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Art and Art Deadlines.com

Category: 2 Dimensional

FEATURED ARTIST: James Melcher

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!DUCK of the MONTH!

The best thing about judging the $2 Art Contest is getting to play “I wonder.”  As in, I wonder what this artist is really like.  I generally look at an artist’s work first.  I don’t want anything else to interfere with my opinion of the work.  And although we are taught as children that you can’t judge a book by its cover, we are also taught “If it walks like a duck, sounds like a duck and looks like a duck, it is probably a duck.”  And, more often than not, I can figure out an artist’s philosophy from their work alone.  Sometimes I am surprised.  But what I always remember in the end…there are no two alike…all lovely little odd ducklings.  This month was no different.

Learn more about Featured Artist James Melcher!

And the winner is…

The entries I receive each month for the $2 Art Contest are incredibly varied. I see work from every imaginable media, from artists at every level of their careers–some polished and PR savvy, some more vulnerable, but honest.  This month, the winner is happy and optimistic, and since we are all headed into sometimes stressful and often melodramatic holidays… I thought we could all use some sunshine.

The Featured Artist chosen from October entries is James Melcher. Melcher’s work has a carefully chosen randomness to it that both makes me wonder and makes me smile.  I would own his work.  That is one of the many tests for any artist, wouldn’t you say? 

The beginning of the mosaic paintings at Tartooful!FEATURED ARTIST:
James Melcher

James Melcher was born in Cleveland, Ohio where he received his Bachelor of Fine Arts in ceramics from the Cleveland Institute of Art.  After graduating, James spent a decade first in Southeast Asia, then Italy, and finally New York City before moving to Canada in 1996. Vancouver, British Columbia is now his home,  and Melcher claims the spectacular mountainous landscape and glimmering glass towers as his daily inspiration.

While I am drawn to the Melcher’s line drawings.  I simply could not avoid the elephant in the room–the mosaic paintings.   I was not shocked to find out that the mosaic paintings began as an happy accident:

“This whole thing began when I unrolled old polka dot, acrylic on canvas paintings and started cutting them up. I was in a kind of creative block and really didn’t know what I was doing. I cut out circles and then cut them in half and like a kid started playing with fitting the pieces together. I ended up gluing these down to small canvases and called them cut-outs.” (pictured above left)

April Mosaic by James Melcher“The mosaic paintings began kind of by accident – A pile of strips, left over from all the trimming of the cut-out pieces, was collecting dust and I was going to throw it out. Instead I started playfully laying them together in rows – ‘April Mosaic’ (pictured right) is the culmination of that “Strips” series. This led to delving more into pattern and to more purposeful decisions about color combinations.”

“I continued to cut up old works on canvas to make new mosaic paintings until I ran out of old work! Now there is more of a conscious plan and design although I also let the work “speak” to me and go where it tells me to go! There is still the occasional coming together of pieces on the studio floor and that’s where new ideas are born.” –James Melcher

After studying the work & the process,
I went to the food for the real scoop…

Patterned Mosaic Painting by James Melcher

Favorite Food?
Premium cut steak and potatoes
with an occasionally guilty binge of Doritos.
No deep, dark happiness issues there.

And what of his favorite artists?
The inspirational mentors?

Matisse, Mondrian, Warhol, Gehry.
Not a particularly optimistic lot,
but I can see the stylistic/artistic inspiration.

I was certain he was hiding something.

How does he classify his own work?
Modernism, Color Field, Pattern painting.

What makes this artist tick? 
Where is the quirk? 
Where is the secret?

http://jamesmelcher.net/stu-exh/exh-9.htmlAnd then I got to the final quiz question…What is your next big project?  And then I found my answer within his:  “I have Four!  The Artist Project in Toronto – March 3-6, 2011 is a BIG Project that I am in the full swing of producing and getting prepared for…Getting my book “Memory Mosaic” published…Moving to Europe…And, I would love to complete a large-scale art installation somewhere!”

Eureka!  The king of random pattern is fueled by frenzy.  This artist does not suffer from the motivational anorexia of which I warn.  His life will not pass him by.  He is caught up in his own whirlwind of pattern and placement.  Lookout world James Melcher’s headed your way.

