Art Deadlines – Page 126 – Art and Art Deadlines.com

CALL for ENTRIES: Phone-o-Graphic

Posted on April 15, 2011May 19, 2011 by R.L. Gibson

FOOD FOR THE EYES

I would love to know what percentage of cell phone pictures are of food. I am willing to bet it is over twenty-five percent…maybe even thirty percent. Thanks to facebook, I am regularly made aware of the gastronomic adventures of hundreds of my friends. Unfortunately, due to the number of my friends that are artists that also read this blog… I must honestly admit that I am among the worst of the offenders. I submit evidence of my guilt by posting this picture to the left of delicious Buckberry Bread Pudding that I took yesterday at The Lodge at Buckberry Creek. And, while I am not suggesting you submit pictures of food, this Call will require use of your cell phone. Take a look…

Check out this Call for Entries from Darkroom Gallery called Phone-O-Graphic Arts. Enter your work for as little as $20. Don’t forget Dark Room Gallery offers free framing & matting on accepted entries!

CALL FOR ENTRIES:
Phone-O-Graphic

Likely you’ve got your phone with you at all times, while you’ve forgotten your dSLR or film camera at home. You wouldn’t dare leave your phone at home, would you? It’s liberating, knowing your cell or smartphone can take a picture, anytime, anywhere.

As Photographers, you’ve likely engaged in the heated discussion over the capability, viability, credibility of the camera phone. Purists scoff at the intrusion of a mediocre, fraud of a device, that is marring their photographic religion. And then there are the rest of you, embracing the technology and embracing the all-in-one, multi-media lifestyle of the cellphone-toting imagist, so many of you have become.

JUROR: Dan Burkholder has a long history of looking over the photographic horizon to see, explore and teach the next great thing in imaging. His newest book, iPhone Artistry (Pixiq Press, 2011), is the definitive how-to for creative iPhone photographers. His first book, Making Digital Negatives for Contact Printing (Bladed Iris Press, 1995) became a seminal manual for photographers wanting to blend the power of digital imaging with the charm of the handmade print.

Dan received his B.A. and Master’s degrees from Brooks Institute of Photography, in Santa Barbara, CA. Dan has taught digital imaging workshops for 16 years on three continents and several island countries.

Burkholder’s platinum / palladium and pigmented ink prints are included in private and public collections internationally.

PHOTO SUBMISSIONS:

Age: Entrants must be at least 18 years old. If younger, a parent or legal guardian may make the submission for you.

Ownership: All submitted photos must have been taken by the photographer making the entry.

If you are a parent or legal guardian submitting for a minor, please make it clear on the submission form.

Digital Submissions: All submissions must be made by digital files through:

1. Upload on the Dark Room Gallery website or

2. Sent via email to submissions (at) VermontPhotoSpace.com. This e-mail address is being protected from spambots. You need JavaScript enabled to view it along with an application form. There is a $5.00 surcharge for email entries.

3. Images should be as large as possible but no larger than 1280 pixels on the longest side, type jpg – set to the highest quality. DPI can be set to any number, but if you must specify something to go with 72 dpi.

FEES: Up to three images may be submitted for a fee of $20 US for on-line submission and $25 for email submission. Additional images may be submitted for an additional $5 US per image.

DEADLINE: Images and payment must be received by midnight EST on May 24, 2011.

RIGHTS: Photographers retain all rights to their work, except for submissions accepted for exhibition: artists grant Dark Room Gallery/Vermont Photo Space the right to use their images to promote the exhibition on the website and for inclusion in an exhibit catalog.

Darkroom Gallery provides free matting and framing of accepted entries for the duration of each of our exhibitions, subject to standard sizes. Photographers set their own prices if they wish to sell their work, and retain all rights.

For the full Call for Entries, visit the website.

CALL for PROPOSALS: Smoking Mirrors in NYC

Posted on April 14, 2011 by R.L. Gibson

PICKLES
& ICE CREAM

Some foods just go together like peanut butter & chocolate, bacon & eggs, even pretzels & mustard. But sometimes, the best pairings are a surprise like french fries & mayo or chocolate & chili. This Call combines all the drama of modern dance with the interactive nature of installation artwork–a perfect pairing. This is a great opportunity to be a part of a two-week pop up gallery in New York City.

