New Media – Page 3 – Art and Art Deadlines.com

CALL for ENTRIES: 4th Annual Juried

Posted on September 23, 2012 by R.L. Gibson

SHUCK and
GRIN

Let’s talk about frozen corn. I have heard all the arguments about frozen vegetable being the next best thing to fresh. But what I want to know, is WHY would any restaurant serve frozen corn on the cob during the time when in-season fresh corn is cheaper than frozen? Are we really too lazy to shuck corn, folks? Really? Please don’t be too lazy to enter this show from a state that knows a lot about corn. Take a look…

Check out this Call for Entries from the Low Road Gallery (Greencastle, IN) for their 4th Annual Juried Show. The entry fee is only $10. I know some of you are still missing an Indiana show on your resume. Investigate this opportunity…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: 4th Annual Juried, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
4th Annual Juried

ELIGIBILITY: Open to all artists 18+

MEDIA: All media of artwork are eligible, including new media, performance & installation.

DEADLINE: October 3, 2012

NOTIFICATION: October 17, 2012

ENTRY FEE: $10 per or 3 for $25. Student pricing is $5 per. You will have to provide a copy of your student ID if applying for student pricing.

JUROR: Abbey Chambers is an Academic Advisor/Recruiter and Associate Faculty in Art History at Herron School of Art and Design. Abbey attended Kendall College of Art and Design in Grand Rapids, Michigan, where she graduated as Valedictorian of her class, with the award of Excellence in Art History and a Bachelor of Science Degree in Art History in May, 2004. She went directly into graduate school at Indiana University in Bloomington, earning her Masters Degree in Art History. Abbey teaches courses in Art Appreciation, American Art, and American Realism, and continues doing research on the development of American art and culture from the Colonial period through the first half of the 20th century.

Abbey remains heavily involved in the local Indianapolis arts community, serving as the President of the Board of Directors of the Indianapolis Downtown Artists and Dealers Association (IDADA).

AWARDS: Monetary prizes will be awarded to Best in Show and 1st, 2nd & 3rd places.

For complete information, Download the Prospectus!

ART PUBLICATION: Naming Ceremony Nov. 2012

Posted on August 20, 2012August 22, 2012 by R.L. Gibson

LOBSTER-fied

I am intrigued by how menu items get there names. Wouldn’t restaurants have it easier if they could just put “Mc” in front of any item and make it a hot ticket? It works for the golden arches. Did you know that some locations actually sell the “McLobster sandwich”? Really? Google it. This next call has little to do with naming things except for their name, but check it out anyway…

Check out this Call for Entries for November 2012 Issue from Naming Ceremony online showcase. This is a really inexpensive ($5 for 10 images), and the links back to your website could be valuable. Don’t miss this art publication opportunity…

*Editor’s Note: If you have read the personal portion of this post, ART PUBLICATION: November 2012 Naming Ceremony, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
November 2012 Issue

ELIGIBILITY: Open to all artists

MEDIA: any topic/theme/style/medium you would like to show off

DEADLINE: September 30, 2012

NOTIFICATION: By November

ENTRY FEE: $5 for 10 images

AWARDS: It will be compiled with other chosen works and published in Naming Ceremony’s Art Gallery Magazine both in print and online.

For complete details, Read the Full Call!

CALL for ENTRIES: 2012 Biennial Call

Posted on August 19, 2012 by R.L. Gibson

DON’T BE
lily-livered

There are some foods that I love that I only eat every year or two. It isn’t any sense of guilt that makes them sparse on my menu. Sometimes it is just a case of out-of-sight, out-of-mind. Fried green tomatoes, fried chicken livers, fried ice cream. Okay, there IS a theme. This next Call only happens every couple of years. Miss this deadline, and you’ll be sorry…

Check out this Call for Entries from the Dayton Visual Arts Center (Dayton, OH) for the 2013-2014 and 2014-2015 seasons. The entry fee is only $35 for 10 to 20 images, and you could end up with a solo show. Don’t miss this chance…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: 2012 Biennial Call, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

2012 Biennial
Call For Entries:
Dayton Visual Arts Center

ELIGIBILITY:
Open to all artists

MEDIA:
Open to all media

DEADLINE:
Sept. 15, 2012

NOTIFICATION: Notification of jury time and date, which is open to the public, will be sent by September 28, 2012.

ENTRY FEE: $35 for 10 to 20 images

JURORS: Three visual art professionals from outside the Dayton area are currently being selected and will be announced soon. Check the Web site, www.daytonvisualarts.org for updates.