Learn more about James Melcher online!

Want to be a Featured Artist on www.ArtAndArtDeadlines.com?
Check out the $2 Art Contest!

CALL for ENTRIES: 2011 Nat’l Contemporary

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BUFFALO…in brief.

When you think of Colorado and food, does it conjure images of snow bunnies and hot chocolate?  Then clearly you need to revisit Colorado.  When I think of Colorado, I think of Buffalo Burgers.  Buffalo burgers, once a fringe food, have now found their place in everyday fare.   In South Central Colorado, the buffalo burgers are unmatched.  I wonder if there’s any chance buffalo will be on the menu at this next exhibit’s opening night…

Check out this Call for Entries for The Arts Center’s 14th National Juried & Invited Contemporary Exhibition at the Center for the Arts in Western Colorado.  The entry fee is low, and I like the idea of a mix of invited and juried artists…that usually means a built in crowd for opening night.  Take a look…

CALL for ENTRIES:
14th National Juried & Invited Contemporary Exhibition

Keeping with the tradition of the Contemporary Exhibit, juror Michael Chavez will select six to eight artists to join the exhibit as invited artists who will give us an exciting survey of established and emerging artists in the contemporary  art fields of drawing, painting, photography and mixed media two-dimensional work.

Learn more about the Art Center online!ELIGIBILITY: Open to all artists residing in the U.S.

MEDIA: Two-dimensional format in the disciplines of drawing, mixed media, painting, printmaking and photography.  Artists may enter up to three works which use paint, photography, drawing materials, printmaking and mixed media as the focus of submissions.

ENTRY FEE: Non-refundable entry fees are $15 for one entry, $25 for two entries, and $30 for three entries, payable to WCCA upon entry.

DEADLINE: January 28, 2011

NOTIFICATION: March 17, 2011

AWARDS: $750 Best of Show, $450 First Place, $300 Second Place, and $250 Third Place

JUROR: Michael Chavez is the Curator of Exhibitions and Education at Foothills Art Center in Golden, Colorado.  He has a BFA in sculpture from the University of Wyoming and an MFA in printmaking from the University of Kansas. Over the past 16 years he has worked at the Art Institute of Chicago, The Spencer Museum of Art and the University of Wyoming Art Museum.  In addition to curatorial duties, Chavez is active in the Colorado art community serving on public art committees and judging several exhibitions for Colorado’s cultural institutions.  (continues below)

Learn more about the Arts Center at The Western Colorado Center for the Arts

ABOUT THE ART CENTER:  The Art Center has served as one of the Grand Valley, Colorado’s most valuable cultural resources for over 50 years.  As a private non-profit entity, The Art Center receives no city or county funds. Their operating budget depends entirely on individual and business memberships, revenue from our educational programs and special events, philanthropy and grants.

For the full details, Download the Prospectus
from the
Upcoming Exhibits page!

CALL for ENTRIES: 10th Annual Rome Art Coterie

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!SHUCK ONE FOR ME

I would eat out almost every day if I could afford it–not because I don’t like to cook.  I would eat out for the accessibility.  An entire world of cuisine is out there, and so many opportunities to get it from those who do it best are in the most unlikely of places.  The world, after all, is your oyster.  I feel the same sense of passion about the accessibility of art.  I love to find an unexpected master piece in the most unusual of places.  Here’s an opportunity…

Check out this Call for Entries for the 10th Annual National Juried Exhibition from the Rome Art Coterie.  The venue?  River City Bank.  With a reasonable entry fee, prizes that range from $100 to $1000 and a sales commission of only 35%, I say go for it! 

CALL for ENTRIES:  10th Annual National Juried Exhibition 

Lean more about the Rome Art Coterie online!ELIGIBILITY:  All artists must be 18 years of age or older and reside in the continental United States.  Any traditional or non traditional two dimensional or three dimensional medium or style, including but not limited to painting, drawing, fiber art, clay, metal, stone, printmaking, and mixed media may be submitted.  Work must be current since 2007 and CANNOT have previously been shown in a Rome Art Coterie juried show.  Plexiglas must be used in place of regular glass when shipping artwork normally exhibited under glass.  DO NOT USE:  Styrofoam peanuts as packing material.

