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Art and Art Deadlines.com

Category: Art Blog

CALL for ENTRIES: BookART

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!BOOKS
for breakfast

We are all taught from an early age not to judge a book by its cover.  However, nearly every cookbook in my collection got there because of an appetizing photograph on the cover.  A friend that photographs food for a living told me that the looks are often achieved through under cooking, over cooking, shellac, resin and paint.  What a shame that such beautiful food never gets eaten.  But that knowledge does make me feel better about the ugly stuff I serve fairly regularly.  This next Call wants to see your books and challenges artists of ALL media to enter.  Take a look…

Check out this Call for Entries from the Fort Worth Community Arts Center (FWCAC from Fort Worth, TX) for BookArt.  A national call for original artist made books in any form or media. You’ve go to give it to them for accepting any form or media in what is usually a very traditional media.  Try on book-making in YOUR media of choice…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: BookART, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

**In Addition, please note I cannot find reference to this show on their site EXCEPT for the link to the Prospectus found at the bottom of this page; however, I have linked you to their home page so you can do a little exploring on your own.

http://www.fwcac.com/CALL for ENTRIES:
BookART

 

ELIGIBILITY:  Open to US residents 18+

MEDIA:  Artist-made books in any form or media

DEADLINE:  August 20, 2013

NOTIFICATION:  September 7, 2013

ENTRY FEE:  $25 for up to 2

JUROR:   Tracee W. Robertson leads the contemporary art exhibition program at the University of North Texas, through the College of Visual Arts and Design (CVAD), including five galleries and a robust program of curated and traveling exhibitions. With CVAD Dean Robert Milnes, Ms. Robertson co-chairs the UNT Art in Public Places Program, coordinating acquisitions and placements of artworks on campus through donations and a Percent for Art Program.

Robertson has curated numerous exhibitions at the UNT Art Gallery, including a site-responsive, temporal installation by Guggenheim Fellow Jill Downen in 2012. With more than a decade of experience in the contemporary art field, Robertson was named director of the UNT Galleries in 2007.  Prior to this, Robertson served as an independent curator, organizing exhibitions and programs at the Crow Collection of Asian Art, the Women’s Museum, and the Modern Art Museum of Fort Worth, among others.

SALES:  A 25% commission will be collected on all works sold during the exhibition. Work does not have to be for sale.

For complete details, Download the Prospectus!

*Editor’s Note:  I cannot find reference to this show on their site EXCEPT for the link to the Prospectus, so bookmark this page to find your way back if you don’t enter right away!

Download the Prospectus from the Fort Worth Community ARTS Center!

CALL for ENTRIES: Portfolio Edition

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!FOOD FREAKS
not so anonymous

My cupboard is the portfolio of a food freak.  No joke.  I can’t eat wheat.  My husband is allergic to seafood.  And my son is lactose intolerant.  It is a little ridiculous.  Let’s hope the portfolio you enter for this next call is freaky in a GOOD way.  Take a look…

Check out this Call for Entries from F-Stop Magazine for their ISSUE #60: 10th Anniversary Portfolio Issue.  There is no entry fee, and you can enter up to TWENTY images for publication.  Be sure to tell them you found F-Stop through ArtAndArtDeadlines.com, and remember to continue to make us proud…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Portfolio Edition, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from F-Stop Magazine!CALL
for ENTRIES:

Portfolio Edition


Issue #60 marks 10 years of
publishing F-Stop Magazine!

They will celebrate by
presenting a series of portfolios.
Submit a complete body
of work along with your
artist/project statement.

ELIGIBILITY: Open to all artists

MEDIA:  Photography

DEADLINE:  July 15, 2013

Learn more from F-Stop Magazine!NOTIFICATION:
Publication is August 1, 2013

ENTRY FEE:
None for up to 20 images

ABOUT F-Stop: F-STOP MAGAZINE is an online photography magazine featuring contemporary photography from established and emerging photographers from around the world. Each issue has a theme or an idea that the unites the photographs to create a dynamic dialogue among the artists. Founded in 2003 and published online, bi-monthly.

For complete details, Read the Guidelines!

Learn more from F-Stop Magazine!

