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Category: Art Blog

CALL for ENTRIES: Mind, Spirit & Emotion

Learn more from Art-Competititon.net!HEAVY
emotion

I take turns with food indulgences.  Butter makes a regular appearance, but heavy whipping cream seems to be the preference this week.  It is the main reason I make the best quiche (anywhere, thank-you-very-much), but my zucchini au gratin rocks because of it as well.  My relationship with heavy whipping cream is almost spiritual.  This next Call wants to see how you reveal your mind, spirit & emotion in art. Take a look…

Check out this Call for Entries from Art-Competition.net (online) for Mind, Spirit & Emotion. Competitions support free drawing lessons. If you are looking to increase your web exposure, this this might be perfect…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Mind, Spirit & Emotion, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the Mind Spirit and Emotion exhbiti from Art-Competition.net!CALL
for ENTRIES:

Mind, Spirit & Emotion

 

ELIGIBILITY:
All artists age 18+

MEDIA: Open to all 2-D media

The visual narrative of the artist’s work should reveal their mind, spirit and emotion in the artwork. The work should express the subject through the artist’s emotions, whether it is bold energy, subtle expression, mystery deepened or revealed, inner beauty, or a unique vision.

Learn more from Art-Competititon.net“A work of art
which did not
begin in emotion
is not art.”
–Paul Cezanne

DEADLINE:
June 8, 2014

NOTIFICATION:
June 16, 2014

ENTRY FEE: 1 Entry for $15, up to three entries for $30, up to five entries for $60

AWARDS:
1
st Place: $500 in cash & $5,200 in prizes
2nd Place: $125 in cash & $1,625 in prizes
3rd Place: $60 in cash & $125 prizes

The 1st, 2nd and 3rd place winner’s art will be featured in Art-Competition.net “Winners Showcase” with links to their websites.

The Honorable Mentions artwork will also be displayed in the “Honorable Mentions” section of the Art Competition website. All entries will be displayed on our Art-Competition website Submissions Showcase page in the order that the submissions are received.

For complete details, Read the Full Call!

Learn more from art-competitions dot net! 2

CALL for ENTRIES: Neo-Mimbreño

Learn more about the Neo-Mimbreño Exhibition!A BOWL
full

My mother believes I am obsessed with food & cooking.  She finds it laughable that I have a bowl specific to whipping cream.  “Obsessed” is a strong word, possibly accurate, but definitely strong.  I do not own a single bowl to which I am well enough attached that I want to be buried with it like Mimbres bowls which have been found covering the face of the interred. Wear marks on the insides of those bowls show they were actually used for more than burial items.  That just makes me more respectful of my pottery bowls–lest it ends up covering my face for all of eternity.  Hmm. This next Call wants to see how YOU might be inspired by Mimbres potters.  This is a fascinating Call, and NOT restricted to clay media.  Take a look…

Check out this Call for Entries from Silver City Arts for Neo-Mimbreño, an int’l juried show during the Silver City CLAY Festival.  And, it is NOT a clay-specific call.  Investigate further…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Neo-Mimbreño, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the Neo-Mimbreño Exhibition!
“Rabbit at Portal” by Chappel Linda

CALL for ENTRIES:
Neo-Mimbreño

 

NEO-MIMBREÑO 2014 is a juried fine art exhibition of contemporary works influenced or inspired by designs of the ancient Mimbres potters of the Southwest.  Artists are especially encouraged to creatively reinterpret, personalize, or carry the Mimbreño vision into new formats and media.

ELIGIBILITY:  Open to all artists

MEDIA:  Open to works in all media, including 2-D and 3-D, video art, mixed-media presentations, and installations

DEADLINE:  June 16, 2014

NOTIFICATION:  July 1, 2014

ENTRY FEE:  $30 for 1, $5 ea add’l

JUROR:   Patricia L. Crown has been on the faculty at the University of New Mexico since 1993, where she is a Distinguished Professor of Anthropology.  Dr. Crown has conducted field investigations in the Ancestral Pueblo, Mogollon, and Hohokam areas of the American Southwest; she recently directed the analysis of artifacts from the trash mounds at Pueblo Bonito, Chaco Canyon.

