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CALL for ENTRIES: Wide Open 2 in NYC

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SLOPPY OPTIONS

We know that I love a theme…from food to art shows.  I went grocery shopping the other day and EVERYTHING I bought was marked “bold” or “hot” or “spicy.”  However, I truly understand the privilege of interpretation.  My version of hot (4 peppers on the Thai scale) is certainly different that my eleven year old that thinks Bold Manwich is spicy, ha.  This next call is completely up to YOUR interpretation and choice.   The options are wide open…

Check out this Call for Entries from the Brooklyn Waterfront Artists Coalition called Wide Open 2.  The sky is the limit on this show …there are no size or media limits.  Don’t miss this opportunity.

CALL for ENTRIES:  Wide Open 2

BWAC has a truly unique gallery – a massive Civil War-era warehouse on the Red Hook waterfront in Brooklyn, NY.  Its enormous space affords them the opportunity to exhibit really huge work, and they welcome it.  

Learn more about BWAC online!They will be using 8,000 square feet for this show to exhibit work from artists from all around the country, work in all size, subject, and medium (it’s completely wide open).

ELIGIBILITY:  Open to all residents of the U.S. and its Territories 18 years of age or older.

MEDIA:  This is a juried exhibition for artists working in all traditional and non-traditional 2D and 3D media, except for film/video. All artwork must be original in concept, design and execution. Note: Crafts, kit work or reproductions after original works in other media (such as giclee), unless used as part of a mixed media work, will not be considered. No work done in class or under supervision is eligible.

ENTRY FEE:  Early Bird Submissions (through January 4, 2011): $45.00 for up to three (3) images ($60.00 if mailed) plus $5.00 for each additional image.
Submissions between January 5 and January 17: $65 for up to three (3) images, plus $5 for each additional image. All submissions must be online during this period.

Learn more about the Wide Open 2 juried art show!DEADLINE:  All entries must be registered/received by midnight, January 17, 2011.

NOTIFICATION:  Via e-mail on Friday, January 28, 2011, or mailed on that date for entries without e-mail information.

JUROR:  Nathan Trotman, Associate Curator, Solomon R. Guggenheim Museum of Art, joined the curatorial staff in 2001. He holds a Master of Philosophy from the Graduate Center of the City University of New York, where he focused on performance, photography, and time-based art, and is a graduate of the Whitney Museum’s Independent Study Program.

Among the exhibitions he has curated are Haunted: Contemporary Photography / Video / Performance; Catherine Opie: American Photographer, and he served as assistant curator for Spanish Painting from El Greco to Picasso: Time, Truth and History; exhibitions on David Smith, Richard Serra and Constantin Brancusi; and the acclaimed Matthew Barney: The Cremaster Cycle.

Learn more about the Wide Open 2 juried art show!AWARDS:

BEST of SHOW: $1000.00 At the Opening Reception, the artist whose work is juried as ‘Best of Show’ by Nathan Trotman will receive a $1,000 cash prize and a complimentary one-year BWAC membership.

PEOPLES’ CHOICE: $500.00 The artist whose work is voted ‘Best’ by attendees at the Show Opening will receive a $500 cash prize and a complimentary one-year BWAC membership

CURATORS’ CHOICE: $250.00 The artist whose work the Show Curators, (Anna Annus Hagen, Therese Urban, Scott Henstrand) choose for excellence will receive a $250.00 cash prize and a complimentary one-year BWAC membership.

CERTIFICATES: Certificates will be awarded in the following categories: Painting: Best in Oil, Acrylic and Watercolor; Photography: Best in Traditional and Digital formats; Pastel / Drawing / Print / Graphic media: Best in Classical and Computer-aided; and Best in Mixed Media, Sculpture, Assemblage, and Installation.

For full details, visit the Wide Open 2 website!

Learn more about the Wide Open 2 juried art show!

CALL for ENTRIES: That’s Weird

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URCHENT CALL!

Things tend to be a little offbeat in my studio.  I love the quirky …the odd …the naturally puzzling.  Things also tend to be a little offbeat in my kitchen.  But, we’ve taken sea urchin off the menu since Jon is allergic to shellfish.  Maybe it isn’t a problem, but I really can’t decide.  This next call invites you to revel in the weirdness of it all.

