Established Artists – Page 122 – Art and Art Deadlines.com

CALL for ENTRIES: Red

Posted on August 10, 2012 by R.L. Gibson

PASSIONATELY REaD,
I hope…

I love red. One of the two theme colors of this blog site is #E00000. I have at least a dozen pair of red shoes, and I even love red food. Cherries and strawberries, pomegranates and raspberries, home grown tomatoes, chard and rhubarb. This next Call overwhelms me with opportunities to revel in the rouge of it all. Celebrate with me…

Check out this Call for Entries from the Darkroom Gallery (Essex Junction, VT) for Red. The entry fee at Darkroom is always low ($20), and they will provide free matting & framing if you work in their standard sizes. The jury method for this one is a change from the norm with TWO jurors EACH choosing a winner. Take a look…

*Editor’s Note: If you enter, please make sure to let them know that you found the Call on ArtAndArtDeadlines.com. We’ve got a great history with them…including Best of Show!

CALL for ENTRIES:
Red

Red. A primary color. Light. Laser. Sunset. Earth. Brick. Fire. Lips. Blood. Heart. Heat. Heroism. Rage. Loyalty. Aggression. Honor. Evil. Love. Stop. Curry.

Pepper. Paprika. Pomegranate. Cherry. Apple. Red Dress. Red Riding Hood. The Scarlet Letter. The Red Badge of Courage.Raise the Red Lantern. Happiness.

Success. Fortune. Fertility. Passion. Lust. The Feast of the Martyrs. Rose. Ruby. Cardinal. Sin. Loss. Communism. Socialism. Revolution. And, a safelight in a Darkroom.

Red. Roja. Rosso. Rouge. Red. Rot. Rooi. Roig. Rood.
Red. Roge. Rudhira. RED.

ELIGIBILITY: Entrants must be at least 18 years old. If younger, you must have a legal guardian make the submission for you.

MEDIA:
Photography

DEADLINE:
September 19, 2012

NOTIFICATION:
September 25, 2012

JUROR: Brooks Jensen is a mainstay at the popular Review events such as Photolucida and the Houston FotoFest. As a fine art photographer, author, and educator, he has counseled one-on-one, hundreds of photographers on their work, technique, and careers through personal reviews, and many more through his workshops, books, and multi-media outlets. As publisher of LensWork, he has reviewed thousands of submissions over the last 20 years. He brings a studied eye, to say the least, to his Jury task for our exhibition “Red.”

Brooks Jensen, together with Maureen Gallagher, are Co-Editors of LensWork Magazine, LensWork Extended, and LensWork Daily, an online resource for news, technology, commentary, and discussion through blogs and podcast. The award-winning LensWork magazine is an anthology-style periodical published bi-monthly, featuring 3-4 portfolios, articles and commentary, and is devoted to fine art black & white photography. It was first printed in September of 1993 and is currently available in print and for download. LensWork Extended is its expanded online companion, also featuring color work, available on disc and for download. At www.lenswork.com you’ll find easy access to extensive educational opportunities through downloadable short and long tutorials, books and eBooks, and audio interviews, in addition to the LensWork Daily blogs, and an extensive collection of beautiful museum-quality publications.

AWARDS:For this exhibition each juror will make a Juror’s Choice and the winners may choose a: 40-minute eConsulation with Brooks – $60 value OR a one-year Full Access Membership to LensWork Online – $59 value. Each juror will also choose TWO Honorable Mentions. The winners may choose a: one-year Subscription to LensWork Magazine (print version) – $39 value OR a one-year Subscription to LensWork Extended (DVD version) – $39 value. People’s Choice gains free entry into a future exhibit.

SALES: Darkroom offers free matting and framing of accepted entries for the duration of each of their exhibitions, subject to standard sizes. Photographers set their own prices if they wish to sell their work and retain all rights to their photographs. For commission details, go to the bottom of the Submisssion Rules page!