AWARDS:  $600:  1st Place, $300: 2nd Place,  $100: 3rd Place & $500:  President’s Award

SALES:  Artists are asked to donate 25% to the Silver City CLAY Festival

For complete details, Read the Full Call!

Learn more about the Neo-Mimbreño Exhibition!

CALL for ENTRIES: Newspace 8th

Learn more about the Portland OR food scene!deliciously
FRESH & MOBILE

I’m headed out for a 5-day retreat in a little Appalachian community about an hour from my home next week.  But next year, I’m thinking of visiting Portland–just for the food carts & Pacific North-western produce. While there, I’m checking out the home of this next Call.  I’ll be sure to report back, but in the meantime, take a look…

Check out this Call for Entries from the Newspace Center for Photography (Portland, OR) for the 8th Annual Juried Exhibit.  Great juror AND venue.  Don’t miss this opportunity…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Newspace 8th, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from the Newspace Center for Photography!CALL for ENTRIES:
Newspace 8th

ELIGIBILITY:  Open to all artists

MEDIA:  Photography

DEADLINE:  May 30, 2014

NOTIFICATION:  June 30, 2014

ENTRY FEE:   $40 for up to 5

JUROR:  Melanie McWhorter, photographer and Book Division Manager of Photo-Eye

AWARDS:  In addition to exhibition selections, the juror will also select one photographer who will receive a solo exhibition at Newspace Center for Photography in 2015.

For complete details, Read the Full Call!

Learn more from the Newspace Center for Photography!

FEATURED ARTIST: Jillian Platt

Learn more about Featured Artist Jillian Platt!i choose
CHOCOLATE

not dishes

I’m up to my eyeballs in my own sink of dishes, as it were.  But, I appreciated the break from deadlines and mayhem afforded by reviewing the work of those that contributed to the Featured Artist Contest.

And admittedly, what I choose to feature is often colored by whatever is piled in my proverbial sink of dishes at the moment.  With my own solo show opening in July, I am deep in historical anatomies being used in my pieces.  And what comes across my desk?  The work of a phenomenal abstract painter that also does medical illustration.

I am proud to welcome Jillian Platt as AAAD’s latest Featured Artist.  The historical anatomies I use are deliberately labored, graphic and anything but beautiful.  But this work is soft and delicate and draws me in–regardless of the subject matter.  Then there is the abstract work; I’m just lost in the sort of emotional chaos & cacophony of sound emitted by the color & texture of this work.  Enjoy.

Learn more about Featured Artist Jillian Platt!FEATURED ARTIST:
Jillian Platt

 

Early chalk drawings were the first indications of Jillian’s need for artistic expression.  Exposed to fine art at an early age & encouraged by surroundings & teachers her talents were solidified at Boston University School of Fine Art.

Jillian wove art & science together in the field of medical art. Her work garnered awards both in & out of the courtroom & operating theatres.  She has explained to college students, attorneys & surgeons the cellular work of the body, the mechanisms of destruction & the steps of repair.

Expressions in abstract gently pull the viewer in allowing them private entrance into the artist world. Underlying perceptions & profound realizations of softness, emotionality and solitude reach out for the viewer’ s participation.

Abstract Work by Featured Artist Jillian Platt!Are you self-taught or formally instructed? 

“I am formally trained.  A B.F.A. in painting from Boston University & a M.S. in Medical Illustration from Georgia Regents University.  I have loved to paint and draw for as long as I can remember so…

“It was only natural
for me to study art.”

 

“The science part came in after college.  I had a bookkeeping job and wanted to find a way to make a living using my art.  I had heard about medical illustration and decided to take some science classes. One teacher, a physiology teacher, got me hooked on science.”