Solo Dance by Tonya Hedgeman was part of the 8th Annual show!SUBMISSIONS:  Up to three pieces of artwork may be submitted for consideration. 

All entries must be submitted on CD. Slides are not accepted.

Each CD must provide title of work, artist’s name, medium, and size. Each entry must correspond with entries listed on entry form. 

Do not send images depicting “detail” of 2D work.  Each three dimensional work may be represented by up to three images.

ENTRY FEE:  $30 nonrefundable fee

AWARDS:  First Place $1,000, Second Place $300, Third Place $200. Five Honorable Mentions: $100. 

Awards will be presented at the opening reception.  Images on CD will be used for jurying show acceptance only.

Juror Michael Marling de CuellarSALES:  A 35% commission on all exhibition sales will be deducted if the artwork sells.  Any work not priced will be considered Not for Sale.

JUROR:  Michael Marling de Cuellar is an Associate Professor of Art at North Georgia College and Sate University.  Marling de Cuellar’s works have been exhibited nationally and internationally and are featured in both private and corporate collections here and abroad. 

As a curator he developed the Southern Printmaking Biennale which is a survey of contemporary printmaking in America.

DEADLINE:  January 31, 2011, Postmark date.

For full details, Download the Prospectus!

CALL for ENTRIES: 2010 Susquehanna Int’l

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CAST A LINE

When I moved to Gatlinburg around 3 1/2 years ago, I wouldn’t live anywhere without a mountain top view.  After several years up here, we are contemplating building a Storage Container house, and I really think I’m going to choose to live on the water this time–the river to be exact.  And, I promise it isn’t because of the abundance of River Trout, although they are yummy eats.

Check out this Call for Entries for the 2010 Susquehanna International Fine Art Competition whose theme is River Art this year.  There is no entry fee so buy a rod and reel and head to the river for a little “research.”  Take a look!

CALL for ENTRIES:  2010 Susquehanna International

Learn more about Sunbury Press online!This year’s theme of the Susquehanna International Fine Art Competition is “River Art.” All entries must contain a river, real or imagined, in their composition. 

This year’s sponsors include the Sunbury Press and West Shore Gallery.  Sunbury Press, based in Camp Hill, PA, is a publisher or trade paperback and digital books. Among their offerings, Sunbury has been producing an art book line for individual artists and for art contests.

Learn more about the West Shore Gallery online!West Shore Gallery, located in Wormleysburg, PA, is a fine art gallery featuring the work of well-known and emerging artists.

THEME:
All entries must contain a river,
real or imagined in their composition.
This could be any river in the world,
or one from mythology.
The river need not be
the dominant element.

MEDIA: All entries must be two dimensional. There is no minimum or maximum size.

DEADLINE:  December 10, 2010

Learn more about River Art 2010 online!ENTRY FEE:  There is no entry fee.

CATEGORIES: You may enter up to three entries in each category: Oil/Acrylic, Watercolor, Drawings/Sketches, Mixed Media/Collage, Traditional Photography (black & white or color, unembellished compositions), Digital (includes painterly effects, embellishments to photography).

SUBMISSIONS:

JPG File Specs: All entries will be JPG files of low resolution — no more than 1 MB per file. Typically this means no more than 4 inches to any side and a resolution of not more than 200 dpi.

Name your jpg files with your first name, underscore, last name, underscore file number. As an example: john_smith_1.jpg

Email Entries: Send 1 email per category. You may attach up to 3 images per category. Send each category entry in a separate email.

Information to include: In the title of the email, note the artist name & category. In the body, note the attached entries, their titles & years created.

PRIZES: Grand Prize: The top entry of the competition will receive a $250 cash prize and be used as the cover image for the book “River Art” to be published in January, 2011.  Category Winners: The top entry in each category will win $50 and be featured as the lead image in each chapter of the book “River Art” to be published in January, 2011.

