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Category: Art Exhibit

CALL FOR PROPOSALS: Crary Art Gallery

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Don’t Give Up on
Art in the Summer!

Summer is the season for hope and possibilities folks… everyone thinks Spring  is the hot season with all the chocolate eggs and marshmallow bunnies and newly budding trees. 

But, Summer is a hot time for galleries looking for Exhibit proposals for their upcoming season.  I will be publishing a few of these calls over the next few months…so don’t delay. 

Here is a great Call for Proposals from the Crary Art Gallery in Warren, Pennslyvania.

Call for Proposals:
Crary Art Gallery

Visit the Crary Art Gallery online!The Crary Art Gallery reviews exhibition proposals twice each year. Postmark deadlines for submission are March 10 and September 10, and exhibitions are typically scheduled a year or more in advance. Exhibitions last one month.

The Gallery will provide an opening reception, printing and mailing of post cards, local publicity, and gallery staff during open hours. The Gallery is alarmed.

Tether by Crary Gallery Artist Rob KatkowskiExhibitors are responsible for their own delivery and pickup.

The exhibitions committee will consider solo shows, group or tandem shows, and curated exhibitions.

Applicants/curators should send a statement about the proposed exhibition, relevant resume(s), twenty digital images on cd, and a self addressed stamped envelope to the address listed below.

The Crary Art Gallery includes seven gallery rooms with about 375 lineal feet available for exhibitions.

Generally, the main gallery, courtyard sculpture gallery, and two other rooms may be considered for proposed temporary exhibitions.

The space can range from 125 feet to about 215 feet with moveable walls.
For
floor plan links, click here.

Exhibitions Committee
Crary Art Gallery
511 Market St.
Warren, PA 16365

For the full Call for Proposals, Click Here.

CALL FOR ENTRIES: All Hung Art Show

Click Here to Subscribe to ArtAndArtDeadlines.com by Email!When I moved to the Great Smoky Mountains a few years ago, my family made a commitment to becoming more attuned to our surroundings and spending more time in the Great Outdoors.  My family has tried gardening–no easy feat on the side of a mountain–as well as hiking, white water rafting and more.  Why not bike riding?  This Call for Entries is a great resume builder because it is a non-juried (all hung) show and promotes Bikes for the World too!

Here’s the Call for Entries for
Biketastic
An Art Show Inspired by Bicycles

Read the full Call for Entries for Biketastic by the Soundry!“Biketastic” is an art show for all mediums inspired by bicycles!  This show is meant to feature art that represents the many nuances of bike culture; from bikes for commuting, racing and pleasure rides to those who ride them for economic, and environmental reasons.

  The Soundry’s proximity to the Washington & Old Dominion Trail gives the area a lot of “bike traffic.”  As a result, they see first hand what an important role biking plays in many people’s lives.  Smartly enought…they have also noticed that bike enthusiasts like bike related art!

This show is open to all mediums and will bring with it many bike-centered events from organized “rides” to film screenings, and a fashion show.  The opening of the arts show will benefit Bikes for the World!

Commit to Submit Form Here! “Biketastic” is unjuried.  The submission fee is $20 and artists may submit up to 3 pieces.  All work must be for sale and ready to hang or display. 

Submissions are due by July 21, 2010.

Delivery of art work is due to The Soundry by July 28th.

The Gallery at the Soundry

Visit The Soundry online!The gallery at The Soundry occupies about one quarter of their total space. It’s a rough-around-the-edges kind of space with good lighting and comfortable seating. 

They hang their member’s artwork in this area and offer it for sale. This is the place to go in Vienna, Virginia if you’re looking for work from emerging artists, or if you just want to kick back, sip a latte, and take in some new sights.

The artwork in the gallery changes regularly, and a large portion of their gallery space is set aside for installation works.

The garage atmosphere and undergound, working-studio feel give visitors an experience they’re guaranteed not to find anywhere in the region.

Make sure you hurry:

Submissions are due by July 21, 2010.

Delivery of art work is due to The Soundry by July 28th.

PORTFOLIO REVIEWS for Solo Art Show

Click to Subscribe to ArtAndArtDeadlines.com by Email!There comes a point when you have to suck it up and submit your art portfolio for review…It is often how you get a solo show. 

Sure, your friend that works at the local coffee shop may get you an exclusive show to be enjoyed by those standing in line for their morning java, but is that really the height of your artistic goals?  I didn’t think so.  Here’s a great call for Art Portfolio Reviews from Alphonse Berber Gallery in Berkley, California. 