CALL for ENTRIES: GeAb vs AbEx

Click to Subscribe to www.ArtAndArtDeadlines.com by EmailRED and GREEN
make brown

My cooking could be kindly described as abstract.  As long as I get the flavor profile correct, I tend not to care if it actually looks like the textbook dish.  That results in a lot of brown food for some reason.  Maybe it is my love of of dark vinegars and mushrooms.  Who knows.  This next Call is looking for your abstractions.  Don’t miss it this chance…

Check out this Call for Entries from EWNS Art Project (France) for the GeAb vs AbEx exhibit. Selection for this show gets you into an online gallery, and you may additionally have the opportunity to participate in the Paris gallery exhibition.   Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: GeAb vs AbEx, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about GeAB vs ABEx!CALL for ENTRIES:
GeAb vs AbEx

 

ELIGIBILITY: Open to all ABSTRACT artists 18+

THEME:  Geometric Abstraction vs. Abstract Expressionism

MEDIA:  Painting, Drawing, Digital art, Photography, Mixed Media  & Sculpture (stone, wood, metal, glass, mixed media, etc)

DEADLINE:  July 31, 2013

NOTIFICATION:  August 15, 2013

ENTRY FEE:  30 (Approx. $40 US) for up to 3 images. Add’l images 5 each, up to 10 (including the first 3).

JURORS:  Final selections for the exhibition will be made by the Artists’ Committee.

AWARDS:  All selected images will appear in their online gallery for a duration of one year minimum.  Selected artists may be invited to participate to a future physical collective exhibition in Paris.

SALES:  All entries must be labeled for sale with price indicated. Keep in mind that EWNS Art Project receives 30% commission of works sold.

For complete details, Read the Full Call!

Learn more about the EWNS Art Project!

CALL for ENTRIES: Toy Camera Fest

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!KITCHEN
tundra

I have a lot of kitchen toys, but most of them are small, manually-operated hand gadgets.  Honestly, I’m not sure I could cook without a manual juice reamer or my mandolin.  I usually forego the big, shiny electric appliances, but I recently gave in to a beautiful tangerine colored Cuisinart ice cream maker.  It looks like a toy, but it produces masterpieces.  A little kefir milk, a few raspberries and a scrape of vanilla bean is all it takes.  This next Call wants to see the masterpiece you can create with a toy.  Be sure to read the media description completely…

Check out this Call for Entries from The Nave Gallery and Washington Street Art Center (Somerville, MA) for The Somerville Toy Camera Fest.  Don’t pass this up because of the “toy camera” label until you’ve read the definition below carefully.  Did I mention the entry fee is cheap?  Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Toy Camera Fest, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from the Nave Gallery!CALL for ENTRIES:
Toy Camera Fest

 

Expect the unexpected.  The Nave Gallery and Washington Street Art Center have in the past separately held toy camera photography shows. They are now joining together to create  an international festival in Somerville, MA celebrating the quirky and creative results that happen when the photographer is forced to loosen his/her controls.

ELIGIBILITY:  Open to all artists

MEDIA:  Photography.  For the Somerville Toy Camera Fest (STCF), “toy camera” is identified as any low-end, low-tech, limited-control camera, including Holga, Diana and other Lomo products, as well as Brownies and Anscos and any pinhole cameras. Images made from Polaroid film backs attached to Holga are welcome; straight Polaroid camera pictures are not. Cell phone images are welcome.

DEADLINE:  July 24, 2013

ENTRY FEE:  $20 for up to 5 images

Learn more about Toy Camera Fest!

JUROR:  Isa Leshko is a fine art photographer living in Philadelphia, PA. She has had solo exhibitions at the Corden|Potts Gallery, the Galveston Arts Center, the Griffin Museum of Photography, the Houston Center for Photography, the Silver Eye Center for Photography, and the Richard Levy Gallery. Her prints are in numerous private and public collections including the Boston Public Library, the Harry Ransom Center, Haverford College, and the Museum of Fine Arts, Houston.

Isa’s work is represented by the Corden|Potts Gallery in San Francisco, CA and the Richard Levy Gallery in Albuquerque, NM.