Work by Juror Monica Smith-Talbott MFA!JURORS: Monica Smith-Talbott, Prof. of Art, Harrisburg Area Community College. Erin Sparler, Prof. of Digital Arts, Central Penn College.

EXHIBITION: All selected entries will have an opportunity to exhibit their work at West Shore Gallery located directly across the Susquehanna River from Harrisburg, PA’s capital dome. West Shore Gallery hosts monthly exhibitions of well-known and emerging artists from around the country.

For full details, Visit the Website!

CALL for ENTRIES: Spare Parts

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!A CROCK FOR EVERY POT

I am the queen of the crock pot.  I have Lemon Chicken in the crock pot as I write this post. I love Fall and Winter because they provide the perfect excuse to through lots of things in the crock pot and call is soup or chowder or stew.  And in my kitchen next to the crock pot (when it is stored on top of my cabinets) is two of my favorite pieces of found-object assemblage–toasters covered in journal pages and a virtual crock pot of other brick-a-brack. 

Here’s your chance to cook up a masterpiece of your own.  This Call for Entries from The Renaissance Center in Dickson, TN is for a show called Spare Parts.  It doesn’t have to be kitchen-themed, but it does have to be found objects or assemblage.  Check it out!

CALL for ENTRIES:  Spare Parts for the Renaissance Center

The Renaissance Center in Dickson, TN has issued a call for assemblages and found-object artwork. Work can be three-dimensional and free-standing or two-dimensional and designed to hang on the wall.

Learn more about the Spare Parts show online!The Renaissance Center’s Visual Arts department is committed to artistic performance, aesthetic appreciation and cultural understanding. They provide an educational resource for their community through course selections, gallery exhibitions and artist workshops.

MEDIA:
Assemblages &
found-object artwork

DEADLINE:  November 14, 2010

ENTRY FEE:  There is no entry fee.

ELIGIBILITY:  To be eligible, artists must be over 16 years of age. Submissions must be original work by the artist, and must be created within the past two (2) years. Accepted work must be ready for display (2-D works must be wired for hanging). If your work requires any special accommodations please detail this information on your Entry Form.

Hawaiian Interlude, found object assemblageNOTIFICATION:
November 24, 2010

SHIPPING: Please note that delivery or shipping of accepted artwork to and from the exhibition is the responsibility of the artist. The Renaissance Center has the right to refuse to display any work felt unsuitable for a family-friendly environment or misrepresented in the application.

COMMISSION: A 25% commission is taken out of all art sale transactions conducted through the Renaissance Center. Images of accepted work will be used for marketing and documentation, giving credit to the artist.

For full details,
Download the Prospectus!

CALL for ENTRIES: Mobile Canvas Art Contest

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FABULOUS
FUNCTION

I am all about Functional Art.  I try to shove art into every corner of my life from my choices in clothing to furniture to food.  I wonder…if food that is presented beautifully tastes better, does that mean that a beautifully-encased iPhone will function better?  Hmmm…

Check out this Call for Entries into the Mobile Canvas Art Contest by SolSketch.  Win up to $700 plus royalties by submitting your ideas for an iPhone Case or Laptop Skin.  There is no entry fee for this contest, and SolSketch gives you the template, to boot.  What do you have to lose?

CALL for ENTRIES:  Mobile Canvas Art Contest

For their first contest, SolSketch is seeking out the most innovative designs for a set of limited edition Apple iPhone cases and laptop skins for Apple products. 

Learn more about this SolSketch contest online!Using the templates (link is below), use the space to create a vector-based design for 1 of the 2 categories.

SolSketch is a new company focused on bringing unique art to the products in our lives. To SolSketch, the products in our lives are more than just functional elements, they are our own personal canvases. Its their mission to bring artwork to every personal canvas worldwide.

Check out SolSketch on Facebook!This contest is the first of an on-going series of art contests in which SolSketch will be reaching out to the artists of the world, professional and otherwise, to design products for our world.

DEADLINE:  November 12, 2010

PRIZES: For each category: $250 winner, $100 runner-up & a 5% royalty fee for each product sold with your artwork. Top 5 designs in each category get an invitation to show their work at the launch event in November of 2010 in Chicago, IL plus free iPhone case and laptop skins.