So, drink a big cup o’ joe and check out this Call for Portfolio Review!

The Alphonse Berber Gallery in Berkely is located in a beautiful 7200 sq. ft. Julia Morgan-designed building across from the University of California, the gallery presents the work of dynamic, aggressively innovative emerging to mid-career contemporary artists. With each exhibition, the interior space is re-imagined in order to craft the ideal vehicle for showcasing a diverse range of genres and mediums.

Art Portfolio Submission Guidelines:

Images: Please send a digital or physical portfolio of no more than 10 images. If digital, please send high quality jpegs or tiffs. 

Fee: Alphonse Berber requires a $30 fee to accompany the submission package. Include a SASE envelope, and mail your submissions to:

Alphonse Berber Gallery!Alphonse Berber Gallery
Attn: Artist Submissions
2546 Bancroft Way
Berkeley, CA 94704

Submission review takes a one month turnaround period. Please, no phone calls before or after review.

For more information, Visit their Site.

Artists’ portfolios will be returned to them by mail after review, or kept for further consideration with artists’ permission.

Alphonse Berber Gallery is not responsible for any lost, missing, or damaged materials.

CALL FOR ENTRIES: Photography

Click to Subscribe to ArtAndArtDeadlines.com by Email!I love portraiture.  Portraiture is yummy…often decadent–like a bowl of exotic chocolate truffles.

Some of my favorite portraitists’ work span the gamut of possibilities from the soulful portraits by Paul Murray of mountain folk still living a life most people don’t dream still exists to the utterly surreal portraiture of Christian Rex Van Minnen to the slightly disturbed clowns of Jerry Portelli.  My own work has often centered around “self as other.”  Self-portraiture–whether literal or not–is a soul-searching, profound experience.

Here is a great call for self-portraiture called “Self Searching” brought to you by The Vermont Photography Workplace and PhotoPlace Gallery.  You may remember a previous call for Photo Abstraction from PhotoPlace that we posted during Photography Week. 

Here’s the call:

CALL FOR ENTRIES
Self Searching: The Art of Self-Portraiture

Loretta by PhotoPlace Exhibitor Shelly CaltonWithin the photographic genre of self-portraiture, some of the most probing, surprising, and thoughtful images have been made in the history of the medium.

For Self-Searching, they seek self-portraits that go beyond surface appearance to comment on the hopes, dreams, fears, and identities of the individuals pictured. 

Aline Smithson will choose forty photos for exhibition at PhotoPlace Gallery in Middlebury, Vermont.  

She will select an addiitonal thirty-five images for inclusion in the “On-Line Gallery Annex.” 

All seventy-five photographs will be reproduced in a full-color exhibiiton catalogue that will be available for purchase.  They offer free matting and framing for accepted photographs that fit their pre-cut mat sizes for the duration of the exhibition.

Juror:  Aline Smithson

After a career as a New York Fashion Editor and working along side the greats of fashion photography, Aline Smithson discovered the family Rolleiflex and never looked back.

Mother by Aline SmithsonNow represented by galleries across the country and published throughout the world, Aline continues to create her award-winning photography with humor, compassion, and a 50-year-old camera.

Her work has been featured in numerous publications including the PDN Photo Annual, Communication Arts Photo Annual, Eyemazing, Artworks, Shots, Pozytyw, and Silvershotz magazines. She has exhibited widely including solo shows at the Griffin Museum of Photography, the Oswald Gallery, and Wallspace Gallery in Seattle.

Aline has been the Gallery Editor for Light Leaks Magazine, writes and edits the blog, Lenscratch, and has been curating exhibitions for a number of galleries and on-line magazines.

Submission Instructions:

Along with the completed application form, please submit your work via e-mail or by sending them a CD with your files.  

Digital Files: Theyonly accept digital files.  All digital images should be provided as jpgs only, 72 ppi, image width not to exceed 1024 pixels on the longest side. Files should be titled as follows: LastName_FirstName_1Title.jpg  The number should correspond with the number on the application form.   

