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Art and Art Deadlines.com

Category: Mixed Media

CALL for ENTRIES: Spare Parts

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!A CROCK FOR EVERY POT

I am the queen of the crock pot.  I have Lemon Chicken in the crock pot as I write this post. I love Fall and Winter because they provide the perfect excuse to through lots of things in the crock pot and call is soup or chowder or stew.  And in my kitchen next to the crock pot (when it is stored on top of my cabinets) is two of my favorite pieces of found-object assemblage–toasters covered in journal pages and a virtual crock pot of other brick-a-brack. 

Here’s your chance to cook up a masterpiece of your own.  This Call for Entries from The Renaissance Center in Dickson, TN is for a show called Spare Parts.  It doesn’t have to be kitchen-themed, but it does have to be found objects or assemblage.  Check it out!

CALL for ENTRIES:  Spare Parts for the Renaissance Center

The Renaissance Center in Dickson, TN has issued a call for assemblages and found-object artwork. Work can be three-dimensional and free-standing or two-dimensional and designed to hang on the wall.

Learn more about the Spare Parts show online!The Renaissance Center’s Visual Arts department is committed to artistic performance, aesthetic appreciation and cultural understanding. They provide an educational resource for their community through course selections, gallery exhibitions and artist workshops.

MEDIA:
Assemblages &
found-object artwork

DEADLINE:  November 14, 2010

ENTRY FEE:  There is no entry fee.

ELIGIBILITY:  To be eligible, artists must be over 16 years of age. Submissions must be original work by the artist, and must be created within the past two (2) years. Accepted work must be ready for display (2-D works must be wired for hanging). If your work requires any special accommodations please detail this information on your Entry Form.

Hawaiian Interlude, found object assemblageNOTIFICATION:
November 24, 2010

SHIPPING: Please note that delivery or shipping of accepted artwork to and from the exhibition is the responsibility of the artist. The Renaissance Center has the right to refuse to display any work felt unsuitable for a family-friendly environment or misrepresented in the application.

COMMISSION: A 25% commission is taken out of all art sale transactions conducted through the Renaissance Center. Images of accepted work will be used for marketing and documentation, giving credit to the artist.

For full details,
Download the Prospectus!

CALL for SUBMISSIONS: The Adirondacks

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HOT TODDY!

My non-art related work place is The Lodge at Buckberry Creek, a resort in the Great Smoky Mountains patterned after the Great Camps of the Adirondacks in upstate New York.  So for me, the idea of the Adirondacks conjures images of hand-oiled leather couches, animal hide rugs, wood-burning fires and warm mulled cider.  Thanks to this next call, it can now remind me of phenomenal art opportunities as well!

Check out this Call for Entries from the Adirondack Lakes Center for the Arts!  They are looking for artists for the 2011 exhibit year.  Don’t miss this opportunity to exhibit in one of their many galleries!

CALL for SUBMISSIONS:
Exhibit at the AC in 2011

This Art Center is looking for qualified artist working in all mediums to apply for solo/group shows at the Adirondack Lakes Center for the Arts to show work in their galleries. They have three galleries on site and two satellite galleries.

Learn more about the Adirondack Lakes Center for the Arts!The Arts Center host exhibits throughout the year, generally running 4 – 8 weeks. In particular they are looking for new and innovative art.

MEDIA:  Mixed Media, Installations, Paintings, Drawings, Printmaking, Sculpture, Video, Sound, Interactive work, and more!

DEADLINE:  December 1, 2010

ENTRY FEE: $25 for non-members for 3 to 5 images; $15 for members

SUBMISSIONS:  Send 3-5 JPEGs best representing a cohesive exhibit, your Artistic Resume, an Exhibit Description and/or Artist Statement, your Contact information (including Name, Address, Phone and Email), $25 Submission Fee ($15 for AC members).    (continues below)

Learn more about the Adirondack Lakes Center for the Arts!

Download the Details!

OPEN CALL: Dacia Gallery in NYC

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EXTRA CHILI, PLEASE!