Check out the Call for Proposals for Smoking Mirrors from Kinematic Dance and A+ Productions. No entry fee and an uber-cool concept. Don’t miss out on this one… particularly if you are interested in installation work!

*Editor’s Note: If you have ever wanted to try your hand at installations, here is a free opportunity. Remember, all they can do is say no. If they do, send me the rejection letter, and you’ll get a free entry into the $2 Art Contest. See? You win either way.

CALL for PROPOSALS:
Smoking Mirrors

Kinematik Dance and A+ Productions are soliciting proposals for exhibitions at Smoking Mirrors for Fall 2011 in New York City. Artists will collaborate with choreographers and dancers in creating an interactive, multi-sensory performance environment. Winning proposals will be sponsored for a two-week pop up gallery showing and two performance events with reception. Artistsʼ will receive exhibition opportunity, publicity, and documentation of work.

THEME: Smoking Mirrors explores how identity has become synonymous with pixilation in our fast-paced, media-driven world. How have our identities become pixilated through advanced technology and social media and which stages of fragmentation have led us to multiply ourselves? Has this shift given us more freedom and tools to define our own existence or has it, in fact, limited our capacity to simply exist?

From the invention of the mirror to the iPhone, various devices have helped us create replicas of ourselves, often blurring the lines between what is real, imaginary, and symbolic. In this event we are inspired to journey through the various stages of fragmentation to the inevitable negotiation of identity. Starting with the uninterrupted experience of wholeness we move through the detachment of the self by reflection, society, traditional media (advertising) and hypermedia (social networking).

ELIGIBILITY: Open to installation artists, set designers, multi-media and video artists, and lighting designers.

MEDIA: Smoking Mirrors is the first in a series of “Performance Design” events that incorporates dance, design and multi media arts. Part performance, part art installation, and part party, the event will include 60 minutes of dances pieces that fuse movement, technology, imagery, and the unusual use of props. Performances will take place in various areas of a created multisensory and interactive environment, through which the audience will move to view performances.

DEADLINE: May 5, 2011

ENTRY FEE: There is no entry fee.

SPONSORED BY: Kinematik Dance provides visually stimulating and provocative choreography that fuses elements of urban dance such as Hip Hop, House, Breaking and Vogue with contemporary modern dance. Through a synthesis of artistic elements such as movement, visual imagery, lighting and the unusual use of props, Kinematik reconstructs the conventional by addressing common social stereotypes and engaging audiences to rethink existing notions about urban and popular culture. Kinematik aims to vitalize the concert dance world with a fresh new perspective on the conceptual street dance movement.

A+ Productions is a multi-disciplinary production company that seeks to foster integrated, creative communities by creating a platform for dynamic collaborations between visual and performing artists. In our city (NYC) of nearly 10 million people artists too often operate autonomously and independently within their respective communities. By pairing choreographers with designers, architects, sculptors, poets, and the like, A+ promotes a more communal approach to art-making that enhances the work of each artist while making dance more visible and accessible to the general public.

For complete details, Download the Prospectus!

ARTIST RESIDENCE: ARTErra in Portugal

Posted on April 13, 2011 by R.L. Gibson

Well,
SPRINKLE
my PUDDIN’

I love Mediterranean food, and when I think of Portuguese food, I conjure images of olives and cinnamon-topped rice pudding. Not together, of course. So, did you know that Portugal has Europe’s highest fish consumption per capita and is among the top four in the world for this indicator? Me neither. If you are awarded this Residence Opportunity, I expect a full report — on art AND food.

Check out this Opportunity for an Artist Residence program sponsored by ARTerra in Portugal. This is a FREE chance to apply for an art submersion program. Create a full body of work in Portugal. Take a chance…

*Editor’s Note: Most of the ARTerra site IS written both in Portuguese AND English.

ARTIST RESIDENCE: ARTErra in Portugal

ARTErra is structure is placed in Lobão da Beira, a village in Portugal, near Tondela, district of Viseu is now open to receive projects from artists.

ELIGIBILITY:
Open to all artists.

DEADLINE:
May 15, 2011

ENTRY FEE: There is no fee to apply.

SUBMISSIONS: The application must contain the following elements:

Curriculum Vitae and Bio
Portfolio, videos, photos , music, etc.
Description of the project to be undertaken at ARTERRA, including the project’s objectives, needs & expectations, work method & details necessary to understand the proposal;
Ideal dates for the residence;
Complementary information (needs for meals, number of persons involved, technical requirements, work characteristics and other additional relevant info).

