CALL for ENTRIES: Chroma

Posted on July 1, 2019June 27, 2019 by R.L. Gibson

GREEN me up

I’ve always had a hankering for a rainbow assortment of foods, but my personal aesthetic has skewed black and white over the years. I was the kid that wore black, my work concentrated on black and white images for nearly 20 years. About 2 1/2 years ago, my work shifted, and color began to seep into what I had to say. Once the dam sprung a leak, the flood waters came. I did a complete media shift with more color than I can describe, occasionally venturing into neon territory. Then I spent a month in Scotland. I took all black clothing with a few colorful scarves and accessories just to simplify packing…

But, Scotland. It was awash with the most spectacular light, even when it was overcast. My lasting impression is of vivid blues and greens. My clothing became an issue. I felt like I was wearing a black hole. When my plane touched down in the U.S. again, one of my first stops was to buy a colorful shirt because I just couldn’t take the black anymore. This next Call is all about color, and I have the perfect work to submit. How about you?

Check out this Call for Entries from Fine Line Creative Arts Center (St. Charles, IL) for Chroma in the Kavanaugh Gallery. $35 entry & 30% commission. Another gorgeous venue in the Chicago area…

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CALL for ENTRIES:
Chroma
from Fine Line Creative Arts Center

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to all media

THEME: Chroma, the purity of color, or its freedom from white or gray.

DEADLINE: July 22, 2019

NOTIFICATION: July 27, 2019

ENTRY FEE: $35 up to 3

JUROR: The show will be curated by the Kavanagh Gallery Committee.

AWARDS: $100 Best of Show and 2 non-monetary Awards of Merit

SALES: 30% commission on all sales will go to the Fine Line Creative Arts Center.

For complete details, Read the Full Call!

CALL for ENTRIES: The Bicycle 2019

Posted on June 28, 2019June 27, 2019 by R.L. Gibson

FOOD to go

I have a friend that is a competitive cyclist and one that owns a coffee cart that is powered by custom-built tricycles, meanwhile I can’t ride a bike or a trike, or at least I don’t think so. It has been a long time since I tried. My friend that rides long distances carries a small pack with water and snacks. I picked up the protein bars she recommended, assuming they would be of questionable taste and that the lack of TASTE would prevent me from eating them like candy bars. FAIL. They taste like coconut cookies — delicious. Ahhh. I’m trying to forgive her, ha.

Today’s call is all about the bicycle. I exhibited in this show last year, and the venue is beautiful. My interpretation of bicycle was NOT literal, so I was pleased to receive an acceptance letter. My work did not sell, but the returned work was well-packed and received in an appropriate amount of time. The entry fee is low; there are cash awards, and the commission is standard. I may enter again this year. How about you?

Check out this Call for Entries from Theatre Art Galleries -TAG (High Point, NC) for The Bicycle: Art Meets Form. $20 Entry, 40% commission & cash awards. Take a look…

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CALL for ENTRIES:
The Bicycle: Art Meets Form
from the Theatre Art Galleries

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to all media. Subject matter must relate in some way to bicycles or cycling.

DEADLINE: July 26, 2019

NOTIFICATION: August 6, 2019

ENTRY FEE: $20 up to 3

JURY INFO: All entries will be judged from digital images. Awards will be selected from the original works of art.

AWARDS: 1st Place $500, 2nd Place $250 & 3rd Place $100

SALES: Theatre Art Galleries will retain a 40% commission on all work sold.

For complete details, Read the Full Call!

CALL for ENTRIES: Real People 2019

Posted on June 25, 2019June 25, 2019 by R.L. Gibson

under PRESSURE

So, I’m selling my electric pressure cooker. I got one as a gift a couple of years ago, hesitantly, and thought I would love it. Not so much. I tried joining an online community. Didn’t help. It became a very heavy glorified rice cooker, and today it goes away. (shoutout to Facebook Marketplace) This is all a part of the new, lighter, more portable, healthier me. I don’t mean physically, although the Instant Pot IS ridiculously heavy; I mean that I am trying to lighten my load and remember to repurpose or pass along things I no longer need.