Illustration Work by Featured Artist Jillian Platt!Talk to me about your process. 

“It depends on the job, but for the most part medical illustration is like writing a book report. You use references, such as anatomy books, medical reports, patient records, sometimes observing surgery.  Graduate school in medical illustration includes medical school courses in anatomy, neuroanatomy, cell biology, surgery (and many others).

“When you graduate you are well prepared in how to read and incorporate all the information in those references. The hardest part is simplifying the information without losing something important and still making it visually appealing.”  Editor:  I’m sure that the amount of education & preparation required should have been obvious to me, but I simply never considered it. Wow.

Featured Artist Jillian Platt!I find myself loving both your abstract paintings AND the medical illustrations.  What brought about such a stark contrast in subject matter? 

“I fell in love with art because it is an outlet for me emotionally. With abstract painting there are no references, it can be purely emotional. Muddling your way through feelings, getting dirty, and really being in your art. It’s a huge release for me.

“Medical illustration is pretty straight forward. I’m generally creating it to serve a specific purpose so there’s not much room for expression.”

Illustration Work by Featured Artist Jillian Platt!Talk to me about your inspiration. “Human physiology is fascinating to me. How it all works together. It’s so complex and beautiful. Any time I have been hired to create medical art is a chance for me to learn.  To go into an operating room and watch, or to talk with scientists about a process they are experimenting with, is fascinating.  There’s so much creativity in science.

“Abstract art is all about emotion for me. I am a pretty private person and generally keep my feelings to myself except for a few friends. So art becomes, for me, the release.

Abstract Work by Featured Artist Jillian Platt!“Sounds corny, but I really need to be making something all the time, using my hands. Painting, upholstering, making jewelry, gardening. Something is always going on in my head that needs to get out.”

Talk to me about the two artists (one living, one dead) that have most influenced your work, and tell us why.

“My 1st art teacher, a great friend & artist named John Dyer, from NY.  He taught me how to use oil paint & the importance of light.  Also, how to really try to feel the subject matter that I was painting, the texture, color, temperature.  His style is similar to Andrew Wyeth.  Anselm Kiefer’s work is gripping.  Just to be in its presence is so powerful. It was his work that really moved me and showed me what abstract is all about.

“Dead. That would be Frances Spalding Whistler.  The way he used oil paint like watercolor and the ethereal feeling of his paintings.”

Illustration Work by Featured Artist Jillian Platt!Is there one artist whose work you simply cannot abide?  Editor: I always ask this question of artists, mostly to gauge their feelings about the public image of art.  I almost never reveal the answers, but I’ll say this… I’ve only had about 4 or 5 different answers in the past few years.  Apparently we all dislike the same people, ha.

What’s coming up next for you?  “I’m doing a mural in my friend Rachel’s dining room. I’m really exited about it. I have been working on a medical animation project for a long time now and am eager to get dirty again.”

You know we have to know about your favorite food.  You know you want to tell us…  “Sadly, at 44 years old, it’s still pizza with a lot of sauce and a coke.”  Pizza is never sad, Jillian.  Never ever.

And what about your favorite snack foods?  “Anything chocolate. I love chocolate.”  Amen.  Me too.  Did you know that there are people that dislike chocolate?  Dumbfounding, eh?

Thank you, Jillian, for being an oddly beautiful connection in what I suspect is a very small world.  Your work moves me.

Learn more about Featured Artist Jillian Platt!

If you’re interested in becoming a Featured Artist,
Click to Learn How!

