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Tag: ARTnews

CALL for ENTRIES: Lines

Learn more from the Darkroom Gallery!LINING UP
for dinner

As linear foods go, I make a mean grilled eggplant lasagna.  I don’t usually fall for the layered foods like 7-layer dips and trifles, but lasagna is the exception.  Most people are replacing the meat when they use eggplant in lasagna, I’m really replacing the noodles.  While I can find wheat-less pasta of most types, lasagna noodles have eluded me.  So, eggplant makes a gorgeous replacement.  I make it in a glass plan just to get the composition perfect.  Ridiculous.  This next Call is a far better use of a line obsession.  Take a look…

Check out this Call for Entries from the Darkroom Gallery (Essex Junction, VT) for Lines. They always have a low entry fee ($24) & a great juror.  And the theme leaves lots of room for interpretation. Take a look

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Lines, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from the Darkroom Gallery!CALL for ENTRIES:
Lines

 

Lines are powerful compositional elements that control the way eyes move through an image. The effect that lines have on an image varies. Horizontal lines convey a sense of width, stability, calm, lazy, security, relaxation, constancy and timelessness. Whereas vertical lines convey a sense of strength, height, integrity, solidity, dominance, power, peace & tranquility, substance or permanence.  This Call is for images that utilize lines in innovative and dynamic ways. — from darkroomgallery.com

ELIGIBILITY: Open to all artists 18+

MEDIA: Photography (line-themed)

DEADLINE: January 21, 2015

NOTIFICATION: January 28, 2015

ENTRY FEE: Up to 4 for $24 (online)/$29 (email)

JUROR: Dr. Rebecca Senf is the Norton Family Curator of Photography, a joint appointment at the Center for Creative Photography and the Phoenix Art Museum. She curates three exhibitions a year for the Doris and John Norton Gallery for the Center for Creative Photography in Phoenix.

Learn more about the Darkroom Gallery online!Senf grew up in Tucson and went to undergraduate school at the University of Arizona, studying the History of Photography. She spent ten years in Boston, Massachusetts where she earned a Ph.D. in Art History at Boston University. In Boston she worked on the Museum of Fine Arts, Boston’s major exhibition Ansel Adams from The Lane Collection, for which she also co-authored the exhibition catalogue. In October of 2012 her book Reconstructing the View: The Grand Canyon Photographs of Mark Klett and Byron Wolfe was released by University of California Press. Recent projects include exhibitions on the photographic book and in the next few months she will open two exhibitions focused on platinum photography.

AWARDS: All selected entries are included in a full color exhibit catalog & gallery exhibition. Juror’s Choice: 30×48″ image banner. People’s Choice – a free future entry. Honorable Mentions receive free exhibition catalogs and free entry in a future exhibition.

SALES: Free matting & framing of accepted entries, subject to standard sizes. For commission details, go to the bottom of the Submissions page!

For complete details, Read the Full Call!

Learn more from the Darkroom Gallery!

*Editor’s Note: It is important to let Darkroom Gallery know you found their Call on artandartdeadlines.com. They are friends & sponsors of AAAD, and I always want them to know they have our support…

ART PUBLICATION: Three Magazines

Learn How to Get an Art Show!

SPRINKLES PLEASE

Magazines are skinny lately.

Have you noticed?

I suppose online zines are shrinking the proverbial waist of the magazine industry just as online newspapers are making words on newsprint less and less common.

My advice?  Eat a doughnut.

Most folks want the instant gratification of Google that ends in a digital zine.  Information sought.  Information found.  But…

Rolling Stone MagazineI still love the feel of paper, inky or slick, in my hands. I don’t own a digital reader because I still buy books. I subscribe to Conde’ Nast Traveler so I can fill my dreams with tours of gilded Russian palaces and sunny Italian beaches. I have recently re-subscribed to Rolling Stone after a hiatus of more than 10 years, and trust me, more than just Keith Richards needs some fattening up.

Eat a doughnut, folks.

So why am I babbling on about magazines? It is a question of legitimacy. I have had lots of conversations with lots of subscribers and friends about what constitutes artistic legitimacy or “making it,” aside from the ability to support oneself artistically.

The Artist's MagazineIs it an academic pedigree or a resume of academic acceptance? Is it great reviews or stunning retail sales? Is it merely a well-hung cohesive show with “guts” and meaning?  I don’t know, sorry.  I can teach you how to get a show, but I can’t teach you how to be happy with it.

So, for all of you whose artistic dream is to be on the cover of the Rolling Stone, here’s a short menu of great art magazines…get to work.

1. The Artist’s Magazine. This is the first art mag I every owned. I was inspired by the work…wanted to be a painter…wanted my work to be featured among its pages.  That hasn’t worked out for me so far, but their Annual Art Competition has a looming deadline so don’t procrastinate.

