Resume Builder – Page 52 – Art and Art Deadlines.com

CALL for ENTRIES: Todd Opportunities

Posted on April 17, 2015 by R.L. Gibson

lots of
STEAM

My son is learning to cook. More accurately, my husband & I are forcing our son to cook dinner once per week. He has shown no really interest in producing meals–only eating them. So, we are not giving him an option. My concern is that if he doesn’t learn how, he’ll be forced to eat commercially-processed crap his entire life. He doesn’t like cooking. Doing anything solo the first time is scary, but my kiddo has turned it into a pressure-cooked affair. Let’s hope it gets easier. This next Call is YOUR chance to do art solo. Don’t stress, just submit a proposal…

Check out this great Call for Entries from Middle Tennessee State University (MTSU) for Exhibition Opportunities at the Todd Art Gallery (Murfreesboro, TN). A great place for YOUR solo show…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Todd Opportunities, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Exhibition Opportunities

ELIGIBILITY: Open to all artists

MEDIA: Open to all media especially graphic design and studio art including ceramics, painting, printmaking, & book arts

DEADLINE: April 30, 2015

ENTRY FEE: No fee to submit your proposal

JUROR: The department’s Gallery Committee meets twice a year to review exhibition proposals and will contact artists when additional information is needed.

AWARDS: An invitation to exhibit as a solo artist or a part of a group.

*Editor’s note: Online entry is easy and free. You need a current CV, artist statement, description of the proposed exhibition as well as 10 images. The entry system will even allow you to ‘save as draft’ in mid-process. You have NOTHING to lose except the time it takes to apply.

For details, Read the Full Call!

CALL for ENTRIES: Turquoise

Posted on March 17, 2015 by R.L. Gibson

don’t be
BLUE

There aren’t really any naturally-occurring blue foods–of which I am aware. But maybe that is why I’m not a fan of color blue, with the exceptions of navy (almost purple) & turquoise (high green only). Blue foods scream, “Plastic” every time I see them–from icing on cakes to the blue tongues of toddlers eating shaved ice. I know; my food quirks never end. This next Call is just the perfect shade away from blue. Take a look…

Check out this Call for Entries from curator Monika Mori for Turquoise, an International Mail Art Project. There is no entry fee. If you’re looking to add an international line to your resume or just break out of a creative rut, here’s a great opportunity…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Turquoise, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Turquoise

ELIGIBILITY: Open to all artists

THEME: Turquoise

MEDIA: 15 x 10cm (or 6″ x 4″) Postcards

DEADLINE: Postmarked by March 31, 2015

NOTIFICATION: All postcards properly addressed & postmarked will be included

ENTRY FEE: None

CURATOR: Monika Mori, an Austrian contemporary multimedia artist creates playful moody paintings & collages celebrating experiences & emotions animated by dazzling colors. Mori communicates through her works and wants to re-animate, in the native word-sense! It is a language unto itself and there is merit to all interpretations. The strength of her paintings reflect the strength of Mori herself, and the intensity of the message she has to convey. Since 2008, her work has been exhibited worldwide and is included in major and private collection.

DOCUMENTATION: Your artwork will be exhibited online in the blog TURQUOISE, an extensive catalog or book is possible if sponsors are found for the project.

For complete details, Read the Full Call!

CALL for ENTRIES: 3×3 Int’l Illustration

Posted on March 15, 2015 by R.L. Gibson

melon or
MELON?

Things are not always as they appear. Take the Yubari melon, while it looks like a $4 canteloupe, it has a unique flavor you won’t ever forget. And this $150 melon is far sweeter than the $4 doppleganger. This next Call might look like a typical publication Call, but look closer and you’ll find it is worth every penny. Looks are deceiving, so investigate…

Check out this Call for Entries from 3×3 Magazine for the Int’l Illustration Show. You can’t go wrong with Art Publication. Plus, competitions for illustrators are a rare find. Take a chance…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: 3×3 Int’l Illustration, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Int’l Illustration

3×3 Magazine publishes the world’s best contemporary illustration as judged by some of the world’s top art directors, designers and illustrators.