For complete details, Read the Full Call!

CALL for ENTRIES: Prison Library Mail Art

Posted on August 8, 2012August 8, 2012 by R.L. Gibson

FOOD for… thought

The more you know about anything the better off you are about everything. I attended Johnson & Wales culinary school just long enough to learn sauce and knife skills that have been worth every penny I spent. I use those skills everyday of my life. (Although I should have stuck around for pastry classes so I could have made this book cake I found a Sprinkle Bakes!) This next mail art call offers you the opportunity to provide education that not only will provide prisoners a chance to learn which impacts their lives, but their chance to learn impacts YOU too. Take a look…

Check out this Call for Entries for Postmarked 2012, California’s largest mail art exhibition that benefits the Prison Library Project. Jump start your creative juices with a mail art project today! Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Prison Library Mail Art, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES: Postmarked 2012

For many years, inmates from around the country wrote to the Prison Library Project, and they were amazed by the artwork that accompanied requests for books. These beautiful illustrations were their inspiration for a mail art exhibition and fundraiser.

Postmarked was developed eight years ago for the Claremont Forum’s Prison Library Project, which sends books free to prisoners in the U.S. upon their request. Providing education and opportunity to learn about mail art, view new and established mail artists’ works, and to participate in the experience of creating and sending mail art. Now in its 8th year, this exhibition is one of the largest in California.

ELIGIBILITY: Open to all.

MEDIA: Mail art of any size and medium. ONLY the side with the official USPS Postmark/barcode will be displayed. Your mail art may be painted, stamped, collaged, printed, and/or otherwise decorated or constructed. It may be any shape and size that will go through the mail and receive an official postmark.

Your submission may get worn or torn through the mail, but the handling process is an important part of the theme. Only the side with the postmark can be displayed, due to space limitations, but the art doesn’t have to be limited to that side. You may include any message inside the envelope, which will be opened only by the person who purchases the art envelope. You may submit more than one piece… and begin sending now!

DEADLINE: Entries must be postmarked by September 30, 2012.

ENTRY FEE: None

WHY SUPPORT the PLP? “Rehabilitation was at one time a stated goal of the prison system. Today, funding for most educational and rehabilitation programs, including prison libraries, has been cut or completely eliminated. It is a distressing fact that today’s U.S. prisons are increasingly about punishing people and warehousing human beings, not about, rehabilitation, or education.”

“This is where PLP steps in. We believe that everyone deserves access to literature and educational materials, including people trying to work towards social change, self-empowerment or rehabilitation within the incarceration system.

The U.S. has less than 5 percent of the world’s population, but more than a quarter of the world’s prisoners.

Nearly one percent of American adults are incarcerated, the highest rate in the world, but many prisoners have little access to books or educational material. They face substantial barriers and are cut off from family and friends on the outside. While some prisons have libraries, many do not. Of those that do, access and selection can be extremely limited. Usually, prisoners are not allowed to receive books from friends or family. Thus, programs like ours are one of the few options available to these individuals.” –from the PLP website.

Learn more about Postmarked 2012 online!

MAIL ART: Anything Goes

Posted on August 6, 2012 by R.L. Gibson

LET THEM EAT…
cupcakes

Don’t you just love it when anything goes? Like many parents, I’ve had to have the difficult conversation that included explaining why chocolate chip pancakes are an acceptable breakfast but chocolate cupcakes. As you might imagine, food conversations are hard for me. I tend to give in. You only live once. Cupcakes anyone? This next Call exemplifies anything goes. My site stats indicate you guys love mail art, so here goes…

Check out this Call for Entries for Anything Goes Everything Shows Mail Art from the Courtyard Gallery (Asheville, NC) It is an all hung show. So as the title says…anything goes and everything shows. If you’re looking for a resume builder or just a creative outlet to jump start your day, this Mail Art show could be just for you. No submission fee…start working on your entry TODAY!

