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Art and Art Deadlines.com

Category: Emerging Artists

CALL for ENTRIES: Feeling Festive

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3 ALARM for YOU!

I love a good festival.  I am going to Gatlinburg’s Annual Chili Cook Off this week and will stuff myself to the gills.  Yum.  I’m truly afraid to attend the Annual Ribfest (which also includes chicken wings)…  I might not fit back into my car at the end.  Think of all the festival food you could eat with these Calls for Entry.

Some folks love Art Festivals, and they can be an excellent opportunity for art sales if you know how to work it.  Check out these Calls for Entry from the Celedon Fine Arts Festival, the Omaha Summer Arts Festival and the Monmouth Festival of the Arts.  I don’t often post art festivals…so here’s three to make it up to those of you who love them!

CALL for ENTRIES:  Feeling Festive

Learn more about the Celadon Fine Arts Festival online!CELADON
Fine Arts Festival:
  

Artists are invited to apply to the three-day Celadon Fine Arts Festival, to compete for cash prizes totaling $3,000. The festival is produced by The Celadon Community Arts Trust Association and ARTworks, The Arts Council of Beaufort Port Royal & the Sea Islands. The goal of the May 20-22, 2011 juried show is to select and present the highest caliber of fine art and crafts to their knowledgeable and discriminating audience.  The deadline to apply is March 1, 2011, and the application fee is $25. Please visit http://www.beaufortcountyarts.com/celadon.htm for show specifics, and for the online application.  The festival venue is the beautiful Celadon Community on Ladys Island in Beaufort, SC. Artists will be surrounded by oak trees, ponds, and the architecture that is Celadon. Visit www.CeladonFineArtsFestival.org for more information and to be involved.

Learn more about the Omaha Summer Arts Festival online!OMAHA
Summer Arts Festival:
 

The mission of the Omaha Summer Arts Festival is to present a variety of high quality arts programs and exhibits in downtown Omaha for the general public to enjoy and appreciate.  Application and jury fee must be submitted by midnight CST on Monday, January 10, 2011.  The Omaha Summer Arts Festival is located in Downtown Omaha – Farnam Street from 10th to 15th Street.  This location mixes the sophistication of the downtown Omaha skyline with the relaxing feel of the Gene Leahy park and lagoon. Enjoy trees, shade and waterfalls right in the middle of downtown Omaha.  Approximately 135 artists will exhibit at the 2011 Summer Arts Festival.  A total of 72 artists have been invited back from the 2010 show based on their onsite jury score.  The remaining spaces will be filled by a jury panel that consists of up to four professionals with evaluating experience and one peer juror.  For more information, visit their website!

Learn more about the Monmouth Festival of the Arts online!MONMOUTH
Festival of the Arts:

The 41st Annual Monmouth Festival of the Arts, New Jersey’s largest art invitational, will take place April 9 through April 13, 2011 at Monmouth Reform Temple, 332 Hance Avenue, Tinton Falls.  It begins with the Artists Reception on  Saturday.  The reception is a great opportunity to meet the artists, enjoy a catered cocktail party, and browse the works in all media by more than 200 artists.  Visitors to the Opening Night Reception will also receive a ticket to attend other Festival activities, including artist demonstrations, children’s workshops, and evening series art lectures and music from Sunday through Wednesday. The application form plus a $20.00 non-refundable application fee for each medium made payable to MRT/MFA, must be received by the December 13, 2010 deadline. For complete details, visit their website!

Check out ZAPPlication.org online!

If you LOVE festivals,
take a minute to register at

ZAPP! 

Registration is free & lots of festivals use
ZAPP for their application process!

CALL for ENTRIES: Abstractions

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Abstraction is defined as the process or result of generalization.  In my house, the dinner discussion goes a little like this: “What do you want for dinner?” Which is often followed by “I don’t know.  What do you want for dinner?”  Which is then further followed by: ” Well, I know I don’t want pizza.”  By the way, this abstract dinner notion of I-don’t-know-but-I-don’t-want-that, usually ends in pizza for dinner.  Poetic, eh?  Here’s a way to have a more productive abstract notion…

Check out this Call for Entries called True Poetry: Abstractions from the Woman Made Gallery in Chicago. I’ve shown at Woman Made before, and I always admire the curatorial eye of their jurors. The fee is reasonable, and you know I love a theme. Take a closer look…

Wave After Wave by Juror Sandra PerlowCALL for ENTRIES:
True Poetry: Abstractions

Abstract art uses a visual language of form, color and line to create a composition which may exist with a degree of independence from visual references in the world. 