Unlike many shows they have no boundaries, their entrants come from every part of the globe. They are still one of the best values around when it comes to entry fees and publication fees. And they continue to improve their entry process.

And unlike most show annuals that are on the bookshelves 3×3 Magazine’s annuals are prominently displayed on the newsstands in the US, Canada, the UK, Europe and parts of Asia where they are affordable to art directors and art buyers who may or may not be interested in illustration. There has been dramatic growth in the number of outlets stocking the 3×3 Magazine annual and the sales to art directors.

It is their mission to demonstrate the benefits of using illustration, this annual is their showcase.

ELIGIBILITY: Open to all illustrators, art directors, graphic designers, educators, students, recent graduates, editors, publishers in all countries for commissioned and non-commissioned work produced or published during the calendar year 2014.

DEADLINE: March 31, 2015

ENTRY FEE: Single entries are $35 and Series (3–5 images only) are $60. They accept Visa, MasterCard and American Express. Publication fees are $90 which help cover the high cost of printing and distributing the annual and development of the app. Honorable mentions, $50.

JUDGES: Ronn Campisi, former Design Director, Boston Globe; Christian Drury, former Senior Art Director, Wall Street Journal; April Montgomery, Art Director, IDG Enterprise, Samantha Johnson, Picture Editor, Penguin Press, U.K. & illustrators Nishant Choksi, United Kingdom, Christian Gralingen, Germany, Lasse Skarbovik, Sweden and Ellen Weinstein.

AWARDS: Winners will be featured in the printed annual & online; honorable mentions, online. A free app will be sent to leading art directors & art buyers giving further exposure to student winners. Best of Show & Gold medal winners receive our distinctive 3×3×3-inch cube, Silver and Bronze winners receive a framed award; distinctive merit and merit winners receive paper certificates.

For complete details, Read the Full Call!

CALL for ENTRIES: Semblance

Posted on March 5, 2015 by R.L. Gibson

going
BANANAS

I watched soap operas before I could talk. More accurately, my mother used to put me in my high chair and turn on The Doctors while she enjoyed her lunch. One day it came to an abrupt stop. Apparently engrossed in an overly-dramatic subplot, my mother neglected to notice I had fallen asleep and face-planted in my peanut-butter-topped-bananas. Since then, anytime my mother even see a commercial for a soap opera, the portrait of me covered in pb&b conjures guilt. This next Call wants your portraits; the food is optional. Love this…

Check out this Call for Entries from the Darkroom Gallery (Essex Junction, VT) for Semblance. $24 entry, a great juror & a history of showing spectacular photographers. We’re proud of how many of our readers have been both shown & awarded in the past few years at Darkroom. And, well, this theme is always close to my heart–which is just below my face, ha. *insert rimshot here* Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Semblance, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Semblance

The whole of a person caught within a single frame; portraits can be reactive, didactic, contemplative and illusive. ‘Semblance’ refers to the outward appearance something or in this case, someone. Portraits can be especially dynamic when certain characteristics of a person are highlighted, coaxed into the light and captured as prized specimens.” — from darkroomgallery.com

ELIGIBILITY: Open to all artists 18+

MEDIA: Photography

DEADLINE: March 18, 2015

NOTIFICATION: March 23, 2015

ENTRY FEE: 4 for $24 (online)/$29 (email)

JUROR: David J. Carol is a photographer. He attended the School of Visual Arts and The New School for Social Research where he studied under Lisette Model. He was the first assignment photographer for The Image Bank photo agency (now part of Getty Images) at the age of 26. He currently works daily in the real world of commercial photography as the Director of Photography at Outfront Media (formerly CBS Outdoor). Yet he also loves giving other photographers a platform to share and discuss their work with the photographic community. He is able to do this as a contributing writer and contest judge for Rangefinder Magazine and PDN. He also serves on the Board of Advisers for the Center for Alternative Photography.

AWARDS: All selected entries are included in a full color exhibit catalog & gallery exhibition. Juror’s Choice: 30×48″ image banner. People’s Choice – a free future entry. Honorable Mentions receive free exhibition catalogs and free entry in a future exhibition.

