Photography – Page 68 – Art and Art Deadlines.com

CALL for ENTRIES: Shots Magazine

Posted on January 7, 2012 by R.L. Gibson

WELL DONE

I enjoy chargrilled foods. I know many chefs that prefer to grill over gas or propane. They all give me the “if I wanted to eat charcoal, I could just eat a briquette.” Snobs. If charcoal residue is the worst thing I ever consume, I think I’ll be fine. This next Call for Entries might be interested in what you cook over open flame… Give it a shot, no pun intended.

Check out this Call for Entries for Shots Magazine, Issue No. 115. This is a shot to have your images published. And, the entry fee is only $16 for up to TWENTY images. Possible award? Art Publication is a reward in itself. Remember you don’t have much time, but you can enter online. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Shots Magazine, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Shots Magazine No. 115

A well-established, independent, quarterly photography journal in its 25th year of publication, SHOTS Magazine reaches an international community of photographers, educators, galleries, museums, collectors and other fine art photography enthusiasts.

MEDIA: All photography processes and techniques are welcomed. Color work will be reproduced in black & white. Please follow guidelines closely.

THEME: Earth, Fire, Water, Air/Wind. Submissions can represent one or more of the elements. Any interpretation of the theme, literal or not, is welcomed.

ELIGIBILITY: Open to all photographers internationally.

DEADLINE: Received by February 1, 2011.

NOTIFICATION: Since all photographers submitting work per the guidelines will receive a copy of the magazine (and will thus see whether or not their work was included), letters of notification are not sent. Editor’s Note: I find this practice bizarre. Just sayin’.

ENTRY FEE: For up to 20 images: $16 for non-subscribers (include check with submission, or click here to pay online using PayPal) and FREE for current, renewing and new subscribers (for subscription information, please visit the Order Page).

TO SUBMIT FILES ONLINE: SHOTS only accepts files submitted online using yousendit.com. You may send up to 100MB at a time using their free “Lite Account”. Please use shots@shotsmag.com as the recipient address, and include your name in the subject header and in all files.

Prepare your files per the specifications below and create and send a single compressed file (zip, rar, or sit). If your file size exceeds 100mb, it is okay to send two compressed files. File size is likely to be large—a high-speed internet connection is recommended. If you are not a current subscriber, please make your payment directly before or after sending your files. (Note: SHOTS does not review work on websites, and does not accept emailed files.)

FILE SPECIFICATIONS (CD and Online Submissions): 300 PPI JPEG files, sized to approximately 12” in the longest direction and saved to the highest quality possible. Please include your name and the title of the image in each file name (for example: First_Last_Title.jpg).

AWARD: Inclusion in this edition of SHOTS.

For more information, visit Shots Magazine’s Guidelines Page!

REMINDER: Monochromatic

Posted on January 6, 2012 by R.L. Gibson

LATER TATER

If you’re looking for a food goal for the year–swear off most things beige or brown. Let’s face it, we can all live with deep-fried-everything from potato chips to chicken, and all those tater, rice and white bread aren’t helping us either. I am not suggesting it will help you lose any extra pounds, but you might feel a little better. This next show is interested in the monochromatic issues as well. Investigate…

Check out this Call for Entries from the Darkroom Gallery (Essex Junction, VT) for Monochromatic. The entry fee at Darkroom is always low ($20), and I love that they will provide free matting and framing if you work in their standard sizes. Take a look…

*Editor’s Note: If you enter, please make sure to let them know that you found the Call on ArtAndArtDeadlines.com. We’ve got a great history with them…including Best of Show!

CALL for ENTRIES:
Monochromatic

“The term accessories has come to include a host of photographic gadgets of questionable value…“Ansel Adams, The Camera

“A good daguerreotype was as perfect a kind of photograph as was ever made.” Edward Steichen

These two masters enriched the history of photography by being some of the first to experiment with new technologies in a relatively new art medium. They were also traditionalists and truly embraced manual and old photography processes. The hundred and fifty photographers from Steichen’s world is millions today, and finding “as perfect a kind of photograph as was ever made” is no longer as simple.

Digital cameras and editing software have transformed the medium and opened up whole new worlds for the 21st century photographer. We have dozens of “apps” that help us tweak a digital image to “perfection” in minutes. A vast repertoire of image resources we look to for inspiration and meaning still brings us to the same point of reflection as photographers of the early 20th century: what is the art of photography?