WATER online gallery!E-mail digital files and application form information to photos@vtphotoworkplace.com  or send CD with your images (not DVD), along with application form. Include SASE for return of CD, if desired.   If you have any questions about submitting digital images, please contact the gallery at photos@vtphotoworkplace.com     

Submission Fee:  Non-refundable $25 for the first 5 prints or digital images, $6 for each additional image.  Please make checks payable to Vermont Photography Workplace.  Credit card or PayPal payments may be made using the link at the bottom of the application form.  Applicants must be 18 or over.  Yes, they DO accept international applications.  Send materials to: Vermont Photography Workplace, 43 Weybridge Street, Middlebury, VT 05753 USA.

Acceptance Notification:  Artists will be notified of accepted work via e-mail approximately one week after the deadline.  If selected, artists will be sent instructions for submitting work for exhibition.  

All accepted exhibition prints should be on paper, sized to be matted to fit in an 11 x 14 or 16 x 20 frame unless another format is approved by the Gallery. 

Sales:  If accepted, artists may choose to offer their work for sale.  The VPW retains 40% of the sale price, as well as 6% Vermont sales tax.  Photographs accepted for other VPW exhibitions are not eligible for re-submission for one year. 

Use Rights: Artists whose submissions are accepted for exhibition grant the VPW the right to use their images for the purpose of marketing the exhibition, marketing related programs, and subsequent display as thumbnails on the VPW’s website, unless indicated otherwise.  

The Deadline is Midnight on July 19, 2010…so hurry!

Click Here to Review the full Call for Entries!

EMERGING ARTISTS: Ephemeral Call for Entries

Subscribe to ArtAndArtDeadlines.com by Email!ArtAndArtDeadlines.com thrives on the idea of helping artists move beyond the Starving Artist Syndrome.  It does not have to be all instant oatmeal and ramen noodles, folks.  Although I do admit to loving ramen and all of the salty goodness.

Find a Show.  Enter a Show.  Eat.

We are not alone in our enthusiasm for helping artists succeed.  Take a look at this great call for ephemeral art.

ROY G BIV Gallery for Emerging Artists is currently looking for entries for Time-Sensitive, an exhibition held at The Ohio State University Urban Arts Space, located at 50 W Town Street, Columbus, OH 43215 from October 2010 – January 2011. Ola Ståhl will select the artwork. Group exhibitions may be submitted with a concept proposal for the space.

Roy G Biv Gallery

Time-Sensitive will feature artists who explore the idea of the ephermeral. Ephemeral artworks fade, disappear, or simply “end” due to the materials or time that they inhibit. The artworks in Time-Sensitive will explore the impermanent and the transitory, as well as disintegration and decay. These investigations will hopefully encourage momentary (yet lasting) impressions on the viewer.

About the Juror:  Ola Ståhl is a writer, cultural theorist and sound & text based artist based in Malmö, Sweden. He received his BA with First Class Honours in The History of Art, Design and Film with Professional Writing from Sheffield Hallam University, and his MA with Distinction in The Social History of Art and PhD in Cultural Studies from the Department of Fine Art, Art History and Cultural Studies at The University of Leeds. He is a founding member of artist collective C.CRED with which he has participated in several international art exhibitions and festivals.

Charles A. CsuriAbout OSU Urban Arts Space Vision and Mission:  The Ohio State University Urban Arts Space challenges our ways of thinking about the performing and visual arts and their role in everyday life through conversation, art-making, and experimentation. The OSU Urban Arts Space encourages transformative experiences that expand worldviews, offer hands-on practical experiences in the arts and education, and develop new career skills to reflect an entrepreneurial culture. Located in the heart of downtown Columbus, the OSU Urban Arts Space joins the university with the state of Ohio and the world, functioning as an arts laboratory for Ohio State faculty and community artists and serving as a professional launching pad for Ohio State students.

About ROY G BIV:  ROY G BIV Gallery is a non-profit art gallery located at 997 North High Street in Columbus, Ohio’s historic Short North District. ROY has been dedicated to supporting emerging artists since 1989, featuring thousands of artists during its twenty-one years of existence. They pride themselves on bringing new and exciting art monthly to the Short North.

ENTRY FEE: There is a $30 entry fee for non-members. For more information on becoming a member, please visit www.roygbivgallery.org/membership.

Roy G Biv Gallery!ENTRY PROCEDURE: They are accepting images of and/or proposals for single artworks, installations, and performances that deal with the idea of the ephemeral. For consideration, the artist must submit four to six jpeg images 1MB or larger in size that are labeled with last name and slide number (ex. smith01.jpg).