ENTRY FEE:  There seems to be no entry fee.

Learn more about SolSketch's laptop skin contest!RULES: Artwork is preferred if submitted in a vector format (Adobe Illustrator or EPS). You may also submit other graphic format files, such as JPG or GIF. All artwork must be the original creation of the submitting person. Do not violate copyrights in your design.  Adult, obscene, offensive, or otherwise indecent artwork is strictly forbidden. Submission of your artwork acknowledges that your design could be used on a physical product sold by SolSketch and that you accept the standard artist royalty agreement.

SUBMISSIONS: SolSketch recommends that you use their pre-designed Adobe Illustrator templates. But, you do not have to use them. If you do not use their templates, they’ll do their best job to fit your artwork or photography to their templates for you.

TEMPLATES: Apple Macbook – Laptop Skin or the Apple iPhone – Case

For full details, visit the SolSketch website!

ARTIST RESIDENCY: Roswell, New Mexico

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!LIKE EGGS…
IN THE HOURGLASS

The thought of a little more time with family at breakfast or dinner is a dream in my household. For now we are grouchy, non-speaking, egg-gulping, panic-stricken and running late during weekday mornings, but weekends are full of blue-berry pancakes and eggs benedict. 

Are you looking for the gift of time? Check out the 12-month residency opportunity in Roswell, New Mexico that offers space, time, and even a stipend! Don’t miss it… 

ARTIST RESIDENCY
OPPORTUNITY:

Roswell, New Mexico

Well known by artists as the “Gift of Time”, the Roswell Artist-in-Residence Program was established in 1967 to provide gifted studio based visual artists with the unique opportunity to concentrate on their work in a supportive, collegial environment for a whole year. This “gift of time” allows artists to work without distraction in an effort to break new ground and focus on individual goals. 

Learn more about the Roswell Artist Residency Program online!The Roswell Artist-in-Residence Program serves as a contemporary counterpoint to the traditional arts of the Southwest, reinforces the Program’s interest in strengthening the vitality of art in New Mexico and has been a catalyst in broadening community understanding of contemporary art. 

CURRENT DEADLINE: December 1, 2010 

MEDIA: In-residence grants are offered to artists involved in painting, drawing, sculpture, printmaking, photography, installation and other fine art media. Grants are not made in the disciplines of performance art or production crafts. 

HOUSING & STUDIO FACILITIES: The studios are large, open spaces that measure approximately 20’x25’x10′. These areas are well-lighted and convertible to the artist’s requirements within reason. The printmaking facility is a small, fully operational studio – basically lithographic/etching in nature. 

Artists are housed in a complex of six houses and 10 studios located on forty acres of land. Each artist is provided with a house that can amply accommodate either a single person or a family. Rent, utilities (except telephone), repairs and maintenance costs are borne by the Program. Houses are furnished with major furniture items, appliances and utensils. (continued below)

Learn more about the Roswell Artist Residency Program online

STIPEND:  A stipend, or living allowance, of $800 per month is offered along with $100 per month for every dependent living with the grantee. Currently, the cost of art materials is borne by the grantee. 

For more information about the Roswell Artist-in-Residence Program, contact: Stephen Fleming, RAIR Program Director by phone: (575)622 6037 or e-mail them at: stephen@rair.org . 

Don’t forget to visit www.rair.org!

 

CALL for ENTRIES: 2011 Annual Juried Show

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Aside from food, there are a few themes that run through my blog posts.  Entering academic shows can be a huge plus for all artists…but I find that emerging artists, regardless of age, really benefit most.  If you get juried in to an academic exhibition, make every effort to attend the opening.  You’d be amazed by how much you can learn by being a fly on the wall when no one knows you’re there.  And remember, sometimes you can have your cake and eat it too…academic settings are great for art sales.