Black and white photography, a genre that many would claim made them fall in love with image-making in the first place, has remained completely relevant and contemporary despite it’s ancient roots. It is timeless, sometimes soft, sometimes dramatic and brings new perspective to images and image making. Whether you are a darkroom purist or a Photoshop craftperson, show us your love for hue-less images. The Darkroom Galllery wants to see YOUR best black and white or alternative process images for an exhibit that will pay tribute to the origins of photography and praise it’s development.

ELIGIBILITY: Entrants must be at least 18 years old. If you are younger, you must have a parent or legal guardian make the submission for you.

MEDIA: Photography. Monochrome images from traditional silver black and whites to cyanotypes, sepia toned photographs and anything else in the color-less spectrum.

DEADLINE: Jan. 25, 2012

NOTIFICATION: Feb. 1, 2012

JUROR: Growing up in southern Poland, Rafal Maleszyk spent his childhood and early years in post-communist Poland. He first started exploring photography using a 35mm Kiev on his fourteenth birthday. Maleszyk’s photography is rooted in his interest in natural landscapes. For him, photography is the ultimate artistic form that captures one’s encounter or oneness with nature. His style focuses on simplifying and expressing with intimacy the perspectives in nature.

In 2009, he moved to the Oahu island of Hawaii, where he now works as a professional fine art black and white landscape photographer, specializing in large format prints series using a digital medium format Hasselblad camera. Maleszyk has received numerous awards for his work.

AWARDS: All selected entries are exhibited in the gallery and included in a full color exhibit catalog. Juror’s Choice receives a 20×35″ vinyl exhibit banner featuring their image. People’s Choice gains free entry into a future exhibit.

SALES: Darkroom offers free matting and framing of accepted entries for the duration of each of their exhibitions, subject to standard sizes. Photographers set their own prices if they wish to sell their work and retain all rights to their photographs. For commission details, go to the bottom of the Submisssion Rules page!

For complete details, Read the Full Call!

CALL for ENTRIES: Interpretation of Fading Light

Posted on January 3, 2012March 12, 2012 by R.L. Gibson

PARING in PAIRS

I must confess that I do less cooking that my daily ramblings might indicate. My dearest husband does much of the cooking in our household, and he does it wonderfully. But the times I truly enjoy are the times we spend in the kitchen together. And, as I get older, I have found that artistic collaboration keeps me motivated as well. This call offers you an opportunity to produce work while still being someone else’s muse. Great idea…

Check out this Call for Entries from Open to Interpretation‘s juried book competition Fading Light. Have your work become the artistic inspiration for a literary masterpiece today! Keeping reading for details…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Interpretation of Fading Light, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Open to Interpretation:
Fading Light

Open to Interpretation is a juried book competition of photography, poetry, fiction and creative non-fiction. Each book begins with a themed call for photos. The chosen photos become the literary inspiration for the writers’ submissions. A book is created that matches each winning photo with two stories or poems that offer different interpretations of the image. The unique collaboration adds new dimensions to both the photos and the written word.

ELIGIBILITY: Open to all

MEDIA: Photography

THEME: Fading Light

DEADLINE: Extended deadline is June 26, 2012. (originally March 15th)

NOTIFICATION: July 9, 2012

ENTRY FEE: $40 for 5 images, $10 each additional if entered by June 26, 2012.

JUROR: George Slade has provided fine photographic artists and their audiences with insightful interpretation and curatorial expertise in exhibitions, classes, writings, lectures, and face-to-face exchanges for over 25 years.

Formerly the artistic director of Minnesota Center for Photography, the director of the McKnight Artist Fellowships for Photographers Program, and recently the curator at the Photographic Resource Center in Boston, Slade is a veteran presence at portfolio review events like Fotofest, Photolucida, Critical Mass, PhotoNOLA, and the Society for Photographic Education’s regional and national conferences.

Slade’s writings and reviews appear extensively in print and online; some may be found at his web site, re:photographica. He lives in Minneapolis with his partner Stephanie and their children.

AWARDS: $300 Juror’s Selection Award

For complete details, visit Open to Interpretation online!

