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Tag: February 4 2013

CALL for ENTRIES: Lost & Found

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!SORRY
sardines

Have you ever lost your taste for something?  I used to absolutely love sardines as a kid.  My grandmother would make my uncle Darryl and I sit on the back step outside the back door of the kitchen to eat them.  But, over the years, I fell out of love with them.  I don’t hate them.  I remember the buttery melt-in-your-mouth texture contrasted with the crunchy saltiness of the Saltines, their constant companion.  Maybe it is time to find a can of my old friend sardines again.  This next Call is all about lost & found.  Don’t miss this opportunity…

Check out this Call for Entries from the Darkroom Gallery (Essex Junction, VT) for Lost & Found. The entry fee at Darkroom is always low ($24), and they will provide free matting & framing if you work in their standard sizes. Take a look…

*Editor’s Note: If you enter, please make sure to let them know that you found the Call on ArtAndArtDeadlines.com. We’ve got a great history with them…including Best of Show!

Learn more about juror Davy Rothbart!CALL for ENTRIES:
Lost & Found

 

To happen upon something
forgotten, forsaken; to find
what was once lost.

Photography eliciting scenes or subjects that meant something to someone long ago or in the recent past.  Foraging in a far away land, or even in your own backyard and uncovering the unexpected. We are looking for photographs that embody this murky realm of faded glory; haunting happenstance, and beauty found in the details dropped by a stranger on the street. Capture those ancient treasures tucked away from plain sight; the handiwork of a craftsman now far away, but re-imagined, and re-discovered by your lens.

Learn more about the Darkroom Gallery online!In light of recent events, we are all feeling a communal sense of loss.  We see that, like material things, people can be lost, sometimes tragically.  They can be misplaced, or forgotten–lost souls, the invisible humans in our midst.  Bring these subjects into the light, show the Darkroom Gallery what was lost and you have found.

ELIGIBILITY: Entrants must be at least 18 years old. If younger, you must have a legal guardian make the submission for you.

MEDIA:
Photography

DEADLINE:
February 6, 2013

NOTIFICATION:
February 13, 2012

ENTRY FEE:  Up to 4 images for $24 US for on-line and $29 for email submission

JUROR:  Davy Rothbart is the creator of Found Magazine, a publication dedicated to discarded notes, letters, flyers, photos, lists, and drawings found and sent in by readers. The magazine spawned a best-selling book, Found: The Best Lost, Tossed, and Forgotten Items from Around the World, published in April 2004. A second collection was published in May 2006, a third in May 2009. The magazine is published annually and has a worldwide following, it’s online blog is updated daily.

Learn more from the Darkroom Gallery!Rothbart is a frequent contributor to This American Life, and author of My Heart Is An Idiot, a book of personal essays, and the story collection The Lone Surfer of Montana, Kansas. He writes regularly for GQ and Grantland, and his work also appears in The New Yorker, The New York Times, and The Believer. He is also the founder of Washington II Washington, an annual outdoor adventure for inner-city kids. Rothbart lives in Ann Arbor, Michigan and Los Angeles, California.

AWARDS: All selected entries are exhibited in the Darkroom Gallery and included in a full color exhibit catalog. Juror’s Choice receives a 30×48″ vinyl exhibit banner featuring their image. People’s Choice gains free entry into a future exhibit.

SALES: Darkroom offers free matting and framing of accepted entries for the duration of each of their exhibitions, subject to standard sizes. Photographers set their own prices if they wish to sell their work and retain all rights to their photographs. For commission details, go to the bottom of the Submission Rules page!

For complete details, Read the Full Call!

Learn more about the Darkroom Gallery!

CALL for ENTRIES: Archetype Drift

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!GROCERY
mania

It is snowing like crazy at my house right now, and I promise you that the grocery store is crowded with people shopping as though it is the last food they will ever buy.  There is something about the peaceful quilt of snowfall that brings out the animal instinct regarding food.  My favorite is when people stock up on microwaveable food that they won’t be able to cook if there is no electricity.  What would these folks think if they could see themselves in the mirror?  This next call is a “momentary mirror” of sorts.  Take a look…

Check out this Call for Entries from Filter Photo Festival for Archetype Drift, an exhibit at the Johalla Projects Gallery (Chicago, IL).  The entry fee is low, and I appreciate the questions this Call asks.  Investigate for yourself…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Archetype Drift, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from the Filter Photo Festival!

CALL for ENTRIES:
Archetype Drift

 

Photography can be a painful mirror.  Because of its illustrative tendencies and mnemonic capacities, photography enables us to tell the stories we want to tell with a hammer that is the frame. What happens when the medium gets in the way of the most important narratives?

Photography can be a seductive enabler that, at its worst, allows us to fetishize, beautify, and conduct shallow investigations. Meanwhile, paradigmatic changes in history and culture metastasize alongside new technological ways to make, edit, and distribute images. Are photographers pushing envelopes of meaning and relevance? Are they even keeping pace?

Powerhouse Gym by Brian UlrichWith the ubiquity of images high and low, how does an image-maker create cultural value in 2013? Archetype Drift is a call for new methods of photographic making, editing, and presentation.  It is a call for risk taking, chance operations, relabeling, and letting go of the comfortable.  It is in itself an experiment and a (momentary) mirror.

ELIGIBILITY:  Open to all artists

MEDIA:  All types of photographic and lens-based work will be considered, including video and GIFs.

DEADLINE:  February 4, 2013

NOTIFICATION:  Mid-February

Too Hard to Keep by Juror Jason Lazarus installation at Illinois State University!ENTRY FEE:  $25 for 3, $5 ea. add’l up to 6

CURATOR:  Jason Lazarus (born 1975) is a Chicago based artist, curator, writer, and educator who received his MFA in Photography from Columbia College Chicago in 2003.

His work has been exhibited internationally and is in major collections including the Museum of Contemporary Art Chicago, the Art Institute of Chicago, the Bank of America LaSalle Photography Collection, and the Milwaukee Museum of Art among others. Major exhibitions include “Black is, Black ain’t” at the Renaissance Society, “On the Scene” at the Art Institute of Chicago, “Not the Way You Remembered” at the Queens Museum of Art, and “Image Search” at PPOW Gallery in NYC.

Jason recently became the Co-Director of Chicago Artist Writers, a new art criticism platform.

SALES:  There is no commission on artwork, and artists will receive 100% of any sales.

For complete details, Read the Full Call!

Learn more from the Filter Photo Festival!