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Art and Art Deadlines.com

Category: Networking

FEATURED ARTIST: T.S. McFadden

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CRUNCHY GOODNESS!

The $2 Art Contest is getting to be like pulling teeth.  And, I can’t afford to loose my teeth.  While I love silky bisques and hollandaise, a blogger cannot live by hollandaise alone.  What good is the hollandaise when you’re dreaming of corn nuts and have pulled all your teeth?  I think this month’s entries  for the $2 Art Contest were extraordinarily tasty.

The entries I receive each month for the $2 Art Contest are incredibly varied.  I see work from every imaginable media, from artists at every level of their careers–some polished and PR savvy, some more vulnerable, but honest.  Because it isn’t a level playing field, it isn’t really just about choosing the best art.  I love having the honor of reviewing all the work, but I am made anxious by the necessity of choosing.

Learn more about artist T.S. McFadden!The Featured Artist chosen from September entries is T.S. McFadden.  McFadden’s work hits so many of the right notes for me–multiple media, over-the-top devotion to the creative process, and a love for found objects and recycled materials. 

FEATURED ARTIST:
T.S. McFadden

T.S. McFadden is an intuitive artist whose prolific body of work explores process, internal dialoques and facilitation.  He was born in a small town in Ohio and raised in the country.   He is now based in New York.

McFadden has sculpted and painted since he was a child and is self-taught but for a handful of private lessons.  He studied in the fine arts, graduated from Kent State University and has spent time in Europe studying other artists.

Mother Grand 8x8 by T.S.McFaddenWhile I am in love with the Elephant Graveyard series on which McFadden is currently working, I chose to focus this feature on McFadden’s Mother Series of paintings.  As I have shouted from the mountain tops many times, my artistic skill does not lie in painting media.  But, I find my inadequacy in this area makes me appreciate the talent in others even more.

The Mother Series is what the artist calls an abstract expression of logic.  That will serve as a huge contradiction for some.  The next contradiction will come from the idea that these paintings are a sort of recycled assemblage.

“This series was created using remnants from my palattes, which were scraped and pulled and meant for the garbage.  Too haunting and too beautiful to be discarded, they were stacked and saved for years.  The kinetic energy found in the palatte is art in its purest form–it is the unintentional genesis of intention.” 

Mother Grand 24x24 by TS McFaddenThere’s that logic for you.

I always send a quiz to my Featured Artist picks to gain a little insight and help me feel inspired to write.  Some of the questions are food related, some are art related, some try to unveil the inspiration behind it all.  What have a learned from the quizzes as a whole? 

Artists don’t often like
to give direct answers, ha.
 

McFadden’s answers did not disappoint.  When asked about his favorite foods, he reinforced the notion of contradictions.  How do you claim corn nuts and sashimi among your favorites?  I suspect those choices just reinforce how the pull of opposites can produce a cohesive balance. 

Mother in Silver IX 10x10 by T.S. McFaddenWhat do you think?

When asked about his favorite media, McFadden decided upon Experimentation.  Perfect. 

And what school of art does feel
his work fits?  Intuition.

Even more perfect. 

 Energy, emotion and circumstance direct him.  He uses layers of color to examine, define and mask an inner world.  Organic and graphic elements invade the space, push the calm and subdue the conflict.

McFadden considers his creativity intrinsic and his pronouncement of it solely environmental. 

He is a painter and a sculptor, a published author, a writer of poetry and music, a furniture designer and whatever else the moment he is living in requires him to be. 

Thank you, T.S. McFadden, for the Mother Series…and for reminding us of the old school definition of “artistic.”  I, for one, can’t wait to see the Elephant Graveyard series!

Learn more about T.S. McFadden online!

Want to be a Featured Artist on www.ArtAndArtDeadlines.com?
Check out the $2 Art Contest!

CALL for ENTRIES: The American Dream

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RED, WHITE & RHUBARB

How often have you heard the sentence, “What’s more American than pie?”  Honestly, I’m not a huge fan.  I know you are shocked that I am not over the moon about any food; however, apples just aren’t my thing.  I like raw Granny Smith apples with a generous dash of salt, but I just don’t want them cooked.  Let start a new saying, “What’s more American than rhubarb pie?”  You heard it here first, folks.  This next Call from the Woman Made Gallery is also looking to redefine the idea of American.

