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Category: Career Development

FELLOWSHIP: The Hamiltonian

Learn more about the Hamiltonian Fellowship from the Hamiltonian Artists program!LASAGNA
hold the noodles

Eating fewer ingredients has truly stretched my cooking skills.  My newest pet project has been to develop recipes that I love with the smallest number of ingredients possible.  I have a fantastic 6 ingredient eggplant lasagna.  With fewer ingredients, it becomes about the quality of the food and your knowledge of how to manipulate those ingredients.  This next Call is all about giving you the resources you need to stretch your skills so you can make the most of your art career.  This is simply great professional development for you.  Don’t miss it…

Check out this Call for Applications from Hamiltonian Artists and the Hamiltonian Gallery for the Hamiltonian Fellowship Program.  This is fantastic program with a low application fee and a $1000 yearly stipend.  Take a look…

*Editor’s Note: If you have read the personal portion of this post, FELLOWSHIP: The Hamiltonian, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from the Hamiltonian Artists program!FELLOWSHIP:
The Hamiltonian

 

ELIGIBILITY:  Open to all artists residing in the US.  *Editor’s Note: Please keep in mind that this is a PARTICIPATORY program with travel expected.  There is a yearly stipend to help.

MEDIA:  Open to all visual media

DEADLINE:  March 1, 2014 @ 6pm

NOTIFICATION: May/June

ENTRY FEE:  $25 application fee

JUROR:  An External Review Panel is selected for their breadth of knowledge and expertise in the field of contemporary art.

Learn more from the Hamiltonian Artists program!

The roster of panelists changes annually and is composed of art professionals including gallerists, art collectors, curators, and established artists. They will choose 10 finalists who will be contacted for personal interviews. Based on the result from these interviews, the Panel will then select the top 5 finalists.

AWARDS:  As a fellow, you will receive:  Exhibitions and gallery representation by Hamiltonian Gallery, mentorship from established artists and art professionals, critiques and exhibition support, access to professional development lectures and premier career resources, annual $1,000 stipend and community engagement and outreach opportunities

For complete details, Read the Full Call!

Learn more from the Hamiltonian Artists program!

FEATURED ARTIST: Julia Feld

Learn more about Featured Artist Julia Feld!

TOAST of the town

I love the hand-technique and the personal aspect of work in which you can see the artist’s hand.  I don’t need or want perfection.  I want to be amazed by talent and patience and thought and creativity. This month’s artist challenges me. AAAD is happy to feature the work of book carver Julia Feld. Feld’s work reminds all of the wonder found in books…words AND illustrations.  So many people dismiss the work of illustrators.  I find Feld’s work is entirely her own while at the same time, it celebrates the work of illustrators, past and present.  

Games for Two circa 1937 carved by Julia Feld!

FEATURED ARTIST: Julia Feld

Julia Feld is a scientist and artist living and working in St. Louis.  All pieces featured on her Holey Stokes! blog are her intricate creations and must be seen to be believed. 
(‘Hokey Stokes!’ is a phrase used to express wonderment or surprise in situations when ‘Holy Buckets!’ is deemed too explicit or crude. — Book Carver Julia Feld)

Feld has no formal art instruction and accidentally ended up as a book carver. 

Webster's 7th Collegiate Dictionary circa 1971 carved by Julia FeldA few years back, she found a set of Funk and Wagnalls Encyclopedias in the free box outside a used book shop.  “I didn’t know what I’d do with them but thought it was a pity that such a lovely set of books could end up in a dirty cardboard box in a parking lot, so I brought them home.”

“I really don’t remember what was going through my head the first time I thought to go at one with an exacto knife.  I do what I do because I like reminding people that books are things of beauty and that pictures and diagrams aren’t just about the information they convey.”

There is a cult-like following of Julia Feld’s work online, and a popular myth that I see over and over is that she laser cuts her shapes and images.  False.  She hand cuts every shape.  

“For some books, I carve through a page at a time, removing all the text and empty space and leaving only pictures and outlines.  For others, I gut the entire contents and rebuild it from scratch.  They all involve a ton of exact-o blades, tweezers, glue, and framing glass.  I’ve tried using power tools, but haven’t been pleased with the outcomes.”

