I’ve been rejected personally, professionally and artistically… and they all suck. On rare occaison, I take the artistic rejection personally. I’ve been known to hold a grudge. I’ll omit the name, but let’s just say there IS a gallery out there that rejected four of my pieces for four different shows in ONE year. You won’t find their Calls on this site EVER.
Bitter? Maybe a little.
Want redemption for your rejected artwork? Check out the online Rejected Art Award. Here’s your shot to redeem up to 10 of your rejected works of art and possibly win a cash prize to boot.
Entry is free, so what do you have to lose?
REJECTED ART AWARD
ELIGIBILITY: All entries must have been rejected at some point in the past- Either proposals or competition entries (Other than this competition).
Entrants must be over the age of 18.
Only the Judge and Matt Akehurst are excluded from this competition.
SPECIFICATIONS:
Images must belong to the named person entering the competition or to the executor of their estate.
Information to be sent in email- Full Name, Email Address, Country, Title of work, Where rejected from.
One image per entry, 800 x 600 px at 72 RGB jpg, (Note: it is possible to combine two or more views of the work into this format)
Optional information, 50 word text for entries to be displayed when image clicked. Price (no commission, interested parties email will be forwarded to the artist).
Ten entries allowed per person.
Open from 6th August to 8th October
PRIZE MONEY:
$1000 (NZ dollars) will be awarded by the Judge.
Five lots of $100 (NZ dollars) will be randomly distributed throughout the competition.
Any costs in transferring money will be deducted from the prize.
I love Halloween. I love pumpkin pancakes and candy corn. And the season to consume them both is just around the corner. I am also a fan of all the retro-inspired graphics that surround this time of the year – smiley pumpkins and figurines of little kids covered in white sheets as the cutest ghosts that ever existed. However, I am fascinated by all the dark imagery that surrounds the season as well.
Check out this Call for Entries from Bristol Art Gallery called “BOO.”It is an all-hung, open exhibit which could build your resume and the entry fee is only $15. It is open to both 2-D and 3-D art, and the gallery only takes 30% commission…what more could you want in a show?
Bristol Art Gallery’s Open Juried exhibit “BOO!” will be open to original works in 2-D, 3-D & Photography created in the last two years which depict the “Spirit” and many moods of “ALL HALLOWS’ EVE”.
PRIZES: Over $2000. in cash prize awards, 1st, 2nd & 3rd place in all three categories.
Opening Reception Sat., Oct. 2nd from 4 – 7. Closing Reception Sat., Oct. 30th from 6 – 9 or when it’s over! Costumes are optional.
Refreshments will be served and for those believers curious about their futures a “real” Fortune Teller will be in attendance.
Open to all artists at least 18 years old. Art work previously shown at Bristol Art Gallery not eligible. All 2-D ART must be suitably wired for hanging, no sawtooth or clips. All entries must be for sale. Up to three entries allowed per artist.
Size restriction are as follows: Artists may enter one piece that must not measure more than 24×36, and two entries that must not measure more than 18×24 including frames. Unframed works must be properly gallery wrapped with no rough canvas or staples showing.
3-D ART must be fully assembled and not to exceed more than 18×24 with base.
PHOTOGRAPHY – Prints must be framed. The minimum print size at least one dimension must be greater than 9 inches. Maximum size of 16×20 including frame.
ENTRY FEE: $15 plus an additional $5 each additional entry & 30% commission
All work must be properly protected and labeled with artists name /address /phone number /email/ title, price and media info of their entry.
The Gallery will do it’s best to protect your artwork when it is in their possession but it will not be insured by the Bristol Art Gallery and the gallery will not be held responsible for loss or damage.
They recommend that artists carry their own insurance.
The gallery also reserves the right to use your name and images of your artwork for publicity purposes. Your entry into this exhibition constitutes your acceptance of the terms of this agreement.
DEADLINE: Monday Sept. 20th
JURORS:Nick Jainschigg – Associate Professor Rhode Island School of Design.
Stephan Brigidi – Stephan Brigidi’s work is included in numerous museum collections including: The Whitney Museum of American Art, New York; the Corcoran Gallery of Art, Washington D.C.; the Museum of Fine Arts, Houston; the Bibliotheque Nationale, Paris; and the Museum of Art, Rhode Island School of Design.
It has been over a week since I’ve stood on my soapbox and lectured about the advantages of Art Publication. You’ve missed it…haven’t you? Okay, Okay…if you insist, I will take candy from a baby. Here goes:Art Publication is great for your art career. Most exposure is good exposure. There, that’s the short version.
