Art and Art Deadlines.com

A food-themed FREE resource site for ARTISTS.

×
Art and Art Deadlines.com

Category: Resume Builder

ARTIST to LOVE: Laura Mabbutt

We found another great artist to celebrate!

This time it is a feltmaker! Say “Hello” to our newest Artist to Love

• • • • • • • • •

Laura Mabbutt
Designer/Maker of Felt Objects
Necklaces made from Merino wool & copper piping by Laura Mabbutt
Necklaces
Merino wool & copper piping
MABBUTT has been making felt for 10 years specializing in sculptural wet felt techniques & creating fashion & home accessories & sculptural forms from undyed wools & natural fibers. Her aim is to raise awareness of the material & its natural properties, creating unique, contemporary & desirable objects. Mabbutt's work has been exhibited in many venues including the Mall Galleries, London & The National Centre for Craft & Design. Laura also takes satisfaction in teaching the craft of feltmaking to others & is available for demos & workshops.

FAVORITE FOOD: Veggie Roast Dinner

Are you an Artist to Love? Be sure to let us know!

• • • • • • • • •

CALL for ENTRIES: Black & White

Learn more from F-Stop Magazine!what is
BLACK & WHITE
and read?

Please stop eating fake foods.  Every time I make a statement like that, I lose subscribers. But I care about your health like I care about my own.  It is black & white, but I pick my battles.  I won’t try to talk you into organic produce (although it is recommended), but I can beg you to stop eating fake food.  No cheese food.  No imitation vanilla.  No caramel coloring or stuff you can’t pronounce.  This next Call is a Black & White issue as well.  Take a look…

Check out this Call for Entries from F-Stop Magazine for their Portfolio Issue #69.  No Entry Fee.  And an opportunity to join the Hotshoe community FREE.  Be sure to tell them you found F-Stop through artandartdeadlines.com. One of our Featured Artists made it into their current Portfolio issue.  We know you will continue to make us proud…

*Editor’s Note: If you have read the personal portion of this post, CALL for SUBMISSIONS: Black & White, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from F-Stop Magazine!CALL for SUBMISSIONS:
Black & White

Please be sure to follow the
guidelines closely!

ELIGIBILITY:
Open to all artists

MEDIA:
Photography

DEADLINE:
January 15, 2015

PUBLICATION:
February 1, 2015

ENTRY FEE:  None

AWARDS:  This issue is sponsored by Hotshoe the photography club for black and white photography.  The selected featured artist will receive a 1 year PRO membership at Hotshoe.org.

ABOUT F-Stop:  F-STOP MAGAZINE is an online photography magazine featuring contemporary photography from established and emerging photographers from around the world.  Each issue has a theme or an idea that the unites the photographs to create a dynamic dialogue among the artists.  Founded in 2003 and published online, bi-monthly.

For complete details, Read the Guidelines!

Learn more from F-Stop Magazine!

CALL for ENTRIES: Chronograph

Learn more from the Darkroom Gallery!cold or
FROZEN?

To freeze or not to freeze– THAT is the question.  I tend to cook in large quantities.  I do it on purpose to provide additional dinners, but mostly lunches, with the same amount of effort it took to make dinner.  The problem is that not all food freezes well.  Chili is great reheated after being frozen for a week, but potato soup becomes paste after only a day in the freezer.  Casseroles take on a luscious, unctuous quality while mushrooms turn to rubber.  This next Call want you to freeze TIME, for better or for worse.  Brilliant.  Are you up for the challenge?

Check out this Call for Entries from the Darkroom Gallery (Essex Junction, VT) for Chronograph. They always have a low entry fee ($24) & a great juror.  But, I have a soft spot for this theme.  Take a look

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Chronograph, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from the Darkroom Gallery!CALL for ENTRIES:
Chronograph

 

“Photography is a medium renowned for freezing time. However, there are many facets and dichotomies this theme of chronology can visually explore.  Darkroom Gallery is calling for explorative visual depictions of time.  Pasts and futures can often collide…and what of time travelers and quantum physics?  Lastly, photographs can be truly devoid of time, they can have a sort of classic “timelessness”. “ — from darkroomgallery.com

ELIGIBILITY: Open to all artists 18+

MEDIA: Photography

THEME:  Time-oriented photography; vintage, futuristic or rhythmic imagery.