All about House Plants carved by Julia Feld“If anyone from the future has prototype laser cutter they’d like to donate, I’d certainly be game to try it out.” — Julia Feld

 
I enjoy asking artists about their terminology for their process and media.  I find that it often gives me insight as to the frequent disconnect of an artist from the public perception of his or her work.  
 
Altered books have a long-documented history in traditional art settings as mixed media, but I find that media are becoming more and more specific over time.  Feld considers her work book carvings, but when I asked her for the school of art into which her work fit, she defers the questions to you, my loyal readers:  “I am overwhelmed by the amount of research I’d have to do to answer this question properly.  I like carving books because it draws attention to the aesthetic quality of objects that are usually valued primarily for their informational content.  Gentle readers, using the comment section below, please share with me what school of art do you think this falls into!”

Selected tables in Mathematical Statistics carved into a Butterfly specimen book by Julia FeldSo, back to the armchair psychology of it all… Feld’s Favorite Food?  Toast.  No really… toast.  I would NEVER think of asking an artist if they have a back-up plan just in case art doesn’t work out.  I’m not your momma; you don’t need something to fall back on with me. 
Nonetheless, Feld is prepared. “I want to open and operate a dining establishment called Julia’s Toasteraunt (maybe Julia’s Toastorium) where every table has a really nice toaster on it and you order big spreads of different kinds of breads and jams and cheeses and everyone feasts on toast.  If someone wants to open a soup joint next store, I’d be open to that.” Editor’s Note:  I will offer this blog and the transcripts of my interview with Julia Feld as evidence if you steal her idea, people.

Thank you Julia for sharing your work with us.

I felt a little like I was looking through the keyhole into a mad scientist’s laboratory (in the nutty, harmless 1950s definition of “mad”) during the discovery of Julia’s work.  Loved the adventure. 

Learn more about Julia Feld online!

Click to Learn More about Book Carver Julia Feld!

Should you be our next Artist of the Day?  Be sure to let us know!

FEATURED ARTIST: Kris Wlodarski

Click here to see more of Wlodarski's work.

BOTTOMS up!

The mission of AAAD is to inspire artists through resources, opportunities, and the work of your contemporaries.  Should you be our next Artist of the Day?  Be sure to let us knowAAAD is proud to feature the work of painter Kris Wlodarski.

 Krzysztof Wlodarski, aka Kali, born in 1977 in Poland. Graduated at University of Zielona Gora, Poland in philosophy. Wlodarski, influenced by the art of Gottried Helnwein, Saturno Butto, Joel Peter Witkin and modern Bodyart movements, is now showing a series “The Sleep of Reason.”  Wlodarski is also musician , film-maker, and tattoo artist, living and working in London.

Wlodarski says, “These works are reflecting a head-on collision between the primary sphere of instinct (sex & violence) and the secondary sphere of culture (taboo). This leads to a sort of synthesis, its necessary result being a transgressive form of art.

Sleep of Reason by Kris Wlodarski“I call it ‘The sleep of reason,’ a reference to Goya , because this is the manifestation of all that is pre-rational, anti-enlightenment, anti-creative. It is about the moments of insanity when the language and logic are suspended in favour of primal drives that are otherwise subject to suppression by cultural structures.”

Plagued by anxiety and bitterness from a devastating illness, Francisco Goya (1746 – 1828) created “The Sleep of Reason Produces Monsters,” one of 80 etchings in his “Los Caprichos” series–scathing critiques of human errors and vices of contemporary religious and political figures.  “The Sleep of Reason Produces Monsters” portrays Goya, often believed to be the Father of Modern Art, hounded by creatures that threaten the ignorant mind. Goya believed that imagination, combined with reason, would keep these monsters at bay.

Click here to see more of Kris Wlodarski's work!I am drawn to the passion with which Wlodarski’s interprets his vision of contemporary culture–shaped by sex and violence, destruction and morbidity.  The connection to Goya, and sometimes startling lack of connection, is a comment on Wlodarski’s view on where we are as a culture today.  His striking use of color gives us a momentary glimpse into the moments of insanity between the rational thoughts.  The moments without control or norms.

It is easy to feel transported to another place or time by these works, and maybe that’s the sugar that makes it easier to take the medicine–the knowledge that we are all there, on the cusp, all the time.  It is…the buttery taste of scotch with the charred character of bourbon.

Learn more about painter Kris Wlodarski!

Learn more about Featured Artist Kris Wlodarski!

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