CALL for ENTRIES: Dimensions

Learn more from the Associated Artists of Winston-Salem!SPOONFUL
of love

Many of my cooking utensils and vessels are handmade.  This is all thanks to my living in Gatlinburg–the largest group of independent craft artisans in North America.  It is a privilege to be able to use hand carved spoons and beautifully thrown bowls in the preparation of my family’s meals.  These treasures are beautiful & special, and I am so grateful to have them.  This next Call is being juried by the director of one of the country’s foremost schools for craft education, Penland.  Investigate very carefully…

Check out this Call for Entries from Associated Artists of Winston-Salem for Dimensions, A 50th Anniversary.  This is a fantastic juror, but be certain to do your research on Penland first.  Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Dimensions, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission & is considered theft.

Learn more from the Associated Artists of Winston-Salem!CALL for ENTRIES:
Dimensions

 

ELIGIBILITY:  Open to artists age 15+

MEDIA: 2-D & 3-D fine art

DEADLINE:  April 27, 2014

NOTIFICATION:  Week of May 9, 2014

ENTRY FEE: $40 for up to 3, $7 ea. add’l (non-members)

JUROR:  Jean W. McLaughlin has been director of the Penland School of Crafts since 1998.  McLaughlin went to Penland after serving 16 years at the NC Arts Council as Director of Visual Arts.  As an ardent and eloquent advocate for artists and the creative process, McLaughlin has been a speaker, panelist & writer on the work of individual artists and the importance of alternative educational resources like Penland.

AWARDS:  Best in Show $1000, 2nd Place $500, 3rd Place $250 & Honorable Mentions $50

SALES:  AAWS retains a 30% commission.

For complete details, Read the Full Call!

Learn more from the Associated Artists of Winston-Salem!

CALL for ENTRIES: Downtown

Learn more about the Downtown Exhibit from the A Smith Gallery!CITY
food

Meet me downtown for a bite?  That conjures images of barbeque in Memphis & paella in New Orleans, but where I live it means…pancakes.  Yes, pancakes.  There must be a dozen pancake houses and a population of only 3500.  We have to feed the tourists something.  This next Call is not meant for food photography specifically, but it is open to interpretation.  Investigate for yourself…

Check out this Call for Entries for Downtown brought to you by the A. Smith Gallery (Texas). The entry fee is low, & you might look at downtown a  whole different way. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Downtown, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission & is considered theft.

Learn more about the Downtown Exhibit from the A Smith Gallery!CALL for ENTRIES:
Downtown

 

downtown –  urban, midtown, metropolitan, main, central, business, capital, borough, burg, municipality, metropolis, polis, concrete jungle, village, town, inner-city, oppidan, city. ”

ELIGIBILITY: Open to all artist

MEDIA: Photography

DEADLINE:  May 5, 2014

NOTIFICATION: May 19, 2014

ENTRY FEE: $30 up to 5, $6 ea add’l

JUROR:  Coming off of a 25 year commercial photography career, Peter Liepke is now a fine art photographer & print maker residing in upstate NY with his wife & 2 sons.  His commercial & fine art images have appeared in almost every major publication in the U.S.

His current series uses NYC for inspiration.  While at the same time he enjoys producing finely crafted prints in the rare challenging turn of the century processes of Gum Bichromate or Platinum Palladium from waxed paper negatives.  His artistic philosophy is rooted in light, beauty, composition & craftsmanship.

AWARDS: 45 to 50 images will be selected for exhibition and a Blurb full color catalogue. Awards are $325 for Juror’s Award, $250 and an exhibition catalogue for Director’s Award, 5 Honorable Mentions each receiving an exhibition catalogue & $100 for Visitors’ Choice Award.

SALES: A Smith Gallery will retain 40% commission out of the sales price.

For complete details, Visit the Website!

Learn more from the A. Smith Gallery in Texas!