DEADLINE: December 28, 2014

NOTIFICATION: January 4, 2015

ENTRY FEE: Up to 4 for $24 (online)/$29 (email)

*Editor’s Note: It is important to let Darkroom Gallery know you found their Call on artandartdeadlines.com.  They are friends & sponsors of AAAD, and I always want them to know they have our support…

JUROR: Johan Hallberg-Campbell, born in Scotland & living in Canada, is a Graduate of The Glasgow School of Art.  As a freelance photographer, he has worked for numerous publications and institutions worldwide, shooting assignments globally.

Learn more about the Darkroom Gallery online!Johan’s commissioned and personal work has been published and exhibited internationally.  As a freelance Curator, he has curated 45 photographic exhibitions in galleries such as VII gallery, New York and Pikto gallery, Toronto, showcasing the works of local, national and international photographers.  Johan is the photo editor at Raw View magazine alongside Donald Weber.  His work explores what it means to belong to a community and have traditions rooted in heritage, and alternatively what happens when one’s “place” is altered, removed, distorted and shifted.  He continues to develop his book length project ‘Coastal’, a project photographing the Canadian coastline in which he was awarded a Canada Council for the Arts grant to make work in 2014.  He will continue producing ‘Coastal’ in 2015.

AWARDS: All selected entries are included in a full color exhibit catalog & gallery exhibition. Juror’s Choice: 30×48″ image banner. People’s Choice – a free future entry. Honorable Mentions receive free exhibition catalogs and free entry in a future exhibition.

SALES: Free matting & framing of accepted entries, subject to standard sizes. For commission details, go to the bottom of the Submissions page!

For complete details, Read the Full Call!

Learn more from the Darkroom Gallery!

CALL for ENTRIES: Paint Pulse Mag

Learn more about Paint Pulse Magazine!NUTS
to milk

My first taste of coconut milk, and I was sold.  It isn’t always that way.  Beets took 20 years to get on my good side.  But coconut milk is good in everything.  Granted, I prefer the high fat canned version, but I’m even enamored using the carton in the frig for everything from breakfast cereal to hot cocoa–and then there is the homemade ice cream, yum.  This next Call is your chance to fall in love with something on the very first try.  There is only one first, so don’t miss your opportunity…

Check out this Call for Entries from Paint Pulse Magazine (both online & print) for Issue #1!  Here’s a great chance to get in on their debut issue. $15 for entry & all disciplines considered Take a chance

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Paint Pulse Mag, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about Paint Pulse Magazine!CALL for ENTRIES:
Paint Pulse Mag

 

ELIGIBILITY:  Open to all artists

MEDIA:  Any discipline is accepted. The lens of painting is widely interpreted so feel free to submit what you wish. *Editor’s note:  I clarified this statement with the editors of Paint Pulse.  Specifically: “all media is accepted as long as it can be loosely related to painting”.

DEADLINE:  December 31, 2014

NOTIFICATION:  Shortly after submission according to their site

ENTRY FEE: $15 for up to 3 images

AWARDS:  20 talented contemporary artists will be featured in Issue 1.  Selected artists will  receive social media attention, spotlight on the website with contact information and will also receive a complimentary magazine of the issue for which they were selected.

For complete details, Read the Full Call!

Learn more about Paint Pulse Magazine!

CALL for ENTRIES: 52nd Masur

Learn more from the Masur Museum!EARLY
to rise?

Breakfast is beloved in my house.  Everywhere I have ever lived, including some time in the Virgin Islands, breakfast has been the biggest meal of the day because it was always the cheapest.  Even tiny islands in the Caribbean can raise chickens instead of importing eggs.  So, a cheeseburger might be $18, but breakfast was always under $5.  Those days have passed, and breakfast can be a pricey endeavor.  It is apparently even more expensive if you get up a little later and call it brunch.  Start your morning with this next Call because it is definitely cheaper than brunch. 🙂  Take a look…

Check out this Call for Entries for the 52nd Annual Juried Exhibition from the Masur Museum of Art (Monroe, LA). $10 entry fee, no commission, and the gallery is stunning.  This is a great opportunity!

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: 52nd Masur, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from Masur Museum!CALL or ENTRIES:
Masur Museum
52nd Annual Juried

 

ELIGIBILITY:  Open to all US artists 18+

MEDIA:  Any media

DEADLINE:  January 1, 2015 (online) and December 27, 2014 for postmarked entries

NOTIFICATION: January 21, 2015

ENTRY FEE:  There is a $10 per work with a minimum of 2 and a max of 5 entries

JUROR:  Sandra Q. Firmin was Curator of the UB Art Galleries, gallery of the University of Buffalo SUNY, a position she held from 2003 to 2014.  Firmin is currently the Director and Chief Curator, Colorado University Art Museum.

Learn more from Masur Museum!