Many of my readers are on the hunt for the holy grail…a show in NYC.  And, while I have had NY shows, I am often excited by NYC shows because of the associated opportunity to eat food from street vendors.  I can smell the various cooked meats wafting through the air as I work on this post.  I trust all of you have more grounded, academic reasons for wanting to break into the NY arts scene.  Here’s your opportunity.

Check out this open Call for Submissions from Dacia Gallery in NYC.  They have an open submissions policy for monthly exhibits, and the entry fee is only $25 for up to TEN images.  Take a chance…

OPEN CALL for SUBMISSIONS:  Dacia Gallery, NYC

Learn more about the Dacia Gallery online!Dacia Gallery has an open submission policy for their monthly exhibitions.

MEDIA: Painting, drawing, sculpture, photography, digital art and mixed media.

CURRENT DEADLINE:
November 21, 2010

SUBMISSION PROCESS:  Please  provide your artist bio, artist statement, resume and artwork listing (i.e. title, medium, dimensions and retail price for each artwork).

ENTRY FEE:  You may submit up to 10 images for a curation fee of $25.00. Click Here for the Submission Form.

NOTIFICATION:  If your artwork is selected for exhibition, they will notify you three to four weeks prior to the opening.

ABOUT THE GALLERY:  Dacia Gallery, located in Lower East Side, Manhattan, supports and represents emerging and established national and international artists at its monthly-themed exhibitions.  Dacia Gallery also offers art education programs in an intimate and constructive atmosphere to enhance the artistic development of new and seasoned artists.  (continues below)

Learn more about the Dacia Gallery online!

COMMISSION:  Dacia Gallery charges 45% commission on all artwork sold during exhibitions. Payment of the curation fee is final.

If you have any further questions regarding their submission process, please call the gallery at 917-727-9383.

ARTIST RESIDENCY: Roswell, New Mexico

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!LIKE EGGS…
IN THE HOURGLASS

The thought of a little more time with family at breakfast or dinner is a dream in my household. For now we are grouchy, non-speaking, egg-gulping, panic-stricken and running late during weekday mornings, but weekends are full of blue-berry pancakes and eggs benedict. 

Are you looking for the gift of time? Check out the 12-month residency opportunity in Roswell, New Mexico that offers space, time, and even a stipend! Don’t miss it… 

ARTIST RESIDENCY
OPPORTUNITY:

Roswell, New Mexico

Well known by artists as the “Gift of Time”, the Roswell Artist-in-Residence Program was established in 1967 to provide gifted studio based visual artists with the unique opportunity to concentrate on their work in a supportive, collegial environment for a whole year. This “gift of time” allows artists to work without distraction in an effort to break new ground and focus on individual goals. 

Learn more about the Roswell Artist Residency Program online!The Roswell Artist-in-Residence Program serves as a contemporary counterpoint to the traditional arts of the Southwest, reinforces the Program’s interest in strengthening the vitality of art in New Mexico and has been a catalyst in broadening community understanding of contemporary art. 

CURRENT DEADLINE: December 1, 2010 

MEDIA: In-residence grants are offered to artists involved in painting, drawing, sculpture, printmaking, photography, installation and other fine art media. Grants are not made in the disciplines of performance art or production crafts. 

HOUSING & STUDIO FACILITIES: The studios are large, open spaces that measure approximately 20’x25’x10′. These areas are well-lighted and convertible to the artist’s requirements within reason. The printmaking facility is a small, fully operational studio – basically lithographic/etching in nature. 

Artists are housed in a complex of six houses and 10 studios located on forty acres of land. Each artist is provided with a house that can amply accommodate either a single person or a family. Rent, utilities (except telephone), repairs and maintenance costs are borne by the Program. Houses are furnished with major furniture items, appliances and utensils. (continued below)

Learn more about the Roswell Artist Residency Program online

STIPEND:  A stipend, or living allowance, of $800 per month is offered along with $100 per month for every dependent living with the grantee. Currently, the cost of art materials is borne by the grantee. 

For more information about the Roswell Artist-in-Residence Program, contact: Stephen Fleming, RAIR Program Director by phone: (575)622 6037 or e-mail them at: stephen@rair.org

Don’t forget to visit www.rair.org!

 

FEATURED ARTIST: T.S. McFadden

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CRUNCHY GOODNESS!