Western art was, from the Renaissance up to the middle of the nineteenth century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality.

Visit the Woman Made Gallery!The arts of cultures other than the European had become accessible and showed alternative ways of describing visual experience to the artist. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the changes taking place in technology, science and philosophy.

The sources from which individual artists drew their arguments were diverse, and reflected the social and intellectual preoccupations in all areas of Western culture at that time.

Visit the Woman Made Gallery!Abstraction indicates a departure from reality in depiction of imagery in art. This departure from accurate representation can be only slight, or it can be partial, or it can be complete.

Abstraction exists along a continuum.

Even art that aims for verisimilitude of the highest degree can be said to be abstract, at least theoretically, since perfect representation is likely to be exceedingly elusive.

Time Turned by Juror Sandra PerlowArtwork which takes liberties, altering for instance color and form in ways that are conspicuous, can be said to be partially abstract. Total abstraction bears no trace of any reference to anything recognizable. In geometric abstraction, for instance, one is unlikely to find references to naturalistic entities.

Figurative art and total abstraction are almost mutually exclusive. But figurative and representational (or realistic) art often contains partial abstraction.  Both Geometric abstraction and Lyrical Abstraction are often totally abstract.  Among the very numerous art movements that embody partial abstraction would be for instance fauvism in which color is conspicuously and deliberately altered vis-a-vis reality, and cubism, which blatantly alters the forms of the real life entities depicted.

MEDIA: Open to two- and three-dimensional semi-abstract, non-objective to pure abstract works in all media by women artists from the international community.

SUBMISSION ONLINE:Submit jpgs of up to three of your works on their website. Please include an artist statement and a $30 entry fee.

While Walking by Juror Sandra PerlowJUROR: Sandra Perlow is a prolific artist interested in abstraction and pictorial space. She earned her BA from the School of the Art Institute of Chicago, and an MA from the Illinois Institute of Design.

Perlow has shown her work internationally, including at Linda Warren Gallery, Harper College, Jean Albano Gallery, and the Rockford Art Museum. She is an active contributor to WMG and serves on its Advisory Board.

DEADLINE: February 9, 2011

NOTIFICATION: March 12, 2011

For full details, Download the Prospectus!

REJECTED…not dejected.

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!We regret to inform you…

You’ve gotta hate letters that start that way.  It is like biting into the perfect apple and finding a worm.  Yep, rejection sucks.  Every artist gets rejected.

While pondering how to do to expand and improve ArtAndArtDeadlines.com for the upcoming year, it occured to me that Rejection Letters are a subject of fascination for many.  Why don’t we try to take something personal and depressing and turn it into something great?

…A positive way to learn. 

That’s right readers…I want your Rejection Letters. 

Send me your letters with your name and address obscured (or I can obscure them for you), and I will build a page to catalog all the letters by gallery or show. 

Do your research to find out if a show is not your cup of tea!Sharing our rejection letters could serve several purposes:

1.  COMMISERATION:  You won’t feel so alone when you get 3 rejections a week.

2.  RESEARCH:  The letters can serve as research on shows and galleries–Step #3 in the popular AAAD post The Art of Cooking also known as How to Get an Art Show.

3.  HUMOR:  Some of them are hilarioius.

4.  WARNING:  If you read between the lines, sometimes Rejection Letters can be a great warning that a gallery is just not your cup o’ tea.

So, what do you think?  Start submiting your rejection letters (and emails) to me at SubmitArt@ArtAndArtDeadlines.com.  Iwould prefer that you send the letters to me AFTER obscuring your name and contact information, but rest assured that I will take every effort to make sure this is an uplifting experience.  No one wins if you feel embarrased.

