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Art and Art Deadlines.com

Category: Emerging Artists

CALL for SUBMISSIONS: Illustration

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Do you remember when every cookbook offered pictures to help illustrate each step of a recipe? Those days are long gone.  All we get now is the picture of what the rack of lamb looks like AFTER it has been frenched…not how to french a rack.  Illustration makes the world go ’round in some cases.  This next call wants to see your illustrative work.  Take a look…

Check out this Call for Submissions of Illustration work from ZaPow! in Asheville, NC.  This is an open call, and there is no entry fee. Don’t miss this great opportunity…

*Editor’s Note: If you have read the personal portion of this post, CALL for SUBMISSIONS: Illustration, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from the ZaPow Gallery! CALL for SUBMISSIONS: Illustration

 

ZaPow, in Asheville, North Carolina, is the Southeast’s only gallery focusing on illustration and pop culture art.

ELIGIBILITY:  Artists that have been published in or are inspired by children’s books, advertising, comics, graphic novels, editorial illustration, or music industry illustrations.

MEDIA:  All media are invited to submit new and original artwork.

DEADLINE:  July 20, 2012

NOTIFICATION:  Ongoing

ENTRY FEE:  None

AWARDS:  Selected artists will be invited to exhibit in the ZaPow!  Gallery.

For complete details, Visit the ZaPow Gallery website!

Learn more from the ZaPow Gallery!

CALL for ENTRIES: Windows & Mirrors

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see
YOU

I recently had dinner in a mirrored dining room.  Really?  Really?  Who wants that?  Eating is not the sensual, love fest portrayed in movies (not if you’re doing it right, ha).  Save the mirrors for your artwork folks–like this next Call.  Don’t miss this opportunity…

Check out the Call for Entries from the PhotoPlace Gallery (Middlebury, VT) for Windows & Mirrors.  This entry fee is extremely reasonable, and I love the opportunities offered by this theme.  Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Windows & Mirrors, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from the Photo Place Gallery!CALL for ENTRIES:
Windows & Mirrors

 

ELIGIBILITY:  All artists age 18+

MEDIA:  Photographs that use windows and/or mirrors in a creative way.  For example, a window can offer a reflected subject or be used as a framing element in a composition.  A mirror can present two different realities simultaneously, or present an altered view of reality.  Photographs can include both a window and a mirror, or just feature one of the two.

DEADLINE:  August 27, 2012

NOTIFICATION:  Approximately three weeks after the deadline

Learn more from the PhotoPlace Gallery!ENTRY FEE:  $25 for 5, $6 each additional photo.

JURORS:  Elizabeth Corden and Jan Potts, co-owners of Corden|Potts Gallery–are both active photographers who have exhibited their work in solo and group shows around the country.  They have also curated photographic exhibits since the late 1990s.

Corden and Potts came to realize long ago that there are all too few galleries dedicated to showing the work of top-notch contemporary photographers and, of those galleries that existed back when they were starting out, a huge percentage have disappeared.  In response, they have now decided to put their experiences as photographers and as curators into practice to help fill this void.

SALES:  Artists exhibiting at the gallery may offer their work for sale.  PhotoPlace retains 40% commission.

For complete details, Read the Full Call!

Learn more from the Photo Place Gallery!

CALL for ENTRIES: Oklahoma Centerfold

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I have been trying to get in shape.  It isn’t about losing weight; it is about building some strength in hopes of rebounding energy levels.  I have a food bucket list, and I am out to tackle it.  But in the meantime, I’m laying off the bread because it tends to make me sluggish.  This next mid-western call is in the “nation’s breadbasket.”  Sounds delicious…

Check out this Call for Entries for the 14th Biennial Oklahoma: Centerfold 2012 National Juried Art Show from the Leslie Powell Gallery (Lawton, OK).  Don’t be fooled by the name; it doesn’t have to be about Oklahoma.  Investigate…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Oklahoma Centerfold, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the Oklahoma Centerfold show!CALL for ENTRIES:
14th Biennial
Oklahoma: Centerfold
2012 National Juried Art Show

 

ELIGIBILITY:  Artists, age 18+ residing in continental US

MEDIA:  All original 2-D and 3-D media accepted. Photographs and artist prints must be numbered (editioned) to be considered for an award. No mechanical reproduction of originals (including giclee prints) accepted. All entries must be of original design and personal execution, and completed within the last two years. Installations will be considered only if the artist agrees to install the work on site.