Check out this great Call for Entries for Chowan University‘s National Juried Exhibit for 2011.  The entry fee is a little higher than I would like, but the juror is great and the opening is in January when many commercial galleries are on a bit of a hiatus.  Take a look…

CALL for ENTRIES:
Chowan University’s National Juried Exhibition 2011

ELIGIBLE WORK: The exhibition is open to all artists, 18 years or older, residing within the United States. All work must be original and created without the aid of an instructor. Paintings, mixed media, ceramics, sculpture, original hand-made prints, photography, and drawings are all acceptable media for submission.

Check out the Chowan University Art ProgramAll two dimensional work must be framed or created on a gallery wrapped canvas. Each artist may submit up to three pieces for consideration.

DEADLINE: 
November 5, 2010

AWARDS:
Best in Show $300.00
2nd Place $200.00
3rd Place $100.00

SUBMISSION FORMAT: All entries must be submitted digitally via CD. Images must be saved as JPEGS at 72 dpi. Additionally, images should not be longer than 900 pixels in any direction and CDs must be viewable from a Mac or PC computer. The CD itself should be clearly labeled with your contact information: name, address, phone number, and email address. The saved images on the CD must be saved as such:

FullName_Entry#.jpg Example: BobSmith_Entry#1.jpg

Please note that CDs will not be returned and will become the property of the Department of Visual Art at Chowan University. Images of accepted work may be used for marketing purposes.

Check out the Chowan University Art Program!LIMITATIONS:  Works must not exceed 4 feet (48 inches) in any direction, and must not exceed 40 lbs. All 2D work must include suitable hanging mechanisms, and either be framed or created on a gallery wrapped canvas. All 3D work must be assembled and ready for exhibition upon arrival. We reserve the right to reject work for the exhibition that differs significantly from the submitted images and/or for craft issues.

LIABILITY:  The gallery staff will take great care in handling artworks for exhibition. The University, gallery staff, and Department of Visual Art are not liable for any damage that may occur.

SHIPPING (please read carefully):  The artist is responsible for shipping costs to and from the gallery. Call tags for returning artwork must be prearranged by the artist. Shipped works need to arrive at the gallery between January 10-14, 2011. To arrange hand delivery/ pick up please contact Carolyn Phillips at phillc@chowan.edu.

Work will not be returned to the artist if:
– no call tag is issued by the artist or
– if the artist does not prearrange pick up and retrieve the work by Friday, March 4.

Specific shipping and labeling details will be included upon notification of accepted entries.

Making Pictures Three for a Dime a Photograph by juror Maxine Payne!JUROR:  Maxine Payne is a photographer living and working in Arkansas, where her grandparents raised her. She received her M.F.A from the University of Iowa where she was also an Iowa Arts Fellow. Payne was selected a Fellow of the American Photography Institute at New York University, as well as a Fellow of the College Art Association. 

Payne works to find ways to engage community in her work and speaks to the idea of place. Her work has been shown nationally. Currently, Maxine is an Associate Professor of Art and Departmental Chair at Hendrix College in Conway, Arkansas.  Payne has worked on photographing Arkansas Historic Bridges for the Arkansas Highway and Transportation Department since 2004.

ENTRY FEES and MATERIALS:  Artists are allowed to submit up to three (3) artworks for consideration, and the exhibition fee is $40.00. The Department of Visual Art Gallery does not take commission on artworks that are sold. Please send a check, made out to the Department of Visual Art- Chowan University, along with the entry form, SASE (#10 envelope) for notification, and CD to the following address:

Carolyn Phillips, Department of Visual Art
Chowan University
One University Place
Murfreesboro, NC 27855

Please direct any questions to:
Carolyn Phillips at
phillc@chowan.edu

Download the Full Prospectus!

CALL for ENTRIES: Ex Arte Equinus 4

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!HORSIN’ AROUND

Someone emailed me an appreciative note about my recent post featuring a rubber chicken.  I explained that finding Calls for Entry day after day was far easier than figuring out how to make a food reference day after day.  There have only been a few that I wasn’t particulary proud of like the Rice A Roni reference to San Francisco.  Nothing against Rice A Roni…it just wasn’t a creative reference.  So here I am…horses?  Carrot, folks.  That’s all I’ve got.