As an added incentive, I will give anyone
that sends me a Rejection Letter a FREE entry
into the $2 Art Contest for that month!

 

Learn more about the artist behind this Rejected Art, Xerographist R.L. GibsonAfter this blog post goes live, I will create a Rejection Page with this blog entry as its content until the letters roll in (assuming you’re interested).

Here’s one of my letters from the Lake County Discovery Museum’s Postcard Art Competition in 2007.  It is a kind letter (sweet, but not entertaining), but I’ll dig through to find some that are more interesting soon. 

Send your rejection letters today!

CALL for ENTRIES: The Arrangement

Click to Subscribe to www.ArtAndArtDeadlines.com by email!GUILTY PLEASURE

I frequently joke that I would eat anything that won’t run from me.  (Maybe I just need a pair of these Waffle Sneakers from BBC.)  But I must admit that how food is presented, it’s arrangement, if you will, makes a huge difference.  I love petite little bites that cause me guilt because I know that I am disturbing a masterpiece.  Speaking of masterpieces…

It will come as no surprise that this Call for Entries from Vermont Photo Space Gallery called The Arrangement conjures of the exquisite fusion of food and art…the art of presentation.  Yes, I am that obsessed with food.  But I know you will dig deeper for your own “Arrangement”…don’t forget Vermont Photo Space offers free framing & matting on accepted entries!

CALL FOR ENTRIES: The Arrangement 

The tradition of still-life as subject matter has roots deep into the history of art, pre-dating photography as a medium by centuries. 

Image by Ken Signorello - Read the full Call for Entries!Fine artists in all mediums, photography included, benefited from the total control they had over the final piece; the art making began with their arrangements of the mostly inanimate objects they intended to represent.  As Vermont Photo Space Gallery owner Ken Signorello aptly points out, “…it is art squared, where one first creates a work of art and then another to preserve it.”

The history of still life in Photography is as old as the medium itself.  Henry Talbot himself produced the first photographic images using the inanimate objects of still life.  In its earliest days, utilizing still life as subject matter allowed for the lengthy exposures necessary for its initial technologies. 

Learn more about the Vermont Photo Space Gallery!In the early 1900s, studies in line and form of object contributed to popular abstractions.  In the 1950s, still-life concentrated on the kitsch, and re-emerged in the 90s after a few decades in obscurity, in perfect partnership with the new trendy super-saturated film stock.  Overall, the genre has been largely ignored, despite periodic bouts of influence – surprising, for a photographic practice with so much potential. 

What is still life today? 

Vermont Photo Space wants you to show them your arrangements, from advertising to record photography, the abstract to the obvious.  Whether you are an amateur or professional, you may have experienced your still-life photographs as some of your favorite images – Juror Paula Tognarelli wants to see them.

Image by Juror Paula TognarelliJUROR:  Paula Tognarelli is the Executive Director and Curator of the Griffin Museum of Photography. The Griffin Museum of Photography’s mission is to promote an appreciation of photographic art and a broader understanding of its visual, emotional and social impact.

Tognarelli holds a M.S. in Arts Administration from Boston University; is a graduate of the New England School of Photography (Applied Program) and is a current candidate for her Masters in Education at Lesley University as a visual arts teacher.

Paula describes her photography as her native language. “I’ve always been more visual than vocal. I could draw a picture much faster than I could articulate a story in words. Photography made dialogue that much easier for me.” 

Tognarelli is also a digital imaging specialist. She has done extensive postgraduate study in color management, color theory, digital photography and digital imaging processing. She has lectured on digital imaging throughout the United States and in Japan, representing Agfa and Polaroid Graphic Imaging. She has also been a speaker at the Seybold Conferences. She is a former member of the Xerox Technical Advisory Board. Paula was named by Printing Impressions magazine as one of twelve women who made a major contribution to the Graphic Arts/ Imaging industry.

RULES FOR PHOTO SUBMISSIONS:

Check out Vermont Photo Space Gallery Online!Age: Entrants must be at least 18 years old. If younger, a parent or legal guardian may make the submission for you.

Ownership: All submitted photos must have been taken by the photographer making the entry.