Editor’s Note: If you have read the personal portion of this post, MAIL ART: Anything Goes, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:

Anything Goes
Everything Shows
Mail Art Call

ELIGIBILITY: Open to all artists

MEDIA: All media will be accepted including mixed media, Collage, Montage, Sculpture Digital art, Painting, Printmaking, and Photography. Don’t be afraid to try with 3-D art; they have exhibited vinyl records, papier mache fish, wood sticks, shoes, and even a pig jawbone. Any size, if you can stamp it and get it through the Post Office, it will show.

DEADLINE: September 1, 2012

NOTIFICATION: Anything goes, everything shows! Non-returnable. Their mail art show title says it all as ALL received submissions will be exhibited in the Courtyard Gallery, from September 15th to October 27th, 2012.

ENTRY FEE: None

Exhibit will open September 15th at the Courtyard Gallery, 109 Roberts Street, Phil Mechanic Building, River Arts District, Asheville, NC.

For complete details, Read the Full Call!

CALL for ENTRIES: humor; analog humor

Posted on August 5, 2012 by R.L. Gibson

HAHAHAHA…

Humor is always appreciated. I stand accused of being naively optimistic. If that is true, it is because I live with a smile on my face. My husband and son think I’m funny–biggest compliment EVER. I appreciate humor in food as well. Bill & Clair Wurtzel’s Funny Food is such a great approach to healthy breakfast. I unabashedly recommend it. This next Call is all about tickling your funny bone. I unabashedly recommend it too…

Check out this Call for Entries from the Department of Art & Design of East Tennessee State University at the Tipton Gallery (Johnson City, TN) for humor; analog humor. There is no entry fee, and this is one of those opportunities to renew your love of art merely for the sake of creating it…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: humor; analog humor, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
humor; analog humor

ELIGIBILITY: Open to all artists

THEME: Humor and art have been infrequent partners at best. With both a philosophical interest in the nature of humor and its relationship to aesthetics, this exhibition invites artworks that may utilize a conceptual approach and are actually funny, occupying this middle ground between art and humor in ways that might be thought-provoking, absurd, or even just silly.

MEDIA: all work must be funny. if you make the curator laugh, chuckle, wryly smile, or have a genuine humorous reaction, then it’s included. If not, it’s not. Don’t worry: the curator has a very wide ranging sense of humor. except when it comes to Woody Allen movies which, for some reason, he just doesn’t get.

All work must be in analog form, nothing digital will be accepted; suggested analog forms include, but are not limited to: index cards, single sheets of paper, cassette tapes, small sculpture, airmail envelopes, 35mm slides, canned goods, Morse code and anything else that you might think of. But it must be analog. No zeros and ones.

All of the work must be small. Maximum size–one cubic foot (not one cubit foot). Minimum size–head of a pin.

All work must be signed. This also means that all work can be catalogued, so dates, dimensions, material, etc. must be either included separately with the entry or readily discernible. An online catalog of every object submitted will be published.

All work must be environmentally disposable. You can retrieve your work at the end of the show, or pay to have it shipped back, but it is expected that the vast majority of work will be trashed on the last day. They will provide the trash bags.

DEADLINE: My guess is sometime early to mid September since the work must arrive by the end of September.

ENTRY FEE: None

CURATOR: Dr. Scott Contreras-Koterbay, associate professor, (Ph.D., St. Andrew’s University) specializes in Philosophy of Art and Contemporary Art. He also teaches Modern Art, Art History, Theory and Criticism, Research Methods for Art Historians, Special Topics: African-American Art and Russian Art.

HOW TO ENTER: Email scottkoterbay@gmail.com

For complete details, Read the Full Call!

*Editor’s Note: This Call isn’t on the University’s site. If you click on a picture above, it will take you to the University’s Calendar to verify its existence.

