Art Shows – Page 144 – Art and Art Deadlines.com

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Category: Art Shows

CALL for ENTRIES: Gender Matters

Posted on November 8, 2010 by R.L. Gibson

MUFFIN MAKIN’
MOMMA

Have you ever wondered why most women fill the family role of cook? (although not in my house) …But in the professional world most Chefs are men? Me too. I like being female, despite the issues…even in the South. Today I’m paying tribute to one of my favorite female Chefs, Cat Cora, who proves gender doesn’t matter…at least in this case. But we all know that gender does matter, especially in this next call for entries.

Check out this Call for Entries for Gender Matters/Matters of Gender from The Freedman Gallery at Albright College. The entry fee for up to three images is only $20, and the juror, Judith Tannenbaum, is spectacular. Did I mention that this art exhibit is open to entries from BOTH genders? Take a look…

CALL for ENTRIES:
Gender Matters/Matters of Gender

Ever since Judy Chicago and Miriam Schapiro organized the collective Womanhouse project in San Francisco in 1972, as well as Judy Chicago’s 1979 Dinner Party, shows centering on women’s reality have become a staple in galleries nationwide.

Gender Matters/Matters of Gender, expands this tradition to include works by artists of both sexes who work from a consciousness of how gender is reflected in art, how the artist’s gender influences her or his medium, and how gender often affects the circumstances in which the artist creates. This show will include a range of artists who make art which explores sexual identity, evolutions in biological reproduction and art which is sometimes informed by an awareness of gender based craft and traditions.

ELIGIBILITY: The exhibition is open to everyone. Entries must represent original works of art or design and represent or address the theme in some way.

MEDIA:
Open to all traditional
& non-traditional genre & media
(including video, sculpture, photography, painting, drawing, printmaking, etc.)

JUROR: Judith Tannenbaum is the first Richard Brown Baker Curator of Contemporary Art at the Museum of Art, Rhode Island School of Design. From 1986 until 2000, she served as curator, associate director, and interim director at the Institute of Contemporary Art, University of Pennsylvania, Philadelphia.

Tannenbaum has organized numerous exhibitions focusing on painting, photography, sculptural installations, and interdisciplinary work with a particular interest in connections between the visual and performing arts. Since moving to RISD, several projects, including “On the Wall: Wallpaper by Contemporary Artists” (2003), have focused on relationships between fine art and design.

ENTRY FEE:
Entry fee is $20.00.
Artists may submit up to 3 images.

DEADLINE: December 1, 2010

NOTIFICATION: January 21, 2011

SUBMISSIONS: Go to: www.albright.edu/freedman/. Use “Upload” link. After completing entry, please send $20 entry fee payable to: Albright College. Entry is not considered “accepted” until check is received.

ABOUT THE FREEDMAN GALLERY: Established in 1976, the Freedman Gallery is a nationally recognized gallery dedicated to contemporary art. Named after co-founder Doris Chanin Freedman (1928–1981), a trustee and alumna of Albright College, the Freedman Gallery is housed in the College’s Center for the Arts.

For all the details, Download the Prospectus!

CALL for ENTRIES: Cartoon Cult

Posted on November 7, 2010 by R.L. Gibson

CHILDHOOD SQUARED

What food reminds you of childhood? Cookies? Spaghetti? Taco Night? Nope, not for me. For me it is Krystals*. I spent a number of my younger years living alone with my Dad, and he didn’t really cook. So, my childhood was a blur of fast food…Krystal, Del Taco and Farmer John’s Smorgasboard. I am so not making this up BTW. But even though my childhood food memory is Krystal, I still LOVE them as an adult. Much the same with the theme for this next call for entries…

Check out the Call for Entries for Cartoon Cult from The Soundry, a former auto body shop that has been converted into a public coffee shop, art gallery, and shared studio space for artists and musicians. You still love cartoons; you know you do. This show is all hung, and the entry fee is low. All of that equals a great resume builder. Give it a try…

Here’s the Call for Entries for
Cartoon Cult

Cartoon Cult is an art show celebrating contemporary art forms of cartoons, comics, digital animation, illustration, anime, and videogames (emphasis on original characters).

ELIGIBILITY: Cartoon Cult is unjuried.