CALL for ENTRIES: Pipsqueak

Learn more from the Northbrook Library!a summer
of squeaky
SQUASH

Who knew squeaky food existed?  Not me.  If you steam summer squash, the outer skin squeaks against your teeth.  I love squash, but the squeak gives me the willies.  The smaller the summer squash, the less the squeak.  Apparently I can only handle the pipsqueaks, hehe, like this next Call.  Take a look…

Check out this Call for Entries from the Northbrook Public Library (Illinois) for Pipsqueak –Small Works, Big Vision.  I really love this library’s commitment to art!  Don’t miss this one…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Pipsqueak, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the Pipsqueak Exhibit from the Northbrook Library!CALL for ENTRIES:
Pipsqueak

 

Pip Squeak is all about big vision in a small package. Big ideas do not always have to be big in stature and this show hopes to prove just that.

ELIGIBILITY: The show is open to artists 18 years and older.

MEDIA: 2-D must not exceed 12” in any dimension (unframed). 3-D must be no more than 9” in any direction.

DEADLINE: May 31, 2014

NOTIFICATION: June

ENTRY FEE: $40 for up to 5 images.

SALES: No commission.  All sales inquires will be referred to the artists.

AWARDS: One $2000 purchase prize, 2nd place cash award of $1000, 3rd place cash award of $500 & two Viewer’s Choice cash awards of $200.

For complete details, Read the Full Call!

Downlowd the Catawampus Prospectus from the Northbrook Public Library!

CALL for ENTRIES: More & More

Learn more from the M S Rezny Studio and Gallery!no
BOWL
needed

Wouldn’t consumption without worry be lovely?  I have problems with portion control.  I could eat POUNDS of goat cheese, DOZENS of cookies, and GALLONS of ice cream.  But, no matter how well-made or healthy the food, enough is enough sometimes.  Art can be the same way; you have to know when to stop.  This next Call encourages more & more media.  I like this idea; take a look…

Check out this Call for Entries from the M S Rezny Studio / Gallery (Lexington, KY) for More & More. $25 Entry and the media requirement should keep it interesting. Investigate this one…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: More & More, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the More and More exhibit at the M S Rezny Studio and Gallery!CALL for ENTRIES:
More & More

 

ELIGIBILITY: Open to all individual artists working in the contemporary arts.

MEDIA:  Mixed Media.  The artist must use at least two different sources of materials to create one image.

DEADLINE:  May 15, 2014

NOTIFICATION:  June 5, 2014

ENTRY FEE: $25 entry for up to 3, $5 for add’l images

JUROR: With over twenty five years of experience working in Museums, Jenine Culligan has organized exhibitions and worked with art from all time periods, ancient to contemporary, and all styles. She received a B.A. in Art History  from the University of KY in ’84 & a M.A. in Art History & Museum Studies in ’87.

Learn more from the M S Rezny Studio and Gallery!Culligan has worked at the University of Kentucky Art Museum; The Cleveland Museum of Art; The National Gallery of Art (summer intern); & The Delaware Art Museum.  For the past 14 years, Culligan has been the Senior Curator at the Huntington Museum of Art, Huntington, WV.

AWARDS: $500 First Prize & Three $100 Merit Awards

SALES:  The gallery will take a 40% commission for works sold.

For complete details, Read the Full Call!

Read the Full Call from the M S Rezny Studio Gallery!

 

CALL for ENTRIES: Knox Photo 2014

Learn more about Knox Photo 2014 from the Arts and Culture Alliance!don’t be an
EGGHEAD

I’ve been teaching my son to cook.  Well, I’ve been teaching my son to make food–that’s more accurate.  He loves egg salad.  So, we’ve begun with how to boil an egg and the importance of paprika.  You’d be amazed at how often those two, simple factors can ruin egg salad.  Just because they are easy or comfortable doesn’t make them less challenging in their own way.  This next Call is from one of my favorite organizations, and it is easy to enter. But, it is an opportunity not to be overlooked…

Check out this Call for Entries from The Arts & Culture Alliance for Knoxville Photo 2014. This is a great show run by a great organization. I’ve shown here several times, and I was even the juror last year

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Knox Photo 2014, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about Knox Photo 2014 from the Arts and Culture Alliance!CALL for ENTRIES:
Knoxville Photo 2014

 

Hosted by the Arts & Culture Alliance, the second annual Knoxville Photo was developed to provide a forum for artists to compete on a national scale and display their work. Approximately 40-50 photographic works from both emerging and established artists will be selected by the juror, Joe Longobardi, for exhibition in the main gallery of the beautifully-restored Emporium Center, Knoxville’s downtown arts anchor location.

