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Art and Art Deadlines.com

Category: Mixed Media

CALL for ENTRIES: MFA Print Editon

Learn more about the MFA Print Edition from Create Magazine!

COLD complication

The school year returns soon.  Many of you know I have a kid in college, so his impending exit will mark a change in my house like so many of you with students.  My grocery bill will shrink, and his eating habits will change.  At home, my son eats whatever is put in front of him.  At school, he can choose to fuel himself on pizza and coffee 6 out of 7 days.  I choose to believe not, but a quick glance at the bucks he spends on ‘bucks reveals the ugly truth… his degree will be sugar & caffeine-fueled.

What gets you through a work day?  Do you have a routine or a vice?  Is there a difference, or is the label just a way to guilt yourself into less-frequent indulgence?  After a hard day in the studio recently, I picked up my keys and headed out, making a quick pitstop in my husband’s studio to let him know I was going.  “I’m headed to the liquor store.  Want anything?” I asked.  “Day that good, huh?”  *blink blink blink* “How about I work on dinner while you’re gone?”  Smart man.  This next Call is for those of you whose memory of late night projects & exam cramming are still directly behind you.  

It is no secret that this is one of my all time favorite art publications.  Check out this Call for Entries from Create! Magazine (print publication) for the 2019 MFA Print Edition.  $30 entry for this gorgeous magazine.  Don’t miss this chance…

Learn more about the MFA Print Edition from Create Magazine!CALL for ENTRIES:
MFA Print Edition
of Create! Magazine

ELIGIBILITY:  Open to MFA graduates from the past 2 years (2017-19) & current candidates from both the US & abroad

MEDIA:  Open to all media, i.e.: painting, sculpture, digital, printmaking, fiber, mixed media, photography, installation & more.

DEADLINE:  July 31, 2019

ENTRY FEE:  $30 for up to 3

JURORS:  Kate Mothes is founder and curator of Young Space, an independent, itinerant, online-offline contemporary art platform emphasizing early career & emerging artists.  Kate received a Masters in Art History, Theory & Display from Edinburgh College of Art at the University of Edinburgh, and a Bachelors in Art History from the University of Wisconsin-Madison.  She has recently participated as a guest juror for BEERS London’s Contemporary Visions 2019, and was curator-in-residence at AucArt LAB, London, UK, in March 2019, and at PADA Studios in Lisbon, Portugal, in April 2019. When not traveling for exhibitions and projects, she is based in Northeast Wisconsin.

AWARDS:  Artists selected by the guest juror will receive a 2-page spread including a brief bio, website, and 2 images in print and digital formats. Published artists will receive a complimentary digital issue and will be listed on Create! Magazine’s website/social media & will be listed with images, details and information on their website/social media for life. All featured artists will automatically be considered for any upcoming curatorial projects & exhibitions organized by the Create! team.  

SALES:  The MFA Print Edition will be available online, in global retail locations in London, New York, Los Angeles, San Francisco, Amsterdam, Stockholm, Chicago, Ft. Lauderdale, Wilmington (DE) & more.

For complete details, Read the Full Call!

Learn more from Create! Magazine.

CALL for ENTRIES: Cimarron Nat’l Works on Paper

Learn more about the Cimarron National Works on Paper exhibit from Oklahoma State University Department of Art - Graphic Design and Art History!

list of DISTASTE

On paper, I am NOT a finicky eater, but there is a list of things I don’t eat by choice.  I’ve always disliked Ranch dressing until this 40 Aprons recipe changed my mind (not a sponsored post). The remainder of the list includes collard greens, anything eaten alive, American “cheese”, licorice & few other random odds & ends that are not normal options anyway. Sometimes you don’t know until confronted with an unedible.  I had to eat American cheese last week, and it is still on my mind, obviously, ha.  What are your outside food limits?

This next Call is on another of my lists, but this one is for far better reasons.  I appreciate academic shows, and they align with my list of shows that will help push me toward my career goals. OSU’s Art Department has a great record of good shows and excellent jurors.  This one is no different.  If you work on paper (including photography), and are looking for a quality show, try this one. They even pay return shipping up to $100.  Take a look…

Check out this Call for Entries from Oklahoma State UniversityDepartment of Art, Graphic Design & Art History (Stillwater, OK) for Cimarron National Works on Paper.  $30 entry fee.  You know how I love an academic show…

Learn more about the Cimarron National Works on Paper exhibit from Oklahoma State University Department of Art - Graphic Design and Art History!Cimarron National Works on Paper 
from O.S.U. Department of Art, Graphic Design & Art History

ELIGIBILITY:  Open to all U.S. resident artists 18+

MEDIA: Open to work on paper, including photography & paper-based multi-media work. 