AWARDS: Four to six exhibitions during each of the 2013-2014 and 2014-2015 seasons; including, if possible, one large solo show each year by a member artist. Two to four exhibitions for its annual REACH Across Dayton collaboration with Sinclair Community College, during winter/early spring 2014 and 2015. REACH (Realizing Ethnic Awareness and Cultural Heritage) Across Dayton exhibits explore synergies between diverse cultures as expressed in the arts and humanities. Additional activities include a studies conference and workshops.

For complete details, Read the Full Call!

CALL for ENTRIES: dARTboard Digital Art

Posted on August 14, 2012 by R.L. Gibson

OUI, oui, OUI
…all the way home

I never try foods solely based on their origin. I love exotic foods, and I’ll try something new out of intrigue in a heartbeat. But, I gave up pursuit of snooty foods because they are snooty when I gave up butchering the French language to impress the staff at the boulangerie. This next Call has far more merit, despite its foreign eligibility restrictions. Take a look…

Check out the Call for Entries from the Vilcek Foundation for the 2nd Annual dARTboard Digital Art Exhibit on Vilcek.org. There is no entry fee, but the eligibility restrictions are very specific. Pay attention to the details…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: dARTboard Digital Art, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:

2nd Annual dARTboard
Digital Art Exhibit

ELIGIBILITY: Eligible applicants must be foreign-born (originally foreign citizens) and be permanent US residents (green card holders) or naturalized U.S. citizens.

MEDIA: Computer-based and new media technologies

DEADLINE: 5PM EDT on Oct. 22, 2012

NOTIFICATION: By Nov. 30, 2012

ENTRY FEE: None

JUROR: Like their first winner, Ukrainian-born artist Irina Danilova, this year’s chosen artist will be invited to exhibit his or her new media work on the dARTboard, where it will be on display on Vilcek.org beginning in early 2013.

AWARDS: The chosen applicant will receive an Artist’s Honorarium of $5,000

For complete details, Download the Guidelines!

CALL for ENTRIES: Abstracts

Posted on May 17, 2012 by R.L. Gibson

RACE YOU
to the party

I plan a Kentucky Derby party each year, well, abstractly speaking. The party never actually happens, but my intentions are always good. I dream of andouille sausage with black-eyed peas and lobster with truffle oil. But in the end, I remember that mint juleps don’t require a party and excuse myself from the planning. I recommend a small amount of planning for the next Call, at least abstractly…

Check out this Call for Entries from Kentucky Art Speaks Gallery (KAS) in Louisville, Kentucky for Abstracts. This is open to all abstract art for as little as $10. This is a great opportunity…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Abstracts, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Abstracts

ELIGIBILITY:
Open to all artists age 18+

MEDIA: Abstract paintings, drawings, watercolor, digital and collage, 2D and 3D, ceramic, clay or wood based art.

All abstract art is welcome.

Abstract art can represent any area such as, free themes, faces, life, nature, etc.

DEADLINE: June 16, 2012

NOTIFICATION: 7 days after the deadline

ENTRY FEE: $10 for 1 Entry, $20 for 2 Entries, or $35 for 3 to 5 Entries

SALES: The Kentucky Art Speaks Gallery takes no commission according to the prospectus.

For complete details, Download the Prospectus!

CALL for PROPOSALS: Solo in Vegas

Posted on March 29, 2012 by R.L. Gibson

BEADS of SILVER

Dragées remind me of Las Vegas. You know… the little candy beads, often silver, that you see decorating cakes and cupcakes. Dragées also remind me of a Martha Stewart show many moons ago when Miss Piggy was the guest star, and they made cookies decorated with “dra-geeeees,” as Miss Piggy pronounced it. But, I digress. This next call has nothing to do with Miss Piggy and everything to do with Vegas. Take a look…

Check out this Call for Proposals from Contemporary Arts Center of Las Vegas for Solo and Group Exhibit opportunities for the 2012-2013 season. There is no fee to submit, and this may just be the opportunity for which you’ve been looking. Investigate…

*Editor’s Note: If you have read the personal portion of this post, CALL for PROPOSALS: Solo in Vegas, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for PROPOSALS:
Solo & Group Exhibits

The Contemporary Arts Center of Las Vegas is accepting submissions for solo shows or group installations from artists and curators for consideration for our 2012-2013 exhibition season. Emerging or mid-career artists, members or non-members, may submit proposals.