THEME:  The title of the show reflects the geographical fact that Oklahoma is located in the middle of the United States. (Open a road atlas of the United States & Oklahoma is on the Centerfold). The theme is open to the artist’s interpretation and is in no way restricted to portraying Oklahoma.

DEADLINE:  August 29, 2012

NOTIFICATION:  September 21, 2012

ENTRY FEE: 1 for $30, 2 for $35, or 3 for $40

Learn more about the Oklahoma Centerfold show!JUROR:  Kristy Deetz, professor in the Art Discipline at the University of Wisconsin—Green Bay, received her MFA in painting and drawing from Ohio State University.

Deetz has taught painting and drawing at a number of universities and art schools over the past 25 years and frequently gives encaustic painting workshops at art centers such as Anderson Ranch, OxBow, Haystack, and Penland.  Her extensive exhibition record includes competitive, invitational and solo exhibitions throughout the United States.

AWARDS:  Total of $6000 USD:  1st place $3000, 2nd place $1500, 3rd place $800, and 3 honorable mentions of $250 each.

SALES:  All sales are between the artist and the buyer. The Leslie Powell Gallery does not take a commission on any sale. Works do not need to be for sale.

For complete details, Download the Prospectus!

Learn more about the Oklahoma Centerfold!

CALL for ENTRIES: Street Photography

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!CHICK PEAS
not
CHICKEN

My newly-found love of chickpea means… I am going to have to learn how to make felafel.  Is it wrong that I’ve always loved felafel street vendors, but I never realized that chickpeas are frequently the primary ingredient? Duh. This next Call honors a street tradition as well.  Don’t miss this opportunity…

Check out this Call for Entries from the LH Horton Jr Gallery found on the campus of San Joaquin Delta College (California) for Street Photography. The entry fee is reasonable, and the commission is only 20% on sales. Be inspired…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Street Photography, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the LH Horton Jr Gallery!CALL for ENTRIES:
Street Photography

 

The LH Horton Jr Gallery is a non-profit art gallery located on the campus of San Joaquin Delta College in Stockton, California. The Gallery provides excellent exhibition opportunities, with over 2000 square feet of exhibition space, an extended 22 ft. ceiling with mounts, and over 1200 visitors to each exhibition.

ELIGIBILITY: Open to all artists residing in the US.

MEDIA:  Work made in all photographic processes, traditional and digital, are accepted for entry.  Documentary photographs of street scenes are eligible for entry.  Documentary photographs of street scenes are eligible for entry.  Digital enhancement should be noted in the Process Notes section of the on-line application, and photographic images must be artist’s original work.  Fine art photography images should emphasize unique composition, pattern, shape, and color/contrast.  Framed photographs may not exceed 42″ width and 60″ height.

Learn more about the 2012 Street Photography Exhibition!DEADLINE: August 6, 2012

NOTIFICATION:  September 3, 2012

ENTRY FEE:  $30 for 3 work entries. An additional 3 work entries may be purchased for $3 per image.

JUROR:  Deborah Klochko has over 25 years experience in photography museums as an educator, director, and curator.  Ms. Klochko has curated over thirty exhibitions; was executive editor of see, an award-winning journal of visual culture; and is the founder of Speaking of Light: Oral Histories of American Photographers.  Her most recent curatorial effort is Face to Face: Works from the Bank of America Collection.

Ms. Klochko received her Master of Arts in Teaching, Museum Education at George Washington University in Washington, DC and a Master of Fine Arts in Photography from the Visual Studies Workshop (SUNY) in Rochester, NY.

