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Art and Art Deadlines.com

Tag: art competition

CHANGES for the NEW YEAR!

2019 Changes for artandartdeadlines.com!

CHEERS to change

I seem to always anticipate being done with the year, exhausted & ready for the idea of a fresh start do-over.  This year I feel a subtle, but significant change.  I am excited for the new year.  2018 has been hard and uncomfortable and has brought anxiety and fear and embarrassment AND GROWTH.  My work has grown by leaps and bounds.  Where are you?  I fell into a rut and found my work technically more proficient, but I was creating without joy.

I languished.  I talked with my friends & peers.  Everyone had a story, but no one had a solution.  I finally realized that it was fear that was holding me back.  There is safety in the clear, known action.  After 20 years, I changed media.  I’ve coached a lot of artists on how to do it.  Easy, right?  Yeah, not.  It feels like artistic, metaphorical puberty. Painful.  The difference is that I now know there is something on the other side puberty. And, I can’t wait.

So, cheers to the new year.  Raise a glass of whatever you crave, my current obsession is Prosecco, and let’s celebrate possibility.  I’m scared but willing to gamble.  How about you?  That isn’t a rhetorical question.  AAAD is about to change…

Have you noticed the lack of posts?  I am busy.  You are too. And, I’m not trying to sell the cult of busy.  I am creating and screwing up and scheduling and dreaming.  There hasn’t been use value in my posts FOR ME, so I have been avoiding them doing them at all, despite knowing that they ARE useful to some of you.  Self-absorbed, but honest.  How do we resolve this problem?  My solution is to make these posts a part of my practice and process.  Change is necessary but still scary.

So… food segues remain, calls remain, subscriptions remain free.  Content will be less formal, more personal.  Visuals will be simpler, colors softer.   Some sharing of my own work (oh, the scandal) and some of yours too. ♥ I want to weigh the pros & cons of calls and opportunities for me, personally, in the hopes that my painful transparency makes you think about some portion of your own journey differently.  We can’t all be on the same journey, but we all have the same issues with different food and geography and destination.

I don’t know exactly how all of this is going to look; be prepared for some trial and error.  Tell me what works and what doesn’t.  Tell me your stories and how your experience applies.  Want to help?  Follow us on Facebook, Twitter & Insta, wherever you are.  Give us a thumbs up, like or re-post.  Interact.  We don’t need the social media boost, just YOU.

I want community.

CALL for ENTRIES: Mind, Spirit & Emotion 2018

Learn more about the 2018 Mind Spirit and Emotion exhibit from art-competition.net!

I love you a LATKE!

The holiday season is upon us.  What are you doing to see yourself through?  Whether you are a fanatic for latkes or sufganiyot, ribbon candy or fruitcake, jerk chicken or Tofurky®, chances are good your holidays involve more than glad tidings & good will.  It is a hard time of year for everyone, some more than others.  Be mindful, be kind, and please, take care of yourself.  This next Call wants to you to reveal your mind, spirit or emotion.  Do you have work to enter?

Check out this Call for Entries from Art-Competition.net for Mind, Spirit & Emotion 2018. $20 entry & no shipping.  The considered media is wide open too. Take a look…

Learn more about the 2018 Mind Spirit and Emotion exhibit from art-competition.net!CALL for ENTRIES:
Mind, Spirit & Emotion 2018
from Art-competition.net

ELIGIBILITY: All artists age 18+

MEDIA:   Open to still media, including painting, drawing, photography, sculpture, digital, prints, fiber art, collage, etc.

THEME: Mind, Spirit & Emotion “The visual narrative of the artist’s work should reveal their mind, spirit and emotion in the artwork.  The work should express the subject through the artist’s emotions, whether it is bold energy, subtle expression, mystery deepened or revealed, inner beauty, or a unique vision.”

DEADLINE:  December 3, 2018

NOTIFICATION:  December 14, 2018

ENTRY FEE:  $20 for 1, $10 ea. add’l

AWARDS:  $8,125 in cash & marketing prizes.  (e.g. 1st place $500, 2nd Place $400, 3rd Place $300, etc) + helpful marketing. There will be 7 Winners and 10 Honorable Mentions.  

For complete details, Read the Full Call!

Learn more from art-competition.net!