Fraction Magazine has an open-call for submissions for future issues as well as their One Picture Look feature that began in May 2010. Fraction Magazine is an online photography magazine and photographic review.
Fraction Magazine was started in a little coffee shop in Albuquerque, New Mexico in March of 2008 by Joshua Spees and David Bram. In 2009, Josh got married, moved to the East Coast, and is now pursuing other photographic avenues.
Today, Fraction Magazine is edited and curated by David, and often includes guest curators and writers such as Melanie McWhorter, Mary Goodwin and Larissa Leclair.
One Picture Look is a new feature (May 2010) to Fraction Magazine.
The idea is to bring attention to the amazing work that is either found on Flickr within the Fraction Magazine Flickr Group or the work that is submitted directly to Fraction Magazine. The idea is that one photograph, will make you want to look at more.
So if you have one picture, that they just have to see, please visit the submissions page or add it to the flickr group.
The One Picture Look page will be promoted just like the rest of the magazine and will be updated every couple of weeks.
To submit your photographs for the next issue of Fraction Magazine, please send a link to your site and tell them the specific portfolio or body of work to look at. Please remember to put “submission” in the subject line of your email.
Due to the large number of submissions, they will not look at emails with attachments. Send your link to fractionsubmissions@gmail.com .
Need a little inspiration? I turn to food, and I suspect that comes as a surprise to not a one of you. I miss paella de marisco —which ceased to be an option when my husband developed an allergy to shellfish…but I digress.
Instead of turning to seafood paella–which will only make your rear end larger and, if you’re like me, leave you feeling guilty–think Spain…no, really. Check out this opportunity for an Artist Residency Opportunity in the heart of Barcelona brought to you by the art lovers and supporters at homesession.org!
Where? The flat is a modern loft situated in the center of Barcelona, just near Montjuic Park, 10 minutes walking from the historic center. The area is quiet, lively and “authentic”. There are 2 metro lines. It is a 92 square meter flat with two patios (+ 15 square meters each).
What? The idea of this residency is based on a real integration to local life: the artist shares the flat with the founders of the project: Jerome Lefaure and Olivier Collet. They receive artists for short residencies, up to one month. Of course, the artist has his own keys during his stay.
They have sets, tripods and spotlights for photography and provide support for local contacts, equipments and eventual research of performers, locations, materials. The residency is mainly dedicated to creation, but they often organize a presentation of the work, that makes for a greater interaction with the local art community.
Accomodation: Sharing a flat enables the artist to enjoy freedom as well as better integration with the local life and cultural scene. The private place for the artist is a closed alcove (5,5 Sq. m.) with a double sofa/bed, opening on the kitchen/living room. In the living room, a desk is reserved for the artist; Internet access is available in the whole flat.
Common equipment:
– broadband internet access
– kitchen, refrigerator, micro-wave, washer, oven, dining table chairs etc.
– bathroom, washing machine
– television, video, videoprojector, radio, CD player
– air conditioning / radiant floor heat
Residency as an interchange: They want the residency to be a real opportunity for the artist and are prepared to be a link toward spanish artists and the local artistic community, in terms of making possible collaborations, four-handed creations or artistic events depending on the artist’s interests. Open studio and gallery exhibitions are organized if possible during or at the end of the residency.
Conditions of the residency, fees and living expenses: Due to the limitations of the flat, they only provide residency to one artist each period. The residency is planned for a short period (maximum: one month), and it is possible for a same artist to apply for two residencies.
The do not charge any residency fees to the artists. As an interchange, they ask the artist to give them a piece of artwork at the end of the residency. The artist will also finance their own living expenses as well as the trip to Barcelona on their own.
– a resume in english, french or spanish
– a cover letter or description of a specific project in english, french or spanish
– 10 to 20 pictures of your artwork. For videos: < 6 Minutes
The thing I love most about being an artist is the creation of the work, but a close second is belonging to a community of artists. Most artists are happy to have a local group of close knit creative types with which to share, and I am overwhelmingly fortunate to have all of you. Okay, I’m tearing up more than when I chop onions, folks.
My point is…while many of us already have an artist family, we must remember that families have to grow or the lineage will end. I have a friend in NYC who is trying to expand her fold. Tryst Collective is looking for locals for a show called “BP’s Black Plague,” but never say never…send ’em your stuff because you just never know what could happen.