Check out this Call for Entries from the 1650 Gallery called That’s Weird.  Weird photography, a low entry fee, a controversial juror…jump on board you only live once!

CALL for ENTRIES:
That’s Weird

Learn more about the 1650 Gallery in Los Angeles!1650 Gallery is hosting a juried photography exhibition: THAT’S WEIRD … Let’s face it, it happens.  You ingest a CF card, you develop a roll of film.  Everything looks fine at first… there’s Aunt Millie.  Oh, and there’s the dog being cute.  And then you see it.  “Who took THAT?” you say to yourself… “What IS that?” is the next question out of your mouth.  Then it dawns on you.  YOU took that.  And you liked it.  You KNOW what it is… THAT’S WEIRD!  We all have a few photographic skeletons in our closet and NOW is the time to dust them off and send them to the 1650 Gallery!

Learn more about That's Wierd from the 1650 Gallery!This month 1650 Gallery welcomes your oddest and most offbeat photographic moments. Animal, vegetable or mineral.  Send them your haha, your most embarrassing or your “what the?!!” moments. 

Or how about that scary shot of Uncle Jim and the mailman eating that donut? Anything goes!  You see, there really are no rules as long as whatever it is… THAT’S WEIRD!!!

ELIGIBILITY:
Appears to be open to all artists.

MEDIA:
Photography

ENTRY FEE:
There is an entry fee of $25 for up to 5 images.
Additional entries may be submitted for $5 each.

Read more about Billy the Mime!DEADLINE:  January 6, 2011

NOTIFICATION:  Photographers will be notified of accepted work via e-mail approximately one week after the deadline.  If selected, artists will be sent instructions for submitting work for exhibition.

JUROR:  Billy the Mime is an avid photo collector and professional weirdo.  He has amazed and disturbed audiences across the country with his offbeat performances.  The New York Times called Billy the Mime’s live show “politically incorrect” and “shockingly unsentimental.”

FREE FRAMING:  They offer free matting and framing for accepted photographs that fit their pre-cut mat sizes for the duration of the exhibition.  Precut mat sizes are 11″x14″ mats with an 8″x10″ window, or 16″x20″ mats with an 11″x14″ window and 20″x24″ mats with a 16″x20″ window.  They will also print your photo for a nominal fee if you are accepted into the show and would prefer not to mail a print.

Learn more about the Thats Wierd show online!SUBMISSION GUIDELINES:  Along with the completed application form, please submit your work according to the following guidelines:  They only accept digital files. All digital images should be provided as jpgs only, 72 ppi, image width not to exceed 1024 pixels on the longest side.  Files should be titled as follows: LastName_FirstName_1Title.jpg   The number should correspond with the number on the application form.  E-mail digital files and application form information to 1650gallery@gmail.com.

Need more information?  Visit the Submission Guidelines page!

ARTIST RESIDENCY: Printmaking

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FIRST CHANCES

People tend to applaud those that give second chances.  But what about those that give you the very first chance?  Well, not every first chance is a winner.  I may never forgive the person who gave the fried dill pickle its first shot on the menu, but there are lots of others that make up for that little snafu.

Check out this Call for Proposals from the Lower East Side Printshop for their Special Editions Residency Program.  It is a non-profit printshop that doesn’t require that you have printmaking experience to apply.  There doesn’t seem to be an application fee.  And, you know you wanna try your hand at printmaking…

ARTIST RESIDENCY:
Printmaking at the Lower East Side Printshop

Learn more about the Lower East Side PrintshopSpecial Editions Residency Program is a competitive national residency program for emerging artists to create new work through exploration of printmaking. The Lower East Side Printshop offers an opportunity to complete an important new body of work in collaboration with one of our two experienced master printers, fully sponsored by the Printshop.

Learn more about the Lower East Side PrintshopArtists, with or without printmaking skills, are provided with technical assistance, financial support, time and studio space to explore printmaking and complete a new body of work.

Experimentation and exploration of new materials and processes are welcome.

The Printshop documents the artwork digitally, in printed materials including the annual catalogue, and on the Internet.  The Printshop also provides exposure opportunities through on- and off-site exhibitions and studio visits.