Firmin holds an M.A. from Bard College’s Center for Curatorial Studies, and was awarded a Philadelphia Exhibitions Initiative Fellowship at Arcadia University Art Gallery.  At the UB Art Galleries, Firmin established an annual residency program in which artists are presented with an empty gallery to transform over time while open to the public. These commissioned projects aim to forge meaningful interactions between artists and diverse groups of people while acknowledging a turn toward research-based and ephemeral site-specific approaches in contemporary art.  In 2014 Firmin co-chaired (with Julian Cox) the Association of Art Museum Curators’ annual conference in Detroit, and moderated the panel Urban Ecologies and Cultural Exchange.

Learn more from the Masur Museum!AWARDS:  Best in Show is $1,000, and total awards are $3,200.00.  The People’s Choice Award is $200.00 and will be voted on by visitors throughout the run of the exhibition. Best Packed: This award will honor the artist who packs their art in the most professional manner.  The award is $100.  *No packing peanuts, feedbags, loose papers as packing materials, no cigarette butts, etc.  These types of things will disqualify you!  This prize will be decided by the Masur Museum staff.  Ithis!

SALES:  The Masur Museum of Art does not receive a commission on sales.

For complete details, Read the Full Call!

Learn more from the Masur Museum!

CALL for ENTRIES: 2015 Nat’l Juried

Learn more from the Knoxville Arts and Culture Alliance!ooey, gooey
GOODNESS

My ultimate comfort food is cheese or nearly any kind.  Weird, eh?  But, I’m sure some of you claim oatmeal or hamburgers, pizza or kale chips as YOUR comfort food.  Sometimes the comfort of another is just enough to get you to try and love a new food.  This next Call belongs to a gallery that I find to be a comfort.  Try it for yourself; you just may love it… 

Check out this Call for Entries from The Arts & Culture Alliance for the Nat’l Juried Exhibition of 2015. This is a great show run by a great arts organization.  I’ve shown here personally several times and even serve as a juror on occasion. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: 2015 Nat’l Juried, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from the Knoxville Arts and Culture Alliance!CALL for ENTRIES:
Nat’l Juried Exhibition 2015

 

The Arts & Culture Alliance of Greater Knoxville announces a call for entries for its National Juried Exhibition of 2015.  The Arts & Culture Alliance’s National Juried Exhibition was developed to provide a forum for artists to compete on a national scale and display their work. Approximately 40-50 fine art works encompassing all styles and genres from both emerging and established artists will be selected by the juror, Stefanie Gerber Darr, for exhibition in the main gallery.

ELIGIBILITY:  Artists 18+ living in the US

MEDIA:  2-D (painting, drawing, mixed media, printmaking, photography) & 3-D (sculpture of all media).

Learn more from the Knoxville Arts and Culture Alliance!DEADLINE:  December 7, 2014

NOTIFICATION:  Mailed December 22, 2014

ENTRY FEE:  $40 for up to 3, $7 ea. add’l.  Discounts available for members.

JUROR:  Stefanie Gerber Darr combines her training as a museum educator, curator, collections manager and artist to develop meaningful experiences for people with art. Whether organizing public programs, curating exhibitions or teaching workshops, she dives into the project to create moments that stimulate the visual and offer reflection on social and cultural topics.

Darr currently manages the galleries and permanent collection at Arrowmont School of Arts and Crafts and is focusing on raising the awareness of the school’s past, present and future.

AWARDS:  $500 Best in Show, two $250 Juror’s Citations, and a cash award for Best Work by an Alliance member

SALES:  25% commission (20% for check/cash)

For complete details, Read the Full Call!

Download the Prospectus from the Arts and Culture Alliance!

CALL for ENTRIES: Chroma

Learn more from Gallery 263!better & brighter
ROOTS

I spent the majority of my life hating beets, but I was so very wrong.  They are my favorite color on the planet; that should have been my first hint.  The beautiful shade of purplish-red found in sugar beets was the first clue that they held an earthly luscious quality not to be missed.  Roasted or pickled, warmed or chilled, I can’t get enough of them now.  This next Call wants to know all you love about hue and saturation.  Let them see your best…

Check out this Call for Entries from Gallery 263 (Cambridge, MA) for the Chroma Exhibit.  The entry fee is only $25, and the space is beautiful.  Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Chroma, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from Gallery 263!CALL for ENTRIES:
Chroma

 

A national juried exhibition of work on hue, saturation and value. Apply to Chroma at Gallery 263 with your most glowing, blushing, luscious artwork in any medium.