SALES: Free matting & framing of accepted entries, subject to standard sizes. For commission details, go to the bottom of the Submissions page!

For complete details, Read the Full Call!

*Editor’s Note: It is important to let Darkroom Gallery know you found their Call on artandartdeadlines.com. They are friends & sponsors of AAAD, and I always want them to know they have our support…

CALL for Entries: Still Life / Life Still

Posted on January 30, 2015 by R.L. Gibson

ATE hours later

Cooking has moved into slow motion in my house. As much as I want to hurry Spring along, I am reminded of our current Winter status by the icy wind that greets me at my front door each morning. So, my slow cooker lives in a perpetual circuit from counter to refrigerator to sink to counter to refrigerator to sink–almost daily. Tonight is lentil soup with bacon. This next Call wants to see what happens when life stills completely. An intriguing take on a traditional form…

Check out this Call for Entries from the Darkroom Gallery (Essex Junction, VT) for Still Life / Life Still. They always have a low entry fee ($24) & a great juror. This theme leaves room for the traditionalist as well as those with a vastly different point of view. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for Entries: Still Life / Life Still, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Still Life / Life Still

The study of inanimate objects; subject matter, placement and compositional balance imply meaning that surmount everyday functionality. Historically, a still life composition is an array of commonplace objects, inert and set in space. These objects often include natural components such as plants, fruits, vegetables, nuts, flowers accompanied by man made objects like dishes, boxes, mirrors and vases within an interior setting at eye level like a table top. Darkroom Gallery wants to contextually explore the Still Life; some may take a traditional approach. Others may see Still Life/Life Still as a vehicle to explore new artistic possibilities, in form, function or to convey political or emotive meanings. Objects caught in their natural surroundings & documented on the fly can make just as poignant an image, i.e., Life Still. — from darkroomgallery.com

ELIGIBILITY: Open to all artists 18+

MEDIA: Photography (line-themed)

DEADLINE: February 18, 2015

NOTIFICATION: February 23, 2015

ENTRY FEE: 4 for $24 (online)/$29 (email)

JUROR: Independent photography curator, editor, researcher and consultant Yumi Goto focuses on the development of cultural exchanges that transcend borders.

She collaborates with local and international artists who live and work in areas affected by conflict, natural disasters, current social problems, human rights abuses and women’s issues. She often works with human rights advocates, international and local NGOs, humanitarian organizations and as well as being involved as a nominator and juror for the international photographic organizations, festivals and events. She is now based in Tokyo and also a co-funder and curator for the Reminders Photography Stronghold.

AWARDS: All selected entries are included in a full color exhibit catalog & gallery exhibition. Juror’s Choice: 30×48″ image banner. People’s Choice – a free future entry. Honorable Mentions receive free exhibition catalogs and free entry in a future exhibition.

SALES: Free matting & framing of accepted entries, subject to standard sizes. For commission details, go to the bottom of the Submissions page!

For complete details, Read the Full Call!

*Editor’s Note: It is important to let Darkroom Gallery know you found their Call on artandartdeadlines.com. They are friends & sponsors of AAAD, and I always want them to know they have our support…

CALL for ENTRIES: The Mark on the Wall

Posted on January 21, 2015 by R.L. Gibson

HYDROPONICS too,
apparently

I continue to dream of exotic walapini gardening. In my dreams, my fantastic garden of dragon & noni fruit, black radishes & dulse (yes, hydroponics) is documented by Grete Stern & Virginia Wolfe for Garden & Gun Magazine. I’m hoping that my dream was inspired by this next Call (and not that I need medication, ha). This is a fantastic Call. Take a look…

Check out this Call for Entries from Bloomsburg University of Pennsylvania for The Mark On the Wall–a juried exhibition of small works on paper at Greenly Art Gallery in conjunction with The 25th Annual International Conference on Virginia Woolf. Investigate this opportunity…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: The Mark on the Wall, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
The Mark on the Wall