Awarded artists work alongside other emerging and mid-career artists in the Printshop’s Collaborations Studio.

RESIDENCY INCLUDES:
1. 12 day-long collaboration sessions
with a master printer during a period of three to six months, plus, production/editioning service; independent studio access during the residency;
Learn more about the Artists Studio at the Lower East Side Printshop2. All materials, full access to tools and equipment;
3. up to $4,000 stipend;
4. Catalogue;
5. Printed and Internet publicity and free slide documentation;
6. Limited travel and accommodation stipends for artists who live outside of NYC.

ELIGIBILITY: Special Editions Residencies are limited to emerging artists only. The Printshop defines emerging artists as those who are under-recognized and under-represented, at early stages in their careers.  Students enrolled in any kind of degree program are not eligible.  Only artists who are current legal residents of the US are eligible to apply (i.e., Social Security cardholders).  Past recipients of the Special Editions Residencies are ineligible.

MEDIA: Artists from all disciplines and cultural backgrounds are encouraged to apply, printmaking experience is not required.

DEADLINE:  December 2, 2010

NOTIFICATION: All applications will be evaluated for their artistic excellence by the selection panel consisting of five artists and art professionals. Selection will be completed in February 2011.  All applicants will be informed of the panel’s decision by email.

Tattered Edgings copyright Havard Homstvedt 2008 aquatint screenprint collageAPPLICATION CHECKLIST:
1. Up to 8 images
of recent work on a CD. Images should be in JPEG format, resolution 200 pixel/inch, maximum dimensions 800 x 800 pixels, RGB color mode.  Title each image as “your last name_your first name_#” (ex. Smith_Pat_3.jpg).  Images will be projected from a Mac computer.  Write your name on the CD.

2. Image list: your name, work title, year, medium, and dimensions

3. Artistic resume

4. Application form

5. Names and contact information for two references

Print out all documents & mail with your image CD.  Application materials will not be returned. Please do not send any add’l materials.  the Selection Panel will not review unsolicited material.  continues below

Learn more about the Lower East Side Printshop!

ABOUT THE PRINTSHOP:   Lower East Side Printshop, founded in 1968, is a not-for-profit studio in New York City that helps contemporary artists create new artwork and advance their careers.  Through the Printshop’s workspace residency programs, artists receive space and time to work, stipends, technical assistance, career development, and public exposure.  With its exhibitions, open studios, education, and other public programs, the Printshop serves as a junction for artists, collectors, museums, galleries, and educational institutions to access and engage in contemporary art.  With over 160 artists served each year, the Printshop is the largest print workspace in the U.S.

Questions? Visit PrintShop.org!

CALL for ENTRIES: Scroll Bowl V

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!BOWLING FOR SCROLLS

I’m told the Super Bowl is in January.  I say, “I’m told” because a football would have to hit me square between the eyes to make me aware of when the season begins or ends for any sport.  Yep, I’m just not that girl.  Interestingly enough, the idea of the Super Bowl does conjure image of very specific foods for me despite the fact that I’ve never been to a Super Bowl party.  Hmmmm… Chicken Wings anyone?

This next Call for Entries is for the Scroll Bowl V sponsored by Magazine 22.  The only similarity between this Call for the Scroll Bowl V and the Super Bowl?  They are both in January and both have Bowl in the name, but I had to start somewhere, eh? *Editor’s note:  4 hours after this post went live, the venue and date changed.  See edits below noted in green italics…

CALL for ENTRIES:  Scroll Bowl V

Submit to Scroll Bowl V today!

SCROLL BOWL V will be the featured event at The 22 Magazine Launch Party, on April 2nd, 2011.  Harnessing the ancient power of scroll storytelling, some of world’s finest creators gather to show off their work on large and small rolls of parchment.  Scroll art is one of the oldest forms of storytelling, and the folks at The 22 Magazine want to make the experience of viewing a scroll more accessible to everyday life.

Check out the Scrollie Viewer on YouTube!MEDIA:  There are many different ways to approach art on scrolls, and they ask artists to push those limits-linear storytelling to abstract ideas.

Larger format works are shown on their huge SCROLLIE VIEWER, but they also appreciate smaller format or long scrolls that hang on the wall.  Solo, group collaborations, video or performance pieces are acceptable.  How each artist attacks the “page” is what makes these events fun.