CALL for ENTRIES: True Colors

Posted on January 2, 2012January 2, 2012 by R.L. Gibson

MISSION
not
ACCOMPLISHED

A little girl recently asked me how I could tell which food was good for me just by looking at it. (Yes, I really do talk about food all day.) I spent a few minutes explaining that you could tell that some foods are good for you because they are deeply or brightly colored, like broccoli, swiss chard and carrots. Without missing a beat she said, “I’m glad to know I don’t have to give up jelly beans,” and she promptly turned and left. Perfect. This next show is proves color can be good for you. Take a look…

Check out this Call for Entries for True Colors, a digital and photography competition brought to you by Digital Arts: California that will feature both an online showcase AND a physical gallery exhibit. Pay attention to the details…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: True Colors, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
True Colors

“Color—in all its glory—is the theme of this exhibit. Bring on those bright, dazzling hues, or those soft, muted pastels. Explore deep, mysterious shades, or subtle, sophisticated tones. Does your palette include earth tones…or psychedelic blinders? Have you created a fuchsia-and-saffron fractal or a digital painting in chartreuse and cherry-blossom pink? Or, have you photographed the subtle range of blues and greens in an ocean vista? If color is an integral aspect of your art or photography, we want to see your images!” —from digitalartscalifornia.com

Digital Arts: California presents exhibits online and in a physical, brick-and-mortar gallery in Los Angeles, San Diego, or another California art center.

ELIGIBILITY:
Open to all artists.

MEDIA: Every discipline, genre, style, and school of thought within digital art and photography is welcome.

DEADLINE: January 15, 2012

ENTRY FEE: Entry fees are $25 for the first 5 & $4 for each add’l image.

JURORS: Selection of the finalists that will appear online in solo artist/photographer galleries will be made by Virginia and Glen Christensen. Virginia has enjoyed a long career as an editor and a publisher of photography and art books, and is, herself, an accomplished photographer. Glen has had a distinguished career as Art Director at major record companies in both New York City and Hollywood. Among his professional accolades have been two Grammy nominations for Best Album Package.

AWARDS: Works that have been awarded a Gold Stellar Art Award will be eligible for exhibition in a physical gallery setting. Such exhibits will be held periodically and will combine these award winners from various Digital Arts: California online exhibits. How often such physical exhibits are held will depend on the volume of entries to their online exhibits as well as other factors.

For complete details, Visit California Digital Arts online!

CALL for ENTRIES: 32nd Annual Juried

Posted on December 25, 2011December 17, 2011 by R.L. Gibson

CEREAL
or TREASURE?

Every home-cooked meal is a hand-made treasure. It does not matter what it is–from frozen pizza to chocolate souflee. Most of us would just eat a bowl of cereal if weren’t for the other people in our lives that need to be nourished, physically and otherwise. So regardless of the content, every meal is a gift. This next show explores the idea of all photography as ‘hand-made.’ Investigate…

Check out this Call for Entries from Smith Township Arts Council for 32nd Annual Juried Exhibit: The Hand-Made Photograph to be exhibited at the Mills Pond House Gallery in St. James, NY. This is such a beautiful place to exhibit your work. Take a closer look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: 32nd Annual Juried, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
The Hand-Made Photograph

ELIGIBILITY: Open to all artists age 18 & up.

MEDIA: Photography

DEADLINE:
March 23, 2012

NOTIFICATION:
Mailed by April 9, 2012

ENTRY FEE: $45 for up to 3 entries. $30 for STAC member artists. Artists may join at time of entry.

JUROR: Christopher James is an internationally known artist and photographer whose paintings and alternative process images have been exhibited in galleries and museums in this country and abroad. His work has been published and shown extensively, including shows in The Museum of Modern Art, The Metropolitan Museum of Art, The George Eastman House, and the Philadelphia Museum of Art.

The 1st edition of his book, The Book of Alternative Photographic Processes received unprecedented critical acclaim and was the winner The Golden Light Technical Book of the Year. In 2008, a greatly expanded, and lavishly illustrated, 2nd edition was published by Delmar Cengage and has become universally recognized as the definitive text in the genre. A 3rd edition is currently underway and will be published in 2013. James, after 13 years at Harvard University, is currently University Professor, and Director of the MFA in Photography program at The Art Institute of Boston at Lesley University. He is also a working graphic designer.

AWARDS: 1st Place: $300 Excellence in Photography Award, Sataporn Suravichai Memorial, Winner’s Exhibition Opportunity and one-year STAC Artist Membership. 2nd Place: $100 Award of Merit, Dr. & Mrs. Roger Gilmont Fund, Winner’s Exhibition Opportunity and One-year STAC Artist Membership.