Check out this Call for Entries called The American Dream: A Juxtaposition from the Woman Made Gallery in Chicago.  I’ve shown work at Woman Made before, and I always admire the curatorial eye of their jurors.  The fee is reasonable, and you know how I love a theme.  Take a closer look…

Visit the Woman Made Gallery!CALL for ENTRIES:
The American Dream

It has been since the Founding Fathers declared in 1776 that “all men are created equal” and Americans were granted the privilege of “certain unalienable rights” such as “Life, Liberty and the Pursuit of Happiness” that people began to search for the abstract notion of ‘The American Dream.’  

The American Dream is a philosophy that has grown out of the perspective of the people living it and has become as individual as those who still seek to pursue it and understand it.

Visit the Woman Made Gallery!The American Dream: a Juxtaposition seeks to define our current interpretation of ‘The American Dream’ while acknowledging what this dream exposes our minds, bodies, and environment to. 

MEDIA:  This exhibition is open to all media that address the hopes, promises, and prosperity of ‘The American Dream’ as well as the inconsistencies and consequences of ‘The American Dream’.

Online Submissions: Submit jpgs of up to three of your works on their website.  Please include an artist statement and a $30 entry feePlease note the deadline is FIVE days away.  You don’t have time to mail an entry…use the online submission.

Juror: Catherine Blackwell Peña  (BFA/MFA) is a working artist and educator. Her artwork blends photography, installation, public art, and sculptural elements in works that challenge the viewer to reposition their perspective physically and mentally. Reoccurring themes in her work are humans altered relationship with nature and the boundaries and limits of our built environment.

Peña’s work has been exhibited in-group shows in Seattle, New York, Chicago, Memphis, St. Louis, Boulder, Las Vegas, and Kansas City.  Outside of her studio practice, Peña is dedicated to teaching, and exploring Public Art and Social Practices not only through educational settings but also in collaborations with nonprofits and community organizations.

Peña currently teaches at Memphis College of Art and Christian Brothers University in Memphis, TN and also acts as a Public Art Workshop Coordinator for Le Bonheur Children’s Hospital.

Entry Deadline: October 20, 2010

Notifications:  November 10, 2010

For full details, Download the Prospectus!

ART PUBLICATION: Blue Ice Magazine

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OPEN UP & SAY
…AHHH!

I am privileged to know a large number of artists that are multi-talented writers, singers, songwriters, musicians, performing artists, visual artists…and foodies.  That’s a talent, too, folks.  Being a foodie requires educating your palate to accept snails as food and taking the time to learn the subtleties of ingredients.  But never fear, this Call for Entries from Michigan Technological University doesn’t require use of your tongue…just your creativity and talent for prose, poetry and/or art.

Check out this great Call for Submissions from Blue Ice Magazine, an online literary journal affiliated with Michigan Technological University’s Humanities Department.  There is no fee, no payment and no deadline.  No, I am not joking.  There are also no acceptable excuses.

CALL for SUBMISSIONS:
Blue Ice Magazine

Blue Ice, an online literary journal affiliated with Michigan Technological University’s Humanities Department, is accepting submissions of poetry, prose, and art. They claim, “We publish any type of writing and art, as long as it’s good.” 

Learn more about Blue Ice Magazine!What could be simpler?

Blue Ice is a nonprofit online student literary magazine located in Michigan Tech’s Department of Humanities and a project of the Literary Arts Club (check out their Facebook page).

MEDIA:  Poetry, prose, photography, and “art collages made out of multi-colored toenails, etc.”  They’re funny too.  Cool.

Learn more about Blue Ice Magazine!DEADLINE:
  None.

NOTIFICATION: 

Allow an enormous amount of time for a response – there is no deadline, after all, and you will not be erased from their website.

PAYMENT: 

None…but “your name and work will show up in a Google search.”

SUBMISSIONS:  

All submission must be original and previously unpublished.  Be nice.  If you have submitted your work elsewhere, let Blue Ice know.  If it gets published elsewhere, let Blue Ice know.  And if Blue Ice publishes it first, let the other(s) know.

Send your submission via e-mail attachment to blueice@mtu.edu.  In the subject line, write “Submission.”  Tell them a little bit about yourself in the body of the e-mail.

For visual art, attach submission as a high res image file.

For Full Details, visit the Blue Ice Magazine website!