In keeping with the theme of the conference, Virginia Woolf and Her Female Contemporaries, preference will be given to works inspired or broadly influenced by those female artists who were contemporaneous with Virginia Woolf, including but not limited to Berenice Abbott, Anni Albers, Vanessa Bell, Ilse Bing, Romaine Brooks, Claude Cahun, Dora Carrington, Leonora Carrington, Imogen Cunningham, Gisèle Freund, Barbara Hepworth, Hannah Höch, Frida Kahlo, Loïs Mailou Jones, Ergy Landau, Lee Miller, Lucia Moholy, Gabriele Münter, Georgia O’Keeffe, Méret Oppenheim, Grete Stern, Dorothea Tanning, Suzanne Valadon, and Remedios Varo. –from The Mark on the Wall prospectus

ELIGIBILITY: Open to all artists age 18+

MEDIA: Open to works on paper (15” x 11” or smaller) in all traditional & experimental visual arts media, including photography, will be considered.

DEADLINE: April 20, 2015

NOTIFICATION: May 1, 2015

ENTRY FEE: $25 for up to 3, $5 ea. add’l

JURORS: Rosalyn Richards received her BFA from the Rhode Island School of Design & MFA from Yale University School of Art. Her work is represented in many museum & university collections. She has held artist residencies at numerous locations in the U.S., including VA Center for Creative Arts and Ragdale in Illinois. She was a visiting artist and critic at Colby College, Cornell University, the University of Dallas and Tianjin Academy of Fine Arts in Tianjin, China. Richards retired as Professor of Art at Bucknell University in 2014.

Chad Andrews received his BFA in studio art from Kutztown University & his MFA in printmaking from the University of PA. He has taught at The University of PA for five years, and held the position of Director of Visual Arts at the Interlochen Center for the Arts (Interlochen, MI) for six years. He is currently a full-time instructor of printmaking and 2-dimensional design at Bloomsburg University. He maintains a private studio at the Pajama Factory in Williamsport, Pennsylvania.

SALES: Sales will be encouraged, and a 20% commission will be retained by Greenly Art Gallery from the retail price listed on the entry form.

For complete details, please read the Full Call!

CALL for ENTRIES: Feminism

Posted on January 19, 2015 by R.L. Gibson

clever
CUISINE

I get a lot of questions about living without gluten. When I tell waitstaff at a restaurant, I am met with “I’m sorry” or the sad-trombone-look-of-pity almost every time. Don’t cry for me Argentina. GF eating IS what you make it. It has made my family more adventurous, open and creative when it comes to food. Feminism is the same; it IS what YOU make it–good & bad. This next Call wants to know what YOU make of it. Take a look…

Check out this Call for Entries from the Woman Made Gallery (Chicago, IL) for Feminism (n.) Plural. This is a special gallery with a fantastic history of well-curated shows, and the juror is the new Executive Director at WMG. Open to both women & men…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Feminism, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Feminism (n.) Plural

“When feminism falls short of our expectations,” writes Roxane Gay in her 2014 book Bad Feminist, “we decide the problem is with feminism rather than with the flawed people who act in the name of the movement.” Inspired by the themes articulated in Gay’s book, WMG invites artists of all genders to submit works that ask us to rethink what feminism is, was, and can be.

ELIGIBILITY: Open to all artists

MEDIA: Open to all media

DEADLINE: February 11, 2015

NOTIFICATION: March 11, 2015

ENTRY FEE: $30 for up to 3 images ($10 admin fee for shipped work)

JUROR: Claudine Isé is WMG’s new Executive Director. Prior to joining WMG, she was a curator at the Wexner Center for the Arts and the Hammer Museum in Los Angeles, and served as Blog Editor for ART21. Isé is also a visiting clinical assistant professor in the School of Art and Art History at the University of Illinois, Chicago.

SALES: WMG will retain a 40% commission

For complete details, Read the Full Call!