SALES: STAC will receive a 30% gallery commission on all work sold.

For complete details, Download the Prospectus!

CALL for ENTRIES: Absence of Color

Posted on December 21, 2011December 17, 2011 by R.L. Gibson

CABBAGE,
not KRAUT

People tell me the wackiest food facts. I love hearing them, and I usually assume I am being told the truth. But, just to be certain, I always verify the facts if I can. Recently someone told me that the black and white cookie, that I alway think of as German in orgin, IS actually German, but it is called an Amerikaner. There has to be some cyclical humor in the fact that an American who thought she was a fan of German cookies is really only a fan of cookies that Germans refer to as American cookies. Funny. This next call is all about Black and White, too. Take a look…

Check out this Call for Entries for Black & White: Absence of Color from MPLS Photo Center (Minneapolis, MN). This is a great venue and a great juror. Don’t miss this opportunity!

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Absence of Color, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Black & White: Absence of Color

The world’s first photographic images were made in shade of gray, black, and white, and the black and white photograph continues to be an important palette for photographers today. The beauty of a well-printed black and white photograph is undeniable—it is striking, unearthly, and can be life changing.

Some of the world’s most memorable photographs are black and white—the rich blacks, glowing whites, and silvery grays of a strong, black and white photograph leave a lasting impression on the mind. For photographers, those deep blacks hold a special significance, as it is the black tones that reveal themselves first in photographic chemistry and communicate the magic, mystery, and possibility of the photographic process.

Black and white photographs can have painterly, etching-like qualities, which were celebrated by photography’s inventors and early adopters. Photography as art was first championed with The Photo-Secessionists who celebrated the pictorial aspect of the black and white image. Today photography is widely accepted as an art form and as a key medium within contemporary and conceptual art.

The choice of using black and white versus color is the photographer’s choice, and the reasons for that choice can be personal, theoretical, or aesthetic. This call for entry—Black and White—The Absence of Color—looks to grays and blacks and whites to tell the story and make the picture that color would often muddy.

ELIGIBILITY: Open to all artists.

MEDIA: Photography

DEADLINE: Jan. 21st, 2012

NOTIFICATION: Jan. 29th, 2012

ENTRY FEE: $35 for five, $10 ea. add’l

JUROR: Bevin Bering Dubrowski is Executive Director of Houston Center for Photography, a nonprofit organization founded in 1981 offering year-round exhibitions, workshops, publications, outreach programs, lectures, and classes. HCP’s mission is to increase society’s understanding and appreciation of photography and its evolving role in contemporary culture, and produces 15 – 20 exhibitions annually on and off-site, balancing work by regional and internationally acclaimed emerging, mid-career, and established artists. Bevin curates exhibition for HCP and is also editor of spot magazine, a bi-annual journal of photography that includes artist portfolios, interviews, exhibition and book excerpts, and highlights on HCP members’ work.

Prior to joining HCP as Executive Director, Bevin founded the photography division of Bering & James and served as gallery director. Bevin is also a practicing photographer and received her BA in Art History and Visual Arts from Emory University. Bevin has reviewed portfolios for FotoFest, Lens Culture/ FotoFest Paris, Photo Nola, and Photo Lucida. She has also recently served as a juror for Critical Mass and the Lens Culture International Exposure Awards and serves on the FotoFest Art Board.

AWARDS: First Place – $400, Second Place – $300, Third Place – $200 and Three Honorable Mentions. Prizes and Awards include a free Black & White Exhibition Book.

For complete details, Visit the Website!

CALL for ENTRIES: Monochromatic

Posted on December 18, 2011December 17, 2011 by R.L. Gibson

BEET me PURPLE

I prefer my foods on the edge of extreme–from color to taste. My newest favorite are little purple, fingerling potatoes. Yum. In addition to being beautiful, those brightly colored foods tend to be higher in iron and anti-oxidants that your body needs to be healthy. I have sworn of the beige potato chip or two, but I’ll take beets instead on most days. This next show is interested in the black and white extremes. Investigate…

Check out this Call for Entries from the Darkroom Gallery (Essex Junction, VT) for Monochromatic. The entry fee at Darkroom is always low ($20), and I love that they will provide free matting and framing if you work in their standard sizes. Take a look…

*Editor’s Note: If you enter, please make sure to let them know that you found the Call on ArtAndArtDeadlines.com. We’ve got a great history with them…including Best of Show!

