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Tag: silkscreen

CALL for ENTRIES: NY Int’l Mini Print

Learn more about the NY Int'l Miniature Print Exhibition from Manhattan Graphics Center!WINE and dine

If you are an apartment or city dweller, it is exciting to trip across another fruit or veg that can grown in a container.  A friend from Atlanta recently sent me pics of the grapevine she is growing in a container on her balcony.  Potted grapes, seriously.  The grapes aren’t miniature; it can just be grown a miniature scale.  She claims it is going to produce fruit in its first year too!  This next Call wants your miniatures — a maximum of 9 square inches.  Printmaking shows aren’t that commons, so don’t miss this opportunity…

Check out this Call for Entries from Manhattan Graphics Center (New York, NY) for 3rd New York International Miniature Print Exhibition. $35 entry & cash prizes.  Take a look…

Learn more about the NY Int'l Miniature Print Exhibition from Manhattan Graphics Center!CALL for ENTRIES:
3rd New York Int’l
Miniature Print Exhibit

from Manhattan
Graphics Center

ELIGIBILITY:  Open to all artists 18+

MEDIA: Open to all fine art printmaking, including relief, intaglio, lithography, silkscreen, monotype, and letterpress will be accepted. Prints must be hand-pulled.

DEADLINE:  August 5, 2017

NOTIFICATION:  September 1, 2017

ENTRY FEE: $35  for up to3, $10 ea. add’l

JUROR:  Jennifer Farrell, Assoc. Curator of Modern & Contemporary Prints & Illustrated Books, Metropolitan Museum of Art, NY

AWARDS:  1st Place $500, 2nd Place $300 & 3rd Place $200. Purchase Purchase awards in the form of gift cards and/or merchandise are made from art supply retailers. The retailer presenting the award receives the selected print directly from MGC. This year’s supporters include: Awagami Paper Factory (100 sheets of editioning papers worth $500)DaVinci Artist Supply ($150 Gift Card)Blick Art Materials ($100 Gift Card).

SALES:  MGC will retain 40% commission on sales.

For complete details, Read the Full Call!

Learn more from Manhattan Graphics Center!

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FEATURED ARTIST: Joseph Cavalieri

Learn more about Featured Artist Joseph Cavalieri!hold the
CREAM

Twinkies abound in the art world.  You know, that work that grabs your attention with some knock-off aesthetic resembling a Pop Art master only to leave you with calorie-dense, nutrient empty content.  I see a lot of it.  Jurists and directors the world over see a lot of it.  As a result, illustrators and graphic designers have frequently been left out of “all media” shows without so much as a thank-you-very-much-for-the-entry-fee.

Not today.  The work of this month’s artist has more than just a cream center.  I have a soft spot for the catch-more-flies-with-honey feel of this work.  The delivery is almost Southern.

Learn more about Featured Artist Joseph Cavalieri!I am proud to welcome Joseph Cavalieri as AAAD’s latest Featured Artist. This work shines a spotlight on  the baggage of life, both in celebration and lament, while wrapping it in the razzle dazzle of popular culture.  It feels a little like I just heard a song on Top 40 radio that had lyrics of substance.  Rare.

FEATURED
ARTIST:

Joseph Cavalieri

 

Joseph Cavalieri is a native New Yorker, based in the East Village, and one-hundred percent of his life is spent as an artist and educator.  Since 1997 Joseph has been exhibiting painted, air brushed and silk-screened stained glass.

Muscle Addiction by Featured Artist Joseph Cavalieri!In 2013 Joseph had four one-man shows, and “Madonna & Prada” was acquired for the permanent collection of the Museum of Arts and Design. Cavalieri also has work in the permanent collection of the Leslie-Lohman Museum, in Manhattan.  Joseph’s MTA Arts for Transit public art commission can be viewed at the Philipse Manor Train Station in Westchester, New York.

Cavalieri’s unique glass art techniques combine modern elements with time-honored processes used by Medieval stained glass artists.

 

Women figure prominently in your work.  Friend or foe? “Being the youngest of seven children, five sisters and one brother, I was a bit confused when was exactly my mother. I was constantly passed around from sibling to sibling. I this is one reason why I work so well with women, and have featured many in my work… I really have always “got them” from an early age.”

Evil by Featured Artist Joseph Cavalieri!Are you self-taught or formally instructed?  “I come from a graphic design background, art directing at GQ, Good Housekeeping and People magazines.  (Yes, I helped decide what was the best and worst dressed and the sexiest man.)  During this time I took a variety of classes at UrbanGlass in Brooklyn and became hooked on using glass as my canvas.  Now as a full time artist I teach these techniques, mixed with what I learned as an art director– around the world.”

