Art and Art Deadlines.com

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Art and Art Deadlines.com

Category: Established Artists

CALL for ART ENTRIES: Manipulated

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FREAKY FOOD

Genetically modified and manipulated food freaks me out.  I eat it regularly–not because I choose to, but because disclosure is not required.  What freaks me out is the unknown end result.  Maybe nothing is wrong with GM food, but shouldn’t we figure that out before we start stuffing it in everything? You might be shocked by how much of the raw foods we eat are manipulated, and the processed foods we eat are packed as well.  This next Call puts a lovely spin on the modified and manipulated… and stays away from my food, thank-you-very-much.

Check out this Call for Entries for Manipulated from Castell Photography in Asheville, NC!   The entry fee is only $25 for 3 images, and this is an excellent opportunity for photographers to push their boundaries a little.  Take a closer look…

Click to learn more about the Manipulated show at Castell Photography!CALL for ART ENTRIES: Manipulated

“Manipulated” is an open call for entries of photo-based works which have been altered by the artist’s physical hand at any point in the process of its creation.

ELIGIBILITY: Open to all artists.

MEDIA:  All content and photographic media is acceptable — alternative processes, traditional black and white, and/or digital methods, as long as the actual hand of the artist has been employed to manipulate either the negative, the print, or both. Images which have been altered using digital methods are welcome, but only when utilized in addition to physical hand manipulation.

DEADLINE:  September 4, 2011

NOTIFICATION:  Entrants will be notified via email on September 14th only if accepted.  A list of accepted artists will also be posted on their website.  Additionally, they will provide additional shipping and exhibition details upon acceptance.

Learn more about the Castell Photography Gallery!ENTRY FEE:  $25 for first 3 images and $10 for each additional.  Payments accepted: check, money order, or credit card through PayPal (no PayPal acct required).  To pay with your cc please go to their web site and click the information tab, then click Manipulated: Call for entries.

JUROR:  Ariel Shanberg was appointed executive director of The Center for Photography at Woodstock in the fall of 2003.  As the fourth executive director in the organization’s history, Shanberg sets and oversees the CPW’s artistic mission and creative offerings, working with the staff and Board to ensure its historic & continued excellence.

Learn more about the Castell Photography Gallery!AWARDS:  Juror’s Choice Award will receive $200, a feature on their gallery blog, as well as an article in their monthly newsletter following the exhibition. One Directors Choice Award will also be awarded by gallery director Heidi Gruner, and will be awarded a subscription to Aperture Magazine as well as a feature on their gallery blog.

SALES:  All work must be available for sale.  The gallery receives a commission of 50% of sale before taxes, and the artist will receive 50%.  All payments to artists will be in the form of a check and mailed after 30 days of the close of the show.

For complete details, Download the Prospectus!

Download the Prospectus from Castell Photography Gallery!

CALL for SUBMISSIONS: Union Station

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!TAKE MY CHERRY,
please.

I don’t want a cherry on my sundae.  I beg of you, please stop pushing unnaturally glowing, sickly sweet fruit as the topping for my ice cream treat.  Why can’t we have strawberries or blackberries …or nothing… on top of our sundaes?  Clearly, pretty-please-with-a-cherry-on-top doesn’t get you much in my house.  Here’s hoping this next art publication opportunity is the blackberry on your dairy treat…

Check out this Call for Submissions for Visual Art & Photography from Union Station Magazine.  For those of you that are multi-talented, there is opportunity for writers too!  There is no entry fee, so what do you have to lose?  Take a chance…

CALL for SUBMISSIONS:
Union Station Magazine

Designed off the image of a train station with many tracks extending outward, Union Station has a distinct urban aesthetic. They seek to be inclusive, to put into relation the many narratives, images, and voices that are redefining our landscape.

“Come here. Go Everywhere.”

 

Learn more about Union Station Magazine!ELIGIBILITY:  Open to all artists.

MEDIA:  Visual Art & Photography.  Styles can vary but please limit yourself to six submissions at a time.

DEADLINE:  Ongoing

NOTIFICATION:  Approx. 90 days

ENTRY FEE: None

SUBMISSIONS:  They accept submissions all year through their submissions manager only.

Limit your submission to six pieces at a time.  Please include a short bio of no more than the 150 most important words the world should know about you.  Please also include link(s) to your website or blog, if available.  You, of course, retain the right to keep your work in its original form should you so choose.  All work is copyrighted upon publication and you automatically grant Union Station one-time rights to publish your work and archive it online in perpetuity.  Should your work be presented elsewhere, subsequent to appearing in Union Station, they ask that you please mention that it appeared in Union Station first.