CALL for ENTRIES: Altered

Posted on August 4, 2012 by R.L. Gibson

SIMPLY
divine

I love to alter recipes. Sometimes it works; sometimes it doesn’t. I love to test how far I can push the limits. Bok choy instead of napa cabbage, dates instead of figs, lemon instead of lime. Just stay in the family tree, and you’ll be fine. This next call wants to know how you alter photographs. Don’t miss this chance…

Check out this Call for Art Entries for Altered a alternative process photo show at Open Shutter Gallery (Durango, Colorado). Enter your photographs for $25, but be sure to make the September 15th deadline!

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Altered, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Altered

A juried exhibition for photographers working in low-fidelity or alternative process photography. Images must be shot with a toy or vintage camera and/or printed in an experimental or antique / alternative process.

ELIGIBILITY: This competition is open to all artists. Works must be original, created within the last two years and may not have been shown previously at Open Shutter Gallery. All works must be framed, ready to hang, and for sale.

MEDIA: Photographic images must be captured or printed in an experimental, antique or alternative process (or altered in some way).

DEADLINE:
September 15, 2012

NOTIFICATION:
September 23, 2012

ENTRY FEE: First three entries: $25, each additional entry is $5 each.

JUROR: Mark Sink is a photographer, curator, and teacher who has made a living from fine art photography since 1978. Sink lived in NYC in the 80s. He worked with and documented the lives and works of Andy Warhol, Jean-Michel Basquiat, Rene Ricard, and other art luminaries of that decade.

In the early 1990s, Sink was an inspirational driving force and co-founder of the Museum of Contemporary Art Denver. In recent years, Sink has worked as a private art consultant in Denver, independently curating a wide range of shows.

Photography runs deep in Sink’s family heritage. Sink’s great-grandfather was photographer James L. Breese, who was the founder of the Camera Club of New York, one of the earliest organizations of fine art photographers. Even further back, Breese’s uncle— Samuel Finley Breese Morse—is known as “the father of American photography”.

AWARDS: Cash awards and alternative process supplies will be awarded.

SALES: A 50% commission will be retained on all artwork sold during the exhibition. Works should be priced accordingly and may not be changed after submission. Selected artists are encouraged to mat works in white and frame with black.

For complete details, visit the Altered website!

CALL for ENTRIES: Dinner

Posted on August 3, 2012 by R.L. Gibson

LINNER for me
LUPPER for you!

Why not have linner? It seems that our weekend days often start with a late dinner that means no one is hungry at lunch. We end up having what we call “linner”–a cross between lunch and dinner. The best part? It frequently means no one is hungry enough for dinner so we end up snacking all night. this next Call want to know whats for dinner. What will it be?

Check out this Call for Entries for Dinner brought to you by the A. Smith Gallery (Johnson City, Texas). The entry fee is low, and you might be inspired to eat a little linner (or lupper, as my my mother calls it) of your own. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Dinner, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Dinner

“din – ner: supper, regale, spread, potluck, chow, eats, feast, carryout, chow time, cookout, repast, eats, grub, regale, buffet, banquet, meal.

“Dinner or Supper? What a dilemma. I have called the evening meal ‘dinner’ for as long as I can remember and ‘supper’ just dropped from my vocabulary. My mother reminded me of the use of ‘dinner’ when my uncle invited us over to partake. In my head, we were going at 6PM. Well no, he meant noon. Dinner for him was lunch for me and supper for him was dinner for me. Whatever! It all boils down to one thing. Food. And hopefully the company of good friends and loved ones.” — from the A. Smith Gallery website.

ELIGIBILITY: Open to all artists. Entries must not have been exhibited previously in an exhibition at A Smith Gallery.

MEDIA: Photography

DEADLINE:
September 3, 2012

ENTRY FEE: A non-refundable entry fee of $25 for the first 5 images and $5 for each additional image is required. The Paypal link is on the Entry Form.

