of this Call is a great opportunity to eat authentic Japanese food while not feeling like you’re being used for target practice.

Check out this Call for Entries for a 3-Month Artist Residency from the Japan-U.S. Friendship Commission.  You could win living expenses for you and your family, transporation cost and professional development funds.  Don’t miss this opportunity.

Learn more about the 3-Month Artist Residency in Japan!ARTIST RESIDENCY:
3 Months in Japan

The Japan-U.S. Friendship Commission works cooperatively with the National Endowment for the Arts to sponsor The U.S/Japan Creative Artists’ Program. The program provides support for up to five outstanding contemporary and traditional artists from the United States to spend a three-month residency in Japan to pursue their individual artistic goals.

The U.S/Japan Creative Artists’ Program is extremely competitive; applicants should have regional or national recognition and anticipate a highly rigorous review of their work.

Artists should present compelling reasons
for wanting to work in Japan.

 
Learn more about the 3-Month Artist Residency in Japan!ELIGIBILITY:  Eligible applicants are architects, choreographers, composers, creative writers, designers, media artists, playwrights, visual artists, or solo theater artists who work with original material (including puppeteers, storytellers and performance artists).  Multidisciplinary artists and artistic directors of theater or dance companies are also eligible.

DEADLINE:  February 1, 2011

ENTRY FEE:  There is no entry fee.

AWARDS:  A monthly stipend for living expenses and a housing supplement, as well as an allowance for professional support services.  Up to $6,000 for round trip transportation for the artist, domestic partner and/or dependent children, and a baggage/storage allowance.  A stipend for pre-departure Japanese language study in the United States.

For complete details, Download the Program Guidelines!

CALL for ENTRIES: Juried Exhibitions Series

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SUSHI ME!

When you think of North Carolina, what food comes to mind?  I instantly think vinegar-based barbeque; however, this blog has been awash with pit-smoked references lately.  So, I turned to my friend Michelle, a fellow blogger and Foreign Service officer for a little help.  She is getting her doctorate from UNC.  She says the best sushi place ever is a little place called Akai Hana and just happens to be outside of Chapel Hill in Carrboro, NC.  This next Call might end in a great sushi dinner if you play your cards right.

Check out this Call for Entries for the 2011-2012 Juried Exhibitions Series in Chapel Hill.  There is no entry fee and only a 15% commission.  Take a look!

Bench by Arlene SlavinCALL for ENTRIES:
Juried Exhibitions Series

The Chapel Hill Public Arts Office invites artists to apply for the 2011 – 2012 Juried Exhibitions Series. Original two- and three-dimensional artwork by selected artists will be displayed in Chapel Hill Town Hall and possibly other Town cultural facilities beginning May 2011.

Selected artists will be invited to exhibit their work in small group shows of two or three artists for two-month exhibition periods. The Juried Exhibitions Series is promoted in the local media and through Public Arts Office announcements and press releases. Selected artists will be asked to provide specific information and deliver their work for installation at agreed upon times. Public Arts staff and contractors install the work for exhibition.

ELIGIBILITY:   Open to all artists creating original artwork that can be hung indoors or displayed in glass cases.

Publicly Accessible Art in Chapel Hill is a priority!DEADLINE:
February 14, 2011

NOTIFICATION:
March 14, 2011

ENTRY FEE:
There is no fee to enter.

SALES:  If the artwork is for sale, the Public Arts Office requires a commission of 15% on any work sold to help defray the cost of this public arts program.

SUBMISSION PROCESS:  Artists may send a compact disc containing portfolio materials through the post to the Public Arts Office (address provided below) or in a .zip file sent to chapelhillarts@gmail.com. No hardcopy portfolios will be considered. Discs will not be returned.

Work by Peg GignouxPublic Arts Office

405 Martin Luther King Jr. Blvd.
Chapel Hill, NC 27514
Email: info@chapelhillarts.org  
Telephone: 919-968-2749

 

Each portfolio must include:  Ten (10) Images of Relevant Work – Each image must be a PC-compatible JPEG file at 72 pixels per inch, as close to but no larger than either of the following dimensions: 750 pixels wide by 560 pixels tall. Each JPEG file must be named in the following format – lastname_01_title.jpg – where the artist’s last name is followed by underscore, two-digit identification number, underscore, title, file extension. If you wish to show a detail, include it within the required number of images. Please do not present your work as a montage of images (ie, in a PowerPoint file); each image must be a separate JPEG. Images submitted should be representative of the type of work proposed for exhibition.

Check out Art Opportunities in Chapel Hill!Annotated Image List A word file (.doc or .docx) listing JPEG images by two-digit identification number, followed by artist, title of work depicted, media, and dimensions (width by length in inches).

Resume – A word file (.doc or .docx) providing resume, no longer than two pages.