ARTIST of the DAY: Gabe Brown

"Ladder to the Sun" (oil on linen on board) by Gabe Brown
“Ladder to the Sun” (oil on linen on board) by Gabe Brown

“Art is like magic, an illusion created
by the force of humanity.”
Gabe Brown

I could use a little magic.  If art is magic, like today’s AAAD Artist of the Day Gabe Brown suggests, then maybe I should make a trip to a studio, gallery or museum today.  Maybe you should too.

Take in the magic of AAAD Artist of the Day, painter Gabe Brown.

CALL for ENTRIES: Black & White

Learn more from Art-Competition.net!ALL GREEN
no gray

Cilantro is a polarizing subject in my family.  It is all black and white–absolutely no gray area.  For more than 1/2 of my extended family, cilantro is nausea-inducing at the mere thought.  I, however, cannot imagine life without tomatillo & cilantro salsa.  (It contains nearly equal parts of each.)  I try not to judge them.  When I was younger, I always thought ginger tasted the same as I imagine lemon-scented furniture polish might taste.  Now I love it on nearly anything.  This next Call is an excellent reason to see all of the world in black and white.  You be the judge…

Check out this Call for Entries from Art-Competition.net (online) for Black & White Photography.  $15 entry, & the prize packages are thoughtful & actually useful.  Take a look

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Black & White, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from Art-Competition.net!CALL for ENTRIES:
Black & White Photography

 

ELIGIBILITY: All artists age 18+

MEDIA: Photography, with or without digital enhancement

THEME: Black and white photography where the photographer’s lens captures a moment in time, a facial gesture, a flicker, reflection, glimpse, movement or expression.  The work can express any aspect from representational to non-representational.

DEADLINE:  February 16, 2015

NOTIFICATION:  February 23, 2015

ENTRY FEE: $15 for 1, $30 for 3, $60 for 7

AWARDS: 1st Place: $500 cash & other awards valued at $5200. 2nd place: $125 cash & other awards valued at $1625. 3rd Place: $75 cash. 4th Place: $50 cash.

For complete details, Read the Full Call!

Learn more from art-competitions dot net! 2
We are thrilled to have Art-Competition.net as a sponsor of AAAD!

__________

CALL for ENTRIES: Hidden

Learn more about the Hidden competition from ArtAscent!hidden
INGREDIENTS

My true goal with food is the same with art: to see you be brave.  But being brave has to be based on knowledge, not whim.  This is true of both food AND art.  I would never have you enter a show without doing at least some preliminary research into the venue, gallery, organization or publication.  So I want to encourage you never to let a food enter your mouth without a little preliminary research into ingredients or origin.  Do me a favor, if I can’t get you to quit eating food with labels, at least read the label.  There are scary things hidden in lots of foods. This next Call wants to explore the hidden as well.  Take a look…

Check out this Call for Entries from ArtAscent (online) for Hidden.  Only $15 to enter.  Our Featured Artist Sima Schloss, was featured on the cover of the Dark issue in December.  Are you next?

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Hidden, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from ArtAscent!CALL for ENTRIES:
Hidden

Unseen, unknown, mysterious, cryptic, masked, clouded, puzzling, esoteric. Show them what hidden means to you.

 

ELIGIBILITY:
Open to all artists 18+

MEDIA: All media except video, sound & performance. Some examples: Painting, drawing, photography, mixed media, digital, printmaking, installations, ceramics, jewelry, sculpture and other 2 & 3-D media.

DEADLINE:  June 30, 2014

ENTRY FEE:  $15 for one image, $25 for up to 3 & $45 for up to 8

Learn more about the Hidden competition from ArtAscent!AWARDS: Gold Winner: Featured in ArtAscent Magazine Gold Winner section with an art writer review, bio, artwork & website link. Add’l publication & exposure includes ArtAscent website & social media.

Silver Winner: Featured in ArtAscent Magazine Silver Winner section with an art writer review, bio, artwork & website link. Add’l publication & exposure includes ArtAscent website & social media.

Bronze Winner:  Featured in ArtAscent Magazine Bronze Winner section with an art writer review, bio, artwork & website link. Add’l publication & exposure includes ArtAscent website & social media.