WHERE:  The Scroll Bowl V will take place at Frost Street Art Space in Williamsburg (Brooklyn), an exciting new gallery and screening venue that provides live online streaming of events!  Click here for videos of the space. 

From the organizers:  “What this [change of venue] means for the artists is 1) A week long show instead of one night  2) documentation of the actual event via 4-7 installed cameras  3) live streaming of the event online and  4) more space and much nicer venue. ”

Submit to Scroll Bowl V today!HOW TO SUBMIT:  All submissions (in the form of images or links) can be sent to the22magazine@gmail.com. Please put “SCROLL BOWL SUBMISSION” in the subject line.

DEADLINE:  December 30, 2010 or until the show is full.  New deadline March 16, 2011.

ELIGIBILITY:  Artists in any location are welcome to submit.  Although they cannot fund anyone’s travel expenses,  the folks at The 22 Magazine will be happy to present your scroll for you if you cannot make it to the event.

Clear as mud?  Email The 22 Magazine for details!

Learn more about The 22 Magazine!

ARTIST REPRESENTATION: Call from fuelNYC

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FEED ME,
APPLE!

The Big Apple is a mecca for art, theatre and food.  I love the idea of being able to eat virtually any ethnicity of food at almost any time of the day, ha.  But for many, New York City is the holy grail of “making it” as an artist.  For those of you that cannot move to New York to pursue your holy grail, this next opportunity will get you a little closer.

Check out this Call for Submissions from fuelNYC.com for online store representation.  This FREE Call could also get you a Featured Artist spot on their site and a New York City group show or two.  What could you possibly have to lose by trying?

Learn more about fuelNYC online!ARTIST REPRESENTATION:
fuelNYC.com

fuelNYC.com is an online resource for art and culture based in New York City which offers many free services for artists, the community, and small businesses…including some art deadlines like here at AAAD!

Although they are dedicated to serving the under-represented artists, galleries, and businesses of Queens and Brooklyn, we also offer many resources for the international community.

Representation includes a Featured Artist Spot like this one of Kit BrownfuelNYC.com is currently accepting submissions for representation in it’s online store.  Representation includes a Featured Artist spot for one month on it’s home page and inclusion in two exhibitions annually in New York City.

COMMISSION: The store takes a 50% commission and pays in around 30 days. A simple consignment agreement will have to be signed with fuelNYC.

Work by fuelNYC represented artist JM Rizzi!ENTRY FEE:
There is no entry fee to be considered for representation by fuelNYC.
Work by fuelNYC-represented artist JM Rizzi pictured right.

MEDIA:
fuelNYC.com is looking for works on paper, prints, stencils, etc. with a $500 max retail price.

SUBMISSION GUIDELINES:
Just send the URL of your website to fuelNYC through their Contact Page!

You won’t find this Call for Submissions on their website,  if you have questions,
Email fuelNYC.com!

ARTIST RESOURCE: Free Photography Showcase

Click to Subscribe to www.ArtAndArtDeadlines.com by Email! IT’S RAINING DUCK

What are the odds that I could find a reason to mention duck twice in one week?  When it rains it pours I suppose.  This week has just been a deluge of odd, free or inexpensive and/or unusual calls and opportunities.  Well, this little duck of a call is a tasty one…rivaling my own rare Thanksgiving specialty, honey curried duck.

Check out this Call for Submissions from the blog of Duckrabbit Digital.  Take advantage of this opportunity to have your photography featured.  Their blog seems to be picking up steam, and there is no entry fee.  Enjoy!

CALL for SUBMISSIONS:  Free Photography Showcase

Duckrabbit Digital is an online-artisan printing company, and they run a well-trafficked blog in conjunction with their printing business. They have started a new weekly series profiling photographers. 

Visit the Duckrabbit Digital Blog!They are looking for images that have interesting stories behind them, as well as being strong images in their own right.
(in other words, good photography)

DEADLINE:  January 7, 2011

ENTRY FEE:  None

ELIGIBILITY:  Open to All

If you are interested, e-mail Duckrabbit Digital your small photo (just one please), and tell us the photo’s story. They will notify you shortly if you have been accepted, and set up a date for your work to be showcased.