Talk to me about your process.“I use different techniques in my work–airbrush, silk-screening, and painting.  But, I still feel I am a graphic designer.

“I am an artist working on posters made of glass.”

 

“Glowing, back lit glass is very similar to a computer screen or iPad, and immediately seen from a distance.  No wonder the church used it to tell the message of the Bible… a very early version of illuminated advertisement .”

Smoking Addiction by Featured Artist Joseph Cavalieri!I notice a huge portraiture influence even on the pieces that prominently feature a portrait.  Confess…  “I may be the first artist to place an image of an African American man in stained glass. I have done many portraits, ranging from Agnes Moorehead, Jackie O, The Lady Bunny and Isaac Hayes. Why? When I visit a gallery, portraits are what I am drawn to the most, and I find them to be the most challenging. Plus, we all know Agnes Moorehead IS a friggin’ goddess!”

Talk to me about your inspiration.  “One of my more popular series was based on modern day addictions.  It was shown in a church here in Manhattan.  We are all surrounded by addiction, but we don’t all create work about it.  The inspiration for these 10 pieces came for deep in my heart, with some humorous elements that are deep down there too.  I did use one swear word in a panel, which a priest covered with black tape for the run of the show.”  Electrical tape?  Perfect.  I’m sure THAT is archival. *snicker*

Gluttonize by Featured Artist Joseph Cavalieri!Talk to me about the two artists (one living, one dead) that have most influenced your work, and tell us why.  “Dead, it would be Fortunato Depero, who created very graphic posters for Campari.  Living, Matthew Dayler, also very graphic work with an edge.”

What if your favorite snack food obsession?  “I recently taught a workshop in Zurich & brought a few silk-screens with me for the students to use.  One was of a Twinkie®, which, since I was 12 years old has been one of my personal obsessions.  I had used this image in work named “Gluttonize” which was a stained glass window based on food addictions.  Surprisingly, the class had no idea what Twinkies were or are!  After a long explanation they asked me to bring a case when I return to teach in 2015.”

What’s coming up next for you?  “Opening June 20th is “NYC Makers” at the Museum of Arts & Design in NY. I have a large portrait of Jackie O in this Biennial, silk-screened on glass.”

Thank you, Joseph, for being more than the gooey middle.

Learn more about Featured Artist Joseph Cavalieri!

If you’re interested in becoming a Featured Artist,
Click to Learn How!

CALL for SUBMISSIONS: 4AV

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!HOLD THE PLASTIC
please

I suspect you already know I’ve got a little touch of the obsessive compulsive.  But some days, it really rears its head.  My family is trying to be greener, generally speaking, and I find it actually can be cheaper to live this way if you are careful.  My newest pet peeve is people who buy one item in the produce section and feel the overwhelming need to put it in a plastic bag.  You’re going to wash it and/or peel it anyway right?  Why does your single lemon / lime / onion / avocado need a bag?  Who designed this system.  I digress.  This next Call really wants the BEST in design.  Take a look…

Check out this Call for Submissions from 4AV for silkscreen designs for a line of women’s graphic tees.  If your design wins, you walk away with some cash as well as reproduction rights after the first printing.  Investigate…

*Editor’s Note: If you have read the personal portion of this post, CALL for SUBMISSIONS: 4AV, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from 4AV!CALL for SUBMISSIONS:
4AV

 

4AV is seeking SILKSCREEN READY ART to print on a line of women’s graphic t-shirts.  Got graphics sitting unfinished or unused in a digital cloud somewhere?  Tighten them up, send them along!

ELIGIBILITY:  Open to all artists

MEDIA:  Graphic Design, Illustration, etc.  Anything that will work as a t-shirt design.  Email submissionsAT4thavenueclothing.com for a one-sheet of silkscreen guidelines your art must comply to if accepted (these are very straightforward guidelines).

DEADLINE:  October 31, 2012

NOTIFICATION:  November 16, 2012

ENTRY FEE:  None

AWARDS:  Winning submissions will receive $275.00 and access to professional photography of their work on the t-shirts.

For complete details, Read the Full Call!

Learn more from 4AV!