“Above all, I want to see images that evoke a strong emotion — joy, fear, sadness, anger, revulsion — or challenge the way I think. Toy camera imagery is about defying photographic conventions. In fact, I think of it as the visual equivalent of punk music. So, let’s make some noise.”–Isa Leshko, Juror

AWARDS:  People’s Choice Award (for each location): 1 Holga 144-120 Medium Format 120N Camera with Built-in Lens, 3 Honorable mention juror awards (for each location).  There will be three separate exhibitions as part of the Somerville Toy Camera Fest. The juror will decide final placement of work that is accepted:  The Washington Street Arts Center (August 10-31, 2013), The Nave Gallery (September 7-28, 2013), and The Nave Annex (September 11-29, 2013).

For complete details, Read the Full Call!

Learn more from the Nave Gallery!

CALL for ENTRIES: Vacancy/No Vacancy

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!BACON
anyone?

I grew up in a house with a bacon grease pot.  For those of you unfamiliar, that is a recycled metal coffee can that you dump your excess bacon grease in every morning for use in your dinner, nearly every night.  The saturated fat from smoked cured pig permeated nearly every meal of my childhood.  But in hindsight, I suppose my grandmother was ahead of the kitchen recycling/upcycling trend, eh?  This next call is all about renewal and reuse.  Take a look…

Check out this Call for Entries from the Arts Collinwood Gallery (Cleveland, OH) for VACANCY/NO VACANCY, a juried exhibition that celebrates the transformative process of urban renewal and reuse.  Enter for  $15…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Vacancy/No Vacancy, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from Arts Collinwood Gallery!CALL for ENTRIES: Vacancy/No Vacancy

 

ELIGIBILITY: Open to artists residing in the US or Canada

MEDIA:  Original work in all two-dimensional and three-dimensional media may be submitted.

DEADLINE:  July 30, 2013

NOTIFICATION:  August 16, 2013

ENTRY FEE:  $15 for 1, $24 for 2 or $30 for 3

JUROR:  Jon Seydl, The Paul J. and Edith Ingalls Vignos, Jr. Curator of European Paintings and Sculpture (1500-1800)

AWARDS:  First Prize: $1,000, Second Prize:  $500, Third Prize:  $250, Merit Prizes:  $50 A minimum of 30 works of art will be chosen for the exhibit.  A minimum of $2,000 in total cash prizes will be awarded.  In addition the Waterloo Arts Gallery Committee will be selecting one to five artists to participate in solo or duo exhibitions at Waterloo Arts in the 2014 or 2015 gallery seasons.

For complete details, Read the Full Call!

Learn more from Arts Collinwood Gallery!

CALL for ENTRIES: New Material

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!chick
chick
CHICK-A-PEA

New foods/materials are fascinating.  Well, foods that are new to me would be more accurate.  My newest is flax seed meal.  I use it to make everything from scones to crackers and biscuits.  Then there is the chickpea.  It isn’t new but some of its uses are.  Chickpeas aren’t just for hummus.  I made cookies out of them.  The best cookies ever–no exaggeration.  This next Call will let you use old materials, but the fair is named for the new ones.  This is a HUGE opportunity for someone…

Check out this Call for Entries from the New Material Art Fair for a free Solo Space at the Eva Hotel (Miami, FL).  This is an opportunity that is worth $4500, so don’t take it lightly.  The entry fee for the early deadline is only $30…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: New Material, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from New Material!CALL for ENTRIES:
New Material

 

When considering the escalating number of satellite fairs, quantity can cloud quality. NEW MATERIAL attempts to return focus to the artist’s process as a distinguishing premise, in a context where materiality, making and the market continue to mutate.

ELIGIBILITY:  Open to all artists

MEDIA:  Open to all media

DEADLINES:  July 15th, August 15th and September 15th (see FEES below for explanation)

NOTIFICATION:  October 15, 2013

ENTRY FEE:  by July 15, 2013: $30 for up to 3; by August 15, 2013 : $50by September 15, 2013 $65.  The fees include 3 images; an additional fee of $20 per image for up to 10 total images entered.

JUROR:  Will remain anonymous until after the selection is publicly announced.