ABOUT: ARTErra is a structure (pictured left) of incentive for artistic creation in a quiet and green small village, which aims to facilitate encounters between different* artists and aesthetic disciplines.

*Editor’s Note: Many of you will assume they are seeking traditional media and content. I recommend you visit the blog link below to see some of the work produced and shown as a part of this residency.

ARTErra is strongly committed to offering the residents a cheerful and productive stay. Because of that, partnerships have been established with the Municipality of Tondela and Lobão da Beira for reception and possible presentations of performative works, exhibitions, workshops, lectures, etc.

For complete details, visit the ARTerra website!

Or visit the ARTerra blog!

CALL for ENTRIES: Enacting Queerness

Posted on April 12, 2011April 12, 2011 by R.L. Gibson

SPROUTS ALIVE!

I am reclaiming brussel sprouts for the tasty side. I am tired of hearing them spoken of in the same tone as snot, vomit and boiled okra. Gone are the days of bitter and boiled little cabbage-like veggies that your mother forced you to eat. Celebrate the roasted sprout with rosemary and a squeeze of lemon. Live a little. Actually, live and let live. This next Call is about reclamation and celebration too. Say it with art…

Check out this Call for Entries for Enacting Queerness by The Omni Proje[q]t. There is NO ENTRY FEE, but it will require a bit of a leap of faith on your part. Take a chance!

*Editor’s Note: Unfortunately, a handful of you will unsubscribe from this site because of the content of this post. It makes me sad–not that you’re going, although I hate to see people leave us behind, but because if you are a human that still has issues with the gender and/or sexuality of others, your life must be very small indeed.

CALL for ENTRIES:
Enacting Queerness

Enacting Queerness uplifts ideas, actions, and/or persons that exist out of the norm in terms of their gender and/or sexuality. It celebrates the reclamation of deviant identity as an empowering one. Whether queer identified or not, socially we have been brought to recognize these acts of identity reclamation. This exhibition aims to uplift these revolutionary ways of existing.

ELIGIBILITY: All artists are invited to submit their artwork pertaining to the theme for the exhibition, which will take place in a space on Elm Street in Downtown Greensboro, NC for one night only.

DEADLINE: May 15, 2011

ENTRY FEE: No entry fee necessary. You just have to pay for the shipping of your polished work to and from their space.

SALES: No commission will be taken out of what is sold.

CALL for ENTRIES: Can You See Me Now?

Posted on April 10, 2011April 27, 2011 by R.L. Gibson

DIAL “A” for ADDICTION

I take some foods for granted. Friday I learned a valuable lesson: I am addicted to granola bars. My beloved husband packs my daily lunch that I then refrigerate or reheat at my office. There is usually one entree, a granola bar, and two additional salty snacks. This past Friday he forgot to pack a granola bar. Without my standard 10:30 am snack, I was lost all day. Lost like I would be if you took away my BlackBerry. Sad, but true. This Call for Entries allows you to use that cell phone that is probably surgically connected to your hand anyway. Take a look…

Check out this Call for Entries from [Artspace] at Untitled (in Oklahoma City, OK) for Can You See Me Now: Photos Made on Phones. The entry fee is only $25, and you probably already have a killer shot that you’re carrying around in your hip pocket. Take a chance…

CALL for ENTRIES: Can You See Me Now?

A trio of nationally known photographic professionals will accept a single image from up to 50 photographers and the announcement of selections will be made June 6.

It will be the responsibility of the individual photographers to supply a high resolution file of the selected image from which an exhibition print can be made. The exhibition will premier on July 29 at [Artspace] at Untitled with an opening reception and will continue through Oct 1, 2011.

ELIGIBILITY: Local, regional and national artists

MEDIA: Photographs made on cell phones

DEADLINE: May 15, 2011 (originally May 2, 2011)

NOTIFICATION: June 6, 2011

ENTRY FEE: Payment of the $25 entry fee (for up to 6 images) is to be made via PayPal using the link at the bottom of the Call Page. Payment of the submission fee constitutes an agreement between the photographer and [Artspace] at Untitled establishing that the photographer understands and agrees to the terms.