 

CALL for ENTRIES: Biennale internationale d’estampe contemporaine de Trois-Rivières

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!SWEET
‘n’

SALTY

When I think of Canadian foods, I think maple syrup.  But, it occurred to me that I don’t have any other pre-conceived notions other than that stereotype.  So, I Google’d it.  Shockingly, an informal Facebook survey resulted in poutine being voted as Canada’s unofficial national food.  Poutine is a French Canadian dish of French fries, topped with brown gravy and cheese curds. French fries, gravy and cheese.  What more could you want.  Nevertheless, if you go to the opening for this next Call, I am out of syrup.  Investigate…

Check out this Call for Entries for the Biennale internationale d’estampe contemporaine de Trois-Rivières.  This is a printmaker’s dream, and the prizes aren’t too shabby either.  Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Biennale internationale d’estampe contemporaine de Trois-Rivières, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:  Biennale internationale d’estampe contemporaine de Trois-Rivières

 

Learn more about the Biennale internationale d'estampe contemporaine de Trois-Rivières!ELIGIBILITY:  Open to all artists

MEDIA:  PrintmakingAccepted techniques:  intaglio, relief prints, lithography, silkscreen. Techniques not accepted:  photography, monotype, photocopy, and digital prints.

DEADLINE:
October 1, 2012

ENTRY FEE:  $25CND, or $25US  or €25, payable by international money order to Biennale internationale d’estampe contemporaine de Trois-Rivières.

JURORS:  A jury, composed of experts and artists, will make the selection amongst the proposed dossiers. The decisions are without appeal.

Learn more about the Biennale internationale d'estampe contemporaine de Trois-Rivières!AWARDS:  The Grand Prix de la Biennale, accompanied by a bursary of $3000 CNDThe Prix Banque Nationale Groupe Financier, accompanied by a prize of $1500 CND.

The Prix du Québec, accompanied by a prize of $1000 CND.  The Public Award will be attributed, at the end of the exhibition to the artist who has received the greatest number of votes from the visitors. This prize is for a value of $1000 CND.

The Invitation Presse Papier prize will be attributed to the foreign artist whose work is the most appreciated by the members of the Presse Papier workshop, the professional artist printmakers collective of Trois-Rivières. This prize includes an option for a working residency at the Presse Papier workshop.

For complete details, Read the Rules & Regulations!

Download the Rules for the Biennale internationale d'estampe contemporaine de Trois-Rivières!

CALL for ENTRIES: Print Exchange

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!RELISH IT!

I collect condiments, and it is contagious.  My husband now collects condiments too.  I like relishes and mustards; he likes hot sauces and meat marinades.  The collection never gets out of hand because we consume them.  It’s a good system.  This next Call can help you start a collection of your own.  Consider it carefully…

Check out this Call for Entries for the 2nd Annual Print Exchange for a Cure to be hosted by the University of Dallas. The entry fee is low. You get 10 prints in return, AND your work ends up in a permanent University collection. Oh, did I mention the funds raised go to a reputable charity? You couldn’t ask for more.

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Print Exchange, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the 2nd Annual Print Exchange!CALL for ENTRIES:
Second Annual
Print Exchange

 

All printmakers are invited to participate in Print Exchange For A Cure. The purpose of this exchange is to raise funds in order to find a cure for blood cancers and offer financial support to those already battling these diseases.  “the Cure” pictured right (and cropped at the bottom of the page) is a screenprint by Jonathan Stewart featured in the 2011 Print Exchange.

ELIGIBILITY: These works do not have to fall under any particular theme. The Paper size must be 7″x10″. The print/image size is open. 12 identical hand-pulled, original prints, with glassine or other archival leafing between each print, cut to match paper size must be submitted. Each print must be signed and numbered somewhere on the print. In addition, clearly print artist’s name, title, and media on the back of each print.

Learn more about the Leukemia and Lymphoma Society!MEDIA: Printmaking including relief, intaglio, lithography, silkscreen, solar, woodblock, or any process other than digital.

DEADLINE: Prints must be received by May 9, 2012. But, participants must RSVP by April 25, 2012 by email to: sarahfrancisart@gmail.com.

ENTRY FEE: Minimum cost to participate is $20 US or $30 International paid via PayPal to sarahfrancisart@gmail.com or a check made out to Sarah Francis, other donations for the Leukemia & Lymphoma Society are always appreciated. Please let me know if you would like a receipt for tax purposes.

PROCESS: A portfolio of 10 randomly selected prints will be mailed to each participant by June 1st. You will also be able to find digital images of all prints involved at the following website: www.sarahfrancisart.com.