MEDIA: If you have any questions about what can be included in the show, please email Jennifer or Melissa at The Soundry.

ENTRY FEE: The submission fee is $25 and artists may submit up to 5 pieces. All work must be for sale and ready to hang or display.

DEADLINE: November 19, 2010

DELIVERY: November 23 – 30, 2010

The Gallery at the Soundry

The gallery at The Soundry occupies about one quarter of their total space. It’s a rough-around-the-edges kind of space with good lighting and comfortable seating.

They hang their member’s artwork in this area and offer it for sale. This is the place to go in Vienna, Virginia if you’re looking for work from emerging artists, or if you just want to kick back, sip a latte, and take in some new sights.

The artwork in the gallery changes regularly, and a large portion of their gallery space is set aside for installation works.

The garage atmosphere and undergound, working-studio feel give visitors an experience they’re guaranteed not to find anywhere in the region.

Make sure you hurry:

Submissions are due by November 19, 2010.

Delivery of art work is due to The Soundry by November 23 – 30, 2010.

* Editor’s Note: This blog is in no way associated with The Krystal Company. Any reference made herein is merely the experience of me, R.L. Gibson, Editor & Krystal Lover.

CALL for ENTRIES: Abstractions

Posted on November 6, 2010 by R.L. Gibson

POETIC PIZZA

Abstraction is defined as the process or result of generalization. In my house, the dinner discussion goes a little like this: “What do you want for dinner?” Which is often followed by “I don’t know. What do you want for dinner?” Which is then further followed by: ” Well, I know I don’t want pizza.” By the way, this abstract dinner notion of I-don’t-know-but-I-don’t-want-that, usually ends in pizza for dinner. Poetic, eh? Here’s a way to have a more productive abstract notion…

Check out this Call for Entries called True Poetry: Abstractions from the Woman Made Gallery in Chicago. I’ve shown at Woman Made before, and I always admire the curatorial eye of their jurors. The fee is reasonable, and you know I love a theme. Take a closer look…

CALL for ENTRIES:
True Poetry: Abstractions

Abstract art uses a visual language of form, color and line to create a composition which may exist with a degree of independence from visual references in the world.

Western art was, from the Renaissance up to the middle of the nineteenth century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality.

The arts of cultures other than the European had become accessible and showed alternative ways of describing visual experience to the artist. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the changes taking place in technology, science and philosophy.

The sources from which individual artists drew their arguments were diverse, and reflected the social and intellectual preoccupations in all areas of Western culture at that time.

Abstraction indicates a departure from reality in depiction of imagery in art. This departure from accurate representation can be only slight, or it can be partial, or it can be complete.

Abstraction exists along a continuum.

Even art that aims for verisimilitude of the highest degree can be said to be abstract, at least theoretically, since perfect representation is likely to be exceedingly elusive.

Artwork which takes liberties, altering for instance color and form in ways that are conspicuous, can be said to be partially abstract. Total abstraction bears no trace of any reference to anything recognizable. In geometric abstraction, for instance, one is unlikely to find references to naturalistic entities.

Figurative art and total abstraction are almost mutually exclusive. But figurative and representational (or realistic) art often contains partial abstraction. Both Geometric abstraction and Lyrical Abstraction are often totally abstract. Among the very numerous art movements that embody partial abstraction would be for instance fauvism in which color is conspicuously and deliberately altered vis-a-vis reality, and cubism, which blatantly alters the forms of the real life entities depicted.

MEDIA: Open to two- and three-dimensional semi-abstract, non-objective to pure abstract works in all media by women artists from the international community.

SUBMISSION ONLINE:Submit jpgs of up to three of your works on their website. Please include an artist statement and a $30 entry fee.

JUROR: Sandra Perlow is a prolific artist interested in abstraction and pictorial space. She earned her BA from the School of the Art Institute of Chicago, and an MA from the Illinois Institute of Design.

Perlow has shown her work internationally, including at Linda Warren Gallery, Harper College, Jean Albano Gallery, and the Rockford Art Museum. She is an active contributor to WMG and serves on its Advisory Board.

DEADLINE: February 9, 2011

NOTIFICATION: March 12, 2011

For full details, Download the Prospectus!

REJECTED…not dejected.