CALL for ENTRIES:
Monochromatic

“The term accessories has come to include a host of photographic gadgets of questionable value…“Ansel Adams, The Camera

“A good daguerreotype was as perfect a kind of photograph as was ever made.” Edward Steichen

These two masters enriched the history of photography by being some of the first to experiment with new technologies in a relatively new art medium. They were also traditionalists and truly embraced manual and old photography processes. The hundred and fifty photographers from Steichen’s world is millions today, and finding “as perfect a kind of photograph as was ever made” is no longer as simple.

Digital cameras and editing software have transformed the medium and opened up whole new worlds for the 21st century photographer. We have dozens of “aps” that help us tweak a digital image to “perfection” in minutes. A vast repertoire of image resources we look to for inspiration and meaning still brings us to the same point of reflection as photographers of the early 20th century: what is the art of photography?

Black and white photography, a genre that many would claim made them fall in love with image-making in the first place, has remained completely relevant and contemporary despite it’s ancient roots. It is timeless, sometimes soft, sometimes dramatic and brings new perspective to images and image making. Whether you are a darkroom purist or a Photoshop craftperson, show us your love for hue-less images. The Darkroom Galllery wants to see YOUR best black and white or alternative process images for an exhibit that will pay tribute to the origins of photography and praise it’s development.

ELIGIBILITY: Entrants must be at least 18 years old. If you are younger, you must have a parent or legal guardian make the submission for you.

MEDIA: Photography. Monochrome images from traditional silver black and whites to cyanotypes, sepia toned photographs and anything else in the color-less spectrum.

DEADLINE: Jan. 25, 2012

NOTIFICATION: Feb. 1, 2012

JUROR: Growing up in southern Poland, Rafal Maleszyk spent his childhood and early years in post-communist Poland. He first started exploring photography using a 35mm Kiev on his fourteenth birthday. Maleszyk’s photography is rooted in his interest in natural landscapes. For him, photography is the ultimate artistic form that captures one’s encounter or oneness with nature. His style focuses on simplifying and expressing with intimacy the perspectives in nature.

In 2009, he moved to the Oahu island of Hawaii, where he now works as a professional fine art black and white landscape photographer, specializing in large format prints series using a digital medium format Hasselblad camera. Maleszyk has received numerous awards for his work.

AWARDS: All selected entries are exhibited in the gallery and included in a full color exhibit catalog. Juror’s Choice receives a 20×35″ vinyl exhibit banner featuring their image. People’s Choice gains free entry into a future exhibit.

SALES: Darkroom offers free matting and framing of accepted entries for the duration of each of their exhibitions, subject to standard sizes. Photographers set their own prices if they wish to sell their work and retain all rights to their photographs. For commission details, go to the bottom of the Submisssion Rules page!

For complete details, Read the Full Call!

CALL for ENTRIES: Imagination

Posted on December 17, 2011 by R.L. Gibson

OLIVES in ORANGE

Last night I imagined my self in a white chef’s coat and orange clogs while dozing off on the couch. I must have been channeling Mario Batali, or maybe it was just eating antipasto a little to late in the evening. This next show is all about imagination, but then again–shouldn’t EVERY show be about imagination?

Check out this Call for Entries for Imagination brought to you by the A. Smith Gallery (Johnson City, Texas). The entry fee is low, and you can’t ask for a better theme. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Imagination, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES: Imagination

i-mag-i-na-tion: fabrication, fantasy, illusion, imagery, insight, inspiration, originality, thought, vision, creation, creativity, inventiveness realization.

“A rock pile ceases to be a rock pile the moment a single man contemplates it, bearing within him the image of a cathedral”. –Antoine de Saint Exupery

“I paint objects as I think them, not as I see them.” –Pablo Picasso

“Imagination feeds the need to photograph. Since I can remember, I have loved to create with my mind and my hands. This desire was instilled by a mother and grandmother who shared the same compulsion. These imaginative women taught me to dream and experiment. ‘I-mag-i-na-tion’ is your opportunity to imagine and create. Get outside the conventional with this one. Don’t just photograph the pear; hide it underneath a cloth napkin and see what happens.” — from the A. Smith Gallery website.