NYC-based arts group, the Tryst Collective, is looking for artists, photographers, sculptors, crafters, musicians, etc. who would like to be a part of a *one-night* group show – an art, music, and networking event.
This is the first installment of a series of themed Trsyt shows that will be held throughout the year. This particular show—BP’s Black Plague: a response in art and music— is centered around the reactions and responseswithin the creative community to the BP oil spill and/or our nation’s oil dependence.
Jessica Rowshandel writes, “We are still waiting for the date, but we are aiming for mid to late Sept. We are looking for local people who can get to the venue the night of the show since it’s a D-I-Y sort of thing.
“The venue is R Bar New York City, which is located at 218 Bowery Street, New York NY 10012. The event will be ticketed.
Artists and musicians are encouraged to sell their work and network -making money and new connections.
“We do not take any commission. We ask that the participants invite friends/followers because we need to pay for the space through ticket sales and more importantly, we are building a community.
“This is a very grassroots group and is held in nontraditional arts space, so participants should expect that. The venue allows us to hang work and we also have presentation and table easels. There will be a cash bar.”
If interested, please email them at: trystcollective@gmail.comwith samples of your work and a little about yourself.
As I frequently shout from the mountain top, I love portraiture. I love faces, specifically. But when I began my Psychomachia project with Arizona artist Jerry Portelli, he challenged me to limit my use of faces and to concentrate on other figurative depictions. The process started on a sour note but has ended up pretty sweet…a lemon drop, if you will.
Maybe “Figuratively Speaking,” the National Call for Entries from the Emerging Young Artist (EYA) Organization and the Village Gallery in Montgomery, AL, will be your lemon drop, too. The entry fee is a reasonable $35, and the Best of Show winner will get a solo show at the Village Gallery. You know you want the show…so go for it.
“Figuratively Speaking” is not limited to the traditional/contemporary aspects of the human forms, conditions, interactions, and abstractions of the human body. “Figuratively Speaking” includes figuration in contemporary design in terms of shapes, lines, and colors.
Artwork by Caio Fernandez
All artists over 18 years of age, residing in the United States are eligible. Work must have been completed within the last three years.
NO GICLEE COPIES OF ANY KIND. Works must be ready to hang.
They cannot accept free standing sculpture, installation, or video arts. Absolutely no substitutions of accepted works will be allowed. All accepted works must remain in the gallery for the duration of the exhibit.
AWARDS
Best of Show: $200 and A Solo show at Village Gallery (2 weeks duration). If selected artist is unable to participate in a solo show, he or she will be given $350 cash.
Merit awards (3): $50 and a Group show at Village Gallery (2 weeks duration). Is selected artists are unable to participate in a group show, they will be given $80 cash
Honorable Mentions (3)
JURORS
RICHARD MILLS is a native of Knoxville, Tennessee, and received his B.F.A. and M.F.A. from the University of Tennessee. Currently, he is Professor Emeritus of Art at Auburn University at Montgomery.
Blue Capri by Richard Mills
Richard Mills has had over 30 solo exhibitions including The Auburn University Gallery, Auburn, AL, The Ty Stokes Gallery, Atlanta, GA, and has exhibited in over 30 group and invitational shows including The Pirate, Denver, CO, State of Art- International Watercolor Biennial- East/West , Parkland College, Champaign, IL, and American Watercolor, The Taipei Fine Arts Museum, Taipei, Republic of China.
Mills has had work accepted in over 90 national and regional juried exhibitions and has won over 30 awards including Watercolor U.S.A., Springfield, MO, The Red Clay Survey, Huntsville Museum of Art (AL), Taos National Exhibition of American Art, Taos, NM, The San Diego Watercolor Society, CA, The New England Watercolor Society, Boston, MA, and the National Watercolor Society, Brea, CA.
Artwork by Chintia Kirana
CHINTIA KIRANA was born in Jakarta, Indonesia in 1987. Chintia received her B.A. in painting from Auburn University of Montgomery in 2009. She was chosen to be the student Marshall, and Outstanding student from Liberal Arts Department. She currently represented by CAS Gallery in Montgomery, Alabama.
In 2009, she founded EYA (Emerging Young Artists) with the help of her co-founder Iman Serajj- Blanche. Currently, she is the gallery director/curator at Village Gallery in Montgomery, Alabama. Her works has been exhibited nationally and internationally. “To me art is a story, a memory, a passion, a love of creating something beautiful, and a mean to expresses my feelings.”