Posted on November 5, 2010 by R.L. Gibson

We regret to inform you…

You’ve gotta hate letters that start that way. It is like biting into the perfect apple and finding a worm. Yep, rejection sucks. Every artist gets rejected.

While pondering how to do to expand and improve ArtAndArtDeadlines.com for the upcoming year, it occured to me that Rejection Letters are a subject of fascination for many. Why don’t we try to take something personal and depressing and turn it into something great?

…A positive way to learn.

That’s right readers…I want your Rejection Letters.

Send me your letters with your name and address obscured (or I can obscure them for you), and I will build a page to catalog all the letters by gallery or show.

Sharing our rejection letters could serve several purposes:

1. COMMISERATION: You won’t feel so alone when you get 3 rejections a week.

2. RESEARCH: The letters can serve as research on shows and galleries–Step #3 in the popular AAAD post The Art of Cooking also known as How to Get an Art Show.

3. HUMOR: Some of them are hilarioius.

4. WARNING: If you read between the lines, sometimes Rejection Letters can be a great warning that a gallery is just not your cup o’ tea.

So, what do you think? Start submiting your rejection letters (and emails) to me at SubmitArt@ArtAndArtDeadlines.com. Iwould prefer that you send the letters to me AFTER obscuring your name and contact information, but rest assured that I will take every effort to make sure this is an uplifting experience. No one wins if you feel embarrased.

As an added incentive, I will give anyone
that sends me a Rejection Letter a FREE entry
into the $2 Art Contest for that month!

After this blog post goes live, I will create a Rejection Page with this blog entry as its content until the letters roll in (assuming you’re interested).

Here’s one of my letters from the Lake County Discovery Museum’s Postcard Art Competition in 2007. It is a kind letter (sweet, but not entertaining), but I’ll dig through to find some that are more interesting soon.

Send your rejection letters today!

CALL for ENTRIES: The Arrangement

Posted on November 4, 2010 by R.L. Gibson

GUILTY PLEASURE

I frequently joke that I would eat anything that won’t run from me. (Maybe I just need a pair of these Waffle Sneakers from BBC.) But I must admit that how food is presented, it’s arrangement, if you will, makes a huge difference. I love petite little bites that cause me guilt because I know that I am disturbing a masterpiece. Speaking of masterpieces…

It will come as no surprise that this Call for Entries from Vermont Photo Space Gallery called The Arrangement conjures of the exquisite fusion of food and art…the art of presentation. Yes, I am that obsessed with food. But I know you will dig deeper for your own “Arrangement”…don’t forget Vermont Photo Space offers free framing & matting on accepted entries!

CALL FOR ENTRIES: The Arrangement

The tradition of still-life as subject matter has roots deep into the history of art, pre-dating photography as a medium by centuries.

Fine artists in all mediums, photography included, benefited from the total control they had over the final piece; the art making began with their arrangements of the mostly inanimate objects they intended to represent. As Vermont Photo Space Gallery owner Ken Signorello aptly points out, “…it is art squared, where one first creates a work of art and then another to preserve it.”

The history of still life in Photography is as old as the medium itself. Henry Talbot himself produced the first photographic images using the inanimate objects of still life. In its earliest days, utilizing still life as subject matter allowed for the lengthy exposures necessary for its initial technologies.

In the early 1900s, studies in line and form of object contributed to popular abstractions. In the 1950s, still-life concentrated on the kitsch, and re-emerged in the 90s after a few decades in obscurity, in perfect partnership with the new trendy super-saturated film stock. Overall, the genre has been largely ignored, despite periodic bouts of influence – surprising, for a photographic practice with so much potential.

What is still life today?

Vermont Photo Space wants you to show them your arrangements, from advertising to record photography, the abstract to the obvious. Whether you are an amateur or professional, you may have experienced your still-life photographs as some of your favorite images – Juror Paula Tognarelli wants to see them.

JUROR: Paula Tognarelli is the Executive Director and Curator of the Griffin Museum of Photography. The Griffin Museum of Photography’s mission is to promote an appreciation of photographic art and a broader understanding of its visual, emotional and social impact.

Tognarelli holds a M.S. in Arts Administration from Boston University; is a graduate of the New England School of Photography (Applied Program) and is a current candidate for her Masters in Education at Lesley University as a visual arts teacher.