AWARDS: Best of Show $600, 2nd Place $400, and 3rd Place $300

SALES: All accepted works must be for sale during the show, with the exception of installation works as approved by the Gallery Director. The Gallery is responsible for all sales, and will retain a 20% commission from the sale of artwork.

For complete details, Read the Full Call!

Learn more about the LH Horton Jr Gallery!

CALL for ENTRIES: Coup d’espace ‐ Palimpasest

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in the

DEEP END

Thanks for your patience this week while I took a little unscheduled hiatus.  Sometimes you just have to take a break and reset.  We are making some significant changes to our dietmoving toward less meat and dairy.  In addition, our musical engagements have picked up; I have art submissions to finish, and let’s not forget…blogs to post.  The layers of information I sift through everyday can be overwhelming, and then this Call fell into my lap.  So appropriate. Layers and layers and layers…

Check out this Call for Entries for Coup d’espace ‐ Palimpasest from the Washington Project for the Arts, a group show that explores Layers of Information.  There is no entry fee, but the deadline is only a couple of weeks away.  Don’t delay…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Coup d’espace ‐ Palimpasest, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Coup d’espace ‐ Palimpasest

 

Visit the Washington Project for the Arts for complete details!

We live in a society of layers. Information is plied upon other information. Metadata automatically becomes part of every digital image. Museum exhibitions now include QR codes for additional information. The recent Experimental Media 2012 exhibition included them. The National Gallery and the Museum of Natural History use them.  They are ubiquitous. 

But what if the QR code became the contemporary representation of information? What if this encoded symbol displaced the original information? It wouldn’t be the first time that newer “text” has superseded the old.  Throughout the history of the written word, parchments and vellum have been scraped clean of their original text and reused. Over time, that original text (the scriptio inferior) resurfaces through natural means or scientific research. An immediate relationship between the original text and new text is constructed through their juxtaposition. –from the Prospectus

ELIGIBILITY:  Open to all artists

MEDIA:  Any medium that explores the concepts of Layering and Information. Artists are encouraged to think beyond just the techniques of layering (i.e., Photoshop).

Check out work from Curator Steven H Silberg!DEADLINE:  Monday, July 16, 5pm EDT

NOTIFICATION:  Monday, July 23, 2012

ENTRY FEE: None

CURATOR:  Steven H Silberg, independent artist & Lecturer of Fine Arts at UMBC and Neil C Jones, independent artist & Professor at MICA and Anne Arundel Community College.

SALES:  WPA will take a 50% commission on works sold.

For complete details, Download the Full Prospectus!

Download the Prospectus from the Washington Project for the Arts!

FEATURED ARTIST: Heather Workman Rios

Featured Artist Heather Workman RiosBACON, my salty friend

Every once in a while, I find a kindred spirit.  Some make me laugh so hard that my beverage squirts out my nose.  Some become an inspiration & motivation. And this one just understands.  I get her point of view just like I get that bacon makes everything better.

This artist has taken a less-than-traditional upbringing and turned it into life lessons for those that crave a little sweet with their salty.  Like bacon on a cupcake.  I am proud to announce the Featured Artist  Heather Workman Rios. Her artwork captures the joy of the ideal without falling prey to the sappy sentiment that often accompanies it. I find myself smiling and having my faith renewed.  Clever girl.

Featured Artist Heather Workman Rios!FEATURED ARTIST:
Heather Workman Rios

When she was very young, Rios lived in rural West Virginia in a pink farm house with no running water.  Her parents were hippies who had a gigantic vegetable garden, and raised chickens (her best friends).   “We dressed how we wanted (often a t-shirt with nothing else), and I had no interactions with the “outside” world until I was nearly four years old.   Then we moved to Morgantown, West Virginia, and I remember going grocery shopping with my grandmother.  Everyone commented on what a ‘cute little boy’ I was, and my grandmother was outraged.