ELIGIBILITY: Open to all artists. Entries must not have been exhibited previously in an exhibition at A Smith Gallery.

MEDIA: Photography

DEADLINE: January 9, 2012

ENTRY FEE: A non-refundable entry fee of $25 for the first 5 images and $5 for each additional image is required. The Paypal link is on the Entry Form.

JUROR: The juror for “I-mag-i-na-tion” will be Aline Smithson. After a career as a New York Fashion Editor and working along side the greats of fashion photography, Aline discovered the family Rolleiflex and never looked back. Now represented by galleries in the U.S. and Europe and published throughout the world, Aline continues to create her award-winning photography with humor, compassion, and a 50-year-old camera. Her work has been featured in numerous publications including a recent cover of PDN, the PDN Photo Annual, Communication Arts Photo Annual, Eyemazing, and others. She has exhibited widely. Aline writes and edits the blogzine, Lenscratch, has been the Gallery Editor for Light Leaks Magazine, a contributing writer for Diffusion ,Too Much Chocolate, Lucida, and F Stop Magazines, and has been curating exhibitions for a number of galleries and on-line magazines. Though she was nominated for The Excellence in Photographic Teaching Award in 2008, 2009, and 2010 and for The Santa Fe Prize in Photography in 2009 by Center, she considers her children her greatest achievement.

AWARDS: Cash prizes of $250 each will be awarded for The Juror’s Award and The Director’s Award, along with a $100 prize for the Visitors’ Choice Award. There will also be five Honorable Mentions.

SALES: A Smith Gallery will retain 40% commission out of the sales price.

For complete details, Visit the Website!

CALL for ENTRIES: Earth Through a Lens

Posted on December 14, 2011 by R.L. Gibson

PASS the LOAM

Earthy foods are yummy. I know that is obvious to many of you. But, I have to say that learning to appreciate earthy foods is the biggest change in my palate over the years. I’m still not a fan of what I call “dirt crackers.” I DO have my earthy limits, but I am in love with whole grains, whole foods, in fact. And the earthiness of merlot doesn’t exactly hurt my feelings. Food should taste like itself, not the over-refined, processed version of itself that is so cheaply and readily available these days. This next show wants to see earthy through your eyes. Interesting…

Check out this Call for Entries for Earth Through a Lens, a dual media photography show–both camera and cell-phone based. The camera work entry fee is high, but the prizes are great. The cell work entry fee is low, but the exhibit isn’t as exciting. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Earth Through a Lens, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Earth Through a Lens

Earth Through a Lens (ETAL) is pleased to announce its third annual photo competition and display focused on promoting a sustainable environment. Photographers living in North America are invited to submit up to 3 cell phone derived images or up to 4 digital images produced by a camera. Photos should be of the natural environment and/or human impact on the environment.

ELIGIBILITY:
Artists living in North America.

MEDIA: Photography
(cell or camera-based)

DEADLINE: January 6, 2012

NOTIFICATION: February 6, 2012

ENTRY FEE: Entry fee is $35 for the first camera image and $10 for each additional image. Please check www.callforentry.org for possible discount coupons. Entry fee is $10 per cell image using the coupon “CELL” available on the checkout page at www.callforentry.org.

JUROR: Camera Work – A professional jury will select 30 – 50 images for public exhibition at the Rancho Mirage Public Library from April 1 – June 30, 2012 and electronically at the Museum of Photographic Arts (MOPA) in San Diego for 1 month. Judging is conducted anonymously. All cell phone images will be accepted into a Power Point presentation to be shown on Earth Day.

AWARDS: Camera Work – Cash prizes ranging from $500 – $1,000 will be awarded. The top three print images will be published in the April issue of Palm Springs Life magazine. All of the finalists will have their photographs published in the ETAL2012 catalog. Cell Work – All cell phone images will be accepted into a Power Point presentation to be shown on Earth Day. Audience favorites will be selected and prizes up to $300 will be awarded.

For complete details, Visit the Website!

CALL for ENTRIES: Julia Margaret Cameron Award

Posted on December 6, 2011 by R.L. Gibson

CHEESY TRUTH

French food is the gold standard. You don’t have to agree with me; it is objective fact. It isn’t all about sauce. I believe it is all about the cheese. The French boast 350 to 400 TYPES of cheese… maybe 1000. I haven’t tried them all yet; it is on my bucket list. Until I try them all and pronounce my favorite, give Sainte-Maure de Touraine a try. Could you pick some up for me when you’re at this opening?