If you are a parent or legal guardian submitting for a minor, please make it clear on the submission form.

Digital Submissions: All submissions must be made by digital files through:

1. Upload on VermontPhotoSpace.com or

2. Sent via email to submissions@VermontPhotoSpace.com. This e-mail address is being protected from spambots. You need JavaScript enabled to view it along with an application form. There is a $5.00 surcharge for email entries.

3. Images should be as large as possible but no larger than 1280 pixels on the longest side, type jpg – set to the highest quality. DPI can be set to any number, but if you must specify something go with 72 dpi.

Image by Juror Paula TognarelliFEES: Up to three images may be submitted for a fee of $20 US for on-line submission and $25 for email submission. Additional images may be submitted for an additional $5 US per image.

DEADLINE: Images and payment must be received by midnight EST on the submission closing date December 22, 2010.

RIGHTS: Photographers retain all rights to their work, except for submissions accepted for exhibition: artists grant Vermont Photo Space the right to use their images to promote the exhibition and for display on VPS website and for inclusion in an exhibit catalog.

Vermont Photo Space Gallery provides free matting and framing of accepted entries for the duration of each of our exhibitions, subject to standard sizes. Photographers set their own prices if they wish to sell their work, and retain all rights.

For the full Call for Entries, visit their website.

CALL for ENTRIES: Think Tank 5 Photo Contest

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FORMERLY
URBAN

What does urban mean to you?  I think the one think I miss most about living in a more urban environment is the grocery stores.  Certainly I have access to grocery stores in Gatlinburg, but they aren’t the same.  Anyone who lives in a large city where their local grocery store is a little treasure trove of ingredients understands my pain.  This Call for Entries gives you an opportunity to explain what urban (among other things) means to you through photography.

Check out this Call for Entries from Think Tank Photo in celebration of their 5th Anniversary.  You can win up to $5,000, and there is no entry fee.  You must enter on facebook, so make sure you’re signed in before you click the link.

CALL for ENTRIES:
Think Tank’s 5th Anniversary Photo Contest

Professional photographer camera bag company Think Tank Photo is celebrating its Fifth Anniversary by hosting a multi-level photo contest that offers a $5,000 Grand Prize and multiple first place, second place , third place, and honorable mention prizes.

Learn more about the Think Tank 5th Anniversary Photo Contest!CATEGORIES:

1. What does urban, gritty, or edgy mean to you?
2. The most creative, interesting, or unique “What’s In Your Bag” shot.
3. The most creative, interesting, or unique shot of photographers wearing/using Think Tank gear.
4. Any photo the entrant believes portrays Think Tank Photo’s “Be Ready ‘Before the Moment’ ” theme.

ELIGIBILITY:  To enter, you must be at least 18 years of age. Think Tank Photo employees and Board members and their immediate family members are not eligible.  Immediate family includes only spouses, parents and children.  The photo subject must be relevant to one of the following four contest categories.  Limit one image per category.

Learn more about Think Tank Photo online!IMAGE MODIFICATIONS Not Permitted:  No borders or frames may be added to images; No watermarks, signatures, photographers’ names, or copyright notices.  All entries must be single images.  Multiple images in a single entry not allowed.

ENTRY FEE:  No entry fee is required.

HOW TO ENTER: Photos must be submitted using the online entry form on Facebook.  Each entry must be accompanied by a completed online contest entry form.

Enter the contest on Think Tank Photos Facebook page!DEADLINE: Entries must be submitted by no later than 11:59 p.m. Pacific on November 30, 2010 to be considered.  Late entries will not be entered in the contest.

RESTRICTIONS:  Obscene, provocative or otherwise questionable content will not be considered.  Think Tank Photo retains sole discretion as to what constitutes inappropriate content.

JUDGING:  Entries will be judged on the basis of creativity, photographic quality, and effectiveness in conveying the unique character of each of the contest categories. A Think Tank Photo panel will judge the entries and all contest decisions are final.  Entries that fail to comply with the Official Contest Rules will be disqualified.  The Think Tank Photo panel will include professionals in photography and graphic design.  Judges will not reclassify images.

For full details, Visit Think Tank Photo on Facebook!