AWARDS:  A solo exhibition open call for one artist selected by jury. This artist will be selected from the open call applications to receive an entire room at the cost of NEW MATERIAL to use for a Solo exhibition of their proposed work.  All standard rooms are a single flat rate of $4,500 [USD].

For complete details, Read the Full Call!

Learn more from New Material!

CALL for ENTRIES: Self

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!MILK
or not

It’s that time again. What would I be if I had to portray myself as food?  This week I choose kefir.  I am fascinated.  My new gluten-free regimen had increased my dairy intake, and my son has dairy sensitivities.  Enter milk kefir.  Kefir is simply milk that is fermented at room temperature with kefir grains for about 24 hours. It has many wonderful health benefits, a great flavor and is also usually tolerated well by the lactose intolerant.  I’ve been buying it commercially for $4 a quart, but now I’m going to make it myself.  Think of it as a self-portrait…

Check out this Call for Entries from the Woman Made Gallery (Chicago, IL) and juror Carla Williams for The Photographic Self.  Self-portraiture of women by women.  Don’t miss this chance…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Self, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from the Woman Made Gallery!CALL for ENTRIES: Self

 

Invitation to all women artists worldwide to submit photography and photo-based work depicting the ‘Self’.  The work does not necessarily have to be a traditional portrait or self-representation.

ELIGIBILITY:  Female artists worldwide

MEDIA:  Open to any form of photography, including traditional processes, digital and video.  Also encouraged is artwork in other mediums- for example, artist books, sculpture, mixed media – where photography is an intrinsic element.

DEADLINE:  July 3, 1013

NOTIFICATION:  July 17, 2013

ENTRY FEE:  $30 for up to 3 images

Visit the Woman Made Gallery online!JUROR:  Carla Williams is a writer, editor, and photographer. She is author of numerous essays and articles about photography and is co-author of two histories of photography, including “The Black Female Body: A Photographic History” with Deborah Willis.  Williams is Assistant Professor at Rochester Institute of Technology and is editor of the Chroma book series for the California Institute of Integral Studies.

AWARDS:  Inclusion in the gallery exhibit from September 6 to October 24th.  Plus one artwork will be chosen for cover design of invitation.  Images of all accepted work will be on the WMG website: www.womanmade.org.

SALES:  WMG will retain a 40% commission.

For complete details, Read the Full Call!

Download the Prospectus from Woman Made Gallery!

CALL for ENTRIES: The Human Side

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!playing
HORSEY-radish

My kid used to be a finicky eater too.  I made him try everything–over and over and over.  Now he eats spinach and beets and horseradish; so, just hang in there.  It’s like my kid, truly KNOWN only to me and my husband, suddenly revealed his human side, the part of him that is a person in his own right.  He is proud that he eats foods that his peers don’t.  I’m proud too.  This next Call wants to see your view of The Human Side.  Entry fees don’t get much cheaper…

Check out this Call for Entries from the Gulf Coast Art Directory for The Human Side, a photography competition that you can enter 3 images for $5 if you make the early deadline.  And don’t worry, you can enter even if you don’t live in the Gulf Coast…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: The Human Side, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about The Human Side from Gulf Coast Art Directory!CALL for ENTRIES:
The Human Side

 

ELIGIBILITY:  Open to all artists

MEDIA:  Photography of people un-posed and in their natural state; showing emotion. Only light editing allowed.

DEADLINE:  September 8, 2013

NOTIFICATION:  September 20, 2013

ENTRY FEE:  Early bird fee before July, 1, 2013:  $5 for up to 3 images, $10 up to 6 images.  After July, 1 2013:  $5 per image.  No Limit on entries.

JUROR:  Their site administrator & 2 Gulf Coast artists will narrow the entries to 10 finalists which will be placed on their site for a 10-day viewer vote to determine winners.

AWARDS:  1st Place $500.  Highlighted on their site & next newsletter as “Best in Show”; promoted nationally through paid Facebook advertising for 7 days.  Your art will be permanently placed in their winners archives.

For complete details, Read the Full Call!

Learn more from Gulf Coast Art Directory!