The $2 Art Contest is getting to be like pulling teeth.  And, I can’t afford to loose my teeth.  While I love silky bisques and hollandaise, a blogger cannot live by hollandaise alone.  What good is the hollandaise when you’re dreaming of corn nuts and have pulled all your teeth?  I think this month’s entries  for the $2 Art Contest were extraordinarily tasty.

The entries I receive each month for the $2 Art Contest are incredibly varied.  I see work from every imaginable media, from artists at every level of their careers–some polished and PR savvy, some more vulnerable, but honest.  Because it isn’t a level playing field, it isn’t really just about choosing the best art.  I love having the honor of reviewing all the work, but I am made anxious by the necessity of choosing.

Learn more about artist T.S. McFadden!The Featured Artist chosen from September entries is T.S. McFadden.  McFadden’s work hits so many of the right notes for me–multiple media, over-the-top devotion to the creative process, and a love for found objects and recycled materials. 

FEATURED ARTIST:
T.S. McFadden

T.S. McFadden is an intuitive artist whose prolific body of work explores process, internal dialoques and facilitation.  He was born in a small town in Ohio and raised in the country.   He is now based in New York.

McFadden has sculpted and painted since he was a child and is self-taught but for a handful of private lessons.  He studied in the fine arts, graduated from Kent State University and has spent time in Europe studying other artists.

Mother Grand 8x8 by T.S.McFaddenWhile I am in love with the Elephant Graveyard series on which McFadden is currently working, I chose to focus this feature on McFadden’s Mother Series of paintings.  As I have shouted from the mountain tops many times, my artistic skill does not lie in painting media.  But, I find my inadequacy in this area makes me appreciate the talent in others even more.

The Mother Series is what the artist calls an abstract expression of logic.  That will serve as a huge contradiction for some.  The next contradiction will come from the idea that these paintings are a sort of recycled assemblage.

“This series was created using remnants from my palattes, which were scraped and pulled and meant for the garbage.  Too haunting and too beautiful to be discarded, they were stacked and saved for years.  The kinetic energy found in the palatte is art in its purest form–it is the unintentional genesis of intention.” 

Mother Grand 24x24 by TS McFaddenThere’s that logic for you.

I always send a quiz to my Featured Artist picks to gain a little insight and help me feel inspired to write.  Some of the questions are food related, some are art related, some try to unveil the inspiration behind it all.  What have a learned from the quizzes as a whole? 

Artists don’t often like
to give direct answers, ha.
 

McFadden’s answers did not disappoint.  When asked about his favorite foods, he reinforced the notion of contradictions.  How do you claim corn nuts and sashimi among your favorites?  I suspect those choices just reinforce how the pull of opposites can produce a cohesive balance. 

Mother in Silver IX 10x10 by T.S. McFaddenWhat do you think?

When asked about his favorite media, McFadden decided upon Experimentation.  Perfect. 

And what school of art does feel
his work fits?  Intuition.

Even more perfect. 

 Energy, emotion and circumstance direct him.  He uses layers of color to examine, define and mask an inner world.  Organic and graphic elements invade the space, push the calm and subdue the conflict.

McFadden considers his creativity intrinsic and his pronouncement of it solely environmental. 

He is a painter and a sculptor, a published author, a writer of poetry and music, a furniture designer and whatever else the moment he is living in requires him to be. 

Thank you, T.S. McFadden, for the Mother Series…and for reminding us of the old school definition of “artistic.”  I, for one, can’t wait to see the Elephant Graveyard series!

Learn more about T.S. McFadden online!

Want to be a Featured Artist on www.ArtAndArtDeadlines.com?
Check out the $2 Art Contest!

CALL for ENTRIES: 2011 Annual Juried Show

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!CAKE FOR EVERYONE 

Aside from food, there are a few themes that run through my blog posts.  Entering academic shows can be a huge plus for all artists…but I find that emerging artists, regardless of age, really benefit most.  If you get juried in to an academic exhibition, make every effort to attend the opening.  You’d be amazed by how much you can learn by being a fly on the wall when no one knows you’re there.  And remember, sometimes you can have your cake and eat it too…academic settings are great for art sales.