Each set of jpegs must be accompanied by an image list containing the following information for each submitted image: number, title of work, date of work, medium. The image list must be in .doc or PDF format labeled with last name (ex. smithimagelist.doc).

Artists may submit up to 2 videos. Videos must be submitted in Quicktime (.mov) format with 740 X 480 aspect ratio for widescreen or 640 X 480 for fullscreen. The first two minutes of each video will be reviewed. Videos should not exceed a playing time of 10 minutes per video.

Time Sensitive Ephemeral Art Show Call!Submissions must include an artist statement and a resume in PDF or .doc format, labeled with last name (ex. smithstatement.doc). Artworks incorporating 2-D and 3-D elements must be made of ephemeral material. Such material is impermanent, non-archival, and/or constantly changing in time.

Due to health concerns, artworks comprised of materials that attract insects and vermin cannot be exhibited. Materials must not be hazardous for indoor display, as all artworks will be displayed within the Urban Arts Space Lower Gallery.

Due to the nature of ephemeral materials, artworks in the exhibition will not be insured by The Ohio State University Urban Arts Space.

Please send all application materials to entries@roygbivgallery.org with the subject header: “TIME-SENSITIVE – URBAN ARTS SPACE”

ENTRY DEADLINE:  Saturday, August 28, 2010.

No other supplemental materials will be taken into consideration during the jury process.

Incomplete applications will not be considered.

Images of selected artwork will be retained for exhibition promotion use.

For the full call, please visit:  http://www.roygbivgallery.org/pdf/timesensitivecall_revised.pdf

International CALL for Entries: Printmaking

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PRINTMAKING
CALL for Entries

I always fascinated, and a little baffled, by which posts get the most hits at ArtAndArtDeadlines.com

The Featured Artists posts that I expect no one to care about send my hits skyrocketing, while the occasional FREE entry call for entries for an International show opportunity sometimes barely limps by. 

Google "Printmaking Call for Entries"One Google search term, however, is so frequently searched that my blog posts from long ago are still coming up as results–printmaking call for entries

You heard me, folks. 

My best guess is that there are a lot of printmakers out there, and there aren’t nearly enough shows to showcase them all.  I’ll see what I can do solve this problem, but in the meantime…here’s a little appetizer:

CALL FOR ENTRIES:
International Printmaking Show

Click Here for Rules & Regulations for the Printmaking Call!The Biennale Internationale d’Estampe Contemporaine de Trois-Rivières is presented from June to September. The competition is open to all printmaking artists.

Interested artists must complete the entry form, submit a minimum of 5 and a maximum of 7 digital reproductions or color photograps of their works (see instructions below) and pay the entry fees.

Learn more about Intaglio Printmaking!Accepted techniques: intaglio, relief prints, lithography, silkscreen.

Techniques not accepted: photography, monotype, photocopy, and digital prints.

There is no maximum size for works, however, works exceeding 100 cm per side will not be framed. For installation works, the commitee should select less than 5 works for an artist.

The presented works must have been created within the last ve years. Works selected for previous editions of the Biennale internationale d’estampe contemporaine de Trois-Rivières cannot be submitted for an other edition.

Artists who have been selected on the two last editions in a row of the Biennial are not admissable for a third selection in a row.

Participation in the exhibition implies that the artists give the organizers of the Biennial the right to reproduce their works in all of the Biennial publications.

Check out the printmaking artists at CrackleUnion.com!The Biennale Internationale d’Estampe Contemporaine de Trois-Rivières has a permanent and up-to-date web site on the internet. The prizewinners’ works will appear on the site.

A color catalogue will be published.

The catalogue will illustrate all of the works of the selected artists. All chosen artists will receive a copy of this catalogue. In order to encourage the idea of a network of exchange, the artists’ addresses will be published into the catalogue.

All artists who participate will be bound by the Biennial regulations.

ENTRY FEE:

$25 CND money order, $25 USD or €35 Euros to « Biennale internationale d’estampe contemporaine de Trois-Rivières ». The money order must be sent at the mailing address indicated at the bottom of the form. If the form and the images are not sent by email, include them in the mailing of the money order.  Entry fees are not refundable.

GUIDELINES:

The documents must be sent to the Biennial organizers not later than October 1, 2010.  If sent after this date, they will not be presented to the selection committee of the Biennial. The postmark will serve as proof of entry prior to deadline.  Documents will not be returned to artists.

SELECTION:

A jury, composed of experts and artists, will make the selection amongst the proposed dossiers.  The decisions are without appeal.