ELIGIBILITY:
Open to all artists in the US

MEDIA: 
All media will be considered

DEADLINE:  December 7, 2014

NOTIFICATION:  December 15, 2014

ENTRY FEE:  $25 for up to 3, $40 for 4-6.

Learn more from Gallery 263!

JUROR:  Lynda Schlosberg is a Boston-based abstract artist who creates intricate and process-oriented paintings that are constructed using a series of interwoven layers of meticulous repeating patterns of dots, dashes, and grids using highly saturated, vibrant and illusory colors. It is through her skillful utilization of color theory and pattern that she constructs spatial illusions that expand and recede simultaneously, when viewed, fully exercise the mind and the eye.

Schlosberg received her MFA from the Art Institute of Boston at Lesley University, and her BFA from Ohio University College of Art. She is represented by Susan Maasch Fine Art in Portland, ME and by Kingston Gallery in Boston. She has recently partnered with the non-profit Art in Giving. She maintains a studio in Waltham, MA.

SALES:   All proceeds from art sales go to the artist. Gallery 263 acts as the liaison between the artist and any parties interested in purchasing artwork.  However, they do suggest a 30% donation to the gallery from any sales made.

For complete details, Download the Prospectus!

Download the Prospectus from Gallery 263!

CALL for ENTRIES: Correspondence

Learn more from the Crossing Arts Alliance!you can still send
CHOCOLATE

by mail

Could you live without receiving mail?  I am not talking about email.  I cannot even imagine not having email access.  But, snail mail–could you live without it?  What if correspondence became an important, indulgent luxury?  What if junk mail disappeared in lieu of beautiful, hand-written postcards, letters and recipe cards?  Sign me up.  Instead of e-holiday cards, why not send out a few hot chocolate recipes this year.  This next Call for Entries is a great source of inspiration.  Take a look at this one…

Check out this Call for Entries from Crossing Arts Alliance (Brainerd, MN) for Correspondence 2014, an int’l mail art exhibit at the Q Gallery in the Franklin Arts Center.  No entry fee, no juror, no awards.  Sounds like a great resume builder to me…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Correspondence, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from Crossing Arts Alliance!CALL for ENTRIES:
Correspondence

 

ELIGIBILITY:  Open to all artists

MEDIA:  All mediums will be accepted–mixed media/collage, painting, drawing, text/poetry, printmaking, photography, digital art, sculptural objects, etc.  Individual formats explained here.

DEADLINE:  Received by November 12, 2014

NOTIFICATION:  None.  All hung

ENTRY FEE:  None

JUROR:  None.  All hung

For complete details, Read the Full Call!

Learn more about the International Mail Art Exhibition!

FEATURED ARTIST: Julia Feld

Learn more about Featured Artist Julia Feld!

TOAST of the town

I love the hand-technique and the personal aspect of work in which you can see the artist’s hand.  I don’t need or want perfection.  I want to be amazed by talent and patience and thought and creativity. This month’s artist challenges me. AAAD is happy to feature the work of book carver Julia Feld. Feld’s work reminds all of the wonder found in books…words AND illustrations.  So many people dismiss the work of illustrators.  I find Feld’s work is entirely her own while at the same time, it celebrates the work of illustrators, past and present.  

Games for Two circa 1937 carved by Julia Feld!

FEATURED ARTIST: Julia Feld

Julia Feld is a scientist and artist living and working in St. Louis.  All pieces featured on her Holey Stokes! blog are her intricate creations and must be seen to be believed. 
(‘Hokey Stokes!’ is a phrase used to express wonderment or surprise in situations when ‘Holy Buckets!’ is deemed too explicit or crude. — Book Carver Julia Feld)

Feld has no formal art instruction and accidentally ended up as a book carver. 

Webster's 7th Collegiate Dictionary circa 1971 carved by Julia FeldA few years back, she found a set of Funk and Wagnalls Encyclopedias in the free box outside a used book shop.  “I didn’t know what I’d do with them but thought it was a pity that such a lovely set of books could end up in a dirty cardboard box in a parking lot, so I brought them home.”

“I really don’t remember what was going through my head the first time I thought to go at one with an exacto knife.  I do what I do because I like reminding people that books are things of beauty and that pictures and diagrams aren’t just about the information they convey.”

There is a cult-like following of Julia Feld’s work online, and a popular myth that I see over and over is that she laser cuts her shapes and images.  False.  She hand cuts every shape.  

“For some books, I carve through a page at a time, removing all the text and empty space and leaving only pictures and outlines.  For others, I gut the entire contents and rebuild it from scratch.  They all involve a ton of exact-o blades, tweezers, glue, and framing glass.  I’ve tried using power tools, but haven’t been pleased with the outcomes.”