Any Questions?  Email Duckrabbit Digital!

FEATURED ARTIST: James Melcher

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!DUCK of the MONTH!

The best thing about judging the $2 Art Contest is getting to play “I wonder.”  As in, I wonder what this artist is really like.  I generally look at an artist’s work first.  I don’t want anything else to interfere with my opinion of the work.  And although we are taught as children that you can’t judge a book by its cover, we are also taught “If it walks like a duck, sounds like a duck and looks like a duck, it is probably a duck.”  And, more often than not, I can figure out an artist’s philosophy from their work alone.  Sometimes I am surprised.  But what I always remember in the end…there are no two alike…all lovely little odd ducklings.  This month was no different.

Learn more about Featured Artist James Melcher!

And the winner is…

The entries I receive each month for the $2 Art Contest are incredibly varied. I see work from every imaginable media, from artists at every level of their careers–some polished and PR savvy, some more vulnerable, but honest.  This month, the winner is happy and optimistic, and since we are all headed into sometimes stressful and often melodramatic holidays… I thought we could all use some sunshine.

The Featured Artist chosen from October entries is James Melcher. Melcher’s work has a carefully chosen randomness to it that both makes me wonder and makes me smile.  I would own his work.  That is one of the many tests for any artist, wouldn’t you say? 

The beginning of the mosaic paintings at Tartooful!FEATURED ARTIST:
James Melcher

James Melcher was born in Cleveland, Ohio where he received his Bachelor of Fine Arts in ceramics from the Cleveland Institute of Art.  After graduating, James spent a decade first in Southeast Asia, then Italy, and finally New York City before moving to Canada in 1996. Vancouver, British Columbia is now his home,  and Melcher claims the spectacular mountainous landscape and glimmering glass towers as his daily inspiration.

While I am drawn to the Melcher’s line drawings.  I simply could not avoid the elephant in the room–the mosaic paintings.   I was not shocked to find out that the mosaic paintings began as an happy accident:

“This whole thing began when I unrolled old polka dot, acrylic on canvas paintings and started cutting them up. I was in a kind of creative block and really didn’t know what I was doing. I cut out circles and then cut them in half and like a kid started playing with fitting the pieces together. I ended up gluing these down to small canvases and called them cut-outs.” (pictured above left)

April Mosaic by James Melcher“The mosaic paintings began kind of by accident – A pile of strips, left over from all the trimming of the cut-out pieces, was collecting dust and I was going to throw it out. Instead I started playfully laying them together in rows – ‘April Mosaic’ (pictured right) is the culmination of that “Strips” series. This led to delving more into pattern and to more purposeful decisions about color combinations.”

“I continued to cut up old works on canvas to make new mosaic paintings until I ran out of old work! Now there is more of a conscious plan and design although I also let the work “speak” to me and go where it tells me to go! There is still the occasional coming together of pieces on the studio floor and that’s where new ideas are born.” –James Melcher

After studying the work & the process,
I went to the food for the real scoop…

Patterned Mosaic Painting by James Melcher

Favorite Food?
Premium cut steak and potatoes
with an occasionally guilty binge of Doritos.
No deep, dark happiness issues there.

And what of his favorite artists?
The inspirational mentors?

Matisse, Mondrian, Warhol, Gehry.
Not a particularly optimistic lot,
but I can see the stylistic/artistic inspiration.

I was certain he was hiding something.

How does he classify his own work?
Modernism, Color Field, Pattern painting.

What makes this artist tick? 
Where is the quirk? 
Where is the secret?

http://jamesmelcher.net/stu-exh/exh-9.htmlAnd then I got to the final quiz question…What is your next big project?  And then I found my answer within his:  “I have Four!  The Artist Project in Toronto – March 3-6, 2011 is a BIG Project that I am in the full swing of producing and getting prepared for…Getting my book “Memory Mosaic” published…Moving to Europe…And, I would love to complete a large-scale art installation somewhere!”

Eureka!  The king of random pattern is fueled by frenzy.  This artist does not suffer from the motivational anorexia of which I warn.  His life will not pass him by.  He is caught up in his own whirlwind of pattern and placement.  Lookout world James Melcher’s headed your way.