Check out this great Call for Entries in Ex Arte Equinus 4 brought to you by Art Horse Magazine.  The fees are reasonable, and this in an excellent opportunity to get true value from Art Publications.  Check it out…

CALL for ENTRIES:  Ex Arte Equinus 4

Ex Arte Equinus is an international art competition dedicated to presenting the equine as fine art.  The amount of equine artists working today is astounding.  Ex Arte Equinus is a chance for artists worldwide to have their work recognized in a fine art format, in a competition that will provide equine artists the opportunity to compete and have their work seen on an international level. 

Check out Art Horse Magazine online!Images of winning artwork will be published in issue #12 of Art Horse Magazine (published March 2011).  Winners and selected images will also be published in a limited edition hardback book about the show, available from Art Horse Magazine.  

ELIGIBILITY:  Contest is open to artists worldwide.  Open to artists 17 years and older.  All artwork must be original work executed by the artist. Works produced by non-human artists are not eligible.  Works based on a photograph must have the photographer’s permission before entering that work.  Works must include a suggestion of an equine form in the image submitted (i.e. a still life painting of tack or hunting dogs would not be acceptable for this show).  Previously submitted works are welcome, however works that placed or appeared in any previous Ex Arte Equinus competition or book are not eligible.

 CATEGORIES:  All artists will compete for the awards in these categories (note that multimedia pieces should be entered  based on predominant media):

Ex Arte Equinus 4Paintings:  Includes watercolors, oils, acrylics, and any other ‘wet’ traditional or non-traditional painting media.  This category does not include “digitally painted” pieces or electronically-generated art for this competition.  Any image entered into an inappropriate division will be moved by the jurors into the correct division at the time of judging without penalty to the artist.  

Drawings:  Includes drawings, pastel, charcoal, etchings, and other traditional or non-traditional types of ‘dry’ drawing media.  This category does not include “digitally drawn” pieces or electronic art for this competition.  Any image entered into an inappropriate division will be moved by the jurors into the correct division at the time of judging without penalty to the artist.

Check out Ex Arte Equinus 4 Art Competition online!Sculpture:  Includes 3-dimensional works completed using traditional or non-traditional materials.  Copies of originals are accepted for cast media (such as bronze, wax, ceramics, or resin) if they are submitted as entries by the sculpting artist only.

Digital Art:  Includes any artwork completed digitally, including digital image that has a photograph as its base, such as an image heavily reworked or texturized with Photoshop, any images with painted or pasted backgrounds, foregrounds, layers, or subjects, and any image which is entirely computer-drawn or computer-created.  Digital collages are included in this division.  Please review the qualifications for the Photography division below if you have questions.  Any image entered into an inappropriate division will be moved by the jurors into the correct division at the time of judging without penalty to the artist.

Photography:  Includes digital or film photography (alternative film or traditional film types of images and /or processing), color or black and white.   Photo should include the image or suggestion of a real, live horse in some way.  Artists may be asked to provide the original file if a digital image is in question as to the amount of reworking. Any image entered into an inappropriate division will be moved by the jurors into the correct division at the time of judging without penalty to the artist.

Sculpture by Juror Susan Leyland
Sculpture by Juror Susan Leyland

LIMITED EDITION PROGRAMME BOOK:

Selected works and information about the show will be printed in a color hardbound book that will be available on the Art Horse Magazine website. 

 ENTRY PROCEDURE:  Submit entries on CD, or online.  SUBMIT ONLY A DIGITAL VERSION OF YOUR IMAGE. Do not sent actual work.

Send your files via email to:  exarte_images@gmx.com  (total size per email is 15mb, so you may need to send multiple emails.)  DO NOT send images prepared for web pages or internet viewing. For flatwork (paintings, drawings, photos, digital), submit one image per entry, with a limit of 12 entries per artist.  For sculptures: Multiple views of your piece may be needed to sufficiently show the piece in entirety (i.e. front and side views). Submit up to two images per entry, with a limit of 12 entries per artist.  Please name your files with Artist’s last name, entry number, and view number (i.e. Smith_1_1.jpg, Smith_1_2.jpg, etc.)