SUBMISSIONS: Submissions are accepted electronically only. They are to be e-mailed to: lindsay@artspaceatuntitled.org and the subject line must contain: CYSMN followed by the entrant’s name. Each entrant must submit a folder containing a minimum/maximum of (6) photographs made using a cell phone. Images should be formatted as jpeg’s and the file size of each should be 72dpi with a measurement of 720 pixels (10 inches) on the longest dimension. Images may be color profiled in sRGB, Adobe-1998, or not color-managed.

For complete details, read the Full Call!

CALL for ENTRIES: Naturalist Art Show

Posted on April 8, 2011April 8, 2011 by R.L. Gibson

LONGHORN?

Just the other day, I admitted my food stereotypes about Phoenix. I’ll continue today with Texan food stereotypes. I think steak or Tex-Mex. All things Mexican or Spanish, right? I never thought of chicken fried steak. Chicken fried steak is considered German, a derivative of Wiener Schnitzel, a veal steak deep-fried in a breadcrumb batter. In chicken fried steak, beef scraps are used and beaten into steak form. A milk-based cream gravy is almost always served with chicken fried steak too. Yes, folks…Welcome to Texas. Okay, I did my research on Texas. This next call will require you to do a little Texas research as well before creating your artwork. Take a look…

Check out this Call for Entries for the Hubbard Art & Naturalist Art Show and Festival. The entry fee is only $20 for up to four images and you DO NOT have to be a vendor at the festival to enter. Do your research and enter…

CALL for ENTRIES: Naturalist Art Show

Hubbard Art & Naturalist Fest is a juried wildlife and nature art contest with $1000 in prizes. All 2D mediums accepted; artwork should depict either the Hubbard City Lakes (in Texas) themselves or a species native to the Central Texas area.

Fine art/select vendor spots for the Festival (including ecosport, fine art, select fine craft with an outdoors theme) are available as well – but not required to enter the art contest. The Hubbard Art & Naturalist Fest is held October 14-16, 2011.

ELIGIBILITY: The subject matter of the entries should be based on one of the following: a) the Hubbard City Lakes themselves which are located in Central Texas or b) species native to the Hubbard area, including flora, fauna, insect life, etc.

MEDIA:
All 2D mediums considered, and 3D works of small and modest size/weight will also be considered (i.e., under 100 pounds and/or three feet in any direction.) If you have any doubts, please email the show coordinator at hubbardartfest@gmail.com.

DEADLINE:
Entries should be in .jpg format, and should be submitted no later than July 1, 2011.

ENTRY FEE: One fee of $20 covers up to four entries.

AWARDS: All artwork will be considered for the top three prizes: first place, $500; second place, $350; third place, $150, plus honorable mentions at the judge’s discretion. And, all artwork that is listed as “for sale” and is based on the Hubbard City Lakes themselves will be considered for the Mayor’s Purchase Prize. The Mayor’s Purchase Prize will be awarded at the sole discretion of the Purchase Prize committee; if no suitable entry is entered, the Purchase Prize will be withheld.

For complete details, Download the Prospectus!

CALL for SUBMISSIONS: Social Rejection

Posted on April 7, 2011 by R.L. Gibson

A-SPARE-AGUS ME

I reject very few foods, but canned asparagus is near the top of my list. Fresh asparagus is a happy, grassy, bright veggie that reminds me of spring when served ice cold after being blanched or roasted served with a little balsamic vinegar reduction. Yum. Canned asparagus is gray, salty, slimy, and unworthy of being purchased. Rejected. Feeling rejected yourself? Vent a little frustration by participating in the Call for and exhibit all about being rejected. Take a look…

Check out this Call for Submissions for Social Rejection, an all-hung exhibit of rejection letters. I know you’ve got them, folks, because you’ve been sending them to me. Here’s your chance to put a Canadian show on your resume too.

CALL for SUBMISSIONS: Social Rejection

Independent Curator, Clayton Windatt is seeking your letters of rejection for display in his new exhibition Social Rejection.

All artists have received rejections; some more frequently than others. The guilt, shame, pain and isolation that an artist feels when they receive a rejection letter can seem insurmountable. This project will empower artists that have been rejected by publicly acknowledging the hostile environment that the arts councils have created.

By exhibiting rejection letters from artists, collectives and organizations, this exhibition will address the stressful condition imposed on the artistic majority by the elite few. Artists participating in this exhibition will be conforming to non-conformity and experiencing the empowerment of embracing their worthlessness.