DEADLINE:  July 8, 2019

SHIPPING:  If accepted, work must be received by August 29, 2019.

ENTRY FEE: $30 up to 3

JUROR:   Jodi Throckmorton, curator of contemporary art at the Pennsylvania Academy of Fine Arts. As PAFA’s Contemporary Curator, Throckmorton oversees such programs as, the Morris Gallery Program and the Sculpture Plinth Program. Prior to her current position at PAFA, Throckmorton served as Curator of Modern and Contemporary Art at the Ulrich Museum of Art at Wichita State University and as associate curator at the San Jose Museum of Art. She holds an MFA in Museum Studies from San Francisco State University, and a bachelor’s degree in Art History and French from the University of Nebraska-Lincoln. 

AWARD:  $2,000 will be available for purchase awards. Purchased work will be added to the permanent collection of the Department of Art, housed in the Oklahoma State University Museum of Art. Awards will be selected by the juror after the accepted work has been received.

For complete details, Read the Full Call!

Learn more from Oklahoma State University Department of Art - Graphic Design and Art History!

CALL for ENTRIES: Strange Figurations 2019

 

Learn more about Strange Figurations from SlowArt Productions and the Limner Gallery!

future FOOD

Netflix & popcorn nights have accompanied my new revelation… the phrase “I had no choice” may be the most commonly uttered line written for television. We always have a choice.  The choice may be unthinkable, unspeakable and emotionally-devasting, but it is still a choice.  I have made glorious choices and horrific ones.  Those choices have allowed me to follow my heart and have fueled my creativity, but they have also created an unsustainable physical reality for me.  My body is betraying me; I’m not terminal, just infuriatingly chronic.

I have created bodies of work surounding how our bodies betray us.  But really, I made many of the choices.  So, thanks to Netflix #jokingnotjoking I am making new choices.  I am trying to gently strengthen my body and make healthier food choices.  Trying.  I love my life, and I’ve come to love the physicality of the figure I inhabit, so it is time to fight to keep it.  I’m not having a mid-life crisis or looking for immortality, I just want a chance to have a productive future.  I don’t think kale or avocado are miracle cures, but clean food & more movement have to be a start. Like I said, trying.

This next Call wants your figurative work, whatever your take.  Are you fighting for a figure?  Your own? Another’s?  Check out this Call for Entries from Slow Art Productions for Strange Figurations at the Limner Gallery (Hudson, NY). $35 entry, 35% commission, open to all media and all artists.  Take a look…

Learn more about Strange Figurations from SlowArt Productions and the Limner Gallery!CALL for ENTRIES:
Strange Figurations
at the Limner Gallery

This exhibition will be held September 5-28, 2019.

ELIGIBILITY:  Open to all artists 18+

MEDIA: Open to all media forms

THEME:  “This exhibition is open to all interpretations of the concept, Strange Figurations. Included are all forms of surreal, visionary and extraordinary figurative art. All interpretations of the theme “Strange Figurations” will be reviewed and considered.” — Limner Gallery

DEADLINE: June 30, 2019

NOTIFICATION: July 30, 2019

ENTRY FEE: $35 for up to 4, $5 ea. add’l 

SALES:  SlowArt Productions will retain 35% commission on sales.  Prices set by the artist.

For complete details, Read the Full Call!

Learn more from SlowArt Productions and the Limner Gallery!

CALL for ENTRIES: Harrow

Learn more about the Harrow Issue from Up the Staircase Quarterly!

ORANGE you glad?

I’m going to have orange elbows any day now.  I have been craving and eating carrots daily.  In my area, they are usually around a dollar a pound for full size organics and make great chips for hummus, a great boost to Indian dishes, beautiful color in Buddha bowls.  When my son was learning to eat real food, he preferred anything sweet or starchy, naturally, with a preference for carrots and sweet potatoes.  His hands, feet, knees and elbows stayed a hilarious color of orange for a few weeks.  I expect mine to turn any day now, ha.

Continuing with this week’s publication theme, I want to introduce you to Up the Staircase Quarterly if you’ve not yet had the privilege.  Established in 2008, Up the Staircase Quarterly is an online journal of poetry, art, interviews, and reviews. New issues are published every February, May, August & November, unless otherwise stated. And for some of you that write poetry in addition to visual work, UtSQ nominates for the Pushcart, Best of the Net, and Best New Poets

They have a 10+ year history and a detailed Masthead for you to research.  So, check out this Call for Entries from Up the Staircase Quarterly (online pubication) for Harrow.  There is no entry fee, but also no payment. Do you have suitable work?