Win your own award (but not a trophy) from ArtAndArtDeadlines.com!AWARDS

Each selected artist will receive an exhibition fee.

Several prizes will be awarded during the Biennial. Some prizes will be attributed by the Biennial selection jury, and others by juries set up by the associates, in close collaboration with the Biennial organizers.

An artist can receive only one prize awarded by the Biennial jury. However, he can be awarded another prize, attributed by the associates or by the public. All decisions are nal and binding.

The prizes to be awarded are as follows:

The Grand Prix de la Biennale, accompanied by a bursary of $3000 CND. This prize will be awarded by the Biennial jury.

The Prix Banque Nationale Groupe Financier, accompanied by a prize of $1500 CND. This prize will be awarded by the Biennial jury.

The Public Award will be attributed, at the end of the exhibition to the artist who has received the greatest number of votes from the visitors. This prize is for a value of $1000 CND.

The Invitation Presse Papier prize will be attributed to the foreign artist whose work is the most appreciated by the members of the Presse Papier workshop, the professional artist printmakers collective of Trois-Rivières. This prize o-ers a working residency at the Presse Papier workshop. The jury for this prize will be composed of workshop members.

Some other prizes may be added to this list.

DELIVERY OF WORK:

Instructions for sending works will be given after selection to the selected artists.

SUBMISSION INSTRUCTIONS:

Digital reproductions: 1000 x 1000 pixels @ 100dpi. Works should de presented on a black background, in the good way of presentation. In the down-right corner will gure the corresponding number of the work, the name of the artist, the title and the year of creation of the work, in white letters (Arial or Helvetica). Image should be saved in JPEG format, high quality (10).  Each document will be titled by the artist family name followed by a stroke and the corresponding number of the work to the presentation list (ex.: Jones-1.jpg).

Photographs: Color photography, 10 x 15 cm. On the reverse side, an arrow will indicate the upper side of the image. The name of the artist and informations about the works will be written with the corresponding number of the work on the list.

For additional information or to receive the prospectus by mail please email info@biectr.ca or call 819-370-1117.

BIEC office hours: Monday to Thursday, 8:30 AM – 5:00 PM

Postal Address: 58, rue Raymond-Lasnier  Trois-Rivières  (Québec)  Canada  G9A 2J6

CALL FOR ENTRIES: Low Tech Photo Show

Click to Subscribe to ArtAndArtDeadlines.com by Email!You know I have a sugary-soft spot for photography (and photographers as it turns out), but more than my love for the technical quality of the image is my love for the complexity of results available with older technology. 

As artists, many of us have been very concerned about the future of photography due to the inexpensive availability of digital cameras…

Who knew digital cameras would create a whole new audience for the classics like Polaroid and pinhole?

Here’a a great call for those Low Tech processes from
The Center for Fine Art Photography

Call For Entries:  LOW TECH

The Center for Fine Art Photography is currently celebrating the low-tech processes and is interested in exhibiting the best low-tech images that photographers are producing. This call is open to all subjects and styles of photography that include a low tech means of image making or printing. This includes, but is not limited to; toy, Holga and Diana cameras, Pinhole, Wet Plate Collodian, Photograms, Callotypes, Cyanotypes, Polaroid and other traditional processes. 

Visit the Center for Fine Art Photography!

JUROR:  Crista Dix

Crista Dix is the Founder and Director of wall space gallery in Seattle and Santa Barbara. Starting in this creative field as a photographer, collector and lover of the visual image, Crista decided to put down her camera and utilize her years of business management to help promote photographers and photography. With a background in science, business and creative arts, she has created a gallery space that celebrates artists’ vision. She has been a member of numerous panels and discussions, juried creative competitions and has participated in major portfolio reviews across the country. 

Specimen 5 by Galina KurlatEXHIBITION AND AWARDS:

With selection for this exhibition, featured artist’s work will be seen by an international audience of collectors, curators, art consultants and other advocates of fine art photography. Each participant will be included in the Center’s Main Gallery exhibition and Online Gallery exhibition. 
liveBooks Website Award: Valued at $399 each, two artists will receive a one year subscription for a website from liveBooks.com 
Juror’s Selection Award: $300 and a Blurb book award from Blurb.com 
Director’s Selection Award: $200 and a Blurb book award from Blurb.com 
Honorable Mention Award: $100 
All exhibitors are included in the Center’s online gallery 

Eligibility: The exhibition is open to all photographers world wide, both amateur and professional. The Center invites photographers working in all mediums, styles and schools of thought to participate in its exhibitions. 

