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Art and Art Deadlines.com

Category: Art Competiton

ARTIST of the DAY: Melissa Hill

star light STAR BRIGHT

Some days are tougher than others.  On the toughest of days, I wish for the ability to see things through a larger lens, if you will.  I wish for perspective.  The ability to see things without the subjectivity of whim or personal tragedy or privilege.  Surely a different view would lend answers to the who and the why.  Or maybe just compassion and tolerance for others, for oneself.  The work of today’s AAAD Artist of the Day, Melissa Hill, gave me just a glimpse of that perspective I crave.  (continues below).

"The Stars Remember Pangea" by Melissa Hill (installation)
“The Stars Remember Pangea” by AAAD Artist of the Day Melissa Hill (installation)

“I hope that my work has enough longevity and nuance for people to look at it and take something from it and for those same people to walk through life, change themselves, and then reflect upon it in a different light. I want their interpretation to shift and evolve as they do. I want this because in the end, I think that the act of creating and recreating is at the very heart of being human.” — Melissa Hill

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Ponder the big questions with the work of
AAAD’s Artist of the Day, Melissa Hill!

CALL for ENTRIES: Light & Shadow

Learn more about the Light and Shadow exhibit from 1650 Gallery!shelf LIFE

My next kitchen will not have cabinet doors.  My need for symmetry & years of practice in downsizing lend to neat kitchen cabinets.  There are exceptions: storage containers whose lids hide like socks in a dryer and the lazy Susan corner cabinet that probably has unflavored gelatin from 2010 hiding in the shadows.  I am moving to an all new, albeit all tiny, space in 12 to 18 months, and all the kitchen storage will be open.  All light and no shadows for me.  This Call, however, wants both your light AND your shadows.  Take a look…

Check out this Call for Entries from the 1650 Gallery (Los Angeles, CA) for Light & Shadow, a juried photography exhibit. $35 entry & free matting and framing (pre-set sizes). There’s even a way to avoid shipping. Theme open to broad interpretation…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Light & Shadow, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the Light and Shadow exhibit from 1650 Gallery! CALL for ENTRIES:
Light & Shadow fm 1650 Gallery

 

“The beauty of light never fails to inspire. It comes in many colors and styles, from the soft monochrome palette of the pre-dawn to the raging intensity of Times Square at midnight. Light can dazzle, light can seduce; light can be so intoxicating many spend hours attempting to capture its essence inside a tiny light-tight box otherwise known as a “camera.” Whether the photographer chooses color or black and white, the expression and compression of the wonder of light from our daily world onto a 2d piece of paper in a compelling way remains both the Nirvana and the great white whale of all photographers past, present and future. Studious professional photo-geek Ansel Adams identified 10 distinct “zones” of light from pitch black to pure light in an attempt to tame the photo beast; in his wake countless lives have been dedicated to the artistic pursuit of these 10 expressions of luminosity” — from 1650 Gallery

ELIGIBILITY: All artists age 18+

MEDIA: Photography

DEADLINE:  April 10, 2016

NOTIFICATION: By April 17, 2016

ENTRY FEE: $35 for up to 5, $5 ea. add’l

Learn more about the Light and Shadow exhibit from 1650 Gallery!JUROR: Andrew Overtoom is an award-winning filmmaker & photographer living in L.A. He publishes THE UNDEAD NEG, is launching a quarterly photography journal & owns the 1650 Gallery.

AWARDS: Best In Show, 2nd & 3rd Place will be awarded & posted after the opening. Awarded photos will be featured on the show page & Best In Show winners will have a small portfolio featured in the 1650 Spotlight gallery.

SALES: Selected artists may choose to offer their work for sale. The gallery retains 50% commission. The 1650 Gallery offers free matting and framing for accepted photographs that fit their pre-cut mat sizes for the duration of the exhibition. Photo sizes are 8″ x 10″, 11″ x 14″ 16″ x 20″, or 20″ x 24″.

For complete details, Read the Full Call!

Learn more about the 1650 Gallery!

 

CALL for ENTRIES: Show #31

Learn more about Show #31 from Field Projects!smashingly
DELICIOUS

Do you own a food mill?  Think of it as a low-tech food processor.  I love them because it makes leftovers multi-use.  Run your chunky marinara through the mill for pizza sauce, while the food processor tends to make a watery mess. Baked apples, once milled make a great granita.  Veggies from making stock end up as a great, light sauce for a fast noodle lunch.  Your time is valuable.  Don’t waste it by throwing away the left overs.  Eat them.  This next Call is a multi-purpose tool.  Apply for one show and get considered for multiples.  Take a look…

Check out this Call for Entries from Field Projects (NYC) for Show #31. $25 entry for all artists & all media. Plus, this entry submits your work for consideration for future shows as well. This is a wonderful opportunity!