 

CALL for ENTRIES: Mother Earth

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!the
HEART-BEET
of health

I am convinced that food is the future of health care.  I don’t really fit the stereotype of a patchouli-wearing, dread-locked Mother Earth worshiper.  But as I age, I find myself turning away from traditional medicine and turning toward food remedies.  All I can say is that it is working for me, and it has added a whole new air of importance to the food I already so dearly love.  This next Call wants your take on Mother Earth.  May I suggest beets?

Check out this Call for Entries from ArtAscent (online) for Mother Earth, their 2nd Int’l Art Competition. If you haven’t figured it out, hard copy art publication is being replaced by online art magazines. You can’t beat ’em, so I suggest you join them.  Make careful decisions just like you would about a gallery. Don’t forget, you can enter for only $15…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Mother Earth, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from ArtAscent!CALL for ENTRIES:
Mother Earth

 

The theme of this call is Mother Earth. The beauty of art is that 100 artists can look at the same thing and interpret it in completely unique ways. That’s what can make it breathtaking. When you enter the competition, there is an ‘artists statement’ portion where you can provide context for your art and briefly explain how it relates to the theme. So, what does Mother Earth represent to you? Existentialism, the human struggle, environmentalism, spirituality, wellness, origins, mythology, balance, cultural unity and interconnectivity, responsibility, something else? –from artascent.com

ELIGIBILITY: Open to all artists 18+

MEDIA: All media except video, sound or performance.

DEADLINE: June 30, 2013

ENTRY FEE: $15 for one image, $25 for up to 3 & $45 for up to 8

Learn more about the Mother Earth Call for Entries from ArtAscent!AWARDS: Gold Winner $100: Featured in ArtAscent Magazine Gold Winner section with an art writer review, bio,  artwork & website link. Add’l publication & exposure includes ArtAscent website & social media.

Silver Winner: Featured in ArtAscent Magazine Silver Winner section with an art writer review, bio,  artwork & website link.  Add’l publication & exposure includes ArtAscent website & social media.

Bronze Winner: Featured in ArtAscent Magazine Bronze Winner section with an art writer review, bio,  artwork & website link.  Add’l publication & exposure includes ArtAscent website & social media.

Honourable Mention Winners (17): Featured in ArtAscent Magazine Honourable Mention Winners section with artwork & website link. Add’l publication & exposure includes ArtAscent website & social media.

SALES:  No commission. Any purchase inquiries will be referred directly to the artist.

For complete details, Read the Full Call!

Learn more from ArtAscent!

FEATURED ARTIST: Sima Schloss

Learn how to become a Featured Artist!on a
CHOCOLATE
high

Life is moving at a crazy pace these days, and the $5 Art Contest has almost been canned a few times.   But every time I get a fantastic entry or trip across another great artist, I remember why I do this. This month’s artist is no different.  With my frenzied pace, it is no wonder that I picked an artist’s work that mirrors the same frenetic energy making my life a wonderful roller coaster this summer.  Hang on…

This month’s artist works in a mix of media–drawing, painting & collage.  I find the work has a pulse.  You can look at a piece and both identify with the subject and have concern about the sort of mind-bending mania that created it.

Featured Artist Sima Schloss!The work seems,
above all else,
self-aware.

 

Self-awareness isn’t necessarily the highest and best that we can want from ourselves or our art; however, nothing of true value follows where self-awareness has not preceded.  Don’t just LOOK at this work, I need you to SEE it.

On behalf of ArtAndArtDeadlines.com, I am proud to announce the Featured Artist chosen from the May entries to the $5 Art Contest is Sima Schloss.  I find her work to be…so much more than a pretty face.

And its only Tuesday by Featured Artist Sima Schloss!FEATURED ARTIST:
Sima Schloss

 

Sima Schloss grew up in a suburb on the south shore of Long Island and studied art at Roger Williams University in Bristol, Rhode Island and graduated in 1993.  Sima moved to New York City soon after. Where she says,” My life really began.”  Her work is in a number of private and public collections including those of Tina Tang Studio, Miss Sixty Inc., and various other arenas. She has shown her work in different venues all around New York, Portugal and Spain. From The Yes Gallery in Greenpoint, NY, 3RD Ward in Williamsburg, NY to a group show at The Colorida Gallery in Lisbon, Portugal.