Exhibit Prints: All accepted images submitted for exhibition must be printed and framed or mounted professionally. The Center recognizes that some work is non traditional and incorporates the framing as an integral part of the presentation. To encourage participation by photographers from around the world, the Center offers optional economical printing and framing services. Additional details will be provided upon request. 

IMPORTANT DATES:

Entries due: July 13, 2010
Notice of acceptance: July 23, 2010
Exhibition dates: Oct 1 – 30, 2010
Public / Artists’ Reception: Oct 1 from 6-9pm 

ENTRY FEE:

Members: $20 for the first five images. 

Non-Members: $35 for the first five images. 

Additional images may be submitted for $10 each. There is no limit to the number of images that may be submitted. 

Applicants signing up for membership at the time they submit their work for jurying may become a member and meet the entry fee for a total of $77.00 USD. 

Note: Images selected by jurors for exhibition at the Center in the previous 12 months are NOT eligible. Images previously submitted but not yet selected for exhibition may be resubmitted as often as you wish. 

QUESTIONS?

Visit: http://www.c4fap.org
Email: exhibitions@c4fap.org
Call: 970.224.1010

CALL for PROPOSALS: Times Square

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LOOKING FOR
AN ART SHOW IN NYC?

When you think about your dream gallery show, how many of you think of New York City? I think of Atlanta, Phoenix, Los Angeles, London…and New York City, of course.  Tell me–What is more New York City than Times Square itself?  Thanks to the Times Square Alliance, you may just have an opportunity to see your work in Times Square. 

Check out this
Call for Submissions

from the Times Square Alliance:

Times Square Arts

Learn more about Times Square Arts!

Times Square is one of the world’s most renowned urban destinations. Its dazzling lights and teeming crowds offer an overwhelming sense of possibility. Having helped to make Times Square clean and safe, the Times Square Alliance is now working to nurture the creativity, energy and edge that are the essence of Times Square.

For that reason, they are working with a variety of arts-based curatorial groups to bring public art projects to Times Square.   Times Square Arts, their pilot public art program, will incorporate diverse art elements into Times Square’s streetscape, thereby expressing the area’s uniqueness and enriching the pedestrian experience. 

Open call to Artists for Times Square!

The Times Square Alliance seeks letters of interest from arts organizations and artists across disciplines to present contemporary art projects and art events in the public spaces in and around Times Square.

In a one-page letter, applicants should propose a single project or series for anytime between September 2010 and December 2012.

Learn more about the Times Square Alliance Art Project! Artists and arts organizations are encouraged to propose projects that address the unique nature and rich history of Times Square. Projects should be able to have an impact in a space defined by dynamic activity and continuous, competing visual stimuli.

Organizations, curators and artists are encouraged to consider how their projects will change or effect the space during the presentation and how the 350,000 people here every day (as well millions of virtual viewers) will interact with the presentation.

Paul Ramirez Jonas' Key to City interactive art installation from June 2010!Public spaces to consider as locations for art projects and events include the new Broadway plazas and Duffy Square in Times Square and other public and private spaces throughout the Theater District, 42nd Street and 8th Avenue.

Through its Public Art Program, the Times Square Alliance brings temporary high-quality, cutting-edge art and performance to Times Square’s public spaces, so that it is known globally as a place where ordinary people encounter authentic, ever-changing urban art in multiple forms and media.

 For complete details on the application process and please visit www.timessquarenyc.org/arts/opencall

CALL FOR ENTRIES: small work BIG STATEMENT

Click Here to subscribe to ArtAndArtDeadlines.com by Email!Do YOU have a lot to say?

I have never met a good artist that didn’t have a mouthful of opinion and point-of-view.  And while a lot of you have taken to working in enormous sizes, a few of you still appreciate working compact. 

For years I worked in 12″x12″ for ease of shipping…nothing larger than dinner plate sized, ha.  Having a lot to say doesn’t necessarily mean you need a lot of space to say it in. 

Here’s a great Call for Entries  for works
12″x12″ and smaller.
 