Paula describes her photography as her native language. “I’ve always been more visual than vocal. I could draw a picture much faster than I could articulate a story in words. Photography made dialogue that much easier for me.”

Tognarelli is also a digital imaging specialist. She has done extensive postgraduate study in color management, color theory, digital photography and digital imaging processing. She has lectured on digital imaging throughout the United States and in Japan, representing Agfa and Polaroid Graphic Imaging. She has also been a speaker at the Seybold Conferences. She is a former member of the Xerox Technical Advisory Board. Paula was named by Printing Impressions magazine as one of twelve women who made a major contribution to the Graphic Arts/ Imaging industry.

RULES FOR PHOTO SUBMISSIONS:

Age: Entrants must be at least 18 years old. If younger, a parent or legal guardian may make the submission for you.

Ownership: All submitted photos must have been taken by the photographer making the entry.

If you are a parent or legal guardian submitting for a minor, please make it clear on the submission form.

Digital Submissions: All submissions must be made by digital files through:

1. Upload on VermontPhotoSpace.com or

2. Sent via email to submissions@VermontPhotoSpace.com. This e-mail address is being protected from spambots. You need JavaScript enabled to view it along with an application form. There is a $5.00 surcharge for email entries.

3. Images should be as large as possible but no larger than 1280 pixels on the longest side, type jpg – set to the highest quality. DPI can be set to any number, but if you must specify something go with 72 dpi.

FEES: Up to three images may be submitted for a fee of $20 US for on-line submission and $25 for email submission. Additional images may be submitted for an additional $5 US per image.

DEADLINE: Images and payment must be received by midnight EST on the submission closing date December 22, 2010.

RIGHTS: Photographers retain all rights to their work, except for submissions accepted for exhibition: artists grant Vermont Photo Space the right to use their images to promote the exhibition and for display on VPS website and for inclusion in an exhibit catalog.

Vermont Photo Space Gallery provides free matting and framing of accepted entries for the duration of each of our exhibitions, subject to standard sizes. Photographers set their own prices if they wish to sell their work, and retain all rights.

For the full Call for Entries, visit their website.

CALL for ENTRIES: Salon International 2011

Posted on November 3, 2010January 7, 2011 by R.L. Gibson

BE MY MASTER

I once wanted to be a Master Chef, but alas, I decided in the end that I enjoyed the eating more than the cooking. Becoming a Master Chef takes years of schooling and working in virtually every position in the kitchen to reach your end goal. Master painters are no different. As I have shouted from the rooftop on many occasions, “I am a bad painter.” However, I salute all of you that have what it takes.

Check out the Call for Entries from the International Museum of Contemporary Masters and the Greenhouse Gallery of Fine Art for the Salon International 2011. Here is an opportunity to be a part of a huge show, share an exhibit with the masters of your media, and have a chance at winning one of the many prizes. Take a look…

CALL for ENTRIES: Salon International 2011

This juried exhibition is a project of the International Museum of Contemporary Masters and will be hosted by Greenhouse Gallery of Fine Art in San Antonio, Texas.

The International Museum of Contemporary Masters (IMCM), founded in 2001, is a support system for traditional representational artists. IMCM challenges artists to always strive for a higher level of artistic excellence and is totally dedicated to the recognition, encouragement and support of contemporary, currently active, artists of traditional representational art worldwide.

The word “contemporary” in the museum’s name is to be read “of our times” and refers to currently living and active artists.

ABOUT THE HOST GALLERY: Greenhouse Gallery of Fine Art is one of the most respected galleries in the United States and has been in existence for over 28 years. In August 2005, the gallery relocated to a new 12,000 sq ft. space, three times larger than the original location. While the gallery can easily accommodate 500 paintings, approximately 300 paintings will be juried into this exhibition.

JURORS: The owners of Greenhouse Gallery of Fine Art, Jim Janes and Mark Smith will jury the entries. These gentlemen are responsible for the curating of the work displayed at Greenhouse Gallery and are respected throughout the art community for their curating abilities. The decision of the jury is final. There will be no refund of entry fees for unaccepted entries. Participants will be notified promptly of the jurors’ selections by mail, email and a posting on the Salon International website at si.greenhousegallery.com.