ART PUBLICATION: Open Call from Fotoblur

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!DELICIOUS
GUILT

Is it wrong that I enjoy the idea of torturing my readers…just a little?  I know some of you that subscribe by email enjoy getting your morning dose of art deadlines combined with ridiculous food references…and a non-solicited lecture or two.  Lecture of the day…art publication.  I don’t have the energy to say more.  Search “art publication” in the box to the right if you are unfamiliar with my rantings on the subject.  Having shortened my lecture, I am only going to indulge in eggs-benedict guilt…not molten-chocolate-lava-cake guilt…if that’s okay with you.

Check out this great opportunity to get your work published in Fotoblur and become a part of a photography community.  Oh, did I mention this Open Call from Fotoblur is Free?  This blog’s secondary tag line has alway been “Find a Show. Enter a Show. Eat.”  Maybe today we’ll edit it to “Find a Free Show.  Enter a Free Show.  Gorge.”  Take a look…

Learn more about Fotoblur Magazine!OPEN CALL: 
Fotoblur Magazine

Fotoblur Magazine is a community-based, published photography magazine. Published photos are submitted by you. Fotoblur Magazine is published quarterly.

How to become a contributor:

1. Join the community.

2. Create an account

3. When magazine submissions begin, submit high resolutions versions of your best gallery photos for possible publication. 

4. Submit as many photos as you like.  No restrictions, and it is FREE! 

5. Photos are voted on by the Fotoblur community. 

6. From the top photos editors make their final selections for publication.  For more info on how to get your photos published in Fotoblur Magazine read their FAQ www.fotoblur.com/faq.

Prize: Published work in Fotoblur Magazine.
Submission Fee:
None

Learn more about Fotoblur Magazine!Issue 8 Schedule:

Submission Schedule
10/3/2010 – 10/31/2010

DEADLINE: October 31, 2010

Selection Schedule
11/1/2010 – 11/14/2010

Submission Requirements:
Submit your photo as a 300dpi jpg file.  Save your image so that the width is 7 inches or greater (7″ @ 300dpi = 2100px). They ask that you submit your images in high (80 – 100%) quality.  Please keep the file size below 10 MB. Please refrain from adding borders, watermarks, or text of any kind.

Copyright information for contributors:
Fotoblur does not claim ownership rights in your works or other materials posted by you to Fotoblur (Your Content). For the sole purpose of enabling them to make your Content available through the Service, you grant to Fotoblur a non-exclusive, royalty-free license to reproduce, distribute, re-format, store, prepare derivative works based on, and publicly display and perform Your Content.

Visit Fotoblur Magazine onlineToday!

CALL for SUBMISSIONS: Container Space Gallery

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FROM SHIP TO SHORE

Letting go of most of my stuff a few years ago was a life-altering experience.  When I decided to move to Gatlinburg, it just happened that the mountain-top chalet I chose came completely furnished.  After some thought, my husband and I decided to keep our own dishes & cookware, computers & TVs, art & art supplies and all of our child’s furniture and toys.  Everything else had to go.  I could pack everything I own in one day.  That’s freedom, folks.

This Call for Entries is another symbol of freedom.  What do you get when you cross a university art department, a dilapidated storage container, wooden palates and a few solar panels?  An art gallery, of course.  The folks at Container Space are looking for submissions for work for the 2011 season.  Check it out…

Container Space in 2008!CALL for SUBMISSIONS:
Container Space

The Container Space is now accepting proposals for installations performances, recent video, sound, print, & sculpture works.

The Container Space is located in the Sculpture Yard at the rear of the George Mason University’s School of Art.  The shipping container is a recycled object itself.  The container stood deteriorating in a field for two decades before it was re-purposed utilizing found & recycled materials from the garbage & local community. 

A 130 watt solar panel offers power supply for multi-media artist & 24 hr. lighting for visual artist to display work.  Their aim is to engage artist in the context of the shipping container in contemporary society. 

Container Space in 2009!How does the container represent mobility, space, access, economy, memory, & consumption, in a global context?

Submitting artist should consider the notion of the gallery space as sustainable, the close proximity to Washington DC, & the relationship of the shipping container to the global historical narrative.

DEADLINE: December 30, 2010

ENTRY FEE:  No Entry Fee
 
International & National (non-regional) Artist:  Non-regional artist may submit up to 5 recent video or sound pieces created after 2009.  Non-regional artist may propose an installation or performance, drawing resources from the inventory list below. 