BARRETT BAILEY earned his MFA 2004 from the New York Academy of Art. Since then he has come back to his hometown of Montgomery, Alabama to use its residents as his subjects in his work.
Three's a Crowd by Barret A. Bailey
He is a contemporary figurative artist trained in traditional academic methods. His portraits tell a story that can only be felt. Barrett teaches at surrounding schools and Museums throughout the year.
DANA BICE graduated from Auburn University at Montgomery in 1994, summa cum laude, with a B.A. in Fine Arts (Painting). In 1996, she earned her M.F.A. in Art History from Ohio University. She has also studied art history at The University of North Carolina—Chapel Hill.
For seven years, she has taught art history at A.U.M., and is currently its School of Liberal Arts’ Academic Advisor. Her juror experience includes art exhibitions sponsored by the Montgomery Art Guild, the Selma Art Guild, Montgomery’s Society of Arts and Crafts, and UNC-CH’s International Studies Center. She lives in Montgomery and creates paintings and assemblage art when she is not chasing after her five dogs.
SUZANNE JENSEN was born in Ft. Wayne, Indiana and raised in Indianapolis. Early on, her artistic talents were encouraged by her parents and teachers, who recognized her ability as a painter. As an undergraduate at Indiana State University, she began her first serious explorations in the visual arts working mostly in painting and drawing.
Steel by Caio Fernandes
Then she discovered the ceramics studio. It was here that her skills and talents were most focused and challenged. In 1983, she graduated Indiana State with a Bachelor of Fine Arts with ceramics as her focus area. She went on the study ceramics at Tulane University, receiving her Master of Fine Arts in 1985.
She has been teaching in ceramics and sculpture at Auburn University Montgomery since 1987. Her works have been included in numerous national and regional exhibitions, and she has received many awards for her efforts. Ms. Jensen also has work on display in several galleries, most located in the South.
ENTRY PROCEDURE
Digital Files: must be JPEG’s submitted on a CD which can be read by a PC or a MAC. JPEG images should not exceed 1600 pixels in any direction and file size cannot exceed 1 MB.
Please label CD with your name and label each JPEG image as follows: LAST Name, FIRST Name, TITLE and NUMBER that corresponds with that image on the Entry Form. Failure to follow these instructions may result in the nullification of your entry.
Send CD submission to: EYA (Emerging Young Artists)
Attn: Figuratively Speaking
P. O. Box 231103
Montgomery, Alabama 36123-1103
Send accepted works to: Village Gallery
107 S. Court Street
Montgomery, Alabama
No surprise…it is hard to put artists in categories. However, if I were going to force myself to do so, I would mention that some artists are very retail oriented and others just want to produce work with substance and meaning (often known only to themselves). And, as you know…it is the ultimate artists’ chicken-or-the-egg argument. Fight amongst yourselves.
I love artwork that leaves me pondering meaning and crawling into the subtle nuance of every aesthetic choice; but, a hand-bound journal with hand-cut pages and a surprise on every page is artwork that function inside the daily workings of my life. Want to sell your artwork? Check out this Open Call from Peaceful Products. They want to help you sell your art, and they don’t take commission. Yep, you heard me…they ask that you donate a portion of the proceeds to the charity of your choice. Take a Look:
Peaceful Products is an organization that is dedicated to making a difference by helping others in need. They do this by donating profit from the artwork and products sold on their site. Peaceful Products is founded by artist and autism specialist Emily Boulger.
Peaceful Products is a organization that sells artwork and handmade one of a kind products by artists from around the world. Profits from each product sold goes to a charity of our artist’s choice.
Peaceful Productsdoes not charge artists to sell their work on this website store, instead they ask the artists to donate part of their commission to an organization or charity in need.
Boulger grew up in Haverhill, Massachusetts. She then moved to New York City, studied fine arts at Fashion Institute of Technology and received her bachelor of fine arts from the School of Visual Arts.
Boulger then went to Endicott College to earn her masters degree of education in moderate disabilities and UMASS Lowell for a degree in behavior intervention in autism. She is now pursuing a masters degree of education in visual arts and learning at Endicott College.
Boulger is a practicing artist and has been a special educator for ten years now. Throughout her time has a special educator, Boulger has worked hard to get all her students involved in art. She has organized many art exhibits and collaboration pieces for the students and communities she serves.