Learn more about the Harrow Issue from Up the Staircase Quarterly!

CALL for ENTRIES:
Harrow 
from Up the Staircase Quarterly

ELIGIBILITY:  Open to all artists 18+

MEDIA: Open to all media 

THEME:  Paranormal. Open to any takes on this subject–serious, quirky, and everything in between, work containing ghosts/spirits, aliens, conspiracy theories, cryptozoology, near death experiences, glitches in the matrix, extrasensory perception, pseudoscience, and any experiences that can be considered supernatural.

DEADLINE:  June 15, 2019

NOTIFICATION:  Less than 30 days

ENTRY FEE: No fee up to 10 images 

AWARD: Publishing credit, no monetary compensation.  Harrow goes live on August 1st.

For complete details, Read the Full Call!

Learn more from Up the Staircase Quarterly!

CALL for ENTRIES: Lay of the Land

Learn more from Orion, America's Finest Environmental Magazine!

dandy DISHES

I woke up sneezing this morning for the very best reason — flowers are blooming.  They’ve been blooming for a while, but today, the wildflowers have taken over my side yard.  That means it is time to remind folks about eating flowers.  Rose petals are among my favorite salad toppings & oil additives, but dandelions are truly the star of edible blooms.  The yellow flowers are delicious, the greens are considered a superfood, and I hear you can roast & grind the root as a decaf coffee substitute.  As always, never eat a flower if you don’t know its history as well as the history of the land upon which it grows.  No one wants a belly full of pesticide.

Continuing with the publication-themed calls this week, pay attention to the next one.  This environmental magazine has a 30+ year track record, so doing research on what they want is easy.  They do publish a wide variety of styles; however, environmental work is their mainstay.  I have linked to their Call, and although they have an online entry system, you will find that they prefer you to simply email them a link to your work, NOT the work itself.  This is a great way to have someone consider a portfolio of images instead of hoping you picked the single “right” image for the submission.  Free & easy…

Check out this Call for Entries from Orion Magazine (print publication) for the Lay of the Land department.  There is no fee to enter, but please do your homework on this publication so that you can craft your submission to suit.  “America’s Finest Environmental Magazine”…

Learn more from Orion, America's Finest Environmental MagazineCALL for ENTRIES:
Lay of the Land Art
from Orion Magazine

ELIGIBILITY:  Open to all artists 18+

MEDIA: Open to all 2-D media 

THEME:“We are always curious to hear from artists whose work shares our concerns with nature, culture, and place. Artists are strongly encouraged to familiarize themselves with past issues of Orion before approaching us with portfolios….artwork in Orion maintains intuitive connections to the physical world.” –orionmagazine.org

DEADLINE:  June 15, 2019

NOTIFICATION:  Six months

ENTRY FEE: None

SUBMISSION NOTE: “Correspondence should ideally link to a web gallery, lightbox, or shared folder. We prefer not to receive media submissions attached directly to emails.”

For complete details, Read the Full Call!

Learn more from Orion, America's Finest Environmental Magazine!

CALL for ENTRIES: Cover Art

a HUNGRY summer

I’ve had my head down working and planning and growing.  How about you?  Spring always makes me take a second look at my process, while summer makes me kick into production mode.  What are you doing to support your work?  I am contemplating meal kits and taking a day off from the studio.  I know that doesn’t make a lot of sense at first glance. But lunch is the bane of my daily schedule.  Just when I hit a creative stride, it is time for some sort of meal prep for lunch.  I live in a house with folks with dietary restrictions, and everyone eats lunch at home.  So, I’ve been exploring options.  Take out takes just as much time to pick up, and delivery is cost prohibitive.  A lot of meal kits are labor intensive despite arriving with pre-prepped foods, and many of them are the wrong quantity or, again, cost-prohibitive.  I’ve found one (Hungryroot & no, this is not sponsored) I think I am going to give a try.  The ingredients look good, the sizing is right, the cost is manageable.  I am excited about getting lunch off my plate, so to speak.

One of the other big stumbling blocks for me is juggling my boring-but-necessary household tasks with my work schedule. Finding time. I find it hard to work creatively when I am encumbered with a list of non-creative tasks to do at home.  My husband more than carries his half of the burden, but someone still has to do my half, ha.  So, I’ve been practicing taking one day off from the studio and trying to cram all of the household tasks I can into that day –laundry, appointments, meal planning, grocery shopping.  It is a work in progress.  I’ll be sure to give you an update before summer’s end.  In the meantime, I’ve had two acceptances for publication in two different magazines, and I am inspired by the positive attention it has drawn to my work and added to my social media reach.  So, I am offering a few publication calls this week.  I am running close on deadlines, so don’t delay in submitting your work.