An example would be to mail a series of instructions to be carried out by the curator or members of the community student body or faculty in the DC metro area.  Keep in mind that George Mason University is located in close proximity to Washington DC.  All installation proposals will be considered.
 
http://www.containerspace.org/Non-regional artist may also submit prints, drawings, paintings or sculptures.  However, artist should be aware that cost of shipping and insurance, (All work being shipped must be insured).

George Mason University and Container Space hold no liability for work being installed.

All costs will be covered by the artist. 

Regional Artists artist may submit proposals for installation, and performance to be executed by the curator, community, student body or faculty in the DC metro area. Regional Artist may travel to George Mason University and execute an installation or performance. Regional artist may also submit prints, drawings, paintings, sculptures and up to 5 recent video or sound pieces created after 2009.

Learn more about the Container Space Gallery!Please  submit submissions via email to blake@containerspace.org
or
mail to:

School of Art
College of Visual and Performing Arts
George Mason University
c/o Container Space
4400 University Drive, MSN 1C3
Fairfax, Virginia 22030
       

Please include your name, email(s), cell number,
country, website, and let them know:

1. How did you hear about the Container Space? 
(Don’t forget to mention ArtAndArtDeadlines.com)
2. Brief description of piece
(for those submitting completed work(s)
3. Please include up to 5 JPEG imagesas a PDF or on a CD. Video & sound work(s) should be any length, as a quicktime , MP3 file , down-loadable or on DVD.
4. Brief description of proposal for installation or performance (please attach sketches, diagrams & any additional information that may be useful)

For complete details, download the Container Space Call!

CALL for ART: 2011 National Women’s Exhibition

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STEP UP, LADIES!

I try my best to feature as many International all-inclusive shows as I can, but sometimes, just sometimes, I post a call for my own selfish reasons.  And ladies, this is one of those times.  While women certainly do not have the corner on art any more than they have the corner on cooking, we certainly have a unique voice…a unique recipe if you will.

Check out this Call for Entries from the Women’s Caucus for Art for their 2011 National Juried Exhibit.  Based on the idea of your own personal “Hidden City,” this exhibit could also help you make a connection to the Women’s Caucus for Art that could serve to give you and your artwork a new perspective that could last for years.

Call for Entries:
2011 National Exhibition

Artists are invited to explore their idea of their Hidden City , real or imagined, in an array of media. The theme may be broadly interpreted from an activist, political or personal context.

Womens Caucus for ArtNo matter our place in society, we all have our Hidden City, a place of refuge from gender, race, class and sexual exclusions, a place that shapes the feminist viewpoint. Some cities, like wrapped boxes, conceal unexpected gifts, others are riddles and lyrical abstractions.

These are performative spaces where we may imagine retribution for injustices, righting wrongs or conversely, delving into the dark side. Convince the viewer of its viability, a live space filled with passion and imagination!

Check out the 2011 National Juried ExhibitEligibility: Open to all women artists

Juried by: Lisa Phillips, Director of the New Museum, NYC

Location: New Century Artists Gallery, NYC

Show Dates: February 1-12, 2011

Deadline: November 19, 2010

Entry fees:  $35 for WCA members & $45 for non-members

For complete details, Download the Prospectus!

CALL for ENTRIES: Ex Arte Equinus 4

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!HORSIN’ AROUND

Someone emailed me an appreciative note about my recent post featuring a rubber chicken.  I explained that finding Calls for Entry day after day was far easier than figuring out how to make a food reference day after day.  There have only been a few that I wasn’t particulary proud of like the Rice A Roni reference to San Francisco.  Nothing against Rice A Roni…it just wasn’t a creative reference.  So here I am…horses?  Carrot, folks.  That’s all I’ve got.

Check out this great Call for Entries in Ex Arte Equinus 4 brought to you by Art Horse Magazine.  The fees are reasonable, and this in an excellent opportunity to get true value from Art Publications.  Check it out…

CALL for ENTRIES:  Ex Arte Equinus 4

Ex Arte Equinus is an international art competition dedicated to presenting the equine as fine art.  The amount of equine artists working today is astounding.  Ex Arte Equinus is a chance for artists worldwide to have their work recognized in a fine art format, in a competition that will provide equine artists the opportunity to compete and have their work seen on an international level. 

Check out Art Horse Magazine online!Images of winning artwork will be published in issue #12 of Art Horse Magazine (published March 2011).  Winners and selected images will also be published in a limited edition hardback book about the show, available from Art Horse Magazine.  