I would also like to take a moment to thank this month’s sponsor Toni’s Treehouse–a website with a fun and funny take on taking care of your family, choosing to LIVE everyday, being at least a little greener, and lots of yummy FOOD!
There are SO many opportunities out there for artists…think of it as the ultimate buffet. Not every dish may be for you, but some dishes are just an irresistable combination. Lately, the great dishes just keep coming, and I concerned about my waistline. Okay, moving on from that metaphor…
Check out this great opportunity for (again) art publication AND a show from Fabrik Magazine and The Factory Gallery in Los Angeles. The exposure to gallery directors, interior designers and art consultants ALONE is worth this entry fee, but you get a show too. Plus, this is an international call…so no one is left out. Take a look:
Fabrik Magazine announces a juried competition, open to artists in all media.
The world is full of artists. How to rise above the sheer numbers of the masses is becoming increasingly difficult. Fabrik Magazine and The Factory Gallery in Los Angeles are offering artists the opportunity to gain valuable exposure for their work both in print and in exhibition through this competition.
The selected winners will receive prizes that includes editorial and ad exposure through Fabrik Magazine – LA’s leading Art and Design publication – as well as an exhibition at The Factory Gallery in Los Angeles. Winners will also gain tremendous exposure by being promoted to 30,000 Interior Designers, Art Consultants and Galleries who are seeking art and artists across the United States.
Submissions from all artists in any medium are eligible. This contest will help nurture and promote the winners by featuring one new artist in every print and online issues of Fabrik Magazine.
Many leading artists have been interviewed and showcased within Fabrik’s pages, including Ed Ruscha, Julius Shulman, Philippe Starck, Juergen Nogai, Jorge Pardo, Jim McHugh and many others. Now you can be included alongside these prominent artists.
PRIZES:
FIRST PRIZE: 1 Winner
Editorial Profile and Feature in Fabrik Magazine – Print Edition
Inside Back Cover, Full Page Ad in Fabrik Magazine – Premium Ad Position
Robert Berman – Director, Robert Berman Gallery at Bergamot Station in Santa Monica. Robert Berman is the founder and owner of Robert Berman Gallery and was early on exhibiting artists such as Keith Haring and Raymond Pettibon. Robert has curated historical and seminal exhibitions by such artists as William S. Burroughs and Man Ray.
Hossein Farmani – Founder and Chairman, International Photography Awards (Lucie Awards). Hossein Farmani is Founder and Chairman of The Lucie Awards, Co-Founder of Focus on Aids and Co-Founder of The Palm Springs Photo Festival. He is Principal of The Farmani Group, whose roster of companies include PX3 (Prix de la Photographie Paris), The International Design Awards (IDA) , FYI Design, Asterisk Press, The International Photography Awards (IPA) and The Farmani Gallery.
Peter Frank – Art Critic and Senior Curator, Riverside Art Museum. Peter Frank is an Art Critic and Senior Curator at the Riverside Art Museum. Peter has written regularly for the LA Weekly, Angeleno Magazine, THE Magazine and is Associate Editor for Fabrik. He was born in New York, where he served as Art Critic for The Village Voice and The SoHo Weekly News before moving to Los Angeles in 1988.
Chris Davies –Publisher and Curator. Chris Davies is an award-winning designer and founder of Fabrik Magazine. He founded The Factory Gallery in the Arts District of downtown LA, as a way to nurture and promote emerging and established artists. He is also founder of Skylark Press, a publisher of fine art monographs and limited editions.
Dale Youngman – VP Marketing, Fabrik Magazine and Gallery Director at The Factory Gallery. Dale Youngman is the former director and curator of the Regent Gallery and the Dale Youngman Gallery of downtown Los Angeles. She currently is the VP of Marketing for Fabrik Magazine and Gallery Director at The Factory.
ABOUT FABRIK MAGAZINE
Fabrik Magazine covers Los Angeles art, design, architecture, and fashion in a manner as distinctive as it is thorough. A journal of lively coverage and commentary on the art and design scene(s) in America’s new cultural capital, Fabrik also provides extensive directories that list all – all – the best local outlets for new forms, ideas, and expressions in diverse media and disciplines. More on Fabrik Magazine can be found at fabrikmagazine.com.
I heard from a couple of you that you made it into The Flaneur! And, so many of you loved the Cantaker Magazine call that I couldn’t resist promoting another art publishing opportunity. If art publication is the cherry on your sundae, then multiple publishing opportunities has to be the nuts and syrup!