ELIGIBILITY: Open to all artists

MEDIA: All mediums and disciplines will be considered. Any work presented at the Contemporary Arts Center must be a body of new or recent work executed within the past 2 years.

DEADLINE: April 17, 2012

ENTRY FEE: None

ABOUT CAC: The Contemporary Arts Center is a non-profit 501(c)3 art organization dedicated to presenting new, high quality, visual and performing art, while striving to build, educate, and sustain audiences for contemporary art. The CAC strives to provide a place where artist can learn about best practices, test new ideas in the public arena, and connect with fellow artists within and beyond our own community.

For complete details, Read the Full Call!

CALL for ENTRIES: Random Acts of Time

Posted on March 26, 2012March 31, 2012 by R.L. Gibson

TIME FLIES,
when you’re hungry

A lack of time is the excuse for a lot of quickie meals in my house–from Manwich® to frozen “cardboard” pizza. But a lack of time is also my excuse for splurging at the antipasti bar in my local grocery store. It is a double standard, but who uses TOO MUCH time as an excuse for anything? This next Call doesn’t have a lot of time left, but they’ll take all the time you have. You’ll see what I mean…

Check out this Call for Entries from the Orange County (CA) Center for Contemporary Art (OCCCA) for Random Acts of Time. The deadline is fast approaching, but I’ll bet you already have work that suits this theme. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Random Acts of Time, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Random Acts of Time

“This exhibition investigates our relationship to the concept of time, the choices we make and the random, uncontrollable events that shape our lives. From the moment we begin our journey into the cacophony of the world – a series of decisions, choices and twists of fate guide us – often lurching or blissful and occasionally tragic. What have we chosen for ourselves? When has our hand been forced? Have random or serendipitous events changed our course? Have we triumphed? What have we lost? What have we remembered and forgotten?

“Time is a recurring thematic in artists’ works – witness the public response and fascination with Christian Marclay’s 24-hour montage The Clock. Exploring that inexorable passage via divergent points-of-view, media and imagery demands introspection and perspective. This exhibition will investigate what binds or propels us, notions of conscious or unconscious experiences and the narratives we collect as we negotiate our lives.” –William Moreno, Juror

ELIGIBILITY: Open to all artists

MEDIA: All media and new media will be considered. Artwork, performance, or installations with special instructions or equipment must be described in full and possibly installed by the artist. Special hardware requirements must be included with the accepted entries.

DEADLINE: March 31, 2012

NOTIFICATION: Around April 6, 2012

ENTRY FEE: $38 for up to 3 images

JUROR: William Moreno is a curator, writer and director of William Moreno Contemporary which mounts periodic exhibitions. He was most recently the Associate Director of ArtPadSF, a hotel-based art fair. William was the founding Executive Director of the Claremont Museum of Art and the director of The Mexican Museum, San Francisco.

He has been a featured panelist addressing topics ranging from the contemporary role of museums and the international art landscape at San Francisco’s Commonwealth Club, the American Institute of Architecture, Latino Art Now Conference, William Turner Gallery, ArtPadSF, Flagstop and others. He has appeared on KCET’s series California’s Gold as well as other media. William serves as board President of LACE (Los Angeles Contemporary Exhibitions) and on the Advisory Board for the California Association of Museums.

SALES: All work will be considered for sale unless otherwise indicated on the entry form. Proceeds from work sold: 60% to the artist, 40% to OCCCA. Checks to the artists are processed within 10 days of the close of the show.

For complete details, Download the Prospectus!

CALL for ENTRIES: Digital Works

Posted on March 19, 2012 by R.L. Gibson

THE
JUICE of it ALL

I have moved to a house with more cabinets space. This means trouble for my kitchen gadget budget. Typically, I stick to simple kitchen utensils; even my can opener is manual. However, I am giving up diet Coke, and I am seriously contemplating a juicer. Okay, it isn’t exactly a high-tech purchase, but you say potato, I say pa-tah-to. This next call will require use of slightly more advanced technology that a juicer. Take a look…

Check out this Call for Entries for the 2012 National Juried Competition featuring Digital Works from the Long Beach Island foundation of the Arts and Sciences (LBIF). As you may be aware, shows for digital work can be hard to find. So, don’t miss this opportunity…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Digital Works, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Digital Works

ELIGIBILITY: All emerging and established artists residing in the US.

MEDIA: The purpose of the exhibition is to showcase works created through digital processes, display distinctive characteristics of the digital, and reflect on the language and aesthetics of digital media (such as new forms of image creation and manipulation, connectivity, or participatory and generative qualities). Submissions may include all forms of digital media, such as digital prints and photography, sculpture, video, software art, online and mobile projects etc.