Learn more about the University of Dallas online!The 11th print in each edition will be auctioned off through ebay. The proceeds from the sale of each piece will go to support the Leukemia & Lymphoma Society, and the 12th print in the edition will remain in the University of Dallas’s Private Collection of Prints.  The works will also be exhibited in the Upper Gallery at the University of Dallas*.

* Editor’s Note: In the interest of full disclosure, I wanted to make sure that readers are aware that this is a Catholic University. Their Vision and Mission statements: “The University of Dallas aspires to be recognized regionally and nationally as a premier Catholic, liberal arts school and a first-choice institution for practice-oriented, professional business education…to educate its students, to develop intellectual and moral virtues, to prepare themselves for life and work, and to become leaders in the community.”

For complete details, Read the Full Prospectus!

Learn more about the 2nd Annual Print Exchange!

CALL for ENTRIES: Print Exchange

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!BEET ME

I love introducing new foods to food newbies.  Anytime you can get someone to take a chance on a new food, your reward comes in the form of their response–often shock, surprise and delight.  There are an extreme few foods that I don’t like, but beets have always been one of them.  When in Arizona recently, I was in the company of someone who ordered a roasted beet salad.  I tried it and LOVED it.  Merry Christmas for me; I now love beets.  Thank you, Kim.  For some of you, this next Call for Entries will introduce you to a whole new media.  Take a chance and figure out how you can adapt your media to this call.

Check out this Call for Entries for the Print Exchange for a Cure to be hosted by the University of Dallas.  The entry fee is low.  You get 10 prints in return, AND your work ends up in a permanent University collection.  Oh, did I mention the funds raised go to a reputable charity?  You couldn’t ask for more.

CALL for ENTRIES:  Print Exchange

Learn more about the Leukemia and Lymphoma Society!All printmakers are invited to participate in Print Exchange For A Cure. The purpose of this exchange is to raise funds in order to find a cure for blood cancers and offer financial support to those already battling these diseases.

ELIGIBILITY:  These works do not have to fall under any particular theme. The Paper size must be 7″x10″. The print/image size is open.  12 identical hand-pulled, original prints, with glassine or other archival leafing between each print, cut to match paper size must be submitted.  Each print must be signed and numbered somewhere on the print.  In addition, clearly print artist’s name, title, and media on the back of each print.

MEDIA:  Printmaking including relief, intaglio, lithography, silkscreen, solar, woodblock, or any process other than digital.

DEADLINE:  Prints must be received by May 1, 2011.  But, participants must RSVP by April 17, 2011 by email to: sarahfrancisart@gmail.com.

Learn more about the University of Dallas online!ENTRY FEE:  Minimum cost to participate is $15 US or $25 International paid via PayPal to sarahfrancisart@gmail.com or a check made out to Sarah Francis, other donations for the Leukemia & Lymphoma Society are always appreciated. Please let me know if you would like a receipt for tax purposes.

PROCESS:  A portfolio of 10 randomly selected prints will be mailed to each participant by May 15th.  You will also be able to find digital images of all prints involved at the following website: www.cargocollective.com/sarahfrancisart.  The 11th print in each edition will be auctioned off through ebay. The proceeds from the sale of each piece will go to support the Leukemia & Lymphoma Society, and the 12th print in the edition will remain in the University of Dallas’s Private Collection of Prints.

The works will be exhibited in the Upper Gallery at the University of Dallas* from May 16 – May 27, 2011.

* Editor’s Note:  In the interest of full disclosure, I wanted to make sure that readers are aware that this is a Catholic University.  Their Vision and Mission statements: “The University of Dallas aspires to be recognized regionally and nationally as a premier Catholic, liberal arts school and a first-choice institution for practice-oriented, professional business education…to educate its students, to develop intellectual and moral virtues, to prepare themselves for life and work, and to become leaders in the community.”

For complete details, Read the Full Prospectus!

International CALL for Entries: Printmaking

Click Here to Subscribe to ArtAndArtDeadlines.com by Email!

PRINTMAKING
CALL for Entries

I always fascinated, and a little baffled, by which posts get the most hits at ArtAndArtDeadlines.com

The Featured Artists posts that I expect no one to care about send my hits skyrocketing, while the occasional FREE entry call for entries for an International show opportunity sometimes barely limps by. 

Google "Printmaking Call for Entries"One Google search term, however, is so frequently searched that my blog posts from long ago are still coming up as results–printmaking call for entries

You heard me, folks. 