This Call for Entries from Art Buzz Publishing offers you a chance to have your work published in a beautiful 10″ x 10″ book that is distributed to art dealers in New York (including NYC), California (including LA & San Francisco), Sarasota, Naples & Miami in Florida, Santa Fe, New Mexico, New Orleans, Louisiana, Washington DC, Pennsylvania, The Netherlands, Russia, the United Kingdom (including London), Paris and more! Don’t miss a single chance. Make sure you Enter today!
Art Buzz Publishing, founded in 2007, offers an alternative to mainstream art publications and a way for lesser known and undiscovered visual artists to showcase their work to an international audience.
The annual Art Buzz fine art search seeks passionate emerging and mid-career visual artists throughout the world. Artists that are awarded with inclusion in the book, are chosen solely on the merits of their work—not their resume, background, biography, etc. Unlike many other publications, artists can not buy their way into this book.
Art Buzz, the book, is an annual, full-color, fine quality, large (10″ x 10″) format, hardcover “coffee table” publication that is scheduled for release in January of each year with a vigorous distribution plan targeted directly to the International Fine Art Community.
ELIGIBILITY: Open to all visual artists – worldwide – 18 years of age or older. All the various mediums will be accepted such as: painting (oils & acrylics, etc.), drawing, graphic art, photography (includes digital), mixed media, fiber, print making, sculpture, glass, metal, pottery, jewelry, etc. If you wish to enter two different mediums (ex. oils and mixed media, or sculpture and jewelry, etc.), you are required to submit an entry form and fee for each particular medium you enter.
SUBMISSIONS: Artwork images may be submitted by 35mm slides (or 21/4” or 4″ x 5″ transparencies), digital files (preferred) or photographs up to 8″ x 10″. All artwork images should be clearly and neatly labeled with the artist’s name, title of work, medium and dimensions. The same information should also be listed clearly on the entry form.
SLIDES: Artist slides should be 35mm (or transparencies 21/4” or 4″ x 5″). All slides should be labeled with artist’s name, title of work, medium, dimensions and an arrow pointing to the slide top. Visit the full call for slide submission guidelines.
DIGITAL SUBMISSION: Digital artwork image files will be accepted on CD (NO DVDs please) and should be readable by a Mac and named in conjunction with the actual artwork title. Visit the full call for digital submission guidelines.
NOTIFICATION: All artists will be notified of acceptance or non-acceptance via EMAIL.
ENTRY FEE: The entry fee for up to three (3) slides (or transparencies), digital images or photographs is $35.00.
DEADLINE: Postmarked by September 30, 2010.
On a personal note, my readers know that I try to ensure that none of the calls I list are scams or thinly-disguised money-making schemes. This IS NOT vanity publishing and DOES appear to be a legitimately-distributed fine art book.
In our mobile world, it seems that all of life revolves around fast food, GPS and mobile phones. Maps have become a rarely used–and lately a little understood–artform.
When I think of maps as an artform, I think of the fantastical maps of Canadian Artist Shane Watt. (Ironic considering the call is limited to US Artists). So, I was really excited to find this Call for Entries from Sebastopol Center for the Arts celebrating the Map as Art.
This may be done directly or indirectly, metaphorically, or conceptually. The terrain may be (but is not limited to) geographic, psychological, political, historical, cultural, mathematical, imaginary, or personal.
All media is acceptable, including installation. Video and film should be submitted as a DVD in loops no longer than 4 minutes; selected artists will need to supply their own equipment for display.
JUROR:Kim Anno is a painter, bookmaker, collaborator and Professor and Chair of Painting, at the California College of the Arts, San Francisco. Her advocacy of the arts has enjoined her talents as curator, artist-in-residence, juror, lecturer, and interviewer. In addition, her diverse practice has led her into important collaborations with writers, visual and performance artists.
DEADLINE: Hand-delivered entries will be accepted at SCA on Monday, August 30, between 3 and 6 pm. Entries by jpegs on CD must arrive by 5 pm, on or by that date. Please see prospectus for complete guidelines.
ENTRY FEES:
SCA members, $10 per entry or 3 entries for $25 (membership is $40 annually).
Nonmembers, $15 per entry, or 3 entries for $40. Maximum, 3 entries per artist.
REJECTION SUCKS
Entrants must be over the age of 18.
PRIZE MONEY:
Bristol Art Gallery’s
Peaceful Products
Boulger