DEADLINE:
Postmarked by April 7, 2012

NOTIFICATION:
May 5, 2012

ENTRY FEE:
$35.00 for up to four submissions.

Fee will be received in U.S funds only, payable by check, money order, or credit card to LBIF. All fees are NON-REFUNDABLE.

JUROR: Christiane Paul is the Director of the Media Studies Graduate Programs and Associate Prof. of Media Studies at The New School, NY, and Adjunct Curator of New Media Arts at the Whitney Museum of American Art.

She has written extensively on new media arts and lectured internationally on art and technology.

An expanded new edition of her book, Digital Art was published in spring 2008 and her edited anthology, New Media in the White Cube and Beyond – Curatorial Models for Digital Art, was published by UC Press in December 2008.

At the Whitney Museum, she curated the shows “Profiling” (2007) and “Data Dynamics” (2001); the net art selection for the 2002 Whitney Biennial; the online exhibition “CODeDOC” for artport, the Whitney Museum’s online portal to Internet art for which she is responsible; as well as “Follow Through” by Scott Paterson and Jennifer Crowe (2005).

AWARDS: Best in Show $1000, 2nd Place $500, 3rd Place $200, and Two Honorable Mentions $100 ea.

SALES: The LBIF takes 33% commission on all sales.

For complete details, Download the Prospectus!

CALL for ENTRIES: Masur Museum

Posted on February 4, 2012February 4, 2012 by R.L. Gibson

FAIR to FIG
…and FOWL

If you can say nothing else for my taste in food, it is fair and open to all. I will try almost any culinary invention once. And most of them (even the bad ones) I will give a second and/or third chance. But if you haven’t won me over after three attempts, I’m likely done. I give art, artists and their little-known media the same respect. This next call offers consideration for “any” media. I wonder if they REALLY mean that. Let me know…

Check out this Call for Entries for the 49th Annual Juried Exhibition from the Masur Museum of Art (Monroe, LA). The entry fee is low, and the show is open to all media. Did I mention that there is no commission on sales? I love the Masur, and I will bet that you will love it too!

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Masur Museum, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL or ENTRIES:
Masur Museum

The 49th Annual Juried Exhibition will be held May 12-July 21, 2012. The Masur Museum of Art Annual Juried Competition showcases contemporary artists throughout the United States of America working in any medium.

ELIGIBILITY: Open to all artists

MEDIA: Any media

DEADLINE: March 18, 2012

NOTIFICATION: April 3, 2012

ENTRY FEE: There is a $10 per artwork with a minimum of 2 and a max of 5 entries

JUROR: Liza Simone is the Founding Director of Phantom Galleries Los Angeles (PGLA), an organization launched in 2005 that facilitates and administrates temporary public arts programming in vacant storefronts throughout Los Angeles County. PGLA’s mission to transform and bridge communities with public art through exhibitions is best exemplified by her work with artists such as Lita Albuquerque, JR, Bill Viola, Futura, and Nancy Buchanan. She has collaborated with TED Prize, the Torrance Art Museum, LA Art Girls, the Los Angeles Art Association, and Fallen Fruit, and Farmlab.

AWARDS: Best in Show is $1,000 and total awards are $3,000.

SALES: The Masur Museum of Art does not receive a commission on sales.

For complete details, Download the Prospectus!

Download the Prospectus from the Masur Museum!

INTERNATIONAL CALL for ENTRIES: Gothic

Posted on November 13, 2011 by R.L. Gibson

FEELING SLUGGISH?

Contrary to the sentiment I usually espouse, not all food has to look appealing to be tasty. Escargot is a tasty treat that is high in protein and low in fat (assuming you forego the butter sauce), but the diet of the wild-caught snail in nauseating. Eating escargot, even in the most upscale environment, is a little like Halloween in your mouth–delightfully scary. This next Call is looking for the macabre as well…

Check out this Call for Entries from the Orange County Center for Contemporary Art also known as OCCCA (Santa Ana, CA) for Gothic, an international exhibit. The variety of artwork that can be submitted is wide open, and this theme isn’t as common as you might think. Take a look…

*Editor’s Note: If you have read the personal portion of this post, INTERNATIONAL CALL for ENTRIES: Gothic, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

INTERNATIONAL
CALL for ENTRIES:
Gothic

Gothic invites submission from artists evincing a peculiar, perverse, idiosyncratic sensitivity, infuenced by literature, movies, television and the tabloids, in painting, drawing, sculpture, illustration, fashion, graphic design, animation, photography, video, digital media, computer-based works, installation and performance.