I’ve had my eye on the venue for this next Call for a while. As much as I appreciate the modern box gallery, I have a special love for spaces repurposed as galleries. In this case, the gallery is located in what used to be an old courthouse. The variance in the spaces allows curators and jurors to cater the work to the environment. I like it. This Call comes from a publicly-funded arts council in a publicly funded space. I also like that. Take a look and let me know if you enter & how your experience is. I’m going to try to get my act together and submit.

Check out this Call for Entries from Northwest Area Arts Council for Real People 2019 at the Old Court House Arts Center (Woodstock, IL). $40 entry fee & 30% commission. Do you have figurative work to show?

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CALL for ENTRIES:
Real People 2019
from Northwest Area Arts Council

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to all media

THEME: Submitted work must depict
the human form or face in some manner that is recognizable.

DEADLINE: July 7, 2019 (11:59pm CDT)

NOTIFICATION: July 14, 2019

ENTRY FEE: $40 up to 3, ($30 for members)

JUROR: Chicago-area artist Joyce Polance, who has exhibited internationally and is the recipient of multiple grants and awards including six Chicago CAAP grants, a George Sugarman Foundation grant, two Judith Dawn Memorial grants, and a Cliff Dwellers Artist in Residence award.

AWARD: For First, Second, Third Place, a Gallery Award, and Three Artistic Merit Awards, and others, cash prizes totaling $1,500 will be awarded. In addition, we are very pleased to announce that the online artist management platform Biafarin, has donated 2 Gold one year memberships and 2 Blue one year memberships as awards. For more information on Biafarin and the services that come with these awards, please visit biafarin.com.

SALES: 30% commission on all sales will go to NAAC.

For complete details, Read the Full Call!

CALL for ENTRIES: Strange Figurations 2019

Posted on June 22, 2019June 22, 2019 by R.L. Gibson

future FOOD

Netflix & popcorn nights have accompanied my new revelation… the phrase “I had no choice” may be the most commonly uttered line written for television. We always have a choice. The choice may be unthinkable, unspeakable and emotionally-devasting, but it is still a choice. I have made glorious choices and horrific ones. Those choices have allowed me to follow my heart and have fueled my creativity, but they have also created an unsustainable physical reality for me. My body is betraying me; I’m not terminal, just infuriatingly chronic.

I have created bodies of work surounding how our bodies betray us. But really, I made many of the choices. So, thanks to Netflix #jokingnotjoking I am making new choices. I am trying to gently strengthen my body and make healthier food choices. Trying. I love my life, and I’ve come to love the physicality of the figure I inhabit, so it is time to fight to keep it. I’m not having a mid-life crisis or looking for immortality, I just want a chance to have a productive future. I don’t think kale or avocado are miracle cures, but clean food & more movement have to be a start. Like I said, trying.

This next Call wants your figurative work, whatever your take. Are you fighting for a figure? Your own? Another’s? Check out this Call for Entries from Slow Art Productions for Strange Figurations at the Limner Gallery (Hudson, NY). $35 entry, 35% commission, open to all media and all artists. Take a look…

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CALL for ENTRIES:
Strange Figurations
at the Limner Gallery

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This exhibition will be held September 5-28, 2019.

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to all media forms

THEME: “This exhibition is open to all interpretations of the concept, Strange Figurations. Included are all forms of surreal, visionary and extraordinary figurative art. All interpretations of the theme “Strange Figurations” will be reviewed and considered.” — Limner Gallery

DEADLINE: June 30, 2019

NOTIFICATION: July 30, 2019

ENTRY FEE: $35 for up to 4, $5 ea. add’l

SALES: SlowArt Productions will retain 35% commission on sales. Prices set by the artist.

For complete details, Read the Full Call!

CALL for ENTRIES: Summer 2019 Print Issue

Posted on May 29, 2019May 28, 2019 by R.L. Gibson

COLD complication

For years, popcorn was the ultimate summer food. Popcorn with a hint of olive oil, parmesan and cracked black pepper was my idea of the perfect snack food. Then, there was some weird shift for me. Stovetop popped was too greasy. Microwave-popped was always singed. Air-popped was always tough. I just quit eating it — for nearly two years. I missed my daily snack favorite, but was resigned to the absence of popcorn.