My best guess is that there are a lot of printmakers out there, and there aren’t nearly enough shows to showcase them all.  I’ll see what I can do solve this problem, but in the meantime…here’s a little appetizer:

CALL FOR ENTRIES:
International Printmaking Show

Click Here for Rules & Regulations for the Printmaking Call!The Biennale Internationale d’Estampe Contemporaine de Trois-Rivières is presented from June to September. The competition is open to all printmaking artists.

Interested artists must complete the entry form, submit a minimum of 5 and a maximum of 7 digital reproductions or color photograps of their works (see instructions below) and pay the entry fees.

Learn more about Intaglio Printmaking!Accepted techniques: intaglio, relief prints, lithography, silkscreen.

Techniques not accepted: photography, monotype, photocopy, and digital prints.

There is no maximum size for works, however, works exceeding 100 cm per side will not be framed. For installation works, the commitee should select less than 5 works for an artist.

The presented works must have been created within the last ve years. Works selected for previous editions of the Biennale internationale d’estampe contemporaine de Trois-Rivières cannot be submitted for an other edition.

Artists who have been selected on the two last editions in a row of the Biennial are not admissable for a third selection in a row.

Participation in the exhibition implies that the artists give the organizers of the Biennial the right to reproduce their works in all of the Biennial publications.

Check out the printmaking artists at CrackleUnion.com!The Biennale Internationale d’Estampe Contemporaine de Trois-Rivières has a permanent and up-to-date web site on the internet. The prizewinners’ works will appear on the site.

A color catalogue will be published.

The catalogue will illustrate all of the works of the selected artists. All chosen artists will receive a copy of this catalogue. In order to encourage the idea of a network of exchange, the artists’ addresses will be published into the catalogue.

All artists who participate will be bound by the Biennial regulations.

ENTRY FEE:

$25 CND money order, $25 USD or €35 Euros to « Biennale internationale d’estampe contemporaine de Trois-Rivières ». The money order must be sent at the mailing address indicated at the bottom of the form. If the form and the images are not sent by email, include them in the mailing of the money order.  Entry fees are not refundable.

GUIDELINES:

The documents must be sent to the Biennial organizers not later than October 1, 2010.  If sent after this date, they will not be presented to the selection committee of the Biennial. The postmark will serve as proof of entry prior to deadline.  Documents will not be returned to artists.

SELECTION:

A jury, composed of experts and artists, will make the selection amongst the proposed dossiers.  The decisions are without appeal.

Win your own award (but not a trophy) from ArtAndArtDeadlines.com!AWARDS

Each selected artist will receive an exhibition fee.

Several prizes will be awarded during the Biennial. Some prizes will be attributed by the Biennial selection jury, and others by juries set up by the associates, in close collaboration with the Biennial organizers.

An artist can receive only one prize awarded by the Biennial jury. However, he can be awarded another prize, attributed by the associates or by the public. All decisions are nal and binding.

The prizes to be awarded are as follows:

The Grand Prix de la Biennale, accompanied by a bursary of $3000 CND. This prize will be awarded by the Biennial jury.

The Prix Banque Nationale Groupe Financier, accompanied by a prize of $1500 CND. This prize will be awarded by the Biennial jury.

The Public Award will be attributed, at the end of the exhibition to the artist who has received the greatest number of votes from the visitors. This prize is for a value of $1000 CND.

The Invitation Presse Papier prize will be attributed to the foreign artist whose work is the most appreciated by the members of the Presse Papier workshop, the professional artist printmakers collective of Trois-Rivières. This prize o-ers a working residency at the Presse Papier workshop. The jury for this prize will be composed of workshop members.

Some other prizes may be added to this list.

DELIVERY OF WORK:

Instructions for sending works will be given after selection to the selected artists.

SUBMISSION INSTRUCTIONS:

Digital reproductions: 1000 x 1000 pixels @ 100dpi. Works should de presented on a black background, in the good way of presentation. In the down-right corner will gure the corresponding number of the work, the name of the artist, the title and the year of creation of the work, in white letters (Arial or Helvetica). Image should be saved in JPEG format, high quality (10).  Each document will be titled by the artist family name followed by a stroke and the corresponding number of the work to the presentation list (ex.: Jones-1.jpg).

Photographs: Color photography, 10 x 15 cm. On the reverse side, an arrow will indicate the upper side of the image. The name of the artist and informations about the works will be written with the corresponding number of the work on the list.

For additional information or to receive the prospectus by mail please email info@biectr.ca or call 819-370-1117.

BIEC office hours: Monday to Thursday, 8:30 AM – 5:00 PM

Postal Address: 58, rue Raymond-Lasnier  Trois-Rivières  (Québec)  Canada  G9A 2J6