CALL for ENTRIES: 24th OPA Nat’l

Posted on January 18, 2015January 18, 2015 by R.L. Gibson

a lid for
EVERY POT

One of the most valuable lessons of culinary school was stock-making. It is the building block of many of my kitchen masterpieces. My standard includes chicken, water, celery, carrot, onion, black peppercorns, garlic & parsley. When I stray from the standards, it is a choice. I encourage you to make a choice to enter this next Call that celebrates the preservation of a standard upon those that have strayed have built. Take a look…

Check out this Call for Entries for the 24th Annual National Exhibition from Oil Painters of America to be exhibited at the Brilliance in Color Gallery (St. Augustine, FL). The show is prestigious, and awards are in excess of $80,000. Make us proud…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: 24th OPA Nat’l, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
24th OPA Nat’l

ELIGIBILITY: Open to artists residing in the U.S., Canada & Mexico

MEDIA: Representational oil painting

DEADLINE: January 23, 2015

NOTIFICATION: February 26, 2015

ENTRY FEE: $30 for 1 or $45 for 2 (plus membership fee of $70). More membership information can be found on the OPA website, under the Member Services tab.

JURORS: Howard Friedland, Signature Member and OPA Board Member, will serve as chairman of a Jurying Committee, consisting of five Master Signature or Signature members of OPA.

AWARDS: The total awards will be in excess of $80,000, including a $25,000 Best In Show.

SALES: Commission of 40% is required by the gallery for all paintings sold.

ABOUT OPA: Oil Painters of America (OPA) is a not-for-profit organization representing more than 4,000 artists throughout the United States, Canada and Mexico. The mission of OPA is to advance the cause of traditional, representational fine art by providing a forum in which artists can display their art in regional & national competitions –both online & in-gallery. Please note, OPA is a site sponsor, and a link to their opportunities can always be found in the right side-bar.

For complete details, Read the Full Call!

CALL for ENTRIES: Lines

Posted on January 4, 2015 by R.L. Gibson

LINING UP
for dinner

As linear foods go, I make a mean grilled eggplant lasagna. I don’t usually fall for the layered foods like 7-layer dips and trifles, but lasagna is the exception. Most people are replacing the meat when they use eggplant in lasagna, I’m really replacing the noodles. While I can find wheat-less pasta of most types, lasagna noodles have eluded me. So, eggplant makes a gorgeous replacement. I make it in a glass plan just to get the composition perfect. Ridiculous. This next Call is a far better use of a line obsession. Take a look…

Check out this Call for Entries from the Darkroom Gallery (Essex Junction, VT) for Lines. They always have a low entry fee ($24) & a great juror. And the theme leaves lots of room for interpretation. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Lines, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Lines

Lines are powerful compositional elements that control the way eyes move through an image. The effect that lines have on an image varies. Horizontal lines convey a sense of width, stability, calm, lazy, security, relaxation, constancy and timelessness. Whereas vertical lines convey a sense of strength, height, integrity, solidity, dominance, power, peace & tranquility, substance or permanence. This Call is for images that utilize lines in innovative and dynamic ways. — from darkroomgallery.com

ELIGIBILITY: Open to all artists 18+

MEDIA: Photography (line-themed)

DEADLINE: January 21, 2015

NOTIFICATION: January 28, 2015

ENTRY FEE: Up to 4 for $24 (online)/$29 (email)

JUROR: Dr. Rebecca Senf is the Norton Family Curator of Photography, a joint appointment at the Center for Creative Photography and the Phoenix Art Museum. She curates three exhibitions a year for the Doris and John Norton Gallery for the Center for Creative Photography in Phoenix.

Senf grew up in Tucson and went to undergraduate school at the University of Arizona, studying the History of Photography. She spent ten years in Boston, Massachusetts where she earned a Ph.D. in Art History at Boston University. In Boston she worked on the Museum of Fine Arts, Boston’s major exhibition Ansel Adams from The Lane Collection, for which she also co-authored the exhibition catalogue. In October of 2012 her book Reconstructing the View: The Grand Canyon Photographs of Mark Klett and Byron Wolfe was released by University of California Press. Recent projects include exhibitions on the photographic book and in the next few months she will open two exhibitions focused on platinum photography.

AWARDS: All selected entries are included in a full color exhibit catalog & gallery exhibition. Juror’s Choice: 30×48″ image banner. People’s Choice – a free future entry. Honorable Mentions receive free exhibition catalogs and free entry in a future exhibition.