Then one day Facebook started feeding me ads for an Amazon listing a silicone popcorn popper (not a sponsored ad) for the microwave. I’m guessing I did something online that Google’s algorithm decided meant I needed popcorn, and, well, it was right. That $10 product arrived, and it was ridiculous, a floppy, ridiculous concept. It came without instructions. I searched and found an equally ridiculous video. Holy popcorn! It is soft like stove-topped but without that queasy overly greasy aftertaste. So what’s the lesson? No lesson, except maybe… all hail Summer.

Continuing with this week’s publication theme, here’s a call for one of my all time favorite art publications. Check out this Call for Entries from Create! Magazine (print publication) for the Summer 2019 Print Issue. $30 entry for this gorgeous magazine. Don’t miss this chance…

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CALL for ENTRIES:
Summer 2019 Print Issue
of Create! Magazine

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ELIGIBILITY: Open to all artists.

MEDIA: Open to all media, i.e.: painting, sculpture, digital, printmaking, fiber, mixed media, photography, installation & more.

DEADLINE: May 31, 2019

ENTRY FEE: $30 for up to 3

JURORS: Nina Blumberg is a full-time art consultant at the New York City-based firm Samuels Creative. Outside of work, she fills her time with freelance social media contemporary art clientele and projects, most recently engaging with the art technology space. Nina received her BA in Art History from the University of Virginia and her MA from FIT’s “Art Market: Principles & Practices” program. Nina is also the founder of @Artstagram__,the contemporary art world Instagram account that covers art happenings and exhibitions in NYC and beyond.

AWARDS: Artists selected by the guest juror will receive a 2-page spread including a brief bio, website, and 2 images in print and digital formats. Published artists will receive a complimentary digital issue and will be listed on Create! Magazine’s website/social media & will be listed with images, details and information on their website/social media for life. All featured artists will automatically be considered for any upcoming curatorial projects & exhibitions organized by the Create! team.

SALES: The Summer 2019 Print Issue will be available online, in global retail locations in London, New York, Amsterdam, Stockholm, Wilmington (DE), Philadelphia & more.

For complete details, Read the Full Call!

CALL for ENTRIES: Cover Art

Posted on May 28, 2019May 28, 2019 by R.L. Gibson

a HUNGRY summer

I’ve had my head down working and planning and growing. How about you? Spring always makes me take a second look at my process, while summer makes me kick into production mode. What are you doing to support your work? I am contemplating meal kits and taking a day off from the studio. I know that doesn’t make a lot of sense at first glance. But lunch is the bane of my daily schedule. Just when I hit a creative stride, it is time for some sort of meal prep for lunch. I live in a house with folks with dietary restrictions, and everyone eats lunch at home. So, I’ve been exploring options. Take out takes just as much time to pick up, and delivery is cost prohibitive. A lot of meal kits are labor intensive despite arriving with pre-prepped foods, and many of them are the wrong quantity or, again, cost-prohibitive. I’ve found one (Hungryroot & no, this is not sponsored) I think I am going to give a try. The ingredients look good, the sizing is right, the cost is manageable. I am excited about getting lunch off my plate, so to speak.

One of the other big stumbling blocks for me is juggling my boring-but-necessary household tasks with my work schedule. Finding time. I find it hard to work creatively when I am encumbered with a list of non-creative tasks to do at home. My husband more than carries his half of the burden, but someone still has to do my half, ha. So, I’ve been practicing taking one day off from the studio and trying to cram all of the household tasks I can into that day –laundry, appointments, meal planning, grocery shopping. It is a work in progress. I’ll be sure to give you an update before summer’s end. In the meantime, I’ve had two acceptances for publication in two different magazines, and I am inspired by the positive attention it has drawn to my work and added to my social media reach. So, I am offering a few publication calls this week. I am running close on deadlines, so don’t delay in submitting your work.

Check out this Call for Entries from New England Review (Print & Digital Publication) for Cover Art. There is an additional call for artwork for use on their website on the same page. This is a reputable publication option, with artist payment (albeit tiny) and little to no risk. Is this a good fit for you?

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CALL for ENTRIES:
Cover Art
from New England Review

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to any genre (painting, photo, sculpture, etc.) that will reproduce well as cover art. “We strongly favor abstraction.”