Distinguished Artists (17-27): Featured in ArtAscent Magazine Distinguished Artist section with artwork & website link. Add’l publication & exposure includes ArtAscent website & social media.

SALES: No commission.  Any purchase inquiries will be referred directly to the artist.

For complete details, Read the Full Call!

Learn more from ArtAscent!

CALL for ENTRIES: Ivyside

Learn more from the Misciagna Family Center for Performing Arts at Penn State Altoona!CHEESE
off the old block

Cheese food is not cheese.  You’re allowed to like American cheese; feel free.  But, don’t take comfort in the idea that you are eating a natural cheese.  It is manufactured from milk, whey, milkfat, milk protein concentrate, whey protein concentrate, saturated oils; emulsifiers, salt & artificial coloring–and that’s assuming you aren’t consuming a diet variety.  Think of it this way…if the cheese can’t stand alone, then maybe it shouldn’t have the spotlight in any of your meals.  This next Call is looking for a big cheese (or six) to put in the spotlight.  Are you a big cheese?

Check out this Call for Entries from Penn State Altoona (Altoona, PA) for the Ivyside Juried Art Competition for solo shows at the Misciagna Family Center for Performing Arts.  The entry fee is only $10 for up to 24 images.  This is a great academic opportunity at a really low price!

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Ivyside, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from the Misciagna Family Center for Performing Arts at Penn State Altoona!CALL for ENTRIES:
Ivyside

 

ELIGIBILITY:  Open to all artists

MEDIA:  Open to all media

DEADLINE:  March 1, 2014

NOTIFICATION:  May 30, 2014

ENTRY FEE: $10 for up to 24 images

JUROR:  Artists will be selected from on-line submissions by a faculty committee.

AWARDS:  Up to six artists are awarded annually with a solo gallery exhibition in one of two gallery spaces (each approximately 13’ x 25’) at the Misciagna Family Center for Performing Arts at Penn State Altoona.

For complete details, Read the Full Call!

Learn more from the Misciagna Family Center for Performing Arts at Penn State Altoona!

CALL for ENTRIES: Figurative Work

Enter the Featured Artist Contest today!BUTTER
me up

I am fat obsessed–not with the fat ON me but with the fat IN my food.  In October of 2013, I threw away my weight scales.  I’m done.  My familial relationship with diabetes and my allergy to wheat has forced a reduction of many of the starchy treats I have always loved.  But, beautiful, luscious fats like butter and coconut oil have increased to help ease the transition.  As a result, MY figure is changing–from the texture and tone of my skin to slow but steady reduction of my double chin. This next Call wants to know all about your figure, of sorts.  Take a look…

Check out this Call for Entries from Raebec Gallery (online) for Figuratively Speaking. This is a monthly art competition that could serve as great art publication and provide web back links to help increase your web traffic.  Investigate…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Figurative Work, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from the Raebec Gallery!CALL for ENTRIES:
Figurative Work

 

“For this exhibition, we’re looking for art that represents strong portraiture and any style of figurative art. All pieces submitted will be judged on originality and the overall artistic quality of the work, including compositional excellence.” –from Raebec Gallery

ELIGIBILITY:  Open to all artists

MEDIA:  Open to all media including: paintings, drawings, oil, acrylic, pastels, ink, graphite, sculpture, photography and CGI works.  Ineligible media includes: Wearable art, jewelry, artwork in frames.

DEADLINE:  February 10, 2014

NOTIFICATION:  Approximately 2 weeks after the deadline

ENTRY FEE:  $35 for 3 entries and $5 per every entry thereafter

AWARDS:  Cash prizes, Awards of Excellence and Special Recognitions will be awarded to the top 3 and honorable mentions.

SALES:  The gallery will take the 30% commission.

For complete details, Read the Full Call!

Learn more from the Raebec Gallery!

CALL for ENTRIES: Figures

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!put another log
SHALLOT
on the fire

Vacation has not been kind to my figure.  Tomorrow is the last day of my summer vacation at Lake Lure (Dirty Dancing & Last of the Mohicans were filmed here), and I am already trying to figure out tomorrow’s food schedule and we’ve just finished with today’s brunch.  What is it about being out of town that leads to over-indulgence and gluttony?  Maybe I need another treat to figure it out. We’ll call it research, ha.  Luckily, this next Call takes all interpretations of “figure,” even the vacation version.  Take a look…

Check out this Call for Entries from ArtAscent (online) for Figures, their most recent Int’l Art Competition.  If you haven’t figured it out, hard copy art publication is being replaced by online art magazines.  Make careful decisions just like you would about a gallery. Don’t forget, you can enter for only $15…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Figures, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from ArtAscent!CALL for ENTRIES:
Figures

 

Human beauty, creature shadows, unexpected forms. Show them the figures YOU have imagined.