Learn more about James Melcher online!

Want to be a Featured Artist on www.ArtAndArtDeadlines.com?
Check out the $2 Art Contest!

CALL for ENTRIES: Papier Machete

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PAPER PICKY

Paper is good for a lot of things, but not something I want to eat from unless I’m consuming a ball park hotdog or street food.  I know there is an arguement to be made for spending the time wasted washing dishes with your family but I encourage you to at least consider recycled paper plates.  However, we truly honor food in my family, and I will only suggest you check out the environmental impact.  Sermon completed, I promise.  Check out Toni’s Treehouse if you want to learn more about living green.

Recycle your paper for art, folks.  Here’s a ready-made opportunity…but you’d better hurry!  Check out this Call for Entries from Gallery 5 for Papier-Mâchete.  The entry fee is only $20 but the deadline is just around the corner (see below).    Don’t miss this opportunity!

CALL for ENTRIES: Papier-Mâchete

Gallery 5 is now accepting entries for Papier-Mâchete.  This juried fine-art exhibition will focus on artwork utilizing paper and organic fiber media as the primary construction means.  Papier-Mâchete will explore the limitless range found in these ubiquitous materials.

Visit Gallery 5 online!MEDIA:  Submissions may be 2D or 3D but should display innovative and inventive uses of paper and associated fibers.  Traditional techniques such as collage and papier-mâché are discouraged but may be included if they exemplify a unique or transcendent approach to the craft. All works must be primarily composed of paper or analogous fibers, that include but are not limited to, cardboard, cardstock, newspaper, paper pulp, or organic media adapted from wood and fabric.

ENTRY FEE: An entry fee of $20.00 for up to 5 works must be included with each submission. There is a $5.00 fee for each additional submission. There is no limit to the total number of works that can be submitted.

Learn more about the Papier Machete show at Gallery 5!AWARDS: All participants are eligible to win up to $1000 in cash and prizes.  1st, 2nd & 3rd place winners will be announced by jurors during the First Friday opening scheduled for January 7th at 7pm.

DEADLINE:  Tuesday, November 23th 2010.  All submissions (documents & fees) must arrive at Gallery5 by 6pm.  I heard a rumor that it might be extended to December 1st…no guarantees.

Learn more about Juror Aaron McIntosh!ABOUT THE JURORS:

Aaron McIntosh is a professional artist based in Virginia and MFA Graduate of Virginia Commonwealth University. He received a BFA from the Appalachian Center for Craft and has shown his work nationally. He creates art that explores heteronormative ideals of love, romance, sex and sexuality utilizing a diverse array of objects, design motifs and texts, sourcing patterned cloth, lace, wallpaper, valentines, romance novels and erotic magazines. He is currently an Assistant Professor of Fibers at James Madison University.

Richard Waller is executive director of University Museums, including the Marsh Art Gallery, the Joel and Lila Harnett Print Study Center and the Lora Robins Gallery of Design from Nature. He received his master of fine arts degree from Yale University after graduating from Mankato State University in Minnesota. He also received a master’s degree from the University of Wisconsin in Madison.

Learn more about Juror Amie Oliver!Before joining the University in 1990, Waller worked at the Brooklyn Museum of Art for 19 years and taught at New York’s Parsons School of Design. He has been a curator, judge and organizer of many historical and contemporary art exhibitions and has written extensively on visual art.

Amie Oliver is a professional artist. She is a current board member of 1708 Gallery and adjunct faculty at Virginia Commonwealth University. She received a Master of Fine Arts at Bowling Green State University and a Bachelor of Arts at Mississippi State University.

For complete details, Download the Propectus!

CALL for ENTRIES: Last Chance for Solitary

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!LEFTOVER MONDAYS!

 

Some of the most popular culinary creations in my house come from leftovers.  We frequently put a whole chicken in the crock pot on Sundays, and on Mondays we usually have “Chicken Something.”  Just because you’ve tried something once doesn’t mean you shouldn’t give it another try.  This next post has had three lives on AAAD.

First, I published the orignal I am Solilary Call for Entries, then I published the follow up show Call for Entries at the Gift Gallery.  Now I’m giving it one more stir in the Crock Pot because they have extended the deadline for another week.  So, check out this Call for Entries for I Am Solitary – London that is a counterpart to the original. Join me in applying for what promises to be a phenomenal show at the Gift gallery.