Check out this Call for Entries from New England Review (Print & Digital Publication) for Cover Art.  There is an additional call for artwork for use on their website on the same page. This is a reputable publication option, with artist payment (albeit tiny) and little to no risk.  Is this a good fit for you?

Learn more about the Call for Cover Art from the New England Review!CALL for ENTRIES:
Cover Art 
from New England Review

ELIGIBILITY:  Open to all artists 18+

MEDIA: Open to any genre (painting, photo, sculpture, etc.) that will reproduce well as cover art. “We strongly favor abstraction.”

DEADLINE:  May 31, 2019

NOTIFICATION:  Within 12 weeks, if possible.

ENTRY FEE: $2-$3 for writing submissions, but cover art submissions appear to be no chargeFees are waived for current subscribers.

AWARD: $100 for cover art, plus two copies of the issue in which the work appears and a one-year subscription. The cover will be printed in full-color, full bleed, with the magazine’s logo in overprint and will be reproduced on the magazine’s website and electronic publications. The size of the printed cover is 6.75 inches wide by 9.75 inches tall, so the image may need to be adjusted to fit the trim size.

For complete details, Read the Full Call!

Learn more from the New England Review!

CALL for ENTRIES: Unique Abstractions

Learn more about the Unique Abstractions exhibit from Las Laguna Gallery!

abstractly DRINKING SPEAKING

The notion of eating healthy is an abstract one. Even putting ethical concerns aside, there are health benefits (and disadvantages) to embracing vegetarianism, veganism and even raw diets.  Sugar is the devil, but artificial sweetners are differently malicious.  An excessively fatty diet can lead to heart disease but when coupled with an near absence of carbohydrates puts the body in ketosis that effectively treats diabetes in many.  Chocolate and red wine and coffee and kale, all abstractions of a healthy diet.

In art, abstraction takes a lot of forms.  At it’s broadest, abstraction is work that is non-representational. But, that begs the question, non-representational of what?  From that we get non-figurative & non-linear styles that are often included in surrealism, dadaism, cubism, fauvism, suprematism, art informel, neo-plasticism, de stijl & others.    This next Call wants to see all of your abstract creations.  My heart lies with abstraction, although I find reactions to it frustrating.  What’s your experience?  Are you insulated enough not to hear the voices of those that would dismiss the non-representational?  My mantra is ‘process not product’.  Excerise your muscle memory.  Lose yourself in process.  It works for me.  What works for you?

Check out this Call for Entries from the Las Laguna Gallery (Laguna Beach, CA) for Unique Abstractions, a show of abstract work in a wide range of media. $35 entry & 35% commission.  Don’t miss this opportunity…

Learn more about the Unique Abstractions exhibit from Las Laguna Gallery!CALL for ENTRIES:
Unique Abstractions
from Las Laguna Gallery

ELIGIBILITY: Open to all artists

THEME:  Abstraction.  “True abstract art not only utilizes flexibility and freedom; it also employs bold uses of color, line, pattern, form, process and composition.” — laslagunagallery.com

MEDIA: Open to acrylic, airbrush, assemblage, charcoal, color pencil, collage, digital art, drawings, encaustic, fiber art, araphite, illustration, mixed media, new media, oil, painting, pastel, photography & watercolor.

DEADLINE:  June 7, 2019

NOTIFICATION: June 12, 2019.  If accepted, delivery of work is June 26th to July 2nd.

ENTRY FEE: $35 for up to 3 

SALES: The gallery will retain 35% commission on all sales.

For complete details, Read the Full Call!

 

Learn more from Las Laguna Gallery!

ARTIST of the DAY: Alice Wellinger

The Envelope by AAAD Artist of the Day Alice Wellington!
“The Envelope” (acrylic on canvas, 40cm x 40cm) by Alice Wellington

“Kunst ist schön, macht aber viel Arbeit” Karl Valentin

“Art is beautiful, but it does a lot of work.” — Karl Valentin

I was on a flight from Chicago to Atlanta recently when the pilot announced it was going to be a very bumpy ride.  I’m not a bad flyer, but it doesn’t stop me from white-knuckling the armrest everytime we drop a few feet.  But sharing my flight was a 3-year-old girl, traveling with her father, all full of energy & curiousity.  Everytime we would hit turbulence and drop a little, she would giggle & laugh & hold her stomach.  For me, turbulence is a chance I’m going to die, for her, it is a stomach drop in the elevator or over the top hill of a rollercoaster.  I will never experience airplane turbulence the same way.  Perspective.