Check out this great Call for Entries for Chowan University‘s National Juried Exhibit for 2011.  The entry fee is a little higher than I would like, but the juror is great and the opening is in January when many commercial galleries are on a bit of a hiatus.  Take a look…

CALL for ENTRIES:
Chowan University’s National Juried Exhibition 2011

ELIGIBLE WORK: The exhibition is open to all artists, 18 years or older, residing within the United States. All work must be original and created without the aid of an instructor. Paintings, mixed media, ceramics, sculpture, original hand-made prints, photography, and drawings are all acceptable media for submission.

Check out the Chowan University Art ProgramAll two dimensional work must be framed or created on a gallery wrapped canvas. Each artist may submit up to three pieces for consideration.

DEADLINE: 
November 5, 2010

AWARDS:
Best in Show $300.00
2nd Place $200.00
3rd Place $100.00

SUBMISSION FORMAT: All entries must be submitted digitally via CD. Images must be saved as JPEGS at 72 dpi. Additionally, images should not be longer than 900 pixels in any direction and CDs must be viewable from a Mac or PC computer. The CD itself should be clearly labeled with your contact information: name, address, phone number, and email address. The saved images on the CD must be saved as such:

FullName_Entry#.jpg Example: BobSmith_Entry#1.jpg

Please note that CDs will not be returned and will become the property of the Department of Visual Art at Chowan University. Images of accepted work may be used for marketing purposes.

Check out the Chowan University Art Program!LIMITATIONS:  Works must not exceed 4 feet (48 inches) in any direction, and must not exceed 40 lbs. All 2D work must include suitable hanging mechanisms, and either be framed or created on a gallery wrapped canvas. All 3D work must be assembled and ready for exhibition upon arrival. We reserve the right to reject work for the exhibition that differs significantly from the submitted images and/or for craft issues.

LIABILITY:  The gallery staff will take great care in handling artworks for exhibition. The University, gallery staff, and Department of Visual Art are not liable for any damage that may occur.

SHIPPING (please read carefully):  The artist is responsible for shipping costs to and from the gallery. Call tags for returning artwork must be prearranged by the artist. Shipped works need to arrive at the gallery between January 10-14, 2011. To arrange hand delivery/ pick up please contact Carolyn Phillips at phillc@chowan.edu.

Work will not be returned to the artist if:
– no call tag is issued by the artist or
– if the artist does not prearrange pick up and retrieve the work by Friday, March 4.

Specific shipping and labeling details will be included upon notification of accepted entries.

Making Pictures Three for a Dime a Photograph by juror Maxine Payne!JUROR:  Maxine Payne is a photographer living and working in Arkansas, where her grandparents raised her. She received her M.F.A from the University of Iowa where she was also an Iowa Arts Fellow. Payne was selected a Fellow of the American Photography Institute at New York University, as well as a Fellow of the College Art Association. 

Payne works to find ways to engage community in her work and speaks to the idea of place. Her work has been shown nationally. Currently, Maxine is an Associate Professor of Art and Departmental Chair at Hendrix College in Conway, Arkansas.  Payne has worked on photographing Arkansas Historic Bridges for the Arkansas Highway and Transportation Department since 2004.

ENTRY FEES and MATERIALS:  Artists are allowed to submit up to three (3) artworks for consideration, and the exhibition fee is $40.00. The Department of Visual Art Gallery does not take commission on artworks that are sold. Please send a check, made out to the Department of Visual Art- Chowan University, along with the entry form, SASE (#10 envelope) for notification, and CD to the following address:

Carolyn Phillips, Department of Visual Art
Chowan University
One University Place
Murfreesboro, NC 27855

Please direct any questions to:
Carolyn Phillips at
phillc@chowan.edu

Download the Full Prospectus!

INTERNATIONAL Art Competition: JAPAN

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!SUSHI SUSHI SUSHI

I often post international artist residency opportunities and get lots of email in return that basically says, “I wish.” And, believe me, I understand the frustration of needing the inspiration and time and space of a residency, but not being able to afford the luxury of a month in Spain or Chile. Well, what if I told you that you could get the full foreign tour AFTER you do the work? Stop and smell the sushi, folks.