Learn More About I Am Solitary - LondonCall for Submissions:
I Am Solitary – London

Beers.Lambert Contemporary Art is proud to curate an exhibition for Gift Gallery, at its extraordinary location on London’s primary gallery row, Vyner Street.

I Am Solitary – London, is a counterpart and extension of the related Beers Lambert exhibition that took place in Nottingham, in September of 2010.

This collaboration with Gift Gallery seeks progressive contemporary art that responds to questions of identity and individuality.

The exhibition aims to highlight ideas and articulations relating to a conceptual and aesthetic understanding of individuality, isolation, and identity in a world typified by conflict, disillusionment, and change.

Learn about the original I Am Solitary Exhibition!The work submitted should critically & aesthetically challenge the reception of these themes & truly push the direction of contemporary art.*

*For those of my readers that like to skim the posts, please note that I put this sentence in bold…green…AND centered it for you…hint, hint.

NEW EXTENDED Submission Deadline:
Monday, November 22, 2010

Eligibility & Media: Artists at all career stages, from all parts of the world, working in all mediums and practices are encouraged to submit.

Vyner street haslong been the benchmark of excellence in London’s contemporary art sphere; prominently located at 10 Vyner, Gift gallery continues this tradiiton of featuring emergent and progressive contemporary art.

Beers Lambert is proud to work with Gift to present I Am Solitary – London.

For full details, visit
www.beerslambert.com/opencall.htm!

ART PUBLICATION: Hunter & Cook Magazine

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GATHERING CHERRIES

After my post referencing Chef Cat Cora and the inequality of kitchen roles between the sexes, I received an amusing amount of email about “hunters” versus “gatherers.”  I am still writing an art blog, right?  Too funny.  Can you even imagine what would happen if I, in my 4″ heels, had to gather my food from somewhere other than the grocery store?  I can hear you laughing.  Why are we talking about hunting and gathering?  Well this next Call came to my attention, and I couldn’t resist.

Check out this Call for Submissions from Hunter and Cook, a Canadian-produced contemporary art magazine.  You know how I love art publicaton and am constantly preaching its merits.  But, the cherry on the sundae is that these editors don’t want your resume or statement…just your work.  That is just the way we all like it, eh?  Take a look…

CALL for SUBMISSIONS:  Hunter & Cook Magazine

Hunter and Cook Magazine is accepting submissions for one artist to do a four page project in their next issue – Number  8.  Hunter and Cook is a curated contemporary art magazine, produced in Toronto by artists Jay Isaac and Tony Romano.

Check out Issue 7 of Hunter and Cook Magazine!Hunter & Cook Magazine is widely distributed across Canada (including Chapters and Indigos) the US and Europe and attends major fairs such as Art Basel, TIAF, NADA, and Printed Matters Art Book Fair at PSI Moma.

Hunter & Cook is subscribed to by major North American institutions such as the AGO, MOMA New York, The Musee D’art Contemporain, Montreal etc and is viewed by a wide audience which includes numerous gallerists, writers, curators and collectors.

DEADLINE:  December 15, 2010

ENTRY FEE:  The fee to enter is $35.00.  Artists can submit as many projects as possible to Hunter & Cook, but each entry will cost $35.00.

NOTIFICATION:  You will only be contacted if your project is chosen.

Check out Issue 5 of Hunter and Cook Magazine!SUBMISSIONS:  Specs for files are 4 pages in total in the order of 2 full color then 2 black and white, starting with a left page, ending on a right page.  Page size is 9″wide x13″high (image size); however, file size of each page needs to account for bleed so please make your file 9.25″ x13.25″ at 300 dpi. 

Please send as a tiff file in cmyk for color and grayscale for black and white.  Please include files on a disc including titles, artist name and contact information.  Nothing more is needed–no statements or resumes.

Send disc with files and a check or money order made out to Hunter and Cook by December 15th to:  Hunter and Cook, 15 Ossington Avenue, Toronto, ON, Canada  M6J 2Y8.

Please email Hunter & Cook with any questions or visit www.HunterAndCook.com