When asked (frequently BTW) about my favorite artist or style of art, my immediate reaction is to reject being backed into a corner by that sort of reductivism, but eventually my answer boils down to “perspective”.  I want to be shown a different way to see, feel or be with something in the world, or not in the world as the case may be.  I’ll take irony, sarcasm, absurdism, realism, surrealism or any other work that makes me better, or worse, for the experience. The wit of Austrian-based artist & illustrator, Alice Wellinger, today’s AAAD Artist of the Day, drew me in immediately.  Take the time to click any of the links in this feature to explore more of her work.  “Beneath her editorial work she develops her personal art, which is surreal,ironic, dealing with the troubles of daily life and childhood memories.” You won’t be dissapointed.

Gain a new perspective with the work of today’s AAAD Artist of the Day, Alice Wellinger!

ARTIST of the DAY: Sophia Gunkel

"Breathe" (mixed media on canvas) by AAAD Artist of the Day, painter Sophia Gunkel
“Breathe” (mixed media on canvas) by AAAD Artist of the Day, painter Sophia Gunkel

“Freedom, that’s what I feel when I paint…
the freedom to explore the unknown parts of myself & our perplexing world as I see & experience it.”
Sophia Gunkel

Why do you create?  Do you have a physical response, or is the reaction solely an emotional or cerebal experience?  I have the tendency to drag my feet when I should be in the studio –somedays for a lack of purpose or an unclear direction or fear of failure.  But, I have learned how to put on foot in front of the other and get to IN the studio.  I resoundingly feel the same way every time I get there and paint.  Freedom.  Every time. The work of today’s AAAD Artist of the Day, Sophia Gunkel, speaks to me and it seems we share that same sense of freedom.  Please explore more of Sophia’s work.  (And check out her Facebook feed for time lapse video!)

Find a sense of freedom with the work of today’s
AAAD Artist of the Day, painter Sophia Gunkel!

CALL for ENTRIES: Loss, Redemption & Grace

Learn more abou the Loss Redemption and Grace show from EBD4!

I’ll take the PIE to go

There are a lot of customs surrounding death & food.  Most people are familiar with people trying to feed the living by bringing the ubiquitous casserole to the living, but I’ve recently learned that many cultures feed the dead by leaving food on graves, from leaving a pie on the gravestone at Easter to pouring wine on the burial site.  I don’t have a real understanding of the symbolism (if you do, LMK) behind the traditions, but I love the love it takes to want to feed someone pie and wine, even after death. THAT is devotion.

My work has centered around human bones for a while now.  Bones indicate a pattern for me, both for the living and the lost.  I prowl cemeteries with a sense of joy, not mourning.  Gravestones are monuments for the living of the best in those no longer able to create new memories.  They are, without doubt, often erected out of obligation, but even in obligation, they document a lifespan as an accomplishment, no matter how brief.  If they include additional details, they are rare ugly, even if the truth is ugly.  This next Call speaks to me because if offers the opportunity to react to loss from a place of truth, not obligation or memorialization. I am also excited about an open opportunity in Atlanta, a rarity.

Check out this Call for Entries from EBD4 (Atlanta, GA) for Loss, Grace & Redemption.  $40 Entry & 50% commission.  The jurors are researchable, and this venue offers a rare Atlanta opportunity.  Take a look…

Learn more abou the Loss Redemption and Grace show from EBD4!CALL for ENTRIES:
Loss, Redemption & Grace 
from EBD4

“a platform to examine edgy, daring and thought-provoking contemporary artwork, which traditionally may not be available in a commercial setting”

ELIGIBILITY: Open to American artists 18+

MEDIA: Open to all media. 

THEME:  What is your response to grief? Have you spoken to loss through artistic expression? Have you been inspired to answer injustice with the energy of creation? Share your interpretation & response to loss, redemption & grace.

DEADLINE: March 31, 2019

NOTIFICATION: April 15, 2019

ENTRY FEE: $40 up to 3, $10ea. addl 

JUROR: Elyse Defoor, director of EBD4, will serve as curator. Jerry Cullum, Ph.D. & Teresa Bramlette Reeves, Ph.D., will serve as jurors. 

AWARD:  3 cash awards totaling $800 –for Best in Show, 1st place & 2nd place.

SALES:  EBD4 will retain 50% commission.

For complete details, Read the Full Call!

Learn more from EBD4!