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Show #31, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about Show #31 from Field Projects!CALL for ENTRIES:
Show #31
from Field Projects

 

ELIGIBILITY:  Open to all artists

MEDIA:  Open to all media

DEADLINE:  April 9, 2016

NOTIFICATION:  April 19, 2016

ENTRY FEE:  $25 for up to 5

CURATOR:  Jesse David Penridge holds a Master from the University of Sussex, UK in Aesthetics.  Since entering the art world from the side of philosophy & theory Penridge has curated exhibitions, both solo & in collaboration with museums & not for profit institutions. He is also an ultra-marathoner & endurance cyclist (when he has time)!

AWARDS:  All submissions will be considered for Show #31 and the accompanying online show.  Plus, Field Projects Panel will be considering the current submissions for future group shows, solo shows & art fairs.

SALES:  All artwork in Show #31  must be for sale, with FP retaining 50% commission.

For complete details, Read the Full Call!

Learn more from Field Projects!

CALL for ENTRIES: Figure in Landscape

Learn more about the Figure in Landscape exhibit from the L.A. Photo Curator!fragile
FOOD

Time for planting decisions has arrived.  We’re probably clear of the last frost where I live, but now it is time for mama black bears and their cubs to begin wandering out of their dens.  In fact, critters all seem to be ready to get the season started.  So, how do I choose to what to plant?  I need hardy veggies that aren’t overly attractive to foraging wildlife.  Then there is what we have dubbed the fern-factor.  There seem to be some things, I simply cannot grow; tomatoes & ferns are on the short list.  Funny how gardens differ based on the gardener.  Thumbs definitely come in different shades of green. This Call for photography wants to see your interpretation of how the figure influences the landscape.  Take a look…

Check out this Call for Entries from L.A. Photo Curator for the Figure in Landscape exhibit. $20 entry, no shipping, great prizes & exposure for ALL entrants. Great opportunity…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Figure in Landscape, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the Figure in Landscape exhibit from the L.A. Photo Curator!CALL for ENTRIES:
Figure in Landscape
from L.A. Photo Curator

 

The relationship between a figure & the landscape context can be powerful. Landscapes are often presented as pristine places, without human presence.  However, figures within landscapes can play dynamic roles as scale elements, protagonists in a narrative, or mysterious presences.  Sometimes figures can ask more questions about a place than they can answer.  For this exhibition photographs that extend beyond documentation of place to bring a human element into the natural or urban landscape are sought. –from laphotocurator.com

ELIGIBILITY: Open to all artists

MEDIA: Photography

DEADLINE:  April 15, 2016 (Midnight PST)

EXHIBITION: April 23 – May 23, 2016

ENTRY FEE: $20 for up to 3

CURATOR: Emma Powell received her MFA in Photography from the School of Photographic Arts and Sciences, Rochester Institute of Technology & is currently an Asst. Professor of Art, with a focus in photography at Colorado College. Powell brings a varied & full background to L.A. Photo Curator, which includes awards, residencies & fellowships.

AWARDS:  The curator will still choose one 1st place winner, one 2nd place winner & 3 honorable mentions. The 1st place winner will receive a review by one or more curators including a Q&A about the photographer’s work. In addition, their image will be on our home page for a month. 2nd place & honorable mentions will have their image shown along with their bio, artist statement, CV & a link back to their website.

Plus, ALL entrants’ work will be exhibited online in a group on-line exhibition. In keeping with the mission of creating exposure opportunities and PR, L.A. Photo Curator is proud to offer this feature. In addition to your work being seen, there will also be a short artist statement and bio about you plus a link back to your website.

SALES: All sales are conducted between the artist & buyer. L.A. Photo Curator does not handle any part of sales. There is no commission.

For complete details, Read the Full Call!

Learn more about the Figure in Landscape exhibit from L.A. Photo Curator!

CALL for ENTRIES: Artist Grant

Learn more about the artist grant available from workingartist.org!

simple
GOODNESS

My food preferences have transformed.  Years ago, I appreciated more complex, layers of flavor, intrigued by how accurately, or not, I could dissect the ingredients of a sauce.  Now a beautiful polenta makes my day –organic, hand-ground corn, homemade chicken stock & aged Parmesan. Simple food allows me to seek out & celebrate quality ingredients without the need for clutter.  This next Call is simple; pay the fee & submit a link. Easy…

Check out this Call for Submissions from WorkingArtist.org for the $1000 Artist Grant/Art Purchase Award. $25 entry & send a link. It doesn’t get any easier. Don’t miss this one…

*Editor’s Note: If you have read the personal portion of this post, CALL for SUBMISSIONS: Artist Grant, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.
Learn more about the artist grant available from workingartist.org!