Check out this Call for Entries for the Julia Margaret Cameron Award from the Worldwide Photography Gala Awards. Here a chance to fulfill all of your beret-wearing, Eiffel Tower visiting Parisian art fantasies. Sign me up…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Julia Margaret Cameron Award, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Julia Margaret Cameron Award

ELIGIBILITY: Professional and non professional female artists from all countries.

MEDIA: Photography. Traditional, contemporary, avant-garde, creative and experimental works that include old and new processes, mixed techniques, and challenging personal, emotional or political statements will be welcome.

DEADLINE: December 30th, 2011, at 11:59pm PST

NOTIFICATION: March 8th, 2012 (honoring the International Women’s Day)

ENTRY FEE: $40 for the first 3 images; $10 each additional image

JUROR: Amber Terranova is the photo editor for Photo District News. She worked previously for New York magazine and Outside. She holds a BFA in photography from the School of Visual Arts, Manhattan. Amber has assisted with programming at Center, a Santa Fe-based non-profit organization that supports photographers. Her taste in photography tends toward emerging and established artists with strong personal projects, surprising content and evidence of political or social engagement. She’s most drawn to introspective, provocative work.

Dina Bova was born in Moscow and currently lives in Israel. Her images have been awarded in Px3, Hasselbald Masters, Sony Awards, 1st edition of the JMCA, Nikon, PDN’s World in Focus, and have won 21 Gold medals in international photo-contests under FIAP/PSA patronage in USA, Austria, France, England, Croatia, Ukraine, Taiwan and Israel. Her art is a world of allegories, metaphors and multifaceted associations. She thinks that it’s not important how an artist creates his work. It can be created with any tool and any medium, but it should speak for itself and convey a very special mood. It should need no explanation, no elaboration and no apologies. It can be very aesthetic or the opposite of it. For Dina, the most important thing is freeing the imagination.

AWARDS: The Julia Margaret Cameron Award will be given to 12 women photographers which will be invited to exhibit (and sell) their work in a very selective collective exhibition in Paris during 2013, honoring one hundredth year of the birth of Robert Capa, co-founder of Magnum Photos and famous war photojournalist. WPGA will take care of the framing and matting, as well as all gallery expenses. A catalog will be printed, and all 12 awardees will receive one free copy.

SALES: Exhibitors will receive 40% of the sales, 20% will be reserved for the gallery/organizers, and 40% will be donated to a charitable organization selected by the awardees.

Category: Photography

WELL DONE

CALL for ENTRIES: Shots Magazine No. 115

For more information, visit Shots Magazine’s Guidelines Page!

LATER TATER

CALL for ENTRIES: Monochromatic

For complete details, Read the Full Call!

PARING in PAIRS

CALL for ENTRIES: Open to Interpretation: Fading Light

For complete details, visit Open to Interpretation online!

MISSION not ACCOMPLISHED

CALL for ENTRIES: True Colors

For complete details, Visit California Digital Arts online!

CEREAL or TREASURE?

CALL for ENTRIES: The Hand-Made Photograph

For complete details, Download the Prospectus!

CABBAGE, not KRAUT

CALL for ENTRIES: Black & White: Absence of Color

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BEET me PURPLE

CALL for ENTRIES: Monochromatic

For complete details, Read the Full Call!

OLIVES in ORANGE

CALL for ENTRIES: Imagination

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PASS the LOAM

CALL for ENTRIES: Earth Through a Lens

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CHEESY TRUTH

CALL for ENTRIES: Julia Margaret Cameron Award

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CALL for ENTRIES:
Shots Magazine No. 115

CALL for ENTRIES:
Monochromatic

CALL for ENTRIES:
Open to Interpretation:
Fading Light

MISSION
not
ACCOMPLISHED

CALL for ENTRIES:
True Colors

CEREAL
or TREASURE?

CALL for ENTRIES:
The Hand-Made Photograph

CABBAGE,
not KRAUT

CALL for ENTRIES:
Black & White: Absence of Color

CALL for ENTRIES:
Monochromatic

CALL for ENTRIES:
Earth Through a Lens

CALL for ENTRIES:
Julia Margaret Cameron Award