ELIGIBILITY: Rejection letters can be submitted by artists from all regions, disciplines and backgrounds, collectives and organizations. These letters will be adhered to the walls, ceiling and floor, to cover every surface of each exhibition space Social Rejection exhibits at. A roster of all participating artists will be presented at the rear of the exhibition venue acknowledging the participants, enabling acceptance through rejection.

DEADLINE: June 1, 2011

NOTIFICATION: All Hung Exhibit

ENTRY FEE: Participants are asked to pay a small fee ($10 payable to “Social Rejection”) to help cover costs of creating and maintaining each exhibition as well as the costs of publicizing the event. Letters must be in English or French – there is no funding for additional translation services.

CURATOR/ARTIST: Clayton Windatt is an artist, curator and outspoken advocate for artists’ rights. He holds a BA in Fine Art from Nipissing University and received his Graphic Designer certification from Canadore College. He contributes actively to several provincial and regional organizations as a writer, designer, and curator and is an active visual and media artist. Clayton’s current curatorial vision explores the unclear nature of the funding world, peer assessment committees and what constitutes acceptance.

NO LETTERS WILL BE RETURNED. If you need to retain your originals, please send photocopies.

COMMISSION: No artist fees will be paid to any participants during this exhibition. This is an act of political aggression towards the arts councils of Canada. This statement will communicate the anguish that artists experience as a result of being rejected.

Please send letters to:

Clayton Windatt
ATTN: SOCIAL REJECTION
P.O. Box 23022
North Bay, Ontario CANADA
P1B 4K6

FIRST VENUE: gallerywest is a space for contemporary art, located at 1332 Queen Street West, Toronto, Ontario. They will host the premiere of Social Rejection on July 7th at 7pm! Everyone is invited to come and see rejection letters from dozens of artists from all skill sets and backgrounds plastered together on the walls.

For complete details, Read the Full Call!

Editor’s Note: Whether or not you submit your rejection letters, take a few moments to explore Clayton Windatt’s site. He is certainly living OUT LOUD–a lesson we could all learn.

CALL for ENTRIES: Print Exchange

Posted on April 6, 2011 by R.L. Gibson

BEET ME

I love introducing new foods to food newbies. Anytime you can get someone to take a chance on a new food, your reward comes in the form of their response–often shock, surprise and delight. There are an extreme few foods that I don’t like, but beets have always been one of them. When in Arizona recently, I was in the company of someone who ordered a roasted beet salad. I tried it and LOVED it. Merry Christmas for me; I now love beets. Thank you, Kim. For some of you, this next Call for Entries will introduce you to a whole new media. Take a chance and figure out how you can adapt your media to this call.

Check out this Call for Entries for the Print Exchange for a Cure to be hosted by the University of Dallas. The entry fee is low. You get 10 prints in return, AND your work ends up in a permanent University collection. Oh, did I mention the funds raised go to a reputable charity? You couldn’t ask for more.

CALL for ENTRIES: Print Exchange

All printmakers are invited to participate in Print Exchange For A Cure. The purpose of this exchange is to raise funds in order to find a cure for blood cancers and offer financial support to those already battling these diseases.

ELIGIBILITY: These works do not have to fall under any particular theme. The Paper size must be 7″x10″. The print/image size is open. 12 identical hand-pulled, original prints, with glassine or other archival leafing between each print, cut to match paper size must be submitted. Each print must be signed and numbered somewhere on the print. In addition, clearly print artist’s name, title, and media on the back of each print.

MEDIA: Printmaking including relief, intaglio, lithography, silkscreen, solar, woodblock, or any process other than digital.

DEADLINE: Prints must be received by May 1, 2011. But, participants must RSVP by April 17, 2011 by email to: sarahfrancisart@gmail.com.

ENTRY FEE: Minimum cost to participate is $15 US or $25 International paid via PayPal to sarahfrancisart@gmail.com or a check made out to Sarah Francis, other donations for the Leukemia & Lymphoma Society are always appreciated. Please let me know if you would like a receipt for tax purposes.

PROCESS: A portfolio of 10 randomly selected prints will be mailed to each participant by May 15th. You will also be able to find digital images of all prints involved at the following website: www.cargocollective.com/sarahfrancisart. The 11th print in each edition will be auctioned off through ebay. The proceeds from the sale of each piece will go to support the Leukemia & Lymphoma Society, and the 12th print in the edition will remain in the University of Dallas’s Private Collection of Prints.