“I couldn’t understand why.  I knew I was a girl.  Why was my grandmother so upset, after all, they thought I was ‘cute’!  Not too long afterwards, my grandmother took me clothes shopping, and began making clothes for me (dresses, mostly pink), and I soon learned that pink was the “girl” color.

Your milk is poison and your mother’s milk is poison by Heather RiosMy training had begun.

“My work chronicles my perception of human nature. They are clearly tainted by my stringent regimen of old fashioned, American gender training.  They display my love/hate relationship with the American concept of what it means to be a woman.”

I love the retro feel of your imagery contrasted with the dark undertone. Talk to me about that. “I have this love/hate relationship with anything from post WW2 to the mid sixties.  It was a really strange time in America because the War was over and people were optimistic and trying to build these sweet, innocent little domestic lives.  Yet many of them were also building fallout shelters and there was still segregation and all kinds of crazy stuff was going on.  To me this era epitomizes the  struggle that is much of the content of my work.  I believe people are inherently good, but yet they have this propensity towards choosing evil.”

El comienzo de mi muerte by Heather Rios!Do you consider yourself a painter? Something else? “To me, it’s not really about the media but about the content.  I’ll use whatever I feel fits the need of work I want to make.   I tend to reach for paint the most, probably because of it’s plasticity.  About 90% of my art is oil on wood panel.   I sometimes use bits of collage or cut-out paper.  I sort of like to keep people guessing as to which elements are collage and which are painted, but most of it is paint.  I’ve done sculptures and printmaking, and other mixed-media works also.” 

I’m a sucker for portraiture. Why do people feature so prominently in your work? “It’s funny because even though I spent most of my childhood in nature, the most interesting things to me, even out in the forest, were the man-made– in the form of artifacts that we never found.   I am just fascinated in general with human beings.

The assassin by Heather Workman Rios!“I attempt to look at modern humans from an outside perspective–like an anthropologist studying an extinct people group.  Material culture intrigues me– clothing, hairstyles, toys, etc.

“The human body really hasn’t changed that much in thousands of years, but our material culture changes constantly, and we impose an enormous amount of meaning on many of our objects.”

You know we have to talk about food. What is your favorite?  “It has to be bacon.  My favorite combo at the moment is bacon with fried plantains.”

Bacon really goes with everything–especially vegetables.

 

“I’m Italian and my husband is Puerto Rican, so I’ve been trying to combine our food together into new recipes.  So far I’ve discovered we have a mutual love for pork and garlic–but I don’t eat garlic unless he eats it too.” Wise move, sister.

Wasted time and horrible miscalculations by Heather Workman Rios!What about snack foods? “Anything Italian, anything fresh or crunchy.  Cheese is good…and bacon!” Italian, cheese and bacon.  I love you, Heather Rios.

So, what’s coming up next for you? “I don’t really have any big plans for my life right now.  I just plan to keep making art and see what happens.”  Once a hippie, always a hippie?

Thank you, Heather for giving me a dose of salty and sweet along with a wicked smile.  You have reminded me WHY I keep producing work.

Learn more about Heather Rios online!

Learn more about Featured Artist Heather Workman Rios!

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REMINDER: The Art of Photography

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!PARSLEY,
please

My parsley is unhappy with me. I’ve been planting a summer garden for the past week, and my husband and I are getting it done in shifts.  All of the plants that aren’t in the ground yet have been fairly tolerant when given a little sun, a little shade and a lot of water–except the parsley.  I love Italian flat leaf parsley.  It isn’t just a garnish, folks.  I can’t make chicken soup or marinara without it, but my two parsley plants are protesting having their feet off the ground.  This next call has a deadline that is rapidly approaching, too.  Take a look

Check out this Call for Entries for the 8th Art of Photography Show which is being held at the San Diego Art Institute this year. The cost to enter is about average; however, last year, 1700 people attended the reception, and the award are spectacular. That’s a bargain…

*Editor’s Note: If you have read the personal portion of this post, REMINDER: The Art of Photography, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about The Art of Photography Show!CALL for ENTRIES:
The Art of Photography 2012

 

The Art of Photography Show is an established and critical force in the world of contemporary photography. Now in its 8th year, this presentation of world class photography is truly exquisite. The show provides tangible benefits to artists trying to break into the public eye. This well thought out international exhibition provides value to artists at every turn, from first-rate viewing in the judging process to exhibition and publication opportunities, photo industry connections and monetary awards.