AWARDS:  No honorarium for publication at this time.

See the full Call at Union Station online!

Learn more about Union Station Magazine!

OPEN CALL: Dacia Gallery in NY!

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!CHOCOLATE
PERFECTION

The existence of some foods has an almost mythical quality… the perfect hot dog, the perfect pizza, and for me, the perfect piece of chocolate?  Sometimes there are so many choices and so many opinions that awarding the status of “perfection” can be as individual as the food itself.  Art is no different.  The perfect piece of artwork or the perfect collection or show for a gallery is as individual as the gallery itself.  This next Call is an opportunity to see if you’re the right fit for this gallery.  

Check out this Open Call from Dacia Gallery in New York, NY!  For the $35 entry fee, you have a shot at both a solo show and a group show. Take a chance… 

Learn more about the Dacia Gallery online!OPEN CALL:
Dacia Gallery

 

Dacia Gallery is pleased to present the following Solo Exhibition opportunity to one artist to exhibit new works of art. One artist will be selected by Dacia Gallery directors and advisors to receive a Solo Exhibition from August 3-19, 2011. The artist selected for the solo exhibition will be considered for future representation.

The purpose of the solo exhibition is to provide artists with an opportunity to have a solo show and exhibit your work to the public, gallery directors, curators and collectors that they might discover your compelling works.

“This is a great opportunity for emerging and
established artists to present your artwork.”

 

Learn more about the Dacia Gallery online!Dacia Gallery is strategically located one block from the New Museum and in the vicinity of over 50 art galleries in the Lower East Side of Manhattan. This is the hottest art area in New York City with countless museum and gallery visitors. The gallery will also advertise and promote the selected artist for the exhibition. Dacia Gallery invites emerging and established artists to submit artwork for this unique opportunity to have a Solo Exhibition. 

ELIGIBILITY: Open to all artists.

MEDIA:  Includes but is not limited to painting, drawing, printmaking, sculpture, photography, digital art, mixed media site-specific installations, illustration, etc. In other words, all creative culminations are welcome.  Submitted works are not required to conform to any particular medium, style, theme or concept, artwork dimensions may be of any size.

DEADLINE: July 21, 2011

ENTRY FEE: You may submit up to 10 images for a curation fee of $35.00. Payment of the curation fee is final.

AWARDS:  10 Artists will be chosen as finalists for the solo exhibit, they will be announced on the website after the deadline date. Only one out of ten will be chosen for the solo exhibition, the remaining 9 Artists will be awarded participation in a group exhibition in the fall.

SALES: Dacia Gallery charges 50% commission on all artwork sold during exhibitions.

For complete details, visit the Dacia Gallery online!

Learn more about the Dacia Gallery online!

FEATURED ARTIST: Julia Feld

Learn more about Featured Artist Julia Feld!

TOAST of the town

I love the hand-technique and the personal aspect of work in which you can see the artist’s hand.  I don’t need or want perfection.  I want to be amazed by talent and patience and thought and creativity. This month’s artist challenges me. AAAD is happy to feature the work of book carver Julia Feld. Feld’s work reminds all of the wonder found in books…words AND illustrations.  So many people dismiss the work of illustrators.  I find Feld’s work is entirely her own while at the same time, it celebrates the work of illustrators, past and present.  

Games for Two circa 1937 carved by Julia Feld!

FEATURED ARTIST: Julia Feld

Julia Feld is a scientist and artist living and working in St. Louis.  All pieces featured on her Holey Stokes! blog are her intricate creations and must be seen to be believed. 
(‘Hokey Stokes!’ is a phrase used to express wonderment or surprise in situations when ‘Holy Buckets!’ is deemed too explicit or crude. — Book Carver Julia Feld)

Feld has no formal art instruction and accidentally ended up as a book carver. 

Webster's 7th Collegiate Dictionary circa 1971 carved by Julia FeldA few years back, she found a set of Funk and Wagnalls Encyclopedias in the free box outside a used book shop.  “I didn’t know what I’d do with them but thought it was a pity that such a lovely set of books could end up in a dirty cardboard box in a parking lot, so I brought them home.”

“I really don’t remember what was going through my head the first time I thought to go at one with an exacto knife.  I do what I do because I like reminding people that books are things of beauty and that pictures and diagrams aren’t just about the information they convey.”

There is a cult-like following of Julia Feld’s work online, and a popular myth that I see over and over is that she laser cuts her shapes and images.  False.  She hand cuts every shape.  