CALL for SUBMISSIONS:
Artist Grant
from workingartist.org

 

ELIGIBILITY: Open to all artists

MEDIA: Open to all visual media, including but not limited to drawing, painting, conceptual, installation, prints, sculpture, glass, new media, mixed media, photography & video. (no dance or performance at this time)

DEADLINE:  March 31, 2016

ENTRY FEE:  $25 for up to 5

AWARDS: If selected as the winner, the award recipient must exchange one of their original works or smaller series of original works for inclusion into a collection, in return for the award. Work considered by the artist as of equal value, and available for acquisition can be negotiated upon receipt of the award. Shipping costs will be paid by workingartist.org.

For complete details, Read the Full Call!

Learn more about the Working Artist Grant and Purchase Award!

 

CALL for PROPOSALS: Solo 2017

Learn more about the 2017 Solo Exhibition opportunities from VisArts at Rockville!solo
SUSTENANCE

When left alone, I tend to eat solitary foods.  I stood in my kitchen and ate cottage cheese (from the container & yes it was end of the container).  For breakfast yesterday, strawberries.  For Monday’s snack, pickled beets. But my meals with family or friends are balanced and diverse. I try not to overthink it; surely it is just simplicity, not laziness, right?  This next Call requires neither simplicity nor laziness, but you will be on your own.  Be brave…

Check out this Call for Proposals from VisArts (Rockville, MD) for 2017 Solo Exhibits at the Gibbs Street Gallery.  For those of you ready to take this step, this is a great size for a solo exhibit.  Take a look
*Editor’s Note: If you have read the personal portion of this post, CALL for PROPOSALS: Solo 2017, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from VisArts at Rockville!CALL for PROPOSALS:
2017 Solo Exhibitions
from VisArts at Rockville

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The Gibbs Street Gallery offers exhibitions that explore the breadth of contemporary art featuring emerging to mid-career artists. Exhibits reflect a wide range of media and experimental approaches that offer the viewer unexpected interactions with art. The gallery is approximately 1,100 square feet with 16 ft. ceilings. It is on the street level with floor to ceiling windows along one wall. (Click Here for floorplan.)

ELIGIBILITY: Open to all artists

DEADLINE: March 30, 2016 11:59 EST

APPLICATION FEE: $15

AWARDS:  Selected artists will be scheduled for a solo exhibition. Add’l support for the execution of exhibition programming is available.

For complete details, Read the Full Call!

Learn more from VisArts at Rockville!

CALL for ENTRIES: Illustration Awards

Learn more about the International Illustration Awards from 3x3 Mag!need a
CLEAN PLATE?

I am not a fan of buffet restaurants. Even when I get past the being herded like school children through a cafeteria line, I have trouble with all inclusive nature.  How can one hold everything at a single temp & humidity and expect everything to thrive? Some foods are fragile. Celery & carrots require higher humidity. Dairy needs a lower temp than washed greens.  In exchange for larger variety, we end up with mediocre versions of fresh food that would have better maintained their individuality in a kitchen.  This next call is a hand-picked selection of the highest quality, not a buffet.  Interested? Me too.

Check out this Call for Entries from 3×3 Magazine for the Int’l Illustration Show.  Quality art publication that is both curated but open to illustration is a rare combination. These fees are among the lowest in the industry.  Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Illustration Awards, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the International Illustration Awards from 3x3 Mag!CALL for ENTRIES:
Illustration Awards
from 3×3 Magazine

 

3×3 Magazine publishes the world’s best contemporary illustration as judged by some of the world’s top art directors, designers and illustrators. They welcome entrants come from every part of the globe are still one of the best values regarding entry & publication fees.

ELIGIBILITY: Open to all artists for commissioned & non-commissioned work produced/published during 2015.

DEADLINE: March 25, 2016

NOTIFICATION: by June 25, 2016

ENTRY FEE: Single entries are $35 and Series (3–5 images only) are $60. Note: Publication fees for winners are $85 to cover the printing & distributing. Honorable mentions pay $50.

JUDGES:  Read the FAQ for a complete list of judges.

AWARDS: Winners will be featured in the printed annual. Best of Show & Gold medal winners receive our distinctive 3×3×3-inch cube, Silver and Bronze winners receive a framed award; distinctive merit and merit winners receive paper certificates. The eBook will be offered free to a select list of art directors worldwide. In addition all winners will be invited to participate in the 2017 Illustration Directory sent free to 6,000+ art directors and art buyers in America.