Check out this International Art Competition and Exhibition from Sakuraba Gallery in Japan. The artists that are selected to exhibit will be brought to Japan from their home country to attend the opening reception. Airfare, cost of hotel stay for up to ten days, and a small group tour of Sendai are included. ENTER TODAY!

CALL for ENTRIES: International Art Competition–Japan

Next year, Sakuraba Gallery will host an art competition to recognize the best artists from outside of Japan. The artists that are selected to exhibit will be brought to Japan from their home country to attend the opening reception.

Learn more about the Sakuraba Gallery online!Airfare, cost of hotel stay for up to ten days, and a small group tour of Sendai are included. Meals and spending money are not provided.

The opening reception will be held on February 5th, 2011 at 19:00. The exhibition will be open from that day until April 2nd 2011.

DEADLINE: Must be received by January 1, 2011. 12:01pm JST.

GUIDELINES: Artists must submit a completed entry form and pay a non-refundable entry fee of $30 US dollars (via Paypal or Google Checkout) to submit 3 works of art.

ELIGIBILITY: The competition is open to artists 18 years of age or older world-wide; however, artists must not currently reside in Japan or have resided in the past for longer than two years. Artists cannot be Japanese citizens or hold duel citizenship with Japan and another country. Publishers, galleries, agents, and collectors may not submit artwork on behalf of artists.

Learn more about the Sakuraba Gallery online!All works submitted must be original in design and concept. Artwork must not be copied, in part or wholly, from any published or copyrighted work. Artwork based upon a copy-written work for the sake of parody or critic is acceptable on a case by case basis.

MEDIA: Drawings, paintings, printmaking, photography, digital art, sculpture, installations, ceramics, fiber art, wearable art, jewelry, and mixed media. Media not accepted: Video/film and live performance pieces.

Acceptance/Notification: Artists will be notified by January 5, 2011 as to whether or not they have been selected for the exhibition. Winners have 24 hours to accept or decline the invitation to come to Sendai. Gallery staff will begin working with the artist immediately to make travel arrangements. For those who decline, an alternative cash prize of $1000 will be awarded. Award winners will be announced to the public with the opening reception on February 5, 2011.

For complete details, visit the Sakuraba Gallery website!

FEATURED ARTIST: Peg Grady

Click to subscribe to www.ArtAndArtDeadlines.com by Email!INDULGENT WHIMSY

I find the sacred in everyday objects and appreciate the indulgence of artists that do.  My house is filled with odd tidbits that have called out to me from here and there–things with which I cannot part for reasons unknown. 

Peg Grady is a kindred spirit.

July marks the first month of the $2 Art Contest.  The purpose of the contest was not to get rich, but to force myself to regularly review the work submitted to me by artists.  Now you will get monthly Featured Artists, not quarterly or whenever the mood strikes me. 

Circularity/Convolution by Peg GradyWhen choosing to force myself to be more diligent about posting Featured Artists, I neglected to account for how hard it would be for me to chose only one.  I contemplated giving 2nd and 3rd place, but felt it somehow took away from the true winner–Peg Grady.

PEG GRADY

When I started investigating Peg Grady’s work, I was immediately drawn to her paintings and drawings that often take on the appearance of oil pastels and often incorporate a whimsy of color and typography.   But once I found The Perfect Word Series, I was hooked.  The work was, well, reverential…from a distance.

I noticed a statement on Grady’s site apart from her Artist Statement specifically for The Perfect Word: “An old thesaurus’s yellowed pages containing outdated phrases such as ‘apple pie order,’ ‘pretty kettle of fish’ and ‘tittle-tattle’ evoke a sense of history that delights me, sending me back to my elementary school classroom where the teacher told us of the value of Roget’s (not the dictionary style) thesaurus and how it branched off with differing shades of meaning, leading you to the perfect word.”

Music/News (detail) by Peg GradyThis led me back to the work, where I used the built-in magnifier to examine the details that tied it all together. 

The simply whimsy in sacred found objects is all tied together in the simplicity of The Perfect Word.