CALL for ENTRIES: 46th Annual National

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!SAY CHEESE (cake)!

It warms my heart that I have been able to feature so many great opportunities from my home state lately.   I love art opportunities more than cheesecake…shocking, I know.  The $10,000 in cash awards (including $2,000 for Best of Show) in this next show would buy a whole lotta cheesecake though.

Check out this Call for Entries from the Tennessee Art League for the 46th Annual Central South Art Exhibition National. Despite the name, which almost leaves the impression it is a Regional show, it is a NATIONAL Opportunity that you shouldn’t miss!

Call for Entries: Tennessee Art League

Founded by a group of Middle Tennessee artists in 1954, and later chartered as a 501(c)(3) nonprofit educational institution, the Tennessee Art League has enriched the lives of thousands of artists and the community as a cultural center, educational facility and art gallery for fifty-six years.

Learn more about the Tennessee Arts League onlineIn 1965, the League started its annual Central South Art Exhibition – now in its 46th year – which, with the generous support of the Friends of the Tennessee Art League, continues to be one of the oldest and most prestigious art competitions in the South and in the nation.

Learn more about the Tennessee Arts League online!In its commitment to the community, the League provides numerous outreach programs that bring first and meaningful experiences in creating art, especially, to seniors and disadvantaged children. In all of its dynamic, community-oriented programs, the Tennessee Art League is truly the heart of the visual arts in Tennessee.

DEADLINE: January 21, 2011

MEDIA: Acrylic, Colored Pencil, Graphite, Mixed-Media, Oil, Pastel, Pen & Ink, Photography, Pulled-Prints, Sculpture and Water-Media.  All works must be signed on the front. Photography & Pulled-Prints must have the signature on the work, not on the mat.

NOTIFICATION: February 18, 2011

ENTRY FEE: An artist may enter up to 3 works for $35 for the first entry plus $10 for each additional entry. Tennessee Art League Members pay $25 for the first entry plus $10 for each additional entry.

AWARDS: $2000 Best in Show. Cash Awards total $10,000.

English Pointers by Juror Joseph SulkowskiJUROR:  Joseph H. Sulkowski began his studies as a painter at America’s oldest art school, the Pennsylvania Academy of Fine Arts founded in 1809. He then continued and finished his studies after five years at the venerable Art Students League of New York. There, he met his greatest influence and mentor Frank Mason, the foremost authority on the principles and techniques of the Old Masters, and became, in the very traditional sense of the word, his apprentice.

Mr. Sulkowski has received numerous awards including the AAPL Grand National Award, the Grumbacher Gold Medallion Award and the Best in Show Award at the Art in the Mountains exhibition sponsored by Southwest Art magazine. He is a signature member of the prestigious Society of Animal Artists, the National Society of Mural Painters, the National Arts Club, the American Artists Professional League, and he is a Life Member of the Art Students League of New York.

For Full Details, Download the Prospectus!

CALL for ENTRIES: Spare Parts

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!A CROCK FOR EVERY POT

I am the queen of the crock pot.  I have Lemon Chicken in the crock pot as I write this post. I love Fall and Winter because they provide the perfect excuse to through lots of things in the crock pot and call is soup or chowder or stew.  And in my kitchen next to the crock pot (when it is stored on top of my cabinets) is two of my favorite pieces of found-object assemblage–toasters covered in journal pages and a virtual crock pot of other brick-a-brack. 

Here’s your chance to cook up a masterpiece of your own.  This Call for Entries from The Renaissance Center in Dickson, TN is for a show called Spare Parts.  It doesn’t have to be kitchen-themed, but it does have to be found objects or assemblage.  Check it out!

CALL for ENTRIES:  Spare Parts for the Renaissance Center

The Renaissance Center in Dickson, TN has issued a call for assemblages and found-object artwork. Work can be three-dimensional and free-standing or two-dimensional and designed to hang on the wall.

Learn more about the Spare Parts show online!The Renaissance Center’s Visual Arts department is committed to artistic performance, aesthetic appreciation and cultural understanding. They provide an educational resource for their community through course selections, gallery exhibitions and artist workshops.