The works will be exhibited in the Upper Gallery at the University of Dallas* from May 16 – May 27, 2011.

* Editor’s Note: In the interest of full disclosure, I wanted to make sure that readers are aware that this is a Catholic University. Their Vision and Mission statements: “The University of Dallas aspires to be recognized regionally and nationally as a premier Catholic, liberal arts school and a first-choice institution for practice-oriented, professional business education…to educate its students, to develop intellectual and moral virtues, to prepare themselves for life and work, and to become leaders in the community.”

For complete details, Read the Full Prospectus!

CALL for ENTRIES: Bibliophoria – Art of the Book

Posted on April 5, 2011 by R.L. Gibson

ORANGE
YOU
GLAD?

While in Phoenix recently, I discovered that our hosts were lucky to have an orange tree in their back yard. Every morning I went out back to the sweet smell of orange blossoms and the overwhelmingly loud buzzing of bees. I am inspired by the smell and sound. I wonder if I can get an orange tree to grow in my Smoky Mountain yard? This next Call is from California — where they have no problem getting orange trees to grow either.

Check out this Call for Entries from Sebastopol Center for the Arts (in California) for Bibliophoria II. The entry fee is a little high for non-members, but you’ve gotta love book shows. Book shows are less common than you think so the risk could be worth it. Take a chance…

CALL for ENTRIES:
Bibliophoria II – Art of the Book

ELIGIBILITY: Sebastopol Center for the Arts invites artists living in the U.S.A. to submit work to Bibliophoria II.

MEDIA: We are looking for artwork created in the form of handmade artist’s books—using traditional bookmaking methods, or contemporary, unconventional structures, or made by altering existing books. Open to any method, in any media, on any subject.

DEADLINE: Tuesday, May 31, 2011

NOTIFICATION: June 3, 2011 – posted on their website. Editor’s Note: If you hate the notification by post to website as much as I do, make sure you tell them AFTER they post results. This practice will become more and more common if you don’t speak up.

ENTRY FEE: SCA members, $15 per entry or 3 entries for $35 (membership is $40 annually). Nonmembers, $20 per entry, or 3 entries for $50. Maximum, 3 entries per artist.

JUROR: Sas Colby has more than forty years of experience making, exhibiting and teaching art. Her artwork has been exhibited and collected nationally and internationally. She made her first artist’s book in 1972 and is considered a pioneer in the field. A survey exhibition, Sas Colby: Twenty Years of Book Thinking, was shown in numerous venues in 1995. Colby has been a visiting artist in Australia and colleges throughout this country. She currently teaches workshops in Taos, New Mexico; Mallorca, Spain; and at the San Francisco Center for the Book.

AWARDS: $200 Best of Show; $50 Coordinators Award, and Merit Awards.

For complete details, Download the Prospectus!

CALL for ENTRIES: Modern Landscape in NYC

Posted on April 4, 2011April 4, 2011 by R.L. Gibson

DESERT and
JUST DESSERTS

I have been in Phoenix for a few days opening my own show at Perihelion Arts. And, I have learned a few things about stereotypes. I thought I was going to a dust bowl to eat south western food. Turns out–not so much. The grass is still green there. Trees still grow there. And my favorite restaurant sampling during my trip turned out to be Mediterranean influenced tappas at Pita Jungle. Go figure. This next Call gives you a chance to break a few landscape stereotypes. Take a look…

Check out this Call for Entries from Dacia Gallery in New York for Modern Landscape. The entry fee is only $25 for up to TEN images. Take a chance…

CALL for ENTRIES: Modern Landscape

Dacia Gallery is seeking entries for a month-long group show by emerging artists for a Juried, Landscape Exhibition. They are looking for a wide range of styles that push the realms of the modern landscape. All artwork must have a concentration on the landscape. The artwork may be traditional landscapes, flowers in the landscape or urban cityscapes; the figure in the landscape or interior exterior artwork that features spaces with landscapes as well as abstract landscapes. The work may be plein air paintings or straight from the studio, or simply imaginary inspirations that show landscapes from the visual experience of the artist.

ELIGIBILITY: Open to all artists.

MEDIA: Acceptable media include painting, drawing, printmaking, photography and mixed media.