Schloss was also featured in NY Arts Magazine, Top Websites Annual Art guide to the Internet. In 2013, she will be featured in the e-book about Artists As World Changers by Renee Phillips.Her work was also at the Fountain Art Fair in Miami, Florida. Currently she works with The Metropolitan Museum of Art in their education department teaching art to ESL and GED students.  Sima is also an adjunct professor at Hostos Community College in the Bronx. She is currently working on a series of independent projects.

Interior by Featured Artist Sima Schloss!Are you self taught or formally instructed? “If ‘Taming the Beast’ is self taught, then, that came with age.  I went to art school and  was a whirling dervish at 18 w/ my attention unfocused. It’s only now that I really appreciate everything that I learned there.”

Your work is
NOISY. 

 

NO really, I had a hard time concentrating on any one piece because my eye was always skipping ahead to another.  I love it.  Is the process for you as frenzied as the work comes across?  “Yes,my process is as frenzied as it comes across.  Many times when I am creating with the subway being my favorite studio, I get so many ideas.  The sensory overload comes out in my artwork.  One person said that looking at my artwork is a workout in itself.  If we could only create muscles at the same time!”

Passing thoughts about Houdinin by Featured Artist Sima Schloss!The connecting aesthetic in your work seems to be portraiture and color.  How do they work together for you?  “I love to study facial expressions and observe the colors the person is wearing.  Both are so telling about who that person is.”

Tell me about the collage process for you.  Are you attracted to the materials first or do you start work and then search for the right material to fit a piece? “‘Process not product…if only we could remember that in our love lives, too!   I love to make a huge mess when I am creating; I love the layering process.  A friend once said that you could shoot a bullet through some of my works and it wouldn’t penetrate.

“Like consciousness itself, the medium of collage is cumulative, aggregate, constructed through the mind’s desire to see itself reflected in chronological process. It stacks, rips, defaces, and replaces. Its memories are writ scatter-shot with the voices of others and with communiques whispered from within. It is polyphonic. Collage wears every other medium across its face, like the great grandparent of art, rendering the act of thinking material, with paint, print, ink, swaths of photographs, fields of color, Letraset and adhesives.”

February brings Questions by Featured Artist Sima Schloss!What style or school of art do you think your work fits into and why? “My work is a combination of surrealism and abstract art.. I don’t make pretty pieces of artwork, I want to make people think.  I want to evoke a feeling.”

“If you want to see
a calm piece of work,
look at landscapes
and fluffy flowers.” 

 

You know we have to talk about food. What is your favorite? “God I am a seriously a chocoholic–preferably milk or white.  My mom keeps telling me to switch to dark chocolate because its healthier. Hell no!” I am fairly certain that I have ranted on this blog (more than once) in the past about white chocolate not really being chocolate, but I am going to set that aside.  I simply want to suggest that you switch to dark chocolate…because it tastes better. 🙂

For someone who talks alot you have nothing to say by Featured Artist Sima Schloss!What about snack foods? “I am addicted to white chocolate.  I keep stashes at my apartment, studio and at work.  My students even tell me that I eat too much chocolate.  This is coming from certain individuals who choose to eat Doritos® and a Coke® for breakfast.  Again, is there anything beyond white chocolate?  If we must get particular…Green & Black’s White Chocolate.” Really?  Chocolate and chocolate?  Those are your food answers?  hehehehe.  It is refreshing to meet someone that throws restraint to the wind, but I suppose your work should have been the first hint.

So, what’s coming up next for you? “Currently, I am working on a series of drawings only using shades of grey and black in pencil and pen WHILE using the same photograph of a mouth. I have been using the same sketch, enlarging, shrinking it into the collages.this new series  is a journey back to basics with mostly drawing, my first love.”  Thanks for waiting to the end of the interview to let me know you are temporarily abandoning color, ha.  It is a good thing interviews are my primary job, eh?

Sima, thank you for reminding me that my frenzy is not singular

Learn more about Sima Schloss online!

Learn more about Featured Artist Sima Schloss!