Juxtapoz Magazine2. Juxtapoz Art & Culture Magazine (pronounced Jucks-tah-pozz) is a magazine created in 1994 by a group of artists and collectors including Robert Williams Fausto Vitello, C.R. Stecyk III, and Greg Escalante, to both help define and celebrate urban alternative and underground contemporary art.  Anytime I have an art block, I find flipping through an issue of Juxtapoz inspires me.

Unique in the field of publishing, Juxtapoz emerged at a critical moment during the genesis of the late-20th Centuy underground art movement with the mission of connecting seminal modern genres like psychedelic and hot rod art, graffiti, street art, and illustration, to the context of broader more historically recognized genres of art like Pop, assemblage, old master painting, and conceptual art.

ARTnews Magazine

3.  ARTnews is the oldest and most widely circulated art magazine in the world. Its readership of 200,000 in 123 countries includes collectors, dealers, historians, artists, museum directors, curators, connoisseurs, and enthusiasts.

Published eleven times a year, ARTnews reports on the art, personalities, issues, trends and events shaping the international art world. In clear, well-crafted language that is as comprehensible to the novice as it is to the expert, the magazine offers a lively, provocative, and visually stimulating package that informs as well as entertains with news dispatches from a worldwide network of correspondents, hard-hitting investigative reports, criticism, and opinion.

 

I am still posting from the road, folks, but stay tuned… we will return to our regularly scheduled programming in just a few days!

ARTIST PUBLICATION: Magazines

Learn How to Get an Art Show!Magazines are skinny lately.

Have you noticed?

I suppose online zines are shrinking the proverbial waist of the magazine industry just as online newspapers are making words on newsprint less and less common.

My advice?  Eat a doughnut.

Most folks want the instant gratification of Google that ends in a digital zine.  Information sought.  Information found.  But…

Rolling Stone MagazineI still love the feel of paper, inky or slick, in my hands. I don’t own a digital reader because I still buy books. I subscribe to Conde’ Nast Traveler so I can fill my dreams with tours of gilded Russian palaces and sunny Italian beaches. I have recently re-subscribed to Rolling Stone after a hiatus of more than 10 years, and trust me, more than just Keith Richards needs some fattening up.

Eat a doughnut, folks.

So why am I babbling on about magazines? It is a questions of legitimacy. I have had lots of conversations with lots of subscribers and friends about what constitutes artistic legitimacy or “making it,” aside from the ability to support oneself artistically.

The Artist's MagazineIs it an academic pedigree or a resume of academic acceptance? Is it great reviews or stunning retail sales? Is it merely a well-hung cohesive show with “guts” and meaning?

I don’t know, sorry.  I can teach you how to get a show, but I can’t teach you how to be happy with it.

So, for all of you whose artistic dream is to be on the cover of the Rolling Stone, here’s a short menu of great art magazines…get to work.

1. The Artist’s Magazine. This is the first art mag I every owned. I was inspired by the work…watned to be a painter…wanted my work to be featured among its pages.  That hasn’t worked out for me so far, but their Annual Art Competition has a looming deadline so don’t procrastinate.

Juxtapoz Magazine2. Juxtapoz Art & Culture Magazine (pronounced Jucks-tah-pozz) is a magazine created in 1994 by a group of artists and collectors including Robert Williams Fausto Vitello, C.R. Stecyk III, and Greg Escalante, to both help define and celebrate urban alternative and underground contemporary art.  Anytime I have an art block, I find flipping through an issue of Juxtapoz inspires me.

Unique in the field of publishing, Juxtapoz emerged at a critical moment during the genesis of the late-20th Centuy underground art movement with the mission of connecting seminal modern genres like psychedelic and hot rod art, graffiti, street art, and illustration, to the context of broader more historically recognized genres of art like Pop, assemblage, old master painting, and conceptual art.

ARTnews Magazine3.  ARTnews is the oldest and most widely circulated art magazine in the world. Its readership of 200,000 in 123 countries includes collectors, dealers, historians, artists, museum directors, curators, connoisseurs, and enthusiasts.

Published eleven times a year, ARTnews reports on the art, personalities, issues, trends and events shaping the international art world. In clear, well-crafted language that is as comprehensible to the novice as it is to the expert, the magazine offers a lively, provocative, and visually stimulating package that informs as well as entertains with news dispatches from a worldwide network of correspondents, hard-hitting investigative reports, criticism, and opinion.

From its beginnings, ARTnews has balanced reporting on contemporary art with coverage of modern and old masters. In recent years, it has expanded its content to include profiles of notable collectors, museum directors and scholars; travel itineraries filled with art appreciation; inside views of the art market; and reports from the world of design.

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