DEADLINE: April 17, 2011

ENTRY FEE: You may submit up to 10 images for a curation fee of $25.00. Payment of the curation fee is final.

JUROR: Thomas Legaspi currently teaches Art History and studio courses in Drawing and Painting at St. John’s University in Manhattan. His primary focus is realism, landscapes and the figure. Thomas is also published by Oxford University on his treaties on Art and Culture in the West. His artwork has been exhibited in New York City, nationally and internationally at the State National Museum of Kazakhstan, and in private and corporate collections. Thomas lives and works in New York City where he has his private art studio.

SALES: Dacia Gallery charges 50% commission on all artwork sold during exhibitions.

Tag: Art Deadlines

CALL for ENTRIES: Phone-o-Graphic

FOOD FOR THE EYES

CALL FOR ENTRIES:
Phone-O-Graphic

Burkholder’s platinum / palladium and pigmented ink prints are included in private and public collections internationally.

PHOTO SUBMISSIONS:

For the full Call for Entries, visit the website.

CALL for PROPOSALS: Smoking Mirrors in NYC

PICKLES
& ICE CREAM

CALL for PROPOSALS:
Smoking Mirrors

For complete details, Download the Prospectus!

ARTIST RESIDENCE: ARTErra in Portugal

Well,
SPRINKLE
my PUDDIN’

ARTIST RESIDENCE: ARTErra in Portugal

For complete details, visit the ARTerra website!

Or visit the ARTerra blog!

CALL for ENTRIES: Enacting Queerness

SPROUTS ALIVE!

CALL for ENTRIES:
Enacting Queerness

CALL for ENTRIES: Can You See Me Now?

DIAL “A” for ADDICTION

CALL for ENTRIES: Can You See Me Now?

For complete details, read the Full Call!

CALL for ENTRIES: Naturalist Art Show

LONGHORN?

CALL for ENTRIES: Naturalist Art Show

For complete details, Download the Prospectus!

CALL for ENTRIES: Print Exchange

BEET ME

CALL for ENTRIES: Print Exchange

For complete details, Read the Full Prospectus!

CALL for ENTRIES: Bibliophoria – Art of the Book

ORANGE
YOU
GLAD?

CALL for ENTRIES:
Bibliophoria II – Art of the Book

For complete details, Download the Prospectus!

CALL for ENTRIES: Modern Landscape in NYC

DESERT and
JUST DESSERTS

CALL for ENTRIES: Modern Landscape

For complete details, visit the Dacia Gallery online!

Tag: Art Deadlines

FOOD FOR THE EYES

CALL FOR ENTRIES: Phone-O-Graphic

Burkholder’s platinum / palladium and pigmented ink prints are included in private and public collections internationally.

PHOTO SUBMISSIONS:

For the full Call for Entries, visit the website.

PICKLES & ICE CREAM

CALL for PROPOSALS: Smoking Mirrors

For complete details, Download the Prospectus!

Well, SPRINKLE my PUDDIN’

ARTIST RESIDENCE: ARTErra in Portugal

For complete details, visit the ARTerra website!

Or visit the ARTerra blog!

SPROUTS ALIVE!

CALL for ENTRIES: Enacting Queerness

DIAL “A” for ADDICTION

CALL for ENTRIES: Can You See Me Now?

For complete details, read the Full Call!

LONGHORN?

CALL for ENTRIES: Naturalist Art Show

For complete details, Download the Prospectus!

A-SPARE-AGUS ME

CALL for SUBMISSIONS: Social Rejection

For complete details, Read the Full Call!

BEET ME

CALL for ENTRIES: Print Exchange

For complete details, Read the Full Prospectus!

ORANGE YOU GLAD?

CALL for ENTRIES: Bibliophoria II – Art of the Book

For complete details, Download the Prospectus!

DESERT and JUST DESSERTS

CALL for ENTRIES: Modern Landscape

For complete details, visit the Dacia Gallery online!

CALL FOR ENTRIES:
Phone-O-Graphic

PICKLES
& ICE CREAM

CALL for PROPOSALS:
Smoking Mirrors

Well,
SPRINKLE
my PUDDIN’

CALL for ENTRIES:
Enacting Queerness

ORANGE
YOU
GLAD?

CALL for ENTRIES:
Bibliophoria II – Art of the Book

DESERT and
JUST DESSERTS