OCCCA’s museum of the macabre will display
supernatural mutations, bizarre curiosities permeated by
fantastic and pathological themes.

Gothic is a mix of Medievalism, Romanticism, science fiction, Victoriana, punk, the uncanny, the grotesque, and the erotic, inseparable from despair, fear and rapture.

Gothic reveals
the shadow within,
the skull beneath the skin.

ELIGIBILITY:
Open to all artists.

MEDIA: All media and new media will be considered. Artwork, performance, or installations with special instructions or equipment must be described in full and possibly installed by the artist. Special hardware requirements must be included with the accepted entries.

DEADLINE: December 31, 2011

ENTRY FEE: You can enter up to three (3) images for your $38.00 entry fee.

JUROR: Amy V. Grimm is an Independent Curator and Assistant Professor of Art History & Museum Studies at Irvine Valley College. Grimm received her B.A. in Psychology from the State University of New York in New Paltz, New York. She received a Graduate Certifcate in Museum Management and a M.A. in Art History from the University of South Carolina, Columbia, South Carolina. Grimm’s M.A. Thesis, is titled, Andy Warhol: An Inquiry into Self Identity and Portraiture. Ms. Grimm’s area of specialization includes Modern and Contemporary European and American Art. Grimm’s museum and academic career spans over 15 years including work for the Albany Institute of History & Art, the South Carolina State Museum, the El Paso Museum ofArt, and the Long Beach Museum of Art.

Grimm continues to lecture extensively on topics such as Andy Warhol, Contemporary Art and Museum Studies. As an Assistant Professor of Art History & Museum Studies, Grimm is developing a new undergraduate program in Applied Museum Studies for Irvine Valley College. Students participating in the program will gain the knowledge and skills necessary for a variety of employment opportunities, in museums and other arts organizations.

SALES: 60% to the artist, 40% to OCCCA. Checks are processed within 10 days of the show close.

Category: New Media

SHUCK and GRIN

CALL for ENTRIES: 4th Annual Juried

For complete information, Download the Prospectus!

LOBSTER-fied

CALL for ENTRIES: November 2012 Issue

For complete details, Read the Full Call!

DON’T BE lily-livered

2012 Biennial Call For Entries: Dayton Visual Arts Center

ENTRY FEE: $35 for 10 to 20 images

For complete details, Read the Full Call!

OUI, oui, OUI …all the way home

CALL for ENTRIES:

For complete details, Download the Guidelines!

RACE YOU to the party

CALL for ENTRIES: Abstracts

All abstract art is welcome.

For complete details, Download the Prospectus!

BEADS of SILVER

CALL for PROPOSALS: Solo & Group Exhibits

For complete details, Read the Full Call!

TIME FLIES, when you’re hungry

CALL for ENTRIES: Random Acts of Time

For complete details, Download the Prospectus!

THE JUICE of it ALL

CALL for ENTRIES: Digital Works

For complete details, Download the Prospectus!

FAIR to FIG …and FOWL

CALL or ENTRIES: Masur Museum

For complete details, Download the Prospectus!

FEELING SLUGGISH?

INTERNATIONAL CALL for ENTRIES: Gothic

OCCCA’s museum of the macabre will display supernatural mutations, bizarre curiosities permeated by fantastic and pathological themes.

Gothic reveals the shadow within, the skull beneath the skin.

For complete details, Download the Prospectus!

SHUCK and
GRIN

CALL for ENTRIES:
4th Annual Juried

CALL for ENTRIES:
November 2012 Issue

DON’T BE
lily-livered

2012 Biennial
Call For Entries:
Dayton Visual Arts Center

OUI, oui, OUI
…all the way home

RACE YOU
to the party

CALL for ENTRIES:
Abstracts

CALL for PROPOSALS:
Solo & Group Exhibits

TIME FLIES,
when you’re hungry

CALL for ENTRIES:
Random Acts of Time

THE
JUICE of it ALL

CALL for ENTRIES:
Digital Works

FAIR to FIG
…and FOWL

CALL or ENTRIES:
Masur Museum

INTERNATIONAL
CALL for ENTRIES:
Gothic

OCCCA’s museum of the macabre will display
supernatural mutations, bizarre curiosities permeated by
fantastic and pathological themes.

Gothic reveals
the shadow within,
the skull beneath the skin.