ELIGIBILITY:
Open to all artists 18+

MEDIA: All media except video, sound or performance.  Some examples:  Painting, drawing, photography, mixed media, digital, printmaking, installations, ceramics, jewelry, sculpture and other 2- and 3-dimensional media. The theme of this call is Figures. Submissions including diverse interpretations of the human figure will be considered. Explicit sexuality or genitalia is not encouraged.

DEADLINE:  August 31, 2013

ENTRY FEE:  $15 for one image, $25 for up to 3 & $45 for up to 8

Learn more about the Figures competition for Art Ascent!AWARDS: Gold Winner $100: Featured in ArtAscent Magazine Gold Winner section with an art writer review, bio, artwork & website link. Add’l publication & exposure includes ArtAscent website & social media.

Silver Winner: Featured in ArtAscent Magazine Silver Winner section with an art writer review, bio, artwork & website link. Add’l publication & exposure includes ArtAscent website & social media.

Bronze Winner: Featured in ArtAscent Magazine Bronze Winner section with an art writer review, bio, artwork & website link. Add’l publication & exposure includes ArtAscent website & social media.

Honourable Mention Winners (17): Featured in ArtAscent Magazine Honourable Mention Winners section with artwork & website link. Add’l publication & exposure includes ArtAscent website & social media.

SALES:  No commission. Any purchase inquiries will be referred directly to the artist.

For complete details, Read the Full Call!

Learn more from ArtAscent!

FEATURED ARTIST: Stephanie Metz

Learn more about Featured Artist Stephanie Metz!BUTTER, melts like butter

I try to co-ordinate the Featured Artists I choose with the season, the weather and, well, my mood.  Given the time of year and the constant presence of butter-laden comfort foods in my house, I have been in the mood for something comforting, something soft, something knowable.  Well, I don’t always get my way.

This month’s artist works in the soft and fuzzy, but she left me with an uneasy feeling.  After reviewing her work, I had more questions than answers and the sinking feeling I might have seen something that wasn’t any of my business.  I feel a little voyeuristic when feasting on her work.  I am uncomfortable, and I am okay with that.  On behalf of AAAD, I am proud to announce this month’s Featured Artist is Stephanie Metz.  Her artwork is mysterious but overtly human.  Let Stephanie take YOU out of your comfortable place and inspire you for the New Year…

Learn more about the Featured Artist Stephanie Metz!FEATURED ARTIST:  Stephanie Metz

Stephanie Metz lives and works in San Jose, California and was a featured artist in Bay Area Currents 2009 at ProArts Gallery, Oakland, CA.  She has exhibited at Hosfelt Gallery, San Francisco and New York, and the San Jose Institute of Contemporary Art.  Her numerous group exhibitions include Creatures: From Bigfoot to the Yeti Crab at the Sun Valley Center for the Arts in Idaho, Formex Stockholm 2008 in Stockholm, Sweden, and Transmission: Experience at the Institute of Contemporary Arts Gallery, Singapore.  Metz was honored with two Center for Cultural Innovation Grants in 2011 and 2009.

Her artwork has been reviewed and featured in the San Francisco Chronicle, Fiberarts Magazine, Craft Magazine, Artweek Magazine, and PBS. She received her BFA in Sculpture at the University of Oregon.  Metz’s focus is overly domesticated creatures, especially those whose form has overgrown their function.

Flesh and Bone Study 2 by Featured Artist Stephanie Metz!What do you consider your media?  Felted Wool?  Mixed Media?  “I describe myself as a ‘Sculptor’, and I mostly use wool, but I feel free to use other things when they’re needed. I’m known for my felted wool work, and I truly love the medium, but I don’t identify myself as a fiber artist or a felt artist or a wool artist—all of which apply, but really narrow down the discussion with a lot of preconceptions.  I have in the past listed my medium as ‘felted wool’ on labels for my work, but recently saw a show of Rosemarie Trockel’s wrapped yarn canvases described simply as ‘wool,’ and really liked the simplicity of it—probably because I feel that I’m always having to push forward the idea of wool as just another medium with which to sculpt, rather than a way to draw a line between art and craft.   So I guess I’m saying my medium is wool.”