Edward Hopper in 190717th Annual Small Matters of Great Importance
Submission Deadline: August 20, 2010
Exhibition Dates: October 16-November 28, 2010

Edward Hopper House Art Center welcomes applicants to its 17th annual Small Matters of Great Importance national juried exhibition, held in three gallery rooms of Edward Hopper’s birthplace and childhood home, now a not-for-profit art center listed on the National Register of Historic Places.

Juror: 

Clare Bell, Program Manager, Roy Lichtenstein Foundation.

Visit Hopper House online!Clare Bell began her career at the Guggenheim Museum in New York and has been a curator since 1987. She has served as Deputy Director of the Museum of the City of New York and as Director of Exhibitions at Pace Wildenstein Gallery. She has written essays on numerous artists, including Jim Dine, Jenny Holzer, Ellsworth Kelly, and Roy Lichtenstein, and on various other topics in 20th century art. Ms. Bell was an instructor at the School of Visual Arts for many years and since 2002 has been Program Manger at The Roy Lichtenstein Foundation.

The exhibit celebrates work in all styles and media that makes a big statement—through message, technique, or execution–despite its size.

Eligibility:

Hopper House in 1974!Open to all artists 18 and over and all media, including drawing, painting, photography, prints, mixed media, collage, computer art, video, wall relief, and sculpture.

All subjects and styles will be considered.

Artwork must not exceed 12″ x 12″ including frame; wall relief and sculpture limited to 6″ x 12″. All work submitted must have been executive within the past two years and not previously shown at Hopper House.

Judging Criteria:

Selections will be made per artist (rather than by individual works of art), so all entries should be cohesive and express a discernable creative sensibility specific to that artist. Selections will be made based on execution, technique, and originality.

Submissions:

Visit the Hopper House Gallery online!Each artist may submit at least three, but no more than 5 entries. Only on-line entries through Online Juried Shows will be accepted.

Please submit all entries to www.OnlineJuriedShows.com (on the homepage look for Edward Hopper House Art Center, Small Matters of Great Importance and click “enter this show”).

Submission deadline is August 20, 2010. Call Erich Neubert from Online Juried Shows at 949-388-3407 if you need help with the submission process.

After you have submitted your entry please mail your check to Edward Hopper House, 82 North Broadway, Nyack, NY 10960 or pay via paypal through our website http://www.hopperhouse.org/ (reference SMGI ). Artists will be notified of their status via e-mail.

Fees:
(fees are non-refundable)

Learn more about Edward Hopper!Hopper House members: $30 for first THREE entries, $5.00 for each additional entry (maximum 5 entries total).

Non-members: $35.00 for first THREE entries; $5.00 for each additional entry (up to 5 entries total)

Awards:

$500 Award for Excellence plus additional cash prizes to be awarded.

Hopper House will observe every care and precaution, but cannot be responsible for loss or damage of accepted artworks. Accepted artists must contract with Hopper House agreeing to exhibition terms including, but not limited to, installation schedule and liability waiver.

Curator reserves the right to reject work not satisfactorily represented by the images submitted or artwork that arrives in a condition not suitable for hanging. Artists are responsible for Shipping/Delivery. Instructions will be included with acceptance letters.

Irene Young Exhibit at the Hopper House!The Hopper House shall receive 35% commission on any art sold from the premises.

Calendar:

Submission deadline: Aug 20, 2010
Notification to artists: Sept 10
Delivery of work: Oct 10, 3 – 5 pm & Oct 12, 12 – 5 pm
Opening reception: Oct 16, 5-7 pm
Work pickup: Nov 28, 3-5 pm & Nov 29, 12-5 pm

To download the prospectus, click the link below:

http://onlinejuriedshows.com/PDF/21HopperHouseProspectus.pdf

CALL FOR ENTRIES: Functional Art

Click Here to Subscribe to ArtAndArtDeadlines.com by email!I know a large number of artists that take great pride in the fact that their work is not “retail art,” and I know quite a handful of artists are proud to have their work sell in retail galleries because they can make a living doing what they love. If you are looking for a way to bridge the gap between fine art and the retail world, consider functional art as an option. Here’s a great call for functional art:

Call for entries

The Art of Applied Design is open to all applied artists age 18 or above, working in the U.S. and abroad.  There is no limit on the number of objects that may be entered.  Entries must be original one-of-a-kind works of the submitter, completed within the preceding three years (2007 to 2010), and be represented by high quality digital images. 

Click Here for the full Call for Entries!Evaluation will be based upon the creative uniqueness and originality of the work, evidence of excellence in craftsmanship, and quality of the photographic images provided by the artist/designer. 