Happy in the Fields by Juror Rachael Waller
Happy in the Fields by Juror Rachael Waller

ENTRY FEES:

$30.00 per artist will include up to 3 entries.  Additional entries up to twelve may be added at $10.00 each. 

USEAGE RIGHTS:  By submitting for jurying, artists grant Art Horse Magazine permission to use the submitted images in publication of issue 10 of Art Horse Magazine, in online display and printed promotion about the competition only (such as informational booklets sent to sponsors etc.), and in publication of the show programme.  Artists grant the use of their image(s) as stated here without further compensation from Art Horse Magazine.  Artist and title recognition is always included at use.

 AWARDS:  Prizes include rosettes for first place through third place for each category.  First place and overall winners receive custom glass awards and one copy Ex Arte Equinus IV programme book will be awarded to each first place artist and overall Award winners.  Winning works will be included in issue #12 (Winter, 3/11) of Art Horse Magazine and in the published show programme book as an opportunity to present the work to an international audience of equine art collectors and enthusiasts.

JURORS:  Each category will be judged separately.  Susan Leyland (Drawing category), Rachael Waller (Photography category), Sherron Sheppard (Digital Art category) and Kathi Peters (painting category), and Lyne Raff, editor (sculpture category).

 JURY NOTIFICATION:  On or about sixty days from final entry deadline.

DEADLINE:  October 30, 2010.  Electronic entries only after 10/20

For full details, visit Art Horse Magazine online!

CALL for ENTRIES: Lipstick and Rouge

Click to Subscribe to www.ArtAndArtDeadlines.com by Email! I SEE RED

I am a big fan of the color RED.  I wear red clothing.  I own a red Jeep.  I eat red foods.  My husband and I sing together as the Pea Pickin’ Hearts, and we sing a song called “I See Red” about throwing away the rose-colored glasses in exchange for the red-eyed passion of life–good or bad.

Check out this next Call for Entries that screams “Red” to me.  Lipstick & Rouge is the first juried show for Second Space Gallery in Spokane, Washington.  The entry fee is as low as $10 too.  I need a cupcake.

CALL for ENTRIES:  Lipstick & Rouge

Second Space Gallery invites you to enter the juried exhibition entitled Lipstick and Rouge to be held in Spokane, Washington during December 2010. The title refers to the ways in which we perceive beauty through color. In the past, red has been associated with passion, love, anger, heat and a range of other things.

Learn More about Second Space Gallery online!The desire of Second Space Gallery is to see what it means to the artists. Over $1000 in prize money will be awarded to artists whose work adheres to theme, demonstrates impact and energy, and stimulates us visually.

DEADLINE:  November 3, 2010

NOTIFICATION:  November 12, 2010

ENTRY FEE:  $10 per image

ELIGIBILITY & MEDIA: This exhibit is open to all artists over the age of eighteen working in two-dimensional media. There is a limit of five entries. Work must be the original creation and composition of the artist submitting it. Artwork must have been created within the last two years AND not previously exhibited.

Learn More about Second Space Gallery online!AWARDS: $500 for Best of Show; $300 for the Merit Award; and at least three honorable mention awards of $75

JUROR:  Karen Kaiser, of the Jundt Museum at Gonzaga University, will judge the show.  For over twenty years, Karen Kaiser has been making her mark on the Washington art world. She began as a student of painting at Fort Wright College in Spokane and went on to earn her Master of Fine Art degree in Drawing and Printmaking from Washington State University.

After graduation, she turned to art instruction and later extended her career focus to help art students in other ways. With her extensive experience teaching oil, acrylic and watercolor painting at community colleges and at WSU, Ms. Kaiser has helped hundreds of students develop their own talents. Her fifteen years as the Art Program Manager at Spokane Falls Community College led to a position as the Assistant Curator for Education at the Spokane Art School.

Learn More about Second Space Gallery online!Ms. Kaiser currently puts her education and expertise to work as the Assistant Curator for Education at the Jundt Art Museumat Gonzaga University in Spokane. In addition to her teaching and curatorial duties, Ms Kaiser has been able to maintain an active exhibition record in Washington and Idaho galleries.

For full details, download the Prospectus!