JUROR: Barbra Riley has been developing curriculum and teaching classes in photography, design, book arts and watercolor painting at Texas A&M University-Corpus Christi for over 3 decades as well as curating exhibitions for the Islander and Weil Gallery, conducting workshops in historical photographic processes, bookbinding and watercolor painting and leading classes and workshops abroad.

Riley’s photographs and paintings have been included in exhibitions from Washington, D.C. to California. Her work is scheduled for exhibition at the Open Photography Salon in Arles, France during the The Rencontres d’Arles, July 2-September 23.

In Texas, her work resides in numerous permanent collections including the Museum of Fine Arts in Houston, The Dallas Museum of Art, the Harry Ransom Center at UT Austin, the AT&T Center and Republic National Bank, San Antonio and The Art Museum of South Texas in Corpus Christi. Nationally, she is represented in the corporate collections of Chase Bank, New York, Kaiser-Permanente and Price Waterhouse, California.

AWARDS: Forty five to fifty images will be selected for exhibition and a Blurb full color catalogue of the exhibit with all the accepted entries will be available for purchase. Awards are $325 for Juror’s Award, $250 and an exhibition catalogue for Director’s Award, five Honorable Mentions each receiving an exhibition catalogue and $100 for Visitors’ Choice Award.

SALES: A Smith Gallery will retain 40% commission out of the sales price.

For complete details, Visit the Website!

CALL for ENTRIES: B*tchfest Juried

Posted on August 2, 2012 by R.L. Gibson

OUI-OUI,
Monsieur

Have you every noticed that some foods come with the presumption of attitude? Order a Cosmo and the server is likely to mumble bitch under their breath. Order ANYTHING with an accent not your own and you can assume someone will spit in your food for being a snot. This next Call wants to know what you have to bitch about. Take a look…

Check out this Call for Entries for the B*tchfest Juried Exhibition located Upstairs At The Market Gallery (Los Angeles, CA). The entry fee is ONLY $12 for 6 images. I am a card-carrying Hag, and I don’t want you to miss this opportunity!

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: B*tchfest Juried, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
**B*tchfest: A Juried Exhibition**

We are not invisible.

An international art festival dedicated to the politic of being a woman.

Specifically the re-emerging &
mature feminist artist.

Because there is no
institutional support for us.

Because we have not lost our edge.

Because there is no place for us to bitch.

Give voice to the vibrant demographic that is being ignored.

We are not invisible.

A note from the Haggus Society: The Haggus Society recognizes that many women will be offended by our use of the word bitch. We feel that in order to change a culture, you must change the language. To that end, we are claiming ownership of Bitch and other terms of empowerment.

ELIGIBILITY: Female artists, age 40+

MEDIA: 2D (no larger than 40” x 60”), small 3D (no larger than 14” x 10” x 8”), Video: please supply link in submission to online viewing, video longer than 30 minutes will not be accepted. Installation and performance proposals accepted.

DEADLINE: November 1, 2012

NOTIFICATION: November 30, 2012

ENTRY FEE: Up to 6 images $12.50 submission fee. Haggus Society members in good standing are ALWAYS waived submission fees.

SALES: The Haggus Society receives a 40% commission from all art sold. Please include this in your pricing. If a work is not for sale please indicate with NFS.

For complete details, Read the Full Call!

CALL for ENTRIES: Still Life

Posted on August 1, 2012August 1, 2012 by R.L. Gibson

Stir
SLOWLY!

I didn’t have stir-fry last night because I was too tired to chop vegetables. No really. Try to stifle your amusement at my laziness, but my life is never still. It seems that I still haven’t learned to slow down despite the lectures of my friends and family. This next Call wants to know about your Still Life. Don’t miss this opportunity…

Check out this Call for Entries for Still Life from the Kiernan Gallery (Lexington, Virginia). The entry is very reasonable, and the juror is well-documented. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Still Life, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Still Life

From Dutch masters’ paintings to contemporary photography, the still life has played an important role in art history. This genre grants the artist complete control over their subjects, allowing unparalleled ability to select details and manipulate the scene.