Talk to me about the process you use.  “My process is ridiculously simple: I poke at masses of wool fibers with sharp, notched needles from various directions until they compact into nearly solid forms. Needle felting is a way to make non-woven textiles, but unlike wet felting which tangles the wool fibers through heat and motion, needle felting accomplishes the tangling by mechanically forcing the wool fibers against each other, where they become interlocked thanks to the microscopic scales that cover the hairs.

Hair Underwear by Featured Artist Stephanie Metz!“Eventually the fluffy wool becomes more like a solid object, given a particular shape by the process of turning it over to reach different areas, adding on more wool, compacting it down, and all the time poking and poking and poking. Repeat.  I enjoy pushing the known limits of a material and a technique, and since I had no background whatsoever in fibers when I stumbled across needle felting, I didn’t know what rules I might be breaking.”  For those interested, there are some great process pictures on her Facebook page.

How do you feel about what I suspect are never ending questions, like mine, about your process?  “Sometimes I wish I were a painter, because then when people ask what I do I could just say ‘I’m a Painter’ which either ends the discussion or opens on to a discussion of ideas and themes, rather than detailing the physical application of materials.  Working in an unusual and craft-heavy medium means I have a lot of practice talking about my technique, which is a blessing and a curse. It’s great that people find it interesting, and I’m enthusiastic about sharing the ins and outs of needle felting—but that doesn’t always leave time to talk about the ideas behind the work. ”  Watch a time lapse video of 35 hours of work in 4:14 minutes.

Lorica 5 by Featured Artist Stephanie Metz!Your work actually makes me a little uneasy.  It seems far too intimate for public viewing, and I don’t know why.  Talk about your influences. “I’m intrigued to find that my work seems intimate to you, since I sometimes suspect that I’m too much of a chicken to really put it all out there.  I’m a private person.  I feel somewhat protected by the non-literal nature of my artwork, but perhaps it’s more self-disclosing than I realize. Or maybe it appears to be self-disclosing to a viewer because it reflects back their own issues or expectations. I do find that when I meet new people who have known my work first they often seem surprised that I am, er, ‘normal.’  I don’t know any ‘normal’ artists Stephanie.  Even the folks doing representational pastel beach scenes on the Boardwalk have a weird streak.

“It is a strange disconnect to make things and know what they mean to me, and then find out that others have completely different takes on them.  But I know each of us carries around a lifetime of personal baggage, and that affects the way we interpret art and life.  My teddy bear skulls, for example, tend to separate viewers into two distinct camps: those who see them as specimens of surreal nature, and those who see them as evidence of murdered childhood icons.  I’m in the former camp.”

Learn more about Featured Artist Stephanie Metz!What style of art do you find unbearable to own?  “I dislike artwork that mines the cultural iconography of another time or culture in a frivolous way… like plunking a Kokopelli figure on a mailbox, for example. There has to be a reason, a connection.”

You know we have to talk about food. What is your favorite? “Hmm. I’m not sure if ‘butter’ is considered to be a food or just a component of food. I was allergic to dairy as a child, so I tell myself I’m making up for lost time. Perhaps a more socially acceptable answer would be one of many cheeses, probably between Cotswold and fancy sharp Cheddar.  I lean towards an Italian palate of breads, cheeses, tomatoes, and the like.”  Butter.  I miss butter as it has been relegated to a rare indulgence, despite to my French culinary leanings.

What about snack foods?  “I really like rice cakes with cream cheese heavily applied, but some Oreos wil l do as well as long as it’s after real food.  I have a thing about not eating dessert food (chocolate-based) before ‘real food’. Not sure why.”  Rice Cakes, Stephanie?  Really?  You lead me on with butter only to slap me down with rice cakes?  I love them too, but it’s a long fall from butter.