Some of you may recall that I send out a questionnaire to all of my potential Featured Artists that asks a variety of questions from favorite foods to artistic influences, and I couldn’t wait to read Peg Grady’s answers to see if I really could have developed a picture of who she was based on this short series of work.

Artistic influences?  Betye Saar, famous for her assemblage work, seems fitting.  Robert Rauchenberg reinforced assemblage as Grady’s true love.  Romare Bearden rounds it out.

Relations/Order by Peg GradyFoods?  Dark Chocolate and Almonds–indulgent.  I would expect no less. 

When asked if she liked to collaborate with others, she matter-of-factly explained that she doesn’t “play well with others.  But I do run with scissors.”  A woman after my own heart.

I have fallen in love with The Perfect Word series, and my heart is singing to hear that The Perfect Game series featuring a vintage book of solitaire layouts is in the works.

How did Peg Grady develop into the artist she is?  Maybe it all ties back to her childhood…

“I was born in New York City where I appreciated the dinosaurs at the Museum of Natural History much more than the Monets at the Modern. Finally I got older and (hopefully) wiser, became a California girl and fell in love with art.”

Visit Peg Grady's website and discover her work on your own!

Thank you, Peg Grady for the reverence with which you treat the written word and for creating work that makes us think.  Thank you for artwork that both celebrates and believes in the ability of the child in all of us to remember the whimsy of our childhood with the sacredness it deserves.

Discover Peg Grady’s artwork on your own at:
www.PegGradyArt.com

Just a side note, Peg Grady embodies many of the tips that I preach in “The Art of Cooking (aka How to Get an Art Show)”  Investigate and learn.

CALL for ENTRIES: Found Object TRASH ART

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NOT TRASH…JUST ART

I love found object art almost as much as I love crock pot creations made from leftovers.  Many emerging (not starving) artists struggle with not having the cash to participate in traditional media like oil painting.  Found-object assemblage could be the solution!

Here’s a great call from Monmouth Museum for Art from Found Objects, but you have to hurry…both postmarked and emailed entries must be received by August 6, 2010.  But look on the bright side…the materials are probably already laying around your house!

CALL FOR ENTRIES:
Art From Found Objects: A Juried Exhibition

Visit Monmouth Museum online!Museum Statement:  This exhibition focuses on artwork created from the undisguised, but often modified, use of common found objects that are not normally considered art, often because they already have a non-art function. Found art derives its identity as “Art” from the designation placed upon it by the artist. “Trash Art” is included in this exhibition as works are primarily comprised from components that have been discarded and then found. 75 % of the media used to create works for this exhibition must be from either discarded, reusable or found objects.

Juror: The juror is Harriet Taub, Executive Director, Materials for the Arts (of Cultural Affairs., NYC Department) 

Eligibility: Open to all artists world-wide age 18 and over. All artwork entered must be original creations by the artist and must have been completed within in the last five years.

Fabulous Fiber:  A previous Monmouth ExhibitSubmission Guidelines: Submissions are limited to a maximum of TWO pieces. Acceptance into the exhibition is not guaranteed with entry. The Monmouth Museum reserves the right to reject work delivered at the time of the exhibition that is not the artist’s accepted work. Selected artwork must be wired, framed (if media applicable) and ready to hang (no saw-tooth hangers). Artwork must be less than 7 feet in height and able to fit through a standard door. Pedestals must be provided by the artist for all sculpture entries. Entered and accepted work cannot be substituted and all work must be available for the duration of the exhibition.

Submission Fees: Monmouth Museum Members: FREE (see membership form at www.monmouthmuseum.org); Non-members: $20 per piece entered (limit: 2 pieces).

Visit Monmouth Museum online today!Digital Submission Specifcations: DO NOT submit more than 2 images, unless work is three-dimensional (maximum three images per sculpture). Artists are requested to submit digital images in JPEG format either via email or on a CD.  See prospectus for full guidelines.

Artist Statement: Include a statement (not more than 1 page) on the body of work submitted. Explain your choice of media, artistic vision, process, subject matter, training, influences, etc.

Mailing Submissions: Mail payment, CD, image list, application, artist statement and one SASE for return of the CD to:

The Monmouth Museum, P.O. Box 359, Lincroft, NJ 07738

Email Submissions: Email your application, images, statement and image list as attachments to cclark@monmouthmuseum.org.