ELIGIBILITY: Open to all artists.

MEDIA: Images created via any form of photography will be accepted for consideration (i.e. film, digital, unaltered shots, alternative process, mixed media, digital manipulations, montages, photograms, etc.), so long as part of the image is photographically created.

Learn more about The Art of Photography Show!DEADLINE: June 30, 2012 at 11:59 pm PDT (California Time)

NOTIFICATION: August 7, 2012

ENTRY FEE: $25 for the first entry, $10 for each additional entry. There is no limit to the number of entries an artist may enter. Artists who entered work in any previous Art of Photography Show or Art of Digital Show will receive a $15 discount towards the Art of Photography Show 2012.

JUROR: Julian Cox joined the Fine Arts Museums of San Francisco in September 2010 as its Founding Curator of Photography and Chief Curator at the de Young Museum. After holding curatorial positions at the National Library of Wales and the National Museum of Photography, Film & Television, Bradford, England, he moved to the United States in 1992 to pursue his career here. For more than decade he worked with the photographs collection at the J. Paul Getty Museum, Los Angeles, and then spent five years leading the photography program at the High Museum of Art, Atlanta. Cox has organized numerous exhibitions on subjects ranging from the dawn of photography’s invention in Europe in the 19th century, to contemporary practice in the United States. He has been a reviewer for the Atlanta Photography Group; Atlanta Celebrates Photography; Palm Springs Photo Festival and Photo NOLA.

Learn more about The Art of Photography Show!Cox is the co-author, with Colin Ford, of the critically acclaimed publication Julia Margaret Cameron: The Complete Photographs (2003), the first catalogue raisonné produced of the work of a photographer. He is the author of many scholarly articles and several books. His recent publications include The Portrait Unbound: Photographs by Robert Weingarten (2010), Road to Freedom: Photographs of the Civil Rights Movement, 1956-1968 (2008), and Harry Callahan: Eleanor (2007).

AWARDS: $2,000 1st Place Award, $1,600 2nd Place Award, $1,200 3rd Place Award, $ 800 4th Place Award, and eleven (11) $400 Honorable Mention Awards.

SALES: Exhibited work will be available for sale (unless the artist designates certain entries NFS). The price for each framed print is entirely up to each artist to decide. The Art of Photography Show will retain a commission of 40% on all sales that occur during the exhibit or which occur later as a direct result of the exhibit. The balance will be mailed to the artist.

For complete details, Read the Full Call!

Click to Read the Art of Photography Show Prospectus!

CALL for ENTRIES: Mono No Aware

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!FRIENDSHIP
stuffing

I love  herbs that are not as they seem–lime basil, chocolate mint, and pineapple sage.  I’m planting the herbs in my garden this past weekend, and I am dazzled by the choices at my local farmer’s market.  Pineapple sage may be my favorite find.  Thanksgiving stuffing will never be the same again.  This next call appears to be a call for filmmakers, but things are not always what they seem.  Investigate…

Check out this Call for Entries for Mono No Aware sponsored in part by the Greater New York Arts Development Fund of the New York City Department of Cultural Affairs, the Brooklyn Arts Council, Inc (BAC) and by the participants of MNA filmmaking workshops. This is a really cool FREE way to stretch your creative streak even if film is not your normal media. Be sure to investigate this one…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Mono No Aware, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES: Mono No Aware

 

Click to learn more about Mono No Aware!Mono No Aware is an international film event open to any person or group of persons making work that incorporates Super8mm or 16mm film format as part of that presentation. (Expanded Cinema) In previous years, 16mm film was blended with dance performance, Super8 with live spoken word/audience involvement, & multi-projections with live jazz/musical devices. This is not a film festival for film-makers, so much as it is an film event for everyone. They believe there is magic in seeing a film print projected, a presence a poet has when reading their own work, a feeling that resonates in your chest when seeing music performed live. For these reasons they encourage live film with live additional audio/visual elements.