MEDIA:
Assemblages &
found-object artwork

DEADLINE:  November 14, 2010

ENTRY FEE:  There is no entry fee.

ELIGIBILITY:  To be eligible, artists must be over 16 years of age. Submissions must be original work by the artist, and must be created within the past two (2) years. Accepted work must be ready for display (2-D works must be wired for hanging). If your work requires any special accommodations please detail this information on your Entry Form.

Hawaiian Interlude, found object assemblageNOTIFICATION:
November 24, 2010

SHIPPING: Please note that delivery or shipping of accepted artwork to and from the exhibition is the responsibility of the artist. The Renaissance Center has the right to refuse to display any work felt unsuitable for a family-friendly environment or misrepresented in the application.

COMMISSION: A 25% commission is taken out of all art sale transactions conducted through the Renaissance Center. Images of accepted work will be used for marketing and documentation, giving credit to the artist.

For full details,
Download the Prospectus!

CALL for Submissions: The Soap Factory

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This is possibly the first time I have ever reposted a Call, but the opportunity is really that good.  Don’t miss this one folks!  Click on their logo below to see “What Remains,” a 2010 show curated solely from their open submission process.

MONEY FOR DESSERT

Most professional artists rely on art sales for income. Most emerging artists hope for art sales for extra income for supplies. Many prestigious art shows come with publicity and great printed materials, but lots of artists never get to go to out-of-town openings due to financial constraints. So, how do you afford to produce work, submit work, get to attend the openings and still afford to eat dessert?

Maybe this Call for Submissions from The Soap Factory could be the answer to your art entry problems. The Soap factory is looking for work for group exhibits, AND they offer installation support, travel, accommodations, and a stipend to those selected to exhibit.

CALL for SUBMISSIONS: The Soap Factory

The Soap Factory exhibits work in its galleries throughout the year. Exhibitions curated from submissions are typically comprised of 8-10 artists. The Soap Factory is a 120-year old ex-industrial warehouse on the banks of the Mississippi River in Minneapolis.

Visit The Soap Factory online!They have no climate control, air conditioning or permanent heating system; please bear this in mind when submitting your work. Projects by individual artists that propose to use the entire 12,000 sq feet of gallery space are always encouraged.

They are particularly interested in proposals conceived specifically for The Soap Factory galleries. (So do your homework!) Their programming is unique in that they select only a small proportion of the artists they exhibit from their pool of submissions. They commonly receive 400 artist submissions per season.

DEADLINE: November 30, 2010. They do NOT accept e-mailed submissions so this is a POSTMARK deadline.

REVIEW DATES: Submissions are reviewed for exhibition between May 1st and October 31st.

Create work for the Soap Factory space!NOTIFICATION: March 2011

They may keep your submission on file for up to 8 months. Do not call or email to check on your submission. The Soap Factory does not return work. Please only send materials that you do not need to be returned.

COVER PAGE indicating the following information: Name, Email, Phone, Address, Medium of submission

IMAGES: Up to ten color images of your work on disc. Digital images must be Mac compatible (jPeg, tif, pdf) not less than 1500×2100 pixels. Each submitted image MUST ALSO BE PRINTED IN HARD COPY. Submissions that do not include hard copy images WILL NOT BE REVIEWED.

RESUME, artist statement and project description/ proposal.

Please submit any video on DVD. DVD must be in Zone 1 format (readable in USA).

Work samples WILL NOT BE RETURNED

Create work for the Soap Factory space!The Soap Factory is committed to diversity in audience, staff and programming. To assist them in achieving our diversity goals, please indicate your ethnicity or cultural background. Please note that compliance or non-compliance with this request will NOT affect the status of your submission.

The Soap Factory provides full installation support for all selected projects, including travel and accommodation, as well as a stipend to artists. They provide publicity, exhibition invitations, mailings, opening reception and artist talks. However, they do not provide insurance coverage for work exhibited at The Soap Factory. All work is shown at the artist’s own risk.

Mail submissions to:

Program Manager
The Soap Factory
514 2nd St SE
Minneapolis, MN 55414

Questions? Visit The Soap Factory Submissions Page!