JUDGE: Daniel E. Greene, N.A. is considered one of the foremost realist painters of our time. His pastels and oil paintings have earned him countless awards and honors, and his work is included in collections throughout the world.

Among many accolades, he was elected to the National Academy of Design in 1969, elected to the Pastel Society of America’s Pastel Hall of Fame in 1983, and received lifetime achievement awards from the American Society of Portrait Artists, the Portrait Society of America, and American Artist magazine. Dan is also known as a thorough and generous instructor, as evidenced by his art instruction books and DVDs. He continues to teach workshops at his North Salem, New York, studio.

MEDIA: Original oil paintings only–no over painted photographs. Work must have been painted after April 2, 2009.

DEADLINE: January 21, 2011

AWARDS: 80+ awards ranging from half-page ads in Art Magazines to an $8000 cash award for Best of Show.

For full details, Download the Prospectus!

CALL for ENTRIES: 2010 Susquehanna Int’l

Posted on October 31, 2010 by R.L. Gibson

CAST A LINE

When I moved to Gatlinburg around 3 1/2 years ago, I wouldn’t live anywhere without a mountain top view. After several years up here, we are contemplating building a Storage Container house, and I really think I’m going to choose to live on the water this time–the river to be exact. And, I promise it isn’t because of the abundance of River Trout, although they are yummy eats.

Check out this Call for Entries for the 2010 Susquehanna International Fine Art Competition whose theme is River Art this year. There is no entry fee so buy a rod and reel and head to the river for a little “research.” Take a look!

CALL for ENTRIES: 2010 Susquehanna International

This year’s theme of the Susquehanna International Fine Art Competition is “River Art.” All entries must contain a river, real or imagined, in their composition.

This year’s sponsors include the Sunbury Press and West Shore Gallery. Sunbury Press, based in Camp Hill, PA, is a publisher or trade paperback and digital books. Among their offerings, Sunbury has been producing an art book line for individual artists and for art contests.

West Shore Gallery, located in Wormleysburg, PA, is a fine art gallery featuring the work of well-known and emerging artists.

THEME:
All entries must contain a river,
real or imagined in their composition.
This could be any river in the world,
or one from mythology.
The river need not be
the dominant element.

MEDIA: All entries must be two dimensional. There is no minimum or maximum size.

DEADLINE: December 10, 2010

ENTRY FEE: There is no entry fee.

CATEGORIES: You may enter up to three entries in each category: Oil/Acrylic, Watercolor, Drawings/Sketches, Mixed Media/Collage, Traditional Photography (black & white or color, unembellished compositions), Digital (includes painterly effects, embellishments to photography).

SUBMISSIONS:

JPG File Specs: All entries will be JPG files of low resolution — no more than 1 MB per file. Typically this means no more than 4 inches to any side and a resolution of not more than 200 dpi.

Name your jpg files with your first name, underscore, last name, underscore file number. As an example: john_smith_1.jpg

Email Entries: Send 1 email per category. You may attach up to 3 images per category. Send each category entry in a separate email.

Information to include: In the title of the email, note the artist name & category. In the body, note the attached entries, their titles & years created.

PRIZES: Grand Prize: The top entry of the competition will receive a $250 cash prize and be used as the cover image for the book “River Art” to be published in January, 2011. Category Winners: The top entry in each category will win $50 and be featured as the lead image in each chapter of the book “River Art” to be published in January, 2011.

JURORS: Monica Smith-Talbott, Prof. of Art, Harrisburg Area Community College. Erin Sparler, Prof. of Digital Arts, Central Penn College.

EXHIBITION: All selected entries will have an opportunity to exhibit their work at West Shore Gallery located directly across the Susquehanna River from Harrisburg, PA’s capital dome. West Shore Gallery hosts monthly exhibitions of well-known and emerging artists from around the country.

For full details, Visit the Website!

CALL for ENTRIES: 46th Annual National

Posted on October 30, 2010 by R.L. Gibson

SAY CHEESE (cake)!

It warms my heart that I have been able to feature so many great opportunities from my home state lately. I love art opportunities more than cheesecake…shocking, I know. The $10,000 in cash awards (including $2,000 for Best of Show) in this next show would buy a whole lotta cheesecake though.