All about House Plants carved by Julia Feld“If anyone from the future has prototype laser cutter they’d like to donate, I’d certainly be game to try it out.” — Julia Feld

 
I enjoy asking artists about their terminology for their process and media.  I find that it often gives me insight as to the frequent disconnect of an artist from the public perception of his or her work.  
 
Altered books have a long-documented history in traditional art settings as mixed media, but I find that media are becoming more and more specific over time.  Feld considers her work book carvings, but when I asked her for the school of art into which her work fit, she defers the questions to you, my loyal readers:  “I am overwhelmed by the amount of research I’d have to do to answer this question properly.  I like carving books because it draws attention to the aesthetic quality of objects that are usually valued primarily for their informational content.  Gentle readers, using the comment section below, please share with me what school of art do you think this falls into!”

Selected tables in Mathematical Statistics carved into a Butterfly specimen book by Julia FeldSo, back to the armchair psychology of it all… Feld’s Favorite Food?  Toast.  No really… toast.  I would NEVER think of asking an artist if they have a back-up plan just in case art doesn’t work out.  I’m not your momma; you don’t need something to fall back on with me. 
Nonetheless, Feld is prepared. “I want to open and operate a dining establishment called Julia’s Toasteraunt (maybe Julia’s Toastorium) where every table has a really nice toaster on it and you order big spreads of different kinds of breads and jams and cheeses and everyone feasts on toast.  If someone wants to open a soup joint next store, I’d be open to that.” Editor’s Note:  I will offer this blog and the transcripts of my interview with Julia Feld as evidence if you steal her idea, people.

Thank you Julia for sharing your work with us.

I felt a little like I was looking through the keyhole into a mad scientist’s laboratory (in the nutty, harmless 1950s definition of “mad”) during the discovery of Julia’s work.  Loved the adventure. 

Learn more about Julia Feld online!

Click to Learn More about Book Carver Julia Feld!

Should you be our next Artist of the Day?  Be sure to let us know!

FEATURED ARTIST: Kris Wlodarski

Click here to see more of Wlodarski's work.

BOTTOMS up!

The mission of AAAD is to inspire artists through resources, opportunities, and the work of your contemporaries.  Should you be our next Artist of the Day?  Be sure to let us knowAAAD is proud to feature the work of painter Kris Wlodarski.

 Krzysztof Wlodarski, aka Kali, born in 1977 in Poland. Graduated at University of Zielona Gora, Poland in philosophy. Wlodarski, influenced by the art of Gottried Helnwein, Saturno Butto, Joel Peter Witkin and modern Bodyart movements, is now showing a series “The Sleep of Reason.”  Wlodarski is also musician , film-maker, and tattoo artist, living and working in London.

Wlodarski says, “These works are reflecting a head-on collision between the primary sphere of instinct (sex & violence) and the secondary sphere of culture (taboo). This leads to a sort of synthesis, its necessary result being a transgressive form of art.

Sleep of Reason by Kris Wlodarski“I call it ‘The sleep of reason,’ a reference to Goya , because this is the manifestation of all that is pre-rational, anti-enlightenment, anti-creative. It is about the moments of insanity when the language and logic are suspended in favour of primal drives that are otherwise subject to suppression by cultural structures.”

Plagued by anxiety and bitterness from a devastating illness, Francisco Goya (1746 – 1828) created “The Sleep of Reason Produces Monsters,” one of 80 etchings in his “Los Caprichos” series–scathing critiques of human errors and vices of contemporary religious and political figures.  “The Sleep of Reason Produces Monsters” portrays Goya, often believed to be the Father of Modern Art, hounded by creatures that threaten the ignorant mind. Goya believed that imagination, combined with reason, would keep these monsters at bay.

Click here to see more of Kris Wlodarski's work!I am drawn to the passion with which Wlodarski’s interprets his vision of contemporary culture–shaped by sex and violence, destruction and morbidity.  The connection to Goya, and sometimes startling lack of connection, is a comment on Wlodarski’s view on where we are as a culture today.  His striking use of color gives us a momentary glimpse into the moments of insanity between the rational thoughts.  The moments without control or norms.

It is easy to feel transported to another place or time by these works, and maybe that’s the sugar that makes it easier to take the medicine–the knowledge that we are all there, on the cusp, all the time.  It is…the buttery taste of scotch with the charred character of bourbon.

Learn more about painter Kris Wlodarski!

Learn more about Featured Artist Kris Wlodarski!

Save