ELIGIBILITY: Open internationally. Dancers, Sculptors, Musicians, Theorists, Scientists, Athletes, Visual artists, everyone, AND Film-makers are encouraged to submit.

Click to learn more about Mono No Aware!MEDIA: Entries are only be accepted on Super8 or 16mm film. FILM ONLY. No Digital Video.

DEADLINE: October 31, 2012

NOTIFICATION: Nov. 14, 2012

ENTRY FEE: None. They believe that your time and effort are fee enough. But, if you would like your film and materials sent back to you it is necessary to include a self-addressed stamped envelope with enough postage to get your items from Brooklyn, NY. (11211 zip code) back to your mailing address.

This event is sponsored, in part, by the Greater New York Arts Development Fund of the New York City Department of Cultural Affairs, administered by the Brooklyn Arts Council, Inc (BAC) and by the participants of MNA filmmaking workshops, KODAK, ADOBE, DIJIFI, and PAC-LAB. Mono No Aware is a sponsored project of Fractured Atlas, a non-profit arts service organization.

For complete details, Read the Full Call!

Click to learn more about Mono No Aware!

CALL for ENTRIES: YICCA 2012

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!CZECH
this out

I am fascinated by the influences of one culture on another culture’s food.  Czech cuisine is heavily influenced by Germany and Hungary’s schnitzels, strudels and goulashes.  But the three national foods always found on the menu are vepro, knedlo and zelo (pork, dumplings and cabbage respectively).  This next Call could be a great way to sample these specialties first hand.  Take a look…

Check out this Call for Entries for Young International Contest of Contemporary Art (YICCA 2012) which is open to all artists and all media for an exhibition in The Chemistry Gallery in Prague.  This is a great chance to visit Prague at their expense…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: YICCA 2012, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the YICCA 2012! CALL for ENTRIES:
YICCA 2012

“YICCA is an ambitious project regarding transparency, comparison and research of new artistic talents.  Nowadays it is becoming more and more difficult to comply with the requirements of art market, in particular – facing the challenge of competing with the constantly increasing number of newly arising artists in the contemporary art field.  YICCA was founded in 2009. The decision of its foundation was taken under the great influence of new ways of making and thinking art that recently have discovered many surprising and unusual forms of art.  This general confusion and rapid change of offers is without any doubt challenging and extremely exciting.  The main goal of YICCA is to understand and to improve  new talents that in this ‘beautiful chaos’ are able to interpret better the upcoming art.” –from the YICCA website

ELIGIBILITY:  Open to all artists age 18+

MEDIA:  All media, including video, installations and performances.

Learn more about The Chemistry Gallery!DEADLINE:  July 31st, 2012 (Extended on 7/20)

NOTIFICATION:  August 13, 2012

ENTRY FEE: 30 Euros (~$37.50 USD)

JURORS:  Anabelle Rodriguez is an independent curator and visual arts consultant for collectives, institutions, and organizations throughout Philadelphia and New York City. She is the Founding Director of the ~curARTorial LAB, currently housed at The Malkovich in Crane Arts Old School.  Brad Clark is a Journalist, Writer and Curator that writes for various magazines and publications around the subjects of contemporary Fine Art, Graphic Design, Photography and Modern Aesthetic Theory.

Learn more about the YICCA 2012! Born in South Africa, Claire Breukel began her career curating the 2002 Cape Town Month of Photography biennale and the Vision Photography Festival before being introduced to Miami by the Rubell Family Collection.   Born in 1978, Sara Liuzzi is an art historian with a degree in Conservation of Cultural Heritage from the University of Siena, in Arezzo, with thesis in History of Contemporary Art: “Studio Azzurro”, she has studied and worked professionally in Arezzo (Tuscany), Milan and London.