Still lifes often employ symbolism, where the objects assume their own character and identity. An entire story can be told with the arrangement of a few items; toys, dolls, and household goods become surrogates, and natural life is given a persona. For Still Life: The Art of Arrangement, The Kiernan Gallery seeks evocative and symbolic still life images.

ELIGIBILITY: Open to all artists

MEDIA: All photographic media are encouraged.

DEADLINE: August 20, 2012

NOTIFICATION: Artists will be notified of accepted work via email approximately eight days after the submission deadline.

ENTRY FEE: 5 for $25, each add’l $5

JUROR: Jason Landry is the Owner/Director of Panopticon Gallery in Boston, Massachusetts. Established in 1971, Panopticon Gallery is one of the oldest fine art photography galleries in the United States specializing in contemporary, modern and vintage photography.

Landry brings over 20 years of business management and fine art photography experience to the gallery. He regularly attends portfolio review events and photography art fairs both nationally and internationally, has juried group exhibitions, and has lectured at regional and national art colleges and universities.

Landry received an MFA in Visual Arts from The Art Institute of Boston at Lesley University and a BFA in Photography from the Massachusetts College of Art and Design. He and his wife Anne are avid photography collectors and he is a Corporator on the Board of Directors for the Griffin Museum of Photography.

AWARDS: For this exhibition, juror Jason Landry will select up to 30 images for display in the main gallery, and up to an additional 40 to be included in the online gallery. All images will be reproduced in an exhibition catalogue available for purchase. A Juror’s Choice and Director’s Choice will also be announced.

SALES: Artists exhibiting at the gallery may offer their work for sale. The Kiernan Gallery retains 30% of the sale price as commission.

For complete details, Read the Full Call!

CALL for ENTRIES: Motion

Posted on July 31, 2012 by R.L. Gibson

Whizz &
BANG!

I love moving, whirring, whistling kitchen gadgets. I prefer the manual versions. I own an egg beater, hand mixer and screaming tea pot, and they all make me happy. It is the little things, you know? . This next Call wants to know all about the motion in your life. Let’s see ’em, folks…

Check out this Call to Artists for Motion from the Linus Galleries (California). The media for this show is a cool mixture, and this could be a great opportunity. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Motion, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Motion

Always moving, life does not sit still for us.

It all goes by in a blur.

Capturing movement in art
creates a elusive dynamic.

Submit your best art with motion
for this future exhibition.

ELIGIBILITY:
Open to all artists.

MEDIA: Photography to paintings in oil, acrylic, watercolor and ink, graphite drawings and fabric work from quilts to stitch work.

DEADLINE:
September 17,2012

ENTRY FEE:
$35 for 3 entries,
$5 per add’l

AWARDS:

Those accepted artists will be asked to be a part of a collective show in the future months. The artists will be asked if they wish to submit their artwork for the show, which is not a requirement to being a part of this show.

SALES: Artwork will be offered for sale at the reception & other days the gallery will be open. 40% commission on all sales.

For complete details,
Read the Guidelines!

CALL for ENTRIES: Squing & Oup – Skin Ego

Posted on July 30, 2012 by R.L. Gibson

SKIN-NY,
ick

I have conquered my peach fur issues. If you’re a regular reader, you know I have issues with peach fur because it makes peaches look live living, furry-skinned beings. Creepy. Lesson learned: if you scrub hard enough, you CAN get the fur off. I don’t know why I can eat deep fried chicken and pork skin, but somehow I get the willies when I bite into a peach. Weird, admittedly. This next call shines a whole different light on skin. Take a look…

Check out this Call for Entries from Squing & Oup (online) for Skin Ego. This is an inexpensive online art competition from a site that offers artists grants and an opportunity for exposure. Think of it as an online art publication. I think it is a good risk for $15…how ’bout you?