DEADLINE: May 31, 2019

NOTIFICATION: Within 12 weeks, if possible.

ENTRY FEE: $2-$3 for writing submissions, but cover art submissions appear to be no charge. Fees are waived for current subscribers.

AWARD: $100 for cover art, plus two copies of the issue in which the work appears and a one-year subscription. The cover will be printed in full-color, full bleed, with the magazine’s logo in overprint and will be reproduced on the magazine’s website and electronic publications. The size of the printed cover is 6.75 inches wide by 9.75 inches tall, so the image may need to be adjusted to fit the trim size.

For complete details, Read the Full Call!

CALL for ENTRIES: Meltdown

Posted on April 12, 2019April 13, 2019 by R.L. Gibson

lost in TRANSLATION

It is no secret that I’m a little, well, let’s call it cheese “focused”. But we all have our priorities. After being seperated by an ocean for 4 weeks, my husband and I stopped by a local dairy farm less than 24 hours after reunited… to buy cheese. Priorities. Cheese glorious cheese. A few days later, I made summer squash au gratin also known as “squash makes all the melted cheese a legitimate choice”, au gratin for short. Melted cheese means I’m home, ha. Think of it as my oven’s welcome mat. It is the best kind of meltdown.

I have been known to indulge in an epic meltdown of a personal nature on occasion. The last U.S. presidential election put me in an ugly place for weeks. Every insuing attack on civil rights, environmental regulations, access to health insurance & the ability to govern the workings of my own body have warranted their own meltdowns. My work has changed. My life has changed. I worry about becoming numb to the suffering of others, to the loss of agency, to the restrictions on the ability to speak freely. Where is this planet’s population headed? While I was in Scotland recently, I was regularly engaged by locals about American politics. People want to understand what is going on in the United States. I couldn’t explain. I can’t explain. So, I just keep working. Right now, THAT is what I can do.

This next Call in interested wants to see how your work reflects a sense of meltdown, whatever your interpretation. What do you have to say? Could this be the place for you to say it? Check out this Call for Entries from Slow Art Productions for Meltdown at the Limner Gallery (Hudson, NY). $35 entry, 35% commission, open to all media and all artists. Take a look…

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CALL for ENTRIES:
Meltdown
at the Limner Gallery

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This exhibition will be held June 14 – July 13, 2019.

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to all media forms

THEME: “We are living in an age of global crisis – of catastrophic MELTDOWN, a crisis the proportions of which, sadly, needs no description. Historically artists have foreseen, described and been inspired by crisis. The subject of this exhibition is every aspect of the MELTDOWN crisis, be it global, personal, environmental, financial, psychological, scientific and/or spiritual.” — Limner Gallery

DEADLINE: April 30, 2019

NOTIFICATION: May 31, 2019

ENTRY FEE: $35 for up to 4, $5 ea. add’l

SALES: SlowArt Productions will retain 35% commission on sales. Prices set by the artist.

For complete details, Read the Full Call!

CALL for ENTRIES: Content Matters

Posted on April 8, 2019April 9, 2019 by R.L. Gibson

SPRING greens

It is time for my seasonal obsession with ginger. I love ginger all of the time; however, about 4 to 6 weeks at the beginning of Spring, I am obsessed. I find ways to work it into every salad, entree & dessert. My family just smiles & nods, knowing that the ship will right itself soon. I think it happens because the weather has just warmed up enought to inspire thoughts of light and fresh fare, but our local harvest hasn’t quite made it to summertime bounty yet. High-quality ginger is available year ’round, and content matters.

This next Call has a deadline just around the corner (sorry for that), and it meets my resume criteria for this year (museums, publicly-funded galleries, collections or libraries). But the theme of “Content Matters” is what really pushed me to want to enter — achingly relevant. I am finishing a piece now that I think would be perfect, but, you know… jurors. We’ll see. If you are interested in a museum show and have work to offer, take a look at the details.