Learn more about Featured Artist Stephanie Metz!So, what’s coming up next for you? “I’m considering this a ‘making year’- head down, working on my large scale body of work (and smaller studies as I work out the mechanics of making the large pieces). I’m looking into renting a larger studio space at the end of the year, since my work is lately taking over more of the house.”

What style or school of art do you think your work fits into and why?  “I think my work is perhaps related to post minimalism, but the ‘official’ style that best seems to fit is “Eccentric Abstraction,” a term coined by curator Lucy Lippard in 1966, which refers to the use of organic abstract form in sculpture evoking the gendered body through an emphasis on process.  I don’t know when there will be a term for a style or school that emphasizes hand work within the world of modern technology (and without the negative associations of ‘craft’), but I think I would fit there.”  Holy cannoli, someone finally ANSWERED this question without saying, ‘I don’t think in terms of labels’ or “My work doesn’t really fit into any particular style.”  Thank you.  You might be the first one EVER.

Thanks, Stephanie, for making me uneasy with your felted creaturesWe all need to be forced out of our comfort zone…

Learn more about Stephanie Metz online!

Learn more about Featured Artist Stephanie Metz!

HOUSEKEEPING: Artwork & an Art Job

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!KITCHEN PATROL

I would rather cook than do housekeeping anyday, anytime.  However, if you don’t keep on top of the housekeeping, there won’t be clean dishes for eating what you cooked.  In my house, there seems to be a constant shortage of spoons and bowls.  It is all connected.  Take a look…

Check out these Calls for Entries for the November $2 Art Contest from www.ArtAndArtDeadlines.com.  And, in a rare regional listing, I am posting an art job opportunity in Oakland, CA.  One of these opportunities is for you…

Follow the Rules to win the Crown!HOUSEKEEPING:
$2 Art Contest

 

There is only a little over a week until the December Deadline for the $2 Art Contest.  If you are chosen as the Featured Artist from November entries, you will eligible to compete for the Featured Artist of the Year for 2011. 

The rules are simple:

 

ELIGIBILITY:  Open to all artists.  Although I don’t recommend entering unless you have a website.

MEDIA:  All media.

DEADLINE:  Midnight EST, November 30, 2011

NOTIFICATION: December 7 – 15th, 2011

ENTRY FEE:  $2 via PayPal to submitart@artandartdeadlines.com.

HOW TO ENTER:  Send a payment of $2 via PayPal, then send an email with the subject line: “November $2 Art Contest – Your Name”.  In the body of the email, list your name, a link to your website and the PayPal Transaction ID#.  Done.

AWARDS:  Feature post with links back to your website.  Check out our past Featured Artists for examples.

TIPS:  Remember, your website should have a bio, a statement about your work, and clearly categorized and titled work.  If your media is not obvious, explain it.  For more information, visit the $2 Art Contest page!

Learn more about Attitudinal Healing Connection!CALL for ENTRIES:
Oakland Super Heroes
Mural Project

 

Attitudinal Healing Connection (AHC) a non-profit organization in West Oakland is looking for local artists to paint the Hoover Corridor Neighborhood’s first large scale mural project.  Using the theme of super heroes, the murals are going to be designed by local middle and high school students and are intended to uplift and positively transform the neighborhood.

“Over the course of three years we plan to complete six murals under freeway overpasses includingSan Pablo Avenue, Market Street, West Street, and Martin Luther King Jr. Boulevard.  These murals will serve as a gateway to West and Downtown Oakland and can become a key way in which our community is perceived. This is a call for local artists interested in helping to revitalize the Hoover District inWest Oakland.” –from the Call for Entries (downloadable below)

Learn more about Attitudinal Healing Connection! ELIGIBILITY:  Must be over 18 years or age.  You must have previous mural painting experience.  AND, YOU MUST CARE!  Be passionate about social justice & want to create positive change

 APPLICATION:  Please send a letter of interest, resume and a list of references to muralproject@ahc-oakland.org.

INTERVIEW PROCESS:  They will be conducting interviews in late December/early January.  If you are selected, they will notify you.   Please bring 8-12 samples of your work to the interview.

DEADLINE:  December 1, 2011

For complete details, Download the Call!

 

Learn more about Attitudinal Healing Connection!

*Editor’s note:  This Call does not exist on their website as of this publish date; therefore, you’ll need to bookmark this page to download the .doc file above.