DEADLINE: August 6, 2010

For full details, please see the Propectus.

CALL FOR ENTRIES: Ventura California

A Tiny peek at Lust from R.L. Gibson's Psychomachia Show!

On ArtAndArtDeadlines.com, I preach the wisdom of not getting complacent…of continuing to enter shows. However…

I have been working on my show Psychomachia (see a detail of Lust: The Three Legged Man at left) for more than a year now with Arizona artist Jerry Portelli, and I have worked on it to the exclusion of almost everything else.

So, I really need to take my own advice and decide that it is time that I at least enter a couple of shows…it is all about balance…apples AND Cheetos.

NO MORE EXCUSES.

I PROMISE.

It has ceased to be about cash prizes for me. It is all about the ability to show in new places. Here is one of the shows that I think that I will enter this June:

Sylvia White Gallery online!

Sylvia White Juried Show–Entry Deadline June 19th

This summer, the Sylvia White Gallery will be awarding two exhibition opportunities in our gallery space in Ventura, California’s New Art City.

Sylvia White Gallery online!COMPETITION DETAILS:

Juried by: Sylvia White. Sylvia White is founder and director of Contemporary Artists’ Services. She has been advising artists on matters related to career development since 1979. Sylvia White Gallery opened in 2008 and has exhibited artists such as Robert Rauschenberg, Robert Graham, Ed Moses, Dale Chihuly and others. Take a virtual tour of our gallery , please visit our website at http://www.sylviawhite.com/ .

PRIZES: One solo exhibition and one group exhibition.

EVENT SCHEDULE:
June 19 – Entry Deadline
July 3 – Notifications sent out
August 4 – September 4 – Group Exhibition (Solo exhibition dates to be arranged with winning artist)

Click Here to Subscribe to ArtAndArtDeadlines.com by Email!ELIGIBILITY: Open to all U.S./Canadian resident artists at least 18 years of age. Eligible entries include paintings, mixed media, works on paper, photography, sculpture, installation art and performance.

ACCEPTANCE: Accepted work may be refused if it does not conform to the image entry, at the Juror’s discretion. No substitutions of accepted works will be allowed. All accepted work must remain in the gallery for the duration of the exhibit.

Artists will be responsible for delivery and return shipping of all their artwork. Sylvia White Gallery will assist in providing e-mailing lists and press contacts.

SALES: Unless otherwise specified, accepted works will be considered for sale at the price indicated and 30% of the selling price will be retained by The Sylvia White Gallery. A purchaser may not remove work until the end of the exhibition.

Subscribe to ArtAndArtDeadlines.com by Email!INSURANCE: Great care will be taken with all work, but artists are responsible for insuring their own pieces if they wish. The Sylvia White Gallery will not be responsible for any loss or damage to work while on the premises or in transit to or from the gallery. Artists are advised to get their own insurance.

DELIVERY & RETURN: All work must be suitably framed, wired and ready for hanging, or installation. Graphics, prints, watercolors and pastels must be framed under Plexiglas. NO GLASS.

Shipped work must be packaged in a reusable container. NO STYROFOAM PEANUTS.  A prepaid waybill for its return must be enclosed.  Please make shipping arrangements through the U.S. Postal Service, DHL, FedEx, or UPS. COD returns are not acceptable.  The gallery accepts no responsibility for work not retrieved on the pick-up date and will charge the artist $5.00 a day thereafter for storage.  After 30 days the gallery may dispose of the work.

APPLICATION PROCESS: To apply you need to email all of the following to juriedshow@artadvice.com.

1. Link To Website with available work (if available)
2. Three (3) Digital Images of Work – Digital Images should be submitted in JPEG format and the images’ dimensions should not exceed 1600 pixels in any dimension and should have a maximum file size of 5 MB. Please label each JPEG image as follows: Lastname_Firstname_title.jpg
3. Details of submitted work: Title, Medium, Dimensions, and Price.
4. Contact Details of Artist: Name, Email Address, Phone Number
5. Entry Fee $40 (US Dollars only)

If you have any questions, email Sylvia…she’s always quick with replies.