ELIGIBILITY:  Contest is open to artists worldwide.  Open to artists 17 years and older.  All artwork must be original work executed by the artist. Works produced by non-human artists are not eligible.  Works based on a photograph must have the photographer’s permission before entering that work.  Works must include a suggestion of an equine form in the image submitted (i.e. a still life painting of tack or hunting dogs would not be acceptable for this show).  Previously submitted works are welcome, however works that placed or appeared in any previous Ex Arte Equinus competition or book are not eligible.

 CATEGORIES:  All artists will compete for the awards in these categories (note that multimedia pieces should be entered  based on predominant media):

Ex Arte Equinus 4Paintings:  Includes watercolors, oils, acrylics, and any other ‘wet’ traditional or non-traditional painting media.  This category does not include “digitally painted” pieces or electronically-generated art for this competition.  Any image entered into an inappropriate division will be moved by the jurors into the correct division at the time of judging without penalty to the artist.  

Drawings:  Includes drawings, pastel, charcoal, etchings, and other traditional or non-traditional types of ‘dry’ drawing media.  This category does not include “digitally drawn” pieces or electronic art for this competition.  Any image entered into an inappropriate division will be moved by the jurors into the correct division at the time of judging without penalty to the artist.

Check out Ex Arte Equinus 4 Art Competition online!Sculpture:  Includes 3-dimensional works completed using traditional or non-traditional materials.  Copies of originals are accepted for cast media (such as bronze, wax, ceramics, or resin) if they are submitted as entries by the sculpting artist only.

Digital Art:  Includes any artwork completed digitally, including digital image that has a photograph as its base, such as an image heavily reworked or texturized with Photoshop, any images with painted or pasted backgrounds, foregrounds, layers, or subjects, and any image which is entirely computer-drawn or computer-created.  Digital collages are included in this division.  Please review the qualifications for the Photography division below if you have questions.  Any image entered into an inappropriate division will be moved by the jurors into the correct division at the time of judging without penalty to the artist.

Photography:  Includes digital or film photography (alternative film or traditional film types of images and /or processing), color or black and white.   Photo should include the image or suggestion of a real, live horse in some way.  Artists may be asked to provide the original file if a digital image is in question as to the amount of reworking. Any image entered into an inappropriate division will be moved by the jurors into the correct division at the time of judging without penalty to the artist.

Sculpture by Juror Susan Leyland
Sculpture by Juror Susan Leyland

LIMITED EDITION PROGRAMME BOOK:

Selected works and information about the show will be printed in a color hardbound book that will be available on the Art Horse Magazine website. 

 ENTRY PROCEDURE:  Submit entries on CD, or online.  SUBMIT ONLY A DIGITAL VERSION OF YOUR IMAGE. Do not sent actual work.

Send your files via email to:  exarte_images@gmx.com  (total size per email is 15mb, so you may need to send multiple emails.)  DO NOT send images prepared for web pages or internet viewing. For flatwork (paintings, drawings, photos, digital), submit one image per entry, with a limit of 12 entries per artist.  For sculptures: Multiple views of your piece may be needed to sufficiently show the piece in entirety (i.e. front and side views). Submit up to two images per entry, with a limit of 12 entries per artist.  Please name your files with Artist’s last name, entry number, and view number (i.e. Smith_1_1.jpg, Smith_1_2.jpg, etc.)

Happy in the Fields by Juror Rachael Waller
Happy in the Fields by Juror Rachael Waller

ENTRY FEES:

$30.00 per artist will include up to 3 entries.  Additional entries up to twelve may be added at $10.00 each. 

USEAGE RIGHTS:  By submitting for jurying, artists grant Art Horse Magazine permission to use the submitted images in publication of issue 10 of Art Horse Magazine, in online display and printed promotion about the competition only (such as informational booklets sent to sponsors etc.), and in publication of the show programme.  Artists grant the use of their image(s) as stated here without further compensation from Art Horse Magazine.  Artist and title recognition is always included at use.

 AWARDS:  Prizes include rosettes for first place through third place for each category.  First place and overall winners receive custom glass awards and one copy Ex Arte Equinus IV programme book will be awarded to each first place artist and overall Award winners.  Winning works will be included in issue #12 (Winter, 3/11) of Art Horse Magazine and in the published show programme book as an opportunity to present the work to an international audience of equine art collectors and enthusiasts.