AWARDS:  The selected by the jury artists will have the opportunity to exhibit their participating work in Prague, in “The Chemistry Gallery” in the period between October 4 to 25, 2012. They will be included in “Yicca 2012” catalogue, as well, and finally the artists will be invited to stay in Prague on the opening day at the expense of A.p.s Moho Association.

For complete details, Read the Full Call!

Learn more about the YICCA 2012!

CALL for ENTRIES: Mobile-O-graphy

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!THE ART of FOOD
on the go

My little piece of the country has limited restaurant options.  The Great Smoky Mountains are a phenomenal trade-off for many of the area’s flaws, but the food is a huge obstacle, so I cook.  Indian and Thai food have made their way, but Greek food, alas, is still missing.  I have my finders crossed that the food truck phenomenon will bring the flavors of the world to my little piece of the country.  This next Call wants to see the wonders you can conjure–mobile style.  Investigate…

Check out this Call for Entries from the Darkroom Gallery (Essex Junction, VT) for Mobile-O-graphy. The entry fee at Darkroom is always low ($20), and they will provide free matting & framing if you work in their standard sizes. Take a look…

*Editor’s Note: If you enter, please make sure to let them know that you found the Call on ArtAndArtDeadlines.com. We’ve got a great history with them…including Best of Show!

Learn more about the Mobile-O-graphy show from the Darkroom Gallery!CALL for ENTRIES:
Mobile-O-graphy

 

Images made with mobile phones are becoming part of the photographic mainstream.  Made with a phone camera, processed on the phone and even printed from the phone, these images are showing up in exhibitions both as a genre and alongside classic silver gelatin prints.  Show them your latest mobile creations.

What distinguishes mobile device photography from that made with other devices?  Less and Less.  Possibly the fact that you can do it all on one device is unique. Sometimes the images created with mobile devices are more candid. Having a camera with us all the time lets us capture moments that can otherwise escape.  Very quickly mobile phones are becoming just another type of camera taking their place alongside pin hole cameras, toy cameras, point and shoot cameras, SLR cameras etc.  Here, in the gallery, we say it over and over – it’s not the camera – it’s the photographer’s vision and skill that makes a great photograph.  Last year’s mobile phone photography exhibit said it.  They want this year’s exhibit to prove it.

Learn more about the Darkroom Gallery online!ELIGIBILITY: Entrants must be at least 18 years old. If younger, you must have a legal guardian make the submission for you.

MEDIA:
Photography

DEADLINE:
August 1
, 2012

NOTIFICATION:
August 7, 2012

JUROR: Dan Burkholder has a long history of looking over the photographic horizon to see, explore and teach the next great thing in imaging.  Dan’s new book “iPhone Artistry” is the definitive resource for creative iPhone photographers.  His first book, Making Digital Negatives for Contact Printingbecame a seminal manual for photographers wanting to blend the power of digital imaging with the charm of the handmade print.

Dan received his B.A. and Master’s degrees from Brooks Institute of Photography, in Santa Barbara, CA. Dan has taught digital imaging workshops for 18 years on three continents and several island countries. Including here at the Darkroom Gallery. His platinum/palladium and pigmented ink prints are included in private and public collections internationally.

AWARDS: All selected entries are exhibited in the gallery and included in a full color exhibit catalog. Juror’s Choice receives a 20×35″ vinyl exhibit banner featuring their image. People’s Choice gains free entry into a future exhibit.

SALES: Darkroom offers free matting and framing of accepted entries for the duration of each of their exhibitions, subject to standard sizes. Photographers set their own prices if they wish to sell their work and retain all rights to their photographs. For commission details, go to the bottom of the Submisssion Rules page!

For complete details, Read the Full Call!

Learn more about the Darkroom Gallery!