SALES: Free matting & framing of accepted entries, subject to standard sizes. For commission details, go to the bottom of the Submissions page!

For complete details, Read the Full Call!

*Editor’s Note: It is important to let Darkroom Gallery know you found their Call on artandartdeadlines.com. They are friends & sponsors of AAAD, and I always want them to know they have our support…

CALL for ENTRIES: Benjamin’s Buttons

Posted on December 23, 2014December 23, 2014 by R.L. Gibson

the cornball
TRUTH

Iowa = Corn. I have no doubt Iowans are justifiably proud of their corn. But, I could not BELIEVE they reintroduced my favorite food with a twist –Caprese Salad on a Stick. The Iowa State Fair debuted this genius idea in 2014. How did I miss this one? I ended up using it at my own art opening less than a month later. This next Call is another reasons Iowans should be proud. Investigate this opportunity…

Check out this Call for Entries from The Chait Galleries Downtown (Iowa City, IA) for Benjamin’s Buttons–Faces of Intensity. I love this theme, and the gallery space is truly gorgeous. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Benjamin’s Buttons, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Benjamin’s Buttons

How do you judge intensity? What experience can you portray through portraiture that captures the spirit and invites viewers to share emotion and understanding? What do you envision when someone’s buttons are pushed to or beyond their limits?

How do you judge intensity? What experience can you portray through portraiture that captures the spirit and invites viewers to share emotion and understanding? What do you envision when someone’s buttons are pushed to or beyond their limits? — from the prospectus

ELIGIBILITY: Open to all artists 18+ residing in the U.S.

MEDIA: Open to all 2D and 3D media accepted except photography. 2D artwork must not exceed 16 inches on any side, including frame. 3D artwork should not exceed 12 inches on any side.

DEADLINE:
January 23, 2015

NOTIFICATION:
January 28, 2015

ENTRY FEE: $30 for up to 3, $10 ea. add’l

AWARDS: Best in Show $400
& Honorable Mention $250

SALES: Work that is sold during the show will generate a 50% commission to the artist, which will be paid by the 20th of the month following the date the sale occurred.

Category: Resume Builder

lots of STEAM

CALL for ENTRIES: Exhibition Opportunities

For details, Read the Full Call!

don’t be BLUE

CALL for ENTRIES: Turquoise

For complete details, Read the Full Call!

melon or MELON?

CALL for ENTRIES: Int’l Illustration

It is their mission to demonstrate the benefits of using illustration, this annual is their showcase.

For complete details, Read the Full Call!

going BANANAS

CALL for ENTRIES: Semblance

For complete details, Read the Full Call!

ATE hours later

CALL for ENTRIES: Still Life / Life Still

For complete details, Read the Full Call!

HYDROPONICS too, apparently

CALL for ENTRIES: The Mark on the Wall

For complete details, please read the Full Call!

clever CUISINE

CALL for ENTRIES: Feminism (n.) Plural

For complete details, Read the Full Call!

a lid for EVERY POT

CALL for ENTRIES: 24th OPA Nat’l

For complete details, Read the Full Call!

LINING UP for dinner

CALL for ENTRIES: Lines

For complete details, Read the Full Call!

the cornball TRUTH

CALL for ENTRIES: Benjamin’s Buttons

For complete details, Read the Full Call!

lots of
STEAM

CALL for ENTRIES:
Exhibition Opportunities

don’t be
BLUE

CALL for ENTRIES:
Turquoise

melon or
MELON?

CALL for ENTRIES:
Int’l Illustration

going
BANANAS

CALL for ENTRIES:
Semblance

CALL for ENTRIES:
Still Life / Life Still

HYDROPONICS too,
apparently

CALL for ENTRIES:
The Mark on the Wall

clever
CUISINE

CALL for ENTRIES:
Feminism (n.) Plural

a lid for
EVERY POT

CALL for ENTRIES:
24th OPA Nat’l

LINING UP
for dinner

CALL for ENTRIES:
Lines

the cornball
TRUTH

CALL for ENTRIES:
Benjamin’s Buttons