ELIGIBILITY: All artists 18 years and older living in the US.

MEDIA: Photography in four categories:

  • The Human Experience (streetscapes, cityscapes, and environmental portraiture)
  • Our Earth (landscapes, animals, nature – should not include man-made objects)
  • Travel (any subject or genre, taken while away from home)
  • Digital Imagination (digitally enhanced in the camera or in post-production, including composites, montages, abstracts)

Learn more about Knox Photo 2014 from the Arts and Culture Alliance!DEADLINE: March 23, 2014

NOTIFICATION: April 7, 2014

ENTRY FEE: $30 for up to 3 images ($20 for Arts & Culture Alliance members and students). Up to 7 add’l images may be submitted for $5/each ($4 for members/students).

JUROR:  Joe Longobardi has worked professionally as a photographer for seven years in the Asheville, NC area engaging in editorial, portrait, documentary, and street photography.  He attended the Art Institute of Boston where he studied fine art and Illustration.  After art school, he worked as an Illustrator and cartoonist for numerous publications that included newspaper distributor King Features Syndicate.

Learn more about Knox Photo 2014 from the Arts and Culture Alliance!Joe gradually made the move to photography as a means of personal expression employing both traditional darkroom and digital photography techniques and mediums. He exhibits locally and regionally in group and solo shows.  Joe Longobardi has several books in the works featuring photographs of downtown Asheville that explore the city’s unique bohemian lifestyle.

AWARDS: At least $1,000 in cash awards will be presented at the exhibition’s Opening Reception on May 2, 2014 at the Emporium.  Awards include: $500 Best in Show, four $125 Best of Category awards, and a cash award for Best Work by an Alliance member.  Exhibiting artists will receive a catalog of the exhibition.  Awards are as designated by the juror, whose decision is final.

SALES: Every effort is made to promote sales. All sales are handled by the Arts & Culture Alliance, who retains a 25% commission (20% for cash and check sales).

For complete details, Read the Full Call!

Download the Prospectus from the Arts and Culture Alliance!

FEATURED ARTIST: Charmagne Coe

Learn more about how to become a Featured Artist!chicka
chicka
CHEESE

Spring is just around the corner.  It is a sure sign when farm-animal-shaped chocolates and marshmallows start popping up everywhere.  But this year, instead of a chocolate bunny, can I formally request a chick made of Romano or maybe a simple sheep’s milk cheese shaped like the ubiquitous egg?  You know it is Spring when I am asking for cheese instead of blindly accepting  chocolate in any form.  Yum… cheeeeese.

The upcoming season of green has also brought to mind work with a lighter feel.  For the most part, artists submitted work to the Featured Artist Contest  this past month that felt hopeful although still contemplative.  And, color abounded.  This work was chosen because it had both a sense of wild abandon AND familial ties.  I found the dichotomy intriguing.  On behalf of www.ArtAndArtDeadlines.com, I am proud to congratulate Charmagne Coe as our latest Featured Artist!

Learn more about Featured Artist Charmagne Coe! FEATURED ARTIST:
Charmagne Coe

 

Charmagne Coe is an American artist who creates expressive surreal paintings and drawings. Her work has been featured in international publications, group and solo exhibitions.

Her fantastical, surreal paintings are made with watercolor, ink and pastel. Inherent is a deep respect for the nature of automatism and contour line.

When she is not painting, she is inking wild expanses and heart-achy characters.