For complete details, Read the Full Call!

Learn more about the International Illustration Awards from 3x3 Mag!

 

CALL for ENTRIES: Portfolio

Learn more about the Portfolio issue from F-Stop Magazine!naturally
SAUCY

I like to think I eat fairly clean.  But by coincidence, I ran out of all of my standard sauces at one time which necessitated my seeing them ALL in my shopping cart at once.  Who new? Soy, fish, oyster, Worcestershire, Thai chili, plum, four vinegars, 3 mustards, and lets not forget sriracha. In my defense, there ARE a few of scratch-made ones like barbecue & chocolate sauce.  It seems my portfolio of foods aren’t all as pure as I’d like to believe.  This next Call want your purely individual portfolio.  Take a look…

Check out this Call for Entries from F-Stop Magazine for Portfolio, (Issue #76). No entry fee, and it is a great opportunity to show a full body of work. Take a moment to look at the last few issues. You’ll be inspired. We can’t wait to see your images published here

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Portfolio, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the Portfolio issue from F-Stop Magazine!CALL for SUBMISSIONS:
Portfolio from F-Stop Magazine

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ELIGIBILITY: Open to all artists

THEME: For issue #76 F-Stop Magazine is looking for a body of work.

MEDIA: Photography

DEADLINE:  March 15, 2016

PUBLICATION: April 1, 2016

ENTRY FEE: None

AWARDS: Selected artists/photographers will have images published in Issue #76

ABOUT F-Stop: F-Stop Magazine is an online magazine featuring contemporary photography from established & emerging photographers from around the world. Each issue has a theme that the unites the images to create a dynamic dialogue. Founded in 2003 and published online, bi-monthly.

For complete details, Read the Guidelines!

Learn more about the Wonder-Full issue from F-Stop Magazine!

ARTIST of the DAY: Jylian Gustlin

abstract math PORTRAIT

I have a well-known soft spot for portraiture.  A significant part of my own work has revolved around facial expression, but abstract art calls to me.  I buy abstract work.  I find that my interpretation and feelings about this work evolves as my time with it increases.  I am always delighted to find a marriage of the abstract and the figurative. Today’s AAAD Artist of the Day, Jylian Gustlin gives me just that marriage. (continues below)

Hera 3 (left) and Zues 1 (right) by Jylian Gustlin
Hera 3 (left) & Zeus 1 (right) by Jylian Gustlin

“I knew that if I finished [a degree in computer science & mathematics], I would never make art.” Jylian Gustlin

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Delight in the math with the work of the
ArtAndArtDeadlines.com
Artist of the Jylian Gustlin!

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CALL for ENTRIES: Pure Abstraction 2

Learn more about the Pure Abstraction 2 exhibit from art-competition.net!fuzzy
FRUIT
boundaries

I believe the concept of “edible” is abstract, not just subjective.  Technically, anything that doesn’t kill you is edible.  Well, really, you can still eat things that WILL kill you.  So, I suppose if you are physically able to consume something, it is edible.  So, maybe the notion of “eatability” is the abstract one.  Why would someone pay a fortune to eat a fertilized duck egg?  Because they are yummy? Doubtful.  But, the precedent for eating eggs and eating ducks has been set, so I understand why it would occur to someone to try.  But coconut?  Green or furry, how did someone look at a coconut and say, “let’s eat one”?  Abstract.  This next Call is also purely abstract.  Take a look…

Check out this Call for Entries from Art-Competition.net for Pure Abstraction 2.  $20 Entry and great marketing awards.  Is this one right for you?

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Pure Abstraction 2, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the Pure Abstraction 2 exhibit from art-competition.net!CALL for ART ENTRIES:
Pure Abstraction 2

 

“What goes on in abstract art is the proclaiming of aesthetic principles… It is in our own time that we have become aware of pure aesthetic considerations.  Art never can be imitation.”  — Hans Hofmann

ELIGIBILITY: All artists age 18+

MEDIA: Open to any still medium: painting, collage, photography, drawing, digital art, sculpture, fiber art, etc.

THEME: The work should be purely abstract with little to no depiction of the real world. This work must rely on color, form and line to create an abstract work of art with little or no reference to the external world.

DEADLINE:  March 7, 2016

NOTIFICATION: March 16, 2016

ENTRY FEE: $20 for 1, $35 for 3 and $60 for 7

AWARDS: Up to 15 artists will be selected for a group exhibit, “Pure Abstraction 2” at G25N’s online gallery, the exhibit and artists will be extensively marketed.

For complete details, Read the Full Call!

Learn more from art-competition.net!
We are happy to have Art-Competition.net as a sponsor of AAAD.

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