Check out this Call for Entries from Marin Museum of Contemporary Art (Novato, CA) for Content Matters. $35 entry, 40% commission. Delivery is nearly a month after notification, making shipping easier. Take a look…

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CALL for ENTRIES:
Content Matters from
Marin MoCA

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ELIGIBILITY: Open to all U.S. resident artists 18+

MEDIA: Open to all media

THEMES: Content Matters ” ‘Content’ is the meaning conveyed by a piece of artwork – a message portrayed through images, symbols, marks, or stylistic treatment. Content communicates the artist’s point of view, their thoughts, beliefs and experiences, and it creates a response on the part of the viewer. “ MarinMOCA

DEADLINE: April 18, 2019 (PST)

NOTIFICATION: May 1, 2019 (posted on website)

ENTRY FEE: $35 for up to 3; $50 for 4-5 ($30/$45 for members)

JUROR: This exhibit will be juried by well-known San Francisco gallerist Jack Fischer, who has been exhibiting artists for over 15 years. According to Mr. Fischer, “The work I exhibit is from the heart and the gut.” Jack Fischer Gallery shows work from a diverse group of artists working in many genres including contemporary, visionary, self-taught, and intuitive.

AWARDS: 1st Place $500, 2nd Place $300 & 3rd Place $100.

SALES: Marin MOCA will retain 40% commission (30% for members) on sales.

For complete details, Read the Full Call!

CALL for ENTRIES: Loss, Redemption & Grace

Posted on March 19, 2019March 17, 2019 by R.L. Gibson

I’ll take the PIE to go

There are a lot of customs surrounding death & food. Most people are familiar with people trying to feed the living by bringing the ubiquitous casserole to the living, but I’ve recently learned that many cultures feed the dead by leaving food on graves, from leaving a pie on the gravestone at Easter to pouring wine on the burial site. I don’t have a real understanding of the symbolism (if you do, LMK) behind the traditions, but I love the love it takes to want to feed someone pie and wine, even after death. THAT is devotion.

My work has centered around human bones for a while now. Bones indicate a pattern for me, both for the living and the lost. I prowl cemeteries with a sense of joy, not mourning. Gravestones are monuments for the living of the best in those no longer able to create new memories. They are, without doubt, often erected out of obligation, but even in obligation, they document a lifespan as an accomplishment, no matter how brief. If they include additional details, they are rare ugly, even if the truth is ugly. This next Call speaks to me because if offers the opportunity to react to loss from a place of truth, not obligation or memorialization. I am also excited about an open opportunity in Atlanta, a rarity.

Check out this Call for Entries from EBD4 (Atlanta, GA) for Loss, Grace & Redemption. $40 Entry & 50% commission. The jurors are researchable, and this venue offers a rare Atlanta opportunity. Take a look…

CALL for ENTRIES:
Loss, Redemption & Grace
from EBD4

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“a platform to examine edgy, daring and thought-provoking contemporary artwork, which traditionally may not be available in a commercial setting”

ELIGIBILITY: Open to American artists 18+

MEDIA: Open to all media.

THEME: What is your response to grief? Have you spoken to loss through artistic expression? Have you been inspired to answer injustice with the energy of creation? Share your interpretation & response to loss, redemption & grace.

DEADLINE: March 31, 2019

NOTIFICATION: April 15, 2019

ENTRY FEE: $40 up to 3, $10ea. addl

JUROR: Elyse Defoor, director of EBD4, will serve as curator. Jerry Cullum, Ph.D. & Teresa Bramlette Reeves, Ph.D., will serve as jurors.

AWARD: 3 cash awards totaling $800 –for Best in Show, 1st place & 2nd place.

SALES: EBD4 will retain 50% commission.

For complete details, Read the Full Call!

CALL for ENTRIES: On the Easel Magazine

Posted on March 18, 2019March 17, 2019 by R.L. Gibson

don’t paint with FISH SAUCE

Every week I manage to make a handful of Insta-worthy, perfectly staged lunches & dinners, completely by accident. More often, I conjure tasty dishes that are weirdly, mostly shades of brown due to carmelization, excessive de-glazing and a love for soy, fish, Worchestershire & all other sauces, brown & salty. As you might imagine, the brown food pics, outside of coffee & walnuts, aren’t really winners on social media, ha. My work is not brown or salty, but similar & not…