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Squing & Oup – Skin Ego, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Squing & Oup – Skin Ego

Complete with orifice, organ and envelope, our bodies house microcosms of experience—all subject to unyielding flux, forming a shifting scape of cumulative geography and psychology. The boundary between the internal and external world is a continuous, flexible, regenerating surface, protecting and covering vulnerable machines— our skin.

Mediating everything in our lives, skin is key to biology, sensory experiences, information gathering, and psychology. Throughout millions of years, we have exposed, veiled, decorated, cleansed, healed and marred our skin to take on new roles of social metaphor. No longer presumable, but personal, skin is a tapestry speaking of our individuality, challenging us to investigate the meaning of permeable boundaries.

For this art exhibition, Squing & Oup is seeking artwork embodying the skin ego—examining the politics and psychology of emotion, evolution, exploration, environment and expression.

ELIGIBILITY: Open to all artists

MEDIA: 2- and 3-D media: painting, drawing, printmaking, photography, digital, electronic, craft, and sculpture.

DEADLINE: August 28, 2012

NOTIFICATION: By September 1, 2012

ENTRY FEE: $15 for 2 entries or $20 for 3 or more, up to 5 entries.

JURY PROCESS: ” We work with our curatorial team and industry professionals to select a roster of artists that reflect a diverse, timely, engaging, rigorous and professional practice. All work is evaluated based on the clarity, vision, and cultural impact of the submitted work as it relates to the theme. ” — from http://squingandoup.com

Category: Established Artists

PASSIONATELY REaD, I hope…

CALL for ENTRIES: Red

Red. Roja. Rosso. Rouge. Red. Rot. Rooi. Roig. Rood. Red. Roge. Rudhira. RED.

For complete details, Read the Full Call!

FOOD for… thought

CALL for ENTRIES: Postmarked 2012

The U.S. has less than 5 percent of the world’s population, but more than a quarter of the world’s prisoners.

Learn more about Postmarked 2012 online!

LET THEM EAT… cupcakes

CALL for ENTRIES: Anything Goes Everything Shows Mail Art Call

For complete details, Read the Full Call!

HAHAHAHA…

CALL for ENTRIES: humor; analog humor

For complete details, Read the Full Call!

SIMPLY divine

CALL for ENTRIES: Altered

For complete details, visit the Altered website!

LINNER for me LUPPER for you!

CALL for ENTRIES: Dinner

For complete details, Visit the Website!

OUI-OUI, Monsieur

CALL for ENTRIES: B*tchfest: A Juried Exhibition

We are not invisible.

For complete details, Read the Full Call!

Stir SLOWLY!

CALL for ENTRIES: Still Life

For complete details, Read the Full Call!

Whizz & BANG!

CALL for ENTRIES: Motion

For complete details, Read the Guidelines!

SKIN-NY, ick

CALL for ENTRIES: Squing & Oup – Skin Ego

For complete details, Read the Full Call!

PASSIONATELY REaD,
I hope…

CALL for ENTRIES:
Red

Red. Roja. Rosso. Rouge. Red. Rot. Rooi. Roig. Rood.
Red. Roge. Rudhira. RED.

LET THEM EAT…
cupcakes

CALL for ENTRIES:

Anything Goes
Everything Shows
Mail Art Call

CALL for ENTRIES:
humor; analog humor

SIMPLY
divine

CALL for ENTRIES:
Altered

LINNER for me
LUPPER for you!

CALL for ENTRIES:
Dinner

OUI-OUI,
Monsieur

CALL for ENTRIES:
**B*tchfest: A Juried Exhibition**

Stir
SLOWLY!

CALL for ENTRIES:
Still Life

Whizz &
BANG!

CALL for ENTRIES:
Motion

For complete details,
Read the Guidelines!

SKIN-NY,
ick

CALL for ENTRIES:
Squing & Oup – Skin Ego