JURORS:  Each category will be judged separately.  Susan Leyland (Drawing category), Rachael Waller (Photography category), Sherron Sheppard (Digital Art category) and Kathi Peters (painting category), and Lyne Raff, editor (sculpture category).

 JURY NOTIFICATION:  On or about sixty days from final entry deadline.

DEADLINE:  October 30, 2010.  Electronic entries only after 10/20

For full details, visit Art Horse Magazine online!

CALL for ENTRIES: Lipstick and Rouge

Click to Subscribe to www.ArtAndArtDeadlines.com by Email! I SEE RED

I am a big fan of the color RED.  I wear red clothing.  I own a red Jeep.  I eat red foods.  My husband and I sing together as the Pea Pickin’ Hearts, and we sing a song called “I See Red” about throwing away the rose-colored glasses in exchange for the red-eyed passion of life–good or bad.

Check out this next Call for Entries that screams “Red” to me.  Lipstick & Rouge is the first juried show for Second Space Gallery in Spokane, Washington.  The entry fee is as low as $10 too.  I need a cupcake.

CALL for ENTRIES:  Lipstick & Rouge

Second Space Gallery invites you to enter the juried exhibition entitled Lipstick and Rouge to be held in Spokane, Washington during December 2010. The title refers to the ways in which we perceive beauty through color. In the past, red has been associated with passion, love, anger, heat and a range of other things.

Learn More about Second Space Gallery online!The desire of Second Space Gallery is to see what it means to the artists. Over $1000 in prize money will be awarded to artists whose work adheres to theme, demonstrates impact and energy, and stimulates us visually.

DEADLINE:  November 3, 2010

NOTIFICATION:  November 12, 2010

ENTRY FEE:  $10 per image

ELIGIBILITY & MEDIA: This exhibit is open to all artists over the age of eighteen working in two-dimensional media. There is a limit of five entries. Work must be the original creation and composition of the artist submitting it. Artwork must have been created within the last two years AND not previously exhibited.

Learn More about Second Space Gallery online!AWARDS: $500 for Best of Show; $300 for the Merit Award; and at least three honorable mention awards of $75

JUROR:  Karen Kaiser, of the Jundt Museum at Gonzaga University, will judge the show.  For over twenty years, Karen Kaiser has been making her mark on the Washington art world. She began as a student of painting at Fort Wright College in Spokane and went on to earn her Master of Fine Art degree in Drawing and Printmaking from Washington State University.

After graduation, she turned to art instruction and later extended her career focus to help art students in other ways. With her extensive experience teaching oil, acrylic and watercolor painting at community colleges and at WSU, Ms. Kaiser has helped hundreds of students develop their own talents. Her fifteen years as the Art Program Manager at Spokane Falls Community College led to a position as the Assistant Curator for Education at the Spokane Art School.

Learn More about Second Space Gallery online!Ms. Kaiser currently puts her education and expertise to work as the Assistant Curator for Education at the Jundt Art Museumat Gonzaga University in Spokane. In addition to her teaching and curatorial duties, Ms Kaiser has been able to maintain an active exhibition record in Washington and Idaho galleries.

For full details, download the Prospectus!

ART PUBLICATION: RR2 Box 281 Call for Entries

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SPECIAL
DELIVERY

I have always wondered why I have never received a “____ of the Month” gift for a holiday.  Fruit, cheese, beer…you name it, I would love any of them.  Maybe my relatives are concerned about my food obsession?  It’s possible.  But not only do I love most things edible, I have a soft spot for mail.  I may be the only human alive that still has magazine subscriptions…plural.  You can feel this one coming, can’t you?  Mmmhmm…art publication.

It is that time again folks; it is time to remind you that all publicity for your artwork is good publicity.  Check out this Call for Entries from Rural Route 2 Box 281, a bi-monthly art zine dedicated to photo-based contemporary art.  It is available both digitally and in hard copy.

Call for Entries:  Rural Route Two Box Two Eighty One

RR 2 Box 281 is a bi-monthly zine dedicated to photo-based contemporary art. They are currently seeking artists for inclusion in our first year of publications. Each issue will be focused on the work of two living artists working and living outside of traditional art centers / major metropolitan regions.

Learn More About RR2 Box 281 online!The title “RR 2 Box 281” comes from the childhood address of the zine’s editor. Through Digital and hard copy dissemination, RR2 seeks to increase the exposure of artists working and living in rural (non-urban) settings, thereby creating a dialog around relationships between contemporary art, regional identity and rurality.