ARTIST RESIDENCY: Roswell, New Mexico

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!LIKE EGGS…
IN THE HOURGLASS

The thought of a little more time with family at breakfast or dinner is a dream in my household. For now we are grouchy, non-speaking, egg-gulping, panic-stricken and running late during weekday mornings, but weekends are full of blue-berry pancakes and eggs benedict. 

Are you looking for the gift of time? Check out the 12-month residency opportunity in Roswell, New Mexico that offers space, time, and even a stipend! Don’t miss it… 

ARTIST RESIDENCY
OPPORTUNITY:

Roswell, New Mexico

Well known by artists as the “Gift of Time”, the Roswell Artist-in-Residence Program was established in 1967 to provide gifted studio based visual artists with the unique opportunity to concentrate on their work in a supportive, collegial environment for a whole year. This “gift of time” allows artists to work without distraction in an effort to break new ground and focus on individual goals. 

Learn more about the Roswell Artist Residency Program online!The Roswell Artist-in-Residence Program serves as a contemporary counterpoint to the traditional arts of the Southwest, reinforces the Program’s interest in strengthening the vitality of art in New Mexico and has been a catalyst in broadening community understanding of contemporary art. 

CURRENT DEADLINE: December 1, 2010 

MEDIA: In-residence grants are offered to artists involved in painting, drawing, sculpture, printmaking, photography, installation and other fine art media. Grants are not made in the disciplines of performance art or production crafts. 

HOUSING & STUDIO FACILITIES: The studios are large, open spaces that measure approximately 20’x25’x10′. These areas are well-lighted and convertible to the artist’s requirements within reason. The printmaking facility is a small, fully operational studio – basically lithographic/etching in nature. 

Artists are housed in a complex of six houses and 10 studios located on forty acres of land. Each artist is provided with a house that can amply accommodate either a single person or a family. Rent, utilities (except telephone), repairs and maintenance costs are borne by the Program. Houses are furnished with major furniture items, appliances and utensils. (continued below)

Learn more about the Roswell Artist Residency Program online

STIPEND:  A stipend, or living allowance, of $800 per month is offered along with $100 per month for every dependent living with the grantee. Currently, the cost of art materials is borne by the grantee. 

For more information about the Roswell Artist-in-Residence Program, contact: Stephen Fleming, RAIR Program Director by phone: (575)622 6037 or e-mail them at: stephen@rair.org

Don’t forget to visit www.rair.org!

 

CASH for ART DOODLES: Win $250 Today

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FREE FOOD!

I love it when I can make cash doing something I love like secret dining.  Yep, there are restauranteurs out there that will hire you to eat for free in their restaurant to evaluate the food service, food quality, and restaurant cleanliness.  And usually, the ones that are willing to pay for that service are the ones that don’t really need it.  That adds up to…free food.

Wanna make some cash doing something you love?  This Call for Entries from HirEase.com…an employment screening company of all places.  Check it out below…it isn’t on their website!  Editors Note: I’ve been thinking about adding Cash for Art opportunities to this blog more often.  Leave a comment with your thoughts.

CALL for ENTRIES:
Logo Doodle Contest

Hirease is looking for artists to represent their artistic style utilizing their company logo! 

Learn more about HireEase.com!This is a fun & unique opportunity to promote your artistic technique.  Doodle or create your own representative masterpiece incorporating their logo.  Think…Google’s constantly revolving doodle-like logos like the one below.

DEADLINE:  November 1, 2010

AWARDS:  12 winners will be selected and will receive $250 and their name or website will be listed for additional exposure.  Selected winners will be rotated on the hirease.com website and represented in their company calendar.

Google DoodleABOUT the COMPANY:  “We are an employee screening services company with a difference.   At Hirease you are not a number or an inconvenience; we truly care about our clients and their businesses. If you call us you will always get to speak to a real person without having to wade through an automated telephone system. We offer you the ability to create, implement and manage your pre-employment screening and your applicant tracking seamlessly. Whether you need an end-to-end screening system, or just an occasional background search, we are here to help you discover a better way to better people.” –from their website hirease.com

For more information email Heidi Dent: art2559@hirease.com!