Exhibition of accepted work will include notation of the artist’s name, country of residence, and e-mail address to facilitate the independent sales of exhibited work. 

One entry in each material category will be selected for recognition as Best of Show for that category.

Eligibility:

All submitted works must be functional objects typically used within interior spaces that also exhibit unique, innovative, inspirational, creative artistry.  Submitters must identify the primary material from which a work is constructed.  Entries will be evaluated against others made from that same material. 

Click Here for the full Call for Entries!Acceptable material categories are fiber (including paper), wood, metal, clay, and glass/plastic.  Examples of appropriate objects include furnishings (hard and soft), utensils, containers, fixtures, and other objects that enhance function and physical comfort within interior spaces.  Works selected for display within the DHM Digital Gallery will exhibit nontraditional, innovative design.

Not eligible for submission are the fine arts (painting, drawing, sculpture, etc.); objects that are purely decorative; works that are representative of functional objects but are not, themselves, functional; photography; video; architecture or architectural drawings; graphic designs; lighting designs (i.e., the projection of illumination in space); or functional objects not typically used within interior spaces.

Images:

Only high quality digital jpg images will be accepted. We recommend at least 300 dpi, with no more than 2048 pixels (and no less than 900 pixels).  Only one image per submission, illustrating the total object, should be submitted.  Additional images of any one submitted object will not be viewed. 

The DHM Digital Gallery will retain and modify the submitted images of accepted artwork for the purpose of using those images in publications and gallery publicity.  Submission of images to this exhibit constitutes permission for future use (and modification, when necessary) of those images by the DHM Digital Gallery for the above stated purposes. 

CD submissions will not be returned.  Each digital image should be identified in the following manner:

lastname.firstname.abbreviatedtitle.numberonentryform

Example:   Smith.Jane.HeartfeltSong.6.jpg

Click Here for the Functional Art Call for Entries!Entry Rules:

All entered works must be one-of-a-kind original creations by the artist, produced in the year 2007 or later.  Entry may be made via the mailing of digital images on a CD, or submission of digital images to the provided e-mail address.  The entry form accompanying this prospectus may be submitted as an e-mail attachment, or printed and mailed. 

All submissions must be accompanied by an entry fee of $25 (U.S. dollars) for the first two objects submitted for consideration, and $10 for each additional object.  The entry fee must be paid by check or money order made payable to DHM Digital Gallery, or by credit card via the link at the end of the online entry form. 

If submitting an entry by e-mail attachment, the entry form and all digital images must be attached to the same e-mail transmission.

Juror:

June Gilliam Worthington, with degrees focused on Business and Interior Design, has worked with architects, builders, interior designers, landscape architects, technical consultants and artists for more than 35 years to carry out her belief that through creative effort all things are possible. 

For nearly 20 of those years, she also owned and operated the es Posible Galleries in Scottsdale, Arizona,  specializing in one of a kind art, accessories and functional art furnishings.  The Galleries featured the works of numerous artists and craftspeople in addition to creations by her design associates. 

June Gilliam Worthington has taught at universities, jurored art shows, and mentored many in search of expressing their creativity.  Her clients and customers are from across the United States and many countries abroad.  In recognition of this outstanding career in the arts, June Gilliam Worthington is a recipient of the Hall of Fame Award from Oklahoma State University.

Calendar:

  • July 15, 2010:   Entries must be received by the DHM Digital Gallery
  • August 15, 2010:  Notification of the juror’s decisions sent to artists by e-mail messaging
  • September 15, 2010:  The Art of Applied Design exhibit opening
  • December 1, 2010:  Closing of the exhibit

Entry Checklist:

If paying the entry fee by on-line credit card, click on the payment button below and enter the needed transaction information, after which you will receive a confirmation e-mail with instructions about how to proceed with the entry process. If paying by check and postal mail, click on the entry form, below, and print the entry form for submission with a check or money order and a CD of images by mail.

  1. Completed entry form (submission via e-mail attachment is highly preferred).  To save the entry form on your computer, right click on this link, and click “Save As”.
  2. Check, money order (payable to DHM Digital Gallery) or credit card fee.  Click here for online credit card payment.
  3. Digital images formatted and labeled as directed (e-mail attachment or mailed CD).  Detailed instructions can be found on the entry form.

For the full Applied Art Call for Entries,
please visit the
DHM Digital Gallery Website.