Six times a year a new issue of RR 2 Box 281 will be released as both a free pdf file (to be emailed) and a hand-bound hard-copy zine (to be sent via post). The hard-copy zine will be $15/ issue, or $60 for a yearly subscription. The first Issue will be released on Nov. 4 @ P.S.1. in conjunction with Printed Matter’s NY ART BOOK FAIR.

Learn More About RR2 Box 281 online!DEADLINE

December 31, 2010

ENTRY FEE: 

FREE

ELIGIBILITY 

This call is open to all photo-based contemporary artists living and working outside of traditional art centers/major metropolitan regions. All types and styles of work will be considered, special attention will be paid to artists whose work is reflective of, or speaks to their environment.

Hey, Mixed Nuts...yes, you...Subscribe to RR2 Box 281 today!REQUIREMENTS: 

For consideration please submit the following to rr2box281@me.com with the subject line RR2:

Four 600px (longest side) .jpg files of recent body of work
A brief resume
An Artist statement & bio

or

a link to a website containing
your images, statement, cv and bio.

AWARDS: 

Each artist selected will receive a free hard-copy of their issue and a heavily discounted rate for a full year subscription.

CONTACT:

Click Here to find them on Facebook!

Visit their Blog Under Construction!

Email: rr2box281@me.com

Editor’s Note:  I know, I know.  I can smell the paranoid, suspicious email headed my way about how I shouldn’t promote Calls from newbies.  Bottom line…we all start somewhere.  They are building a blog and finding a few fans on facebook too.

This blog is only a year old.  If everyone had been suspicious, I wouldn’t have a few hundred of you mixed nuts reading these posts everyday.  Then where would we all be (she says with an exaggerated sense of self-importance)?  Have a little faith, folks.  When you expect the best…you very often get it.

CALL for ENTRIES: Past is Present

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DO HICKEYS

It will come as no surprise that I love kitchen gadgets.  I actually own a machine called the CoCoMotion (pictured right) that serves the solitary purpose of making hot cocoa at the perfect temperature.  Embarrassing, but true.  The top of my cabinets serves as a storage house of ridiculous serving pieces I’ll never use, old cheese boxes, and some very cool art made out of toasters.  And if it is an OLD kitchen gadget…like my egg scale, then I’m really in love.

I fell in love for this Call for Entries from The Columbus (GA) Museum called Past is Present: Contemporary Approaches to Historical Decorative Arts and Design.  Check it out…I think you’ll be surprised to find it is part classical applied art, part artisan craft and a whole lot of opportunity to look at your art from a different perspective.

CALL for Entries: Past is Present

The Columbus Museum announces a call to artists for its upcoming exhibition, Past Is Present: Contemporary Approaches to Historical Decorative Arts and Design. Past is Present Call for Entries!Contemporary artists are creating artwork that is breathing new life into techniques and forms found in centuries-old American decorative arts and design. 

This exhibition will explore reinterpretations of textile work, including embroidery and beadwork; ceramics, such as transfer ware and figurines; portraiture, including miniature paintings and silhouettes; furniture-making, such marquetry and tall-case clocks; stained glass; and other traditional American decorative arts forms.  The exhibition will be accompanied by a 16-page publication. 
                                   
Eligibility:  Open to all artists residing in the Continental United States. The Columbus Museum encourages innovative and progressive work that utilizes a diversity of art forms and media.

Learn more about the Columbus Museum!How to Submit Your Work:  Please send 5-10 images at least 300 dpi on CD. Label all images with title and submit a corresponding image list.

The image list should include the title, date, dimensions, and medium (please list specific materials for mixed-media work). Please also include a current resume and artist statement.

Do not send original artwork, slides, master tapes, catalogues or reviews.  Materials without self-addressed stamped envelope will not be returned.

DEADLINE: All materials must be postmarked before October 1, 2010; they may hand-delivered by that date to the Columbus Museum, located at 1251 Wynnton Road, Columbus, Georgia 31906, if preferred.   

ENTRY FEE:  There is no submission fee.

Electronic Media Work:  Submit a sample of work(s) up to 30 minutes on DVD.  (Complete work may exceed this running time.) Samples should be accompanied with label copy (title and date), length of running time, artist statement and resume. Materials without self-addressed stamped envelope will not be returned.

Notification:  Artists will be contacted by December 1, 2010. 

For full details, visit the Columbus Museum website!

The Columbus Museum