JURY PROCESS:  An Artist Selection Committee comprising representatives of Chapel Hill Town Hall, the Chapel Hill Public Arts Commission, the Public Arts Office, and local artists will review all complete portfolios and select artists to participate in the 2011 – 2012 Juried Exhibitions Series. Selections are based on artistic excellence and the goal of exhibiting a variety of media. Public Arts staff will notify artists of the Selection Committee results and will make exhibition arrangements with selected artists.

For complete details, visit the Chapel Hill Public Arts page!

Click to learn more about the Chapel Hill Public Arts Commission

FEATURED ARTIST: Julia Feld

Learn more about Featured Artist Julia Feld!

TOAST of the town

I love the hand-technique and the personal aspect of work in which you can see the artist’s hand.  I don’t need or want perfection.  I want to be amazed by talent and patience and thought and creativity. This month’s artist challenges me. AAAD is happy to feature the work of book carver Julia Feld. Feld’s work reminds all of the wonder found in books…words AND illustrations.  So many people dismiss the work of illustrators.  I find Feld’s work is entirely her own while at the same time, it celebrates the work of illustrators, past and present.  

Games for Two circa 1937 carved by Julia Feld!

FEATURED ARTIST: Julia Feld

Julia Feld is a scientist and artist living and working in St. Louis.  All pieces featured on her Holey Stokes! blog are her intricate creations and must be seen to be believed. 
(‘Hokey Stokes!’ is a phrase used to express wonderment or surprise in situations when ‘Holy Buckets!’ is deemed too explicit or crude. — Book Carver Julia Feld)

Feld has no formal art instruction and accidentally ended up as a book carver. 

Webster's 7th Collegiate Dictionary circa 1971 carved by Julia FeldA few years back, she found a set of Funk and Wagnalls Encyclopedias in the free box outside a used book shop.  “I didn’t know what I’d do with them but thought it was a pity that such a lovely set of books could end up in a dirty cardboard box in a parking lot, so I brought them home.”

“I really don’t remember what was going through my head the first time I thought to go at one with an exacto knife.  I do what I do because I like reminding people that books are things of beauty and that pictures and diagrams aren’t just about the information they convey.”

There is a cult-like following of Julia Feld’s work online, and a popular myth that I see over and over is that she laser cuts her shapes and images.  False.  She hand cuts every shape.  

“For some books, I carve through a page at a time, removing all the text and empty space and leaving only pictures and outlines.  For others, I gut the entire contents and rebuild it from scratch.  They all involve a ton of exact-o blades, tweezers, glue, and framing glass.  I’ve tried using power tools, but haven’t been pleased with the outcomes.”

All about House Plants carved by Julia Feld“If anyone from the future has prototype laser cutter they’d like to donate, I’d certainly be game to try it out.” — Julia Feld

 
I enjoy asking artists about their terminology for their process and media.  I find that it often gives me insight as to the frequent disconnect of an artist from the public perception of his or her work.  
 
Altered books have a long-documented history in traditional art settings as mixed media, but I find that media are becoming more and more specific over time.  Feld considers her work book carvings, but when I asked her for the school of art into which her work fit, she defers the questions to you, my loyal readers:  “I am overwhelmed by the amount of research I’d have to do to answer this question properly.  I like carving books because it draws attention to the aesthetic quality of objects that are usually valued primarily for their informational content.  Gentle readers, using the comment section below, please share with me what school of art do you think this falls into!”

Selected tables in Mathematical Statistics carved into a Butterfly specimen book by Julia FeldSo, back to the armchair psychology of it all… Feld’s Favorite Food?  Toast.  No really… toast.  I would NEVER think of asking an artist if they have a back-up plan just in case art doesn’t work out.  I’m not your momma; you don’t need something to fall back on with me. 
Nonetheless, Feld is prepared. “I want to open and operate a dining establishment called Julia’s Toasteraunt (maybe Julia’s Toastorium) where every table has a really nice toaster on it and you order big spreads of different kinds of breads and jams and cheeses and everyone feasts on toast.  If someone wants to open a soup joint next store, I’d be open to that.” Editor’s Note:  I will offer this blog and the transcripts of my interview with Julia Feld as evidence if you steal her idea, people.

Thank you Julia for sharing your work with us.

I felt a little like I was looking through the keyhole into a mad scientist’s laboratory (in the nutty, harmless 1950s definition of “mad”) during the discovery of Julia’s work.  Loved the adventure. 

Learn more about Julia Feld online!

Click to Learn More about Book Carver Julia Feld!

Should you be our next Artist of the Day?  Be sure to let us know!

CALL for ENTRIES: Sources and Origins

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DON’T MAKE ME
BEET YOU!

I love root vegetables.  Carrots and turnips are yummy, but I simply have never developed a taste for beets.  I don’t hate beets.  I just don’t eat them.  But I must admit I’ve been tempted.  My mother grew up in the hills of Tennessee, and when she was little, her mother used to boil beets in a kettle over an open fire outside in the yard. 