Check out this Call for Entries from the Tennessee Art League for the 46th Annual Central South Art Exhibition National. Despite the name, which almost leaves the impression it is a Regional show, it is a NATIONAL Opportunity that you shouldn’t miss!

Call for Entries: Tennessee Art League

Founded by a group of Middle Tennessee artists in 1954, and later chartered as a 501(c)(3) nonprofit educational institution, the Tennessee Art League has enriched the lives of thousands of artists and the community as a cultural center, educational facility and art gallery for fifty-six years.

In 1965, the League started its annual Central South Art Exhibition – now in its 46th year – which, with the generous support of the Friends of the Tennessee Art League, continues to be one of the oldest and most prestigious art competitions in the South and in the nation.

In its commitment to the community, the League provides numerous outreach programs that bring first and meaningful experiences in creating art, especially, to seniors and disadvantaged children. In all of its dynamic, community-oriented programs, the Tennessee Art League is truly the heart of the visual arts in Tennessee.

DEADLINE: January 21, 2011

MEDIA: Acrylic, Colored Pencil, Graphite, Mixed-Media, Oil, Pastel, Pen & Ink, Photography, Pulled-Prints, Sculpture and Water-Media. All works must be signed on the front. Photography & Pulled-Prints must have the signature on the work, not on the mat.

NOTIFICATION: February 18, 2011

ENTRY FEE: An artist may enter up to 3 works for $35 for the first entry plus $10 for each additional entry. Tennessee Art League Members pay $25 for the first entry plus $10 for each additional entry.

AWARDS: $2000 Best in Show. Cash Awards total $10,000.

JUROR: Joseph H. Sulkowski began his studies as a painter at America’s oldest art school, the Pennsylvania Academy of Fine Arts founded in 1809. He then continued and finished his studies after five years at the venerable Art Students League of New York. There, he met his greatest influence and mentor Frank Mason, the foremost authority on the principles and techniques of the Old Masters, and became, in the very traditional sense of the word, his apprentice.

Mr. Sulkowski has received numerous awards including the AAPL Grand National Award, the Grumbacher Gold Medallion Award and the Best in Show Award at the Art in the Mountains exhibition sponsored by Southwest Art magazine. He is a signature member of the prestigious Society of Animal Artists, the National Society of Mural Painters, the National Arts Club, the American Artists Professional League, and he is a Life Member of the Art Students League of New York.

For Full Details, Download the Prospectus!

CALL for SUBMISSIONS: The Adirondacks

Posted on October 25, 2010 by R.L. Gibson

HOT TODDY!

My non-art related work place is The Lodge at Buckberry Creek, a resort in the Great Smoky Mountains patterned after the Great Camps of the Adirondacks in upstate New York. So for me, the idea of the Adirondacks conjures images of hand-oiled leather couches, animal hide rugs, wood-burning fires and warm mulled cider. Thanks to this next call, it can now remind me of phenomenal art opportunities as well!

Check out this Call for Entries from the Adirondack Lakes Center for the Arts! They are looking for artists for the 2011 exhibit year. Don’t miss this opportunity to exhibit in one of their many galleries!

CALL for SUBMISSIONS:
Exhibit at the AC in 2011

This Art Center is looking for qualified artist working in all mediums to apply for solo/group shows at the Adirondack Lakes Center for the Arts to show work in their galleries. They have three galleries on site and two satellite galleries.

The Arts Center host exhibits throughout the year, generally running 4 – 8 weeks. In particular they are looking for new and innovative art.

MEDIA: Mixed Media, Installations, Paintings, Drawings, Printmaking, Sculpture, Video, Sound, Interactive work, and more!

DEADLINE: December 1, 2010

ENTRY FEE: $25 for non-members for 3 to 5 images; $15 for members

SUBMISSIONS: Send 3-5 JPEGs best representing a cohesive exhibit, your Artistic Resume, an Exhibit Description and/or Artist Statement, your Contact information (including Name, Address, Phone and Email), $25 Submission Fee ($15 for AC members). (continues below)

Download the Details!