A few times per week I manage to pull off a perfectly Insta-worthy image of my work in progress –always at an off-kilter angle with short focus to blur unresolved issues and just the right light to allow a contrast-y filter to make me look like a rock star. It is deceptive and born out of equal measure of insecurity and social media pressure to look like I always have everything effortlessly under control. I have guilt, but not. I don’t like feeding into the notion that studio life needs to be glamourous, but I also don’t like exposing my vulnerability underbelly to nameless, faceless critics. Then enters this Call. As you might imagine, I read A LOT of Calls, and I like options for art publication. But THIS call is different. This call wants to see the mess. Finally, there is an option to show studio life, work-in-progress specifically. I think that this is the kind of aspirational we can feel good about –always real, likely messy & unresolved. Seeing yourself represented as an artist is important. This Call is the brainchild of one of our previously Featured Artists, Robyn Thompson. It is a project of her course work while working toward her Master of Arts in Social Practice, making this a great opportunity to lift up ourselves AND one of our very own.

Check out this Call for Entries from On the Easel Magazine (digital/print) for Works In Progress. No entry fee for this aspirational call for work in progress. There are no cash awards, but this Call is all pros, no cons for me. Take a look, and please contact me personally if you have concerns…

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CALL for ENTRIES:
Work in Progress
from On the Easel Mag

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“On The Easel (OTE), a new hybrid digital/paper magazine is seeking submissions of works in progress. We want to see the mess. We want to show the struggles.”

ELIGIBILITY: Open to all artists

MEDIA: Open to all media. Despite the name, this Call is not restricted to painting. They “want to show work during its awkward teen years in the hopes that it will inspire folks to push through to bring it to fruition.”

DEADLINE: Rolling. April 15, 2019 or until all spots have been filled.

NOTIFICATION: 1 week post submission.

ENTRY FEE: None

EDITOR: Robyn Thompson, visual artist who is working toward her M.A. in Social Practice program at the University of the Highlands and the Islands. This project is a part of Thompson’s course work. Your participation would be appreciated.

AWARD: Each page will include a full page image of your work in progress or a detail from it. We welcome submissions of either. Your name, links to your work and a paragraph about your process will also be included. The publication will be available for free online and you will be able to order print copies at cost if you wish.

Category: All Media

GREEN me up

CALL for ENTRIES: Chroma from Fine Line Creative Arts Center

For complete details, Read the Full Call!

FOOD to go

CALL for ENTRIES: The Bicycle: Art Meets Form from the Theatre Art Galleries

For complete details, Read the Full Call!

under PRESSURE

CALL for ENTRIES: Real People 2019 from Northwest Area Arts Council

For complete details, Read the Full Call!

future FOOD

CALL for ENTRIES: Strange Figurations at the Limner Gallery

For complete details, Read the Full Call!

COLD complication

CALL for ENTRIES: Summer 2019 Print Issue of Create! Magazine

For complete details, Read the Full Call!

a HUNGRY summer

CALL for ENTRIES: Cover Art from New England Review

For complete details, Read the Full Call!

lost in TRANSLATION

CALL for ENTRIES: Meltdown at the Limner Gallery

For complete details, Read the Full Call!

SPRING greens

CALL for ENTRIES: Content Matters from Marin MoCA

For complete details, Read the Full Call!

I’ll take the PIE to go

CALL for ENTRIES: Loss, Redemption & Grace from EBD4

For complete details, Read the Full Call!

don’t paint with FISH SAUCE

CALL for ENTRIES: Work in Progress from On the Easel Mag

For complete details, Read the Full Call!

CALL for ENTRIES:
Chroma
from Fine Line Creative Arts Center

CALL for ENTRIES:
The Bicycle: Art Meets Form
from the Theatre Art Galleries

CALL for ENTRIES:
Real People 2019
from Northwest Area Arts Council

CALL for ENTRIES:
Strange Figurations
at the Limner Gallery

CALL for ENTRIES:
Summer 2019 Print Issue
of Create! Magazine

CALL for ENTRIES:
Cover Art
from New England Review

CALL for ENTRIES:
Meltdown
at the Limner Gallery

CALL for ENTRIES:
Content Matters from
Marin MoCA

CALL for ENTRIES:
Loss, Redemption & Grace
from EBD4

CALL for ENTRIES:
Work in Progress
from On the Easel Mag