The little devils that they were, my mother and her siblings used to grab them by the greens out of the pot and squeeeeeeeze.  Apparently they shoot out like little red rockets out of their skins.  Beet rockets, funny.  Get to the source of your imagination with this Call.

Check out this Call for Entries from the South Shore Art Center for their juried exhibition Sources • OriginsGet to the root of your inspiration…

Learn more about the South Shore Art Center online!CALL for ENTRIES:
Sources • Origins

South Shore Art Center invites entries that offer distinctive, imaginative
imagery, across all media.  This juried exhibition asks artists to look back into their past life experiences to find ‘roots of inspiration’ that manifest themselves in current artworks.

ELIGIBILITY:  Open to all artists and all media.  No geographical restrictions.  Work must have be recent and not previously shown at South Shore Art Center.  All work must be for sale.

DEADLINE: Entry forms and images must be received by March 7, 2011.

NOTIFICATION: Accepted entries posted on SSAC website by March 16, 2011.

ENTRY FEE: $25 for up to 3 entries, $35 for 4, $45 for 5

Download the Sources Origins prospectus from the South Shore Art Center!SALES:  South Shore Art Center receives 40% of the puchase price.  No accepted entry may be withdrawn prior to the close of the exhibition.  No pricing changes will be allowed after acceptance.

JUROR:  The juror for this show is Howard Yezerski.  Howard Yezerski Gallery is one of the leading contempoary galleries in Boston located at 460 Harrison Ave, Boston, Massachusetts.

For complete details, Download the Prospectus!

CALL for ENTRIES: About Face

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FISHY FACE

I have more than one friend that won’t eat food with a face… which should make her a vegetarian on moral grounds, right?  Well, while out to lunch with one of them many years ago, my friend ordered fish.  I promptly reminded her that she didn’t eat food with faces and that fish definitely have faces.  She looked at me as seriously as possible and said, “I’ve looked into a fish’s eyes.  They have no story to tell.  There’s nothing going on up there.  Bring on the tuna.”  This next Call will require that your face tell a story.

Check out this Call for Entries from the Annmarie Sculpture Garden (an affiliate of the Smithsonian Institute) for About Face.  The entry fee is only $20 for up to four pieces, and this is an excellent opportunity to put your best face forward.  Take a look!

Download the About Face Prospectus!CALL for ENTRIES:  About Face

About Face explores the artist as storyteller. How does an artist develop and arrange the elements of a good story—character, setting, plot, conflict, climax, and resolution—through the format of a portrait?  Though we all have a story to tell, what is gained or lost when we are rendered through an artist’s point of view?  Do the completed works represent the person we are, the person we strive to be, or the character the artist sees?  How do traditional and new media types affect the impact of a portrait?  To this end, the jury seeks portraits that tell a compelling story in a visually interesting way.

About Face will be installed in the spacious Mezzanine Gallery of Annmarie Sculpture Garden’s Arts Building.  With over 3300 sq ft of exhibition space, moveable walls, high ceilings, tile floors, an Arakawa hanging system, Internet access, and electricity, the Mezzanine Gallery can accommodate all sizes and types of installations.  A few outdoor works will also be considered for inclusion in About Face.

Learn more about the Annmarie Arts Center!ELIGIBILITY:  All media types are welcome.  The exhibition is open to all artists age 18 and older working in the U.S.  Video entries must be submitted on DVD, playable on QuickTime or RealPlayer, and no more than 30 minutes in length.
DVD or computer based works must be exhibited on equipment provided by artist. Internet access is available.  Bases and pedestals must well-balanced and sturdy. Annmarie has a limited number of bases available, please inquire.  All frames must be black or silver and simple in design.  All works that will be hung on the wall must have brackets that work with the Arakawa hanging system. More information on this system will be provided upon acceptance.

DEADLINE:  March 1, 2011 is the deadline for your application.

Download the About Face Prospectus!NOTIFICATION:  Artists will be notified of final acceptance status via email by March 7, 2011.

ENTRY FEE:  Artists must submit a $20 non-refundable entry fee for up to four entries. Entry fee must be paid by check, money order, or credit card. Each entry must be submitted with three images of the artwork, including one overall view of the artwork, one detail shot, and one installation shot.

ABOUT the ANNMARIE SCULPTURE GARDEN:  An affiliate of the Smithsonian Institution, Annmarie is a thirty-acre public sculpture garden and arts center located in scenic Solomons, Maryland, on the Chesapeake Bay. The sculpture garden features a walking path which meanders through the forest, past permanent and loaned sculpture, including more than thirty works on loan from the Smithsonian Institution and the National Gallery of Art. The garden also presents a variety of special events, gallery shows, and engaging public art programs. The new Studio School offers creative classes taught by a talented faculty. The award-winning Arts Building, which opened in May ‘08, is a 15,000 sq.ft. museum-grade exhibition space that includes two large galleries, a gift shop, café, and a sunny patio that offers lovely views of the outdoor sculpture.

For complete details, Download the Prospectus!

Learn more about the Annmarie Arts Center!