CALL for ENTRIES: National Juried Show KY

Posted on October 24, 2010 by R.L. Gibson

WORTH A MINT

When I say “Kentucky,” what immediately comes to mind? You may be surprised to hear that I don’t immediately think KFC, ha. No, I always think Kentucky Derby, big hats and mint juleps. It is interesting how some events can become tied to an entire state’s image. I love the Derby, but Kentucky has lots to offer including an excellent National Juried Art Show.

Check out this Call for Entries from Murray State University for the 2011 Kentucky National Juried Exhibition.

CALL for ENTRIES:
2011 Kentucky National

The fifth juried biennial, Kentucky National, is a survey of contemporary art in America hosted by The Clara M. Eagle Gallery at Murray State University, Murray, Kentucky. This year, they are honored to announce Matthew Strauss, Founder and Director of White Flag Projects, St. Louis, Missouri as Juror of Kentucky National 2011.

DEADLINE: November 1, 2010

SUBMISSION FORMAT: All submissions to Kentucky National 2011 must be digital. Digital files should be formatted at 72 dpi, and not exceed 10 inches in any direction. All Film and Video submissions should be submitted through an online link to a high-quality version of your film (through Vimeo, YouTube, or your personal artist website).

SUPPORTING DOCUMENTS: Current CV, Artist Statement, Thumbnail Sheet with complete label information (Name, Title, Media, Dimensions, Date), and a SASE.

SHIPPING: All costs associated with shipping work to and from the gallery are the responsibility of the artist.

Artworks that do not include the cost of the return shipping will become property of the Clara M. Eagle Gallery.

CATALOGUE: An exhibition catalogue featuring the artists of all accepted works will be produced and distributed as part of Kentucky National 2011. Artists featured in Kentucky National 2011 will received a copy of the exhibition catalogue for your professional archive.

ENTRY FEE: Non-refundable $30 fee for every 5 entries; $6 for each additional entry.

JUROR: Matthew Strauss is an artist, curator, and the founder and director of White Flag Projects, a not-for-profit alternative art space in St. Louis, Missouri. Strauss’ most recent solo exhibition was Dead Language at the Contemporary Art Museum St. Louis in 2006.

Strauss has organized more than 30 solo and group exhibitions in the past 5 years. Strauss’s writing and interviews have appeared in publications from The Smart Museum at The University of Chicago, Pulitzer Foundation for the Arts, among others. (continues below)

Category: Art Shows

MUFFIN MAKIN’ MOMMA

CALL for ENTRIES: Gender Matters/Matters of Gender

For all the details, Download the Prospectus!

CHILDHOOD SQUARED

Here’s the Call for Entries for Cartoon Cult

The Gallery at the Soundry

POETIC PIZZA

CALL for ENTRIES: True Poetry: Abstractions

Abstraction exists along a continuum.

For full details, Download the Prospectus!

We regret to inform you…

That’s right readers…I want your Rejection Letters.

As an added incentive, I will give anyone that sends me a Rejection Letter a FREE entry into the $2 Art Contest for that month!

Send your rejection letters today!

GUILTY PLEASURE

CALL FOR ENTRIES: The Arrangement

What is still life today?

RULES FOR PHOTO SUBMISSIONS:

For the full Call for Entries, visit their website.

BE MY MASTER

CALL for ENTRIES: Salon International 2011

For full details, Download the Prospectus!

CAST A LINE

CALL for ENTRIES: 2010 Susquehanna International

For full details, Visit the Website!

SAY CHEESE (cake)!

Call for Entries: Tennessee Art League

For Full Details, Download the Prospectus!

HOT TODDY!

CALL for SUBMISSIONS: Exhibit at the AC in 2011

Download the Details!

WORTH A MINT

CALL for ENTRIES: 2011 Kentucky National

Visit their website to download the prospectus and learn more about the gallery at: murraystate.edu/artgallery!

MUFFIN MAKIN’
MOMMA

CALL for ENTRIES:
Gender Matters/Matters of Gender

Here’s the Call for Entries for
Cartoon Cult

CALL for ENTRIES:
True Poetry: Abstractions

As an added incentive, I will give anyone
that sends me a Rejection Letter a FREE entry
into the $2 Art Contest for that month!

CALL for SUBMISSIONS:
Exhibit at the AC in 2011

CALL for ENTRIES:
2011 Kentucky National