 

The Gift by Featured Artist Charmagne Coe!Are you self-taught or formally instructed in your current media?   “Both, but mostly self-taught.  I was raised in a family of artists and musicians, so I witnessed first-hand, the importance of authenticity and perseverance.  I have a minor in art from Northern Arizona University.   My schooling imparted crucial foundational skills and philosophical awareness.  From there, I developed my own auto-didactic processes. Drawing was my first artistic love, but I greatly desired to be a painter as well.  I wanted to somehow fuse the two.  Experimenting led me to the three media I conjointly employ/implore now: watercolor, ink and pastel.”

Talk to me about your process and how you feel about teaching and/or sharing your process. My process of obtaining ideas and painting itself is extremely organic and open-ended. My time management is structured. I am not inclined to teach the inspirational methods I use because painting is kind of like a personal meditation and a wild place. I like to preserve vulnerability for the canvas. However, I am always willing to discuss brush technique, marketing ideas, website construction and the like.”  (Interview continues below.)

Kinder Storm by Featured Artist Charmagne Coe!

I find myself loving both saturation of color in your paintings and the stark contrast of your line drawings.  Are the drawings studies for the paintings or just a separate passion?  “I consider my drawings to be stand-alone works of art, but sometimes they naturally become studies for paintings.  My painting and drawings are blood brothers.”

Drawings by Featured Artist Charmagne Coe!I see that figurative images weigh in heavily, and the evidence of Romanticism is rampant and extraordinary.   Talk to me about your inspiration.Yes,  my work is partly figurative. The characters are enmeshed in surreal landscapes — which, to me, are actually like emotional atmospheres. I am truly a tactile person, a romantic, if you will… so that obviously comes across! Some of the latest are very sensual. Artwork from the Renaissance and Belle Époque eras have always enticed me, but so has modernity and futuristic panoramas. My work jumps freely between time periods.”

Gossamer by Featured Artist Charmagne Coe!What style or school of art do you think work fits into? And why do you think so?  “I prefer to use the term ‘expressive surrealism’, but I find ‘abstract’ or just ‘surreal’ perfectly acceptable.

“My process and artwork is highly automatistic as was the first surrealists; I do not plan out my art in advance, so I freely express what I am feeling and sensing along the way. It’s sometimes like playing a solitary form of the game, Exquisite Corpse.” 

My goal is not to paint exact representations of the world, but rather the feelings evoked by people, places and situations.

 

Hinder Be Go by Featured Artist Charmagne Coe!Talk to me about the two artists (one living, one dead) that have most influenced your work and why.  “I am most influenced by life at large, and the loves of my life.  So those artists who go after love and life hard, are who I am most taking with.  I adore the ineffable works of Chris Berens.  Miro’s vast legacy of artwork lifts my head off my shoulders.”

What is your favorite food?  It IS a food-themed blog after all.   “That’s easy–Mexican food. I come from a larger Hispanic family that really knows how to cook traditional, hearty food. It’s always made with fresh, simple ingredients. Sentimental as it sounds, my grandmother told me to always cook with the ingredient, love. She was right.”

Prelude by Featured Artist Charmagne Coe!What is your favorite snack food?  “I am actually more of a snacker than an eater, so I have many, many faves.  But for right now it’s Manchego cheese. I was actually in Spain at a street cafe when I discovered this traditional mild, nutty sheep’s cheeseI still like to eat it just as I did then–paired with young red wine and plain almonds.”  Good choice.  I have such a soft spot for cheese from both sheep and goat’s milk. Yum.

Thanks for spending a little time with us, Charmagne. What’s coming up next for you?  “I am thrilled to have many recent paintings featured in the upcoming, Viriditas.  It is an anthology of contemporary female artists created and curated by the extraordinary Michaela Meadow of Magpie Magazine.”

Learn more about Featured Artist Charmagne Coe!
If you’re interested in
becoming a
Featured Artist, Click to Learn How!