“For some books, I carve through a page at a time, removing all the text and empty space and leaving only pictures and outlines.  For others, I gut the entire contents and rebuild it from scratch.  They all involve a ton of exact-o blades, tweezers, glue, and framing glass.  I’ve tried using power tools, but haven’t been pleased with the outcomes.”

All about House Plants carved by Julia Feld“If anyone from the future has prototype laser cutter they’d like to donate, I’d certainly be game to try it out.” — Julia Feld

 
I enjoy asking artists about their terminology for their process and media.  I find that it often gives me insight as to the frequent disconnect of an artist from the public perception of his or her work.  
 
Altered books have a long-documented history in traditional art settings as mixed media, but I find that media are becoming more and more specific over time.  Feld considers her work book carvings, but when I asked her for the school of art into which her work fit, she defers the questions to you, my loyal readers:  “I am overwhelmed by the amount of research I’d have to do to answer this question properly.  I like carving books because it draws attention to the aesthetic quality of objects that are usually valued primarily for their informational content.  Gentle readers, using the comment section below, please share with me what school of art do you think this falls into!”

Selected tables in Mathematical Statistics carved into a Butterfly specimen book by Julia FeldSo, back to the armchair psychology of it all… Feld’s Favorite Food?  Toast.  No really… toast.  I would NEVER think of asking an artist if they have a back-up plan just in case art doesn’t work out.  I’m not your momma; you don’t need something to fall back on with me. 
Nonetheless, Feld is prepared. “I want to open and operate a dining establishment called Julia’s Toasteraunt (maybe Julia’s Toastorium) where every table has a really nice toaster on it and you order big spreads of different kinds of breads and jams and cheeses and everyone feasts on toast.  If someone wants to open a soup joint next store, I’d be open to that.” Editor’s Note:  I will offer this blog and the transcripts of my interview with Julia Feld as evidence if you steal her idea, people.

Thank you Julia for sharing your work with us.

I felt a little like I was looking through the keyhole into a mad scientist’s laboratory (in the nutty, harmless 1950s definition of “mad”) during the discovery of Julia’s work.  Loved the adventure. 

Learn more about Julia Feld online!

Click to Learn More about Book Carver Julia Feld!

Should you be our next Artist of the Day?  Be sure to let us know!

FEATURED ARTIST: Kris Wlodarski

Click here to see more of Wlodarski's work.

BOTTOMS up!

The mission of AAAD is to inspire artists through resources, opportunities, and the work of your contemporaries.  Should you be our next Artist of the Day?  Be sure to let us knowAAAD is proud to feature the work of painter Kris Wlodarski.

 Krzysztof Wlodarski, aka Kali, born in 1977 in Poland. Graduated at University of Zielona Gora, Poland in philosophy. Wlodarski, influenced by the art of Gottried Helnwein, Saturno Butto, Joel Peter Witkin and modern Bodyart movements, is now showing a series “The Sleep of Reason.”  Wlodarski is also musician , film-maker, and tattoo artist, living and working in London.

Wlodarski says, “These works are reflecting a head-on collision between the primary sphere of instinct (sex & violence) and the secondary sphere of culture (taboo). This leads to a sort of synthesis, its necessary result being a transgressive form of art.

Sleep of Reason by Kris Wlodarski“I call it ‘The sleep of reason,’ a reference to Goya , because this is the manifestation of all that is pre-rational, anti-enlightenment, anti-creative. It is about the moments of insanity when the language and logic are suspended in favour of primal drives that are otherwise subject to suppression by cultural structures.”

Plagued by anxiety and bitterness from a devastating illness, Francisco Goya (1746 – 1828) created “The Sleep of Reason Produces Monsters,” one of 80 etchings in his “Los Caprichos” series–scathing critiques of human errors and vices of contemporary religious and political figures.  “The Sleep of Reason Produces Monsters” portrays Goya, often believed to be the Father of Modern Art, hounded by creatures that threaten the ignorant mind. Goya believed that imagination, combined with reason, would keep these monsters at bay.

Click here to see more of Kris Wlodarski's work!I am drawn to the passion with which Wlodarski’s interprets his vision of contemporary culture–shaped by sex and violence, destruction and morbidity.  The connection to Goya, and sometimes startling lack of connection, is a comment on Wlodarski’s view on where we are as a culture today.  His striking use of color gives us a momentary glimpse into the moments of insanity between the rational thoughts.  The moments without control or norms.

It is easy to feel transported to another place or time by these works, and maybe that’s the sugar that makes it easier to take the medicine–the knowledge that we are all there, on the cusp, all the time.  It is…the buttery taste of scotch with the charred character of bourbon.

Learn more about painter Kris Wlodarski!